論巴赫在巴洛克時(shí)期的歷史地位

1、論巴赫在巴洛克時(shí)期的歷史地位    約塞巴赫是巴洛克時(shí)期西方音樂的顛峰人物，也是一位在人類音樂史上具有劃時(shí)代意義的偉大音樂家。他不僅開創(chuàng)了巴洛克音樂藝術(shù)風(fēng)格,而且他的音樂對后期的音樂風(fēng)格乃至現(xiàn)代音樂風(fēng)格都有深刻的影響。要深入了解巴洛克音樂，解開巴洛克時(shí)代的神秘面紗就必須先潛心研究巴赫這個(gè)偉大的中心人物。了解巴赫與巴洛克時(shí)代的背景關(guān)系，以及巴赫在這一時(shí)代所做的巨大貢獻(xiàn)，要了解西方音樂史就要從巴洛克時(shí)代從巴赫開始著手。  巴赫從小受到家族影響有著濃厚的宗教情結(jié)，他創(chuàng)作出來的作品多數(shù)是贊頌神靈的宗教音樂。巴赫一生創(chuàng)作了各種形式的音樂作品500余部，在

2、他的音樂創(chuàng)作中，雖然宗教性還起著重要的作用，但他以德意志民族音樂為基礎(chǔ)，處理手法常與現(xiàn)實(shí)生活相結(jié)合，使之更具有現(xiàn)實(shí)意義。  巴赫把復(fù)調(diào)音樂推向了后世無人能夠超越的、完美的頂峰，巴赫從風(fēng)格上繼承和發(fā)揚(yáng)了復(fù)調(diào)音樂的傳統(tǒng)，積極發(fā)展了主調(diào)音樂與和聲功能，并創(chuàng)造了綜合聲樂器樂的新音樂風(fēng)格。他是十二平均律的應(yīng)用者和推廣者，是其以前音樂成就的集成者和其以后音樂發(fā)展的啟迪者，并留下了令世人為之震撼的十二平均律鋼琴曲集、賦格的藝術(shù)、音樂的奉獻(xiàn)等。他不僅在器樂領(lǐng)域有卓越貢獻(xiàn)，還創(chuàng)作了兩百多首優(yōu)秀的聲樂作品。馬太受難曲就是經(jīng)典代表作之一，它是飽含對人類的熱愛的史詩性作品，代表著巴赫宗教音樂的最高成就。 巴

3、赫為音樂發(fā)展史做出了卓越的貢獻(xiàn)，他開創(chuàng)了音樂史上的一個(gè)新紀(jì)元。巴赫晚年雙目失明，1750年7月28日于萊比錫病逝。 關(guān)鍵詞：巴洛克，宗教情結(jié)，復(fù)調(diào)，十二平均律  ABSTRACT   Cypriot about Bach Baroque period is the peak figure of Western music, but also one in the history of human music is of epoch-making significance of the great musicians, was born in German

4、y in 1685 the musical family, he not only created a style of Baroque Music, And the music of his late style of music and modern music styles have a profound impact. The history of the Baroque era music is from 1600 to 1750 between the scope of this 150 years. During this period, the music, called on

5、 the habits of Baroque music, Bach and the Baroque era is the most important music composer, so in-depth understanding of the Baroque to solve the mystery of the Baroque era must be concentrated on the study of Bach The central figure of this great, Bach and the Baroque era to understand the backgro

6、und, as well as in this era of Bach's great contribution to understanding the history of Western music from the Baroque era will be started from Bach.     Bach family from a young age by the impact of a strong religious feeling, so he works created by the majority of tribute to th

7、e gods of religious music, Bach's creative life in various forms of the Department of more than 500 musical works, in his music, although also from the religious An important role, but his German folk music-based, approach and real life often combine to make it more practical significance.  

8、;   Bach to polyphony to a later no one can go beyond, the pinnacle of perfection, from Bach's style to inherit and carry forward the tradition of polyphony, and actively develop the tone music and sound features, and to create a comprehensive vocal music The new musical styles. He is

9、the equal temperament of the application and promotion, music is its previous achievements of the integration and the development of music after its inspiration, and left it shocked the world of "equal temperament Pieces," " Fugue in the arts "and" Music of dedication "

10、, he not only in the areas of outstanding contribution to music, but also the first creation of more than 200 outstanding vocal works,"Matthew Passion "is one of the classical masterpiece, it is full of the human The love of the epic works of Bach's religious music represents the highe

11、st achievements.     Bach for the development history of music made an outstanding contribution to music he created a history of a new era. Bach's old age blind, July 28, 1750 in Leipzig, died of illness. Key words: Bach, Baroque, religious sentiment, Polyphony, equal temperament,

12、 "Matthew Passion"  目   錄   中文摘要. ABSTRACT. 一、緒論. 1 二、巴赫的藝術(shù)成就. 2 （一）巴洛克時(shí)代背景. 2 （二）巴赫簡介及時(shí)代背景對音樂創(chuàng)作的影響. 3 （三）巴赫器樂創(chuàng)作的藝術(shù)成就復(fù)調(diào)創(chuàng)作. 3 （四）巴赫的聲樂領(lǐng)域的創(chuàng)作馬太福音受難曲. 4 （五）巴赫音樂中的深厚的宗教情結(jié). 6 三、結(jié)論. 7 參考文獻(xiàn). 7  一  緒  論  著手寫此論文前，筆者做了以下準(zhǔn)備工作。通過大量查閱課題資料深入了解巴赫時(shí)期的音樂特色，綜合歸納出巴赫在這一時(shí)期

13、的音樂創(chuàng)作特點(diǎn)及音樂創(chuàng)新；大量視聽巴赫的優(yōu)秀代表作品，細(xì)細(xì)品味巴赫在復(fù)調(diào)音樂中所體現(xiàn)的音樂情懷及從始至終都貫穿的濃厚的宗教情結(jié)。   重點(diǎn)研究內(nèi)容：巴赫是巴洛克時(shí)代的音樂巔峰人物，要了解巴赫首先要知道巴洛克時(shí)代的背景以及音樂特點(diǎn)，這一時(shí)期的時(shí)代背景對巴赫本人的音樂創(chuàng)作有深遠(yuǎn)的影響；其次巴赫的音樂作品分器樂和聲樂兩大板塊，在器樂方面巴赫把復(fù)調(diào)推向了后世無人能夠超越的、完美的頂峰，運(yùn)用和推廣了十二平均律；在聲樂方面也創(chuàng)作出很多非常優(yōu)秀的作品，尤其是大型聲樂套曲馬太福音受難曲；最后要分析存在巴赫音樂中的深厚的宗教情結(jié)，結(jié)合以上幾個(gè)方面來詮釋巴赫在巴洛克音樂時(shí)期的重要?dú)v史地位。 通過大量聆聽巴赫的音樂作品