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Warmingup&ReadingBrainStormCanyoulistsomeformsofart?CompetitionBoysGirlsVsWhat'sArt?ArtartpaintingmuseumgallerypapercuttingphotographWhenyoulookafar(在遠(yuǎn)處),themountainsaregreenandclear,butnosoundofthestreamisheardwhenlisteningnear,theflowersremaininfullbloom(盛放)whenspringisaway,ahumanbeing’sapproachthebirddoesn’tfray(驚動(dòng)).Riddle
APainting近聽水無聲春去花還在人來鳥不驚遠(yuǎn)看山有色paintingpainterBrainStormCanyounamesomefamouspaintingandpainters?LeonardorDaVinciandhisMonaLisaVincentVanGoghandhisStarrynightByQiBaishiShrimpByGuanShanyuePabloPicassoandhiswomancharacteristic?Warming-upDiscussingroup:Ifyouhavethreeofthesepaintingsonthewallsofyourclassroom,whichwouldYouchoose?Discussyourreasons.Thesewordsmighthelpyouinyourdiscussion.realisticabstractnaturedetailedtraditionallinerichreligiousunfinishedmoderncolourshapetraditionalreligiousabstractrealisticImpressionists’shapePre-ReadingtypicalChinesetraditionalpaintingsrealistic
Arethesepicturestruetolife?Artisinfluencedby____________________________.thecustomsandfaithofapeopleItisourcustomtoputupthesepaintingsinthespringfestival.
Itisasymbolofhope,faith,goodlucketc.
TimeWesternChinese5thto15thcenturyAD15thto16thcenturyLate19thcenturytoearly20thcentury20thcenturytotodayWhichdoyouthinkhasagreaterchange?AshorthistoryofwesternpaintingFast-ReadingThemainideaofthepassageItbrieflyintroducesthemainfeaturesofdifferentWesternpaintingstylesduringthemainperiodsoftimes.Italsoanalyzeswhyandhowthestyleschanged.ThemainideaTimeperiodAD5th15thTheMiddleAges15th16thTheRenaissanceLate19thearly20thImpressionismModernart20thtodayCareful-Reading5thCAD15th
16th
19th
20th
TheMiddleAgesTheRenaissanceImpressionismModernArtⅠHistoryPeriodⅡPaintingThemePaintingsinfluencedbyPeriodTheMiddleagesTheRenaissanceImpressionismModernArtreligiousfaithamorehumanisticattitudechangesinsocietyencouragementfromtheImpressionistsArtisinfluencedbythecustomsandfaithofapeople5thCAD15th
16th
19th
20th
TheMiddleAgesTheRenaissanceImpressionismModernArtⅠHistoryPeriodⅡPaintingThemeReligiousthemesTheStyleoftheMiddleAgesfullof______________
createafeelingof______________forGodinamore_______stylereligioussymbolsrealisticrespectandloveworksofmiddleAges《圣母子》5thCAD15th
16th
19th
20th
TheMiddleAgesTheRenaissanceImpressionismModernArtⅠHistoryPeriodⅡPaintingThemeReligiousthemesPeopleandnature(houses,possessionsaswellasactivitiesandachievements)Adoptamore________________tolife_________RomanandGreekideasDrawthings___________Colorslook_______________TheStyleoftheRenaissancehumanisticattitudeClassicalinperspectivericheranddeeperTheRenaissanceworksofrenaissance5thCAD15th
16th
19th
20th
TheMiddleAgesTheRenaissanceImpressionismModernArtⅠHistoryPeriodⅡPaintingThemeReligiousthemesPeopleandnature(houses,possessionsaswellasactivitiesandachievements)Outdoors(lightandshadow)Breakawayfromthe__________styleBeeagertoshowhow______________fellonobjectsNotas_______astheearlieronesTheStyleofImpressionismtraditionallightandshadowdetailedworksofimpression
靜物(VanGogh)
開花的栗樹(VincentWillemVanGogh)5thCAD15th
16th
19th
20th
TheMiddleAgesTheRenaissanceImpressionismModernArtⅠHistoryPeriodⅡPaintingThemeReligiousthemesPeopleandnature(houses,possessionsaswellasactivitiesandachievements)Outdoors(lightandshadow)CertainqualitiesoftheobjectAbstract,thatis,thepainterdoesnot__________paintobjectsaswesee_____________certainqualitiesoftheobjectUsecolor,lineand______Sorealisticthattheylooklike__________TheStyleofModernArtattempttoConcentrateonshapephotographsworksofmodernart夢(mèng)(Dream)(Picasso)Post-Reading1.Westernarthaschangedverylittleoverthelastseventeencenturies.2.PaintersintheMiddleAgesdidnotuseperspective.3.Impressionistspaintedlandscapes.4.Youcannotrecognizeanyobjectinabstractmodernart.5.IntheRenaissancemostartistspaintedindoors.6.Abstractartisstillartstyletoday.Trueorfalse?Matchthepaintingswiththerightstyles.TheMiddleAgesB.RenaissanceC.ImpressionismD.ModernArtBCDA1.WhichofthefollowingisNOTtrueaccordingtothetext?A.TheconventionalartistsoftheMiddleAgesfocus
moreonthereligioustheme.B.TheartistsoftheRenaissanceplacegreateremphasisonthepaintingofpeopleand
nature.C.TheartistsofImpressionismfinishthe
paintingsquicklybecausetheyarecareless.D.ThepaintingsofModernartvaryalotin
theirstyles.…because
theywanttoshowhowshadowandlightfellonobjectsatdifferenttimesoftheday.2.Wecanknowfromthepassagethat______________________A.paintingsinMiddleAgeswere
usually
paintedinarealisticway.B.perspectiveis
themostimportantdiscovery
ofallintheRenaissance.C.paintingsbeforethelate19thcenturywere
paintedmainlyoutdoors.D.worksoftheImpressionistsare
the
beginningoftheModernArt.religiousoneofindoorsdiscoveries3.ItcanbeconcludedfromthetextEXCEPTthat______________.A.therichinthe15thto16thcenturyused
paintingsfordecoration.B.westernartchanged
verylittleoverthe
lastseventeencenturies.C.theuseofperspectivehelpstomakethe
paintingsmorerealistic.D.noonecantell
whatthepaintingstyles
inthefuturewillbe.
alot4.Accordingtothetext,artisinfluencedlesslikelyby______.A.socialchangesB.thewayoflifeC.agriculture D.beliefsofpeople5.Whendidpeoplefocusmoreonpeopleandlessonreligion?A.From5thto15thcenturyAD. B.From15thto16thcentury.C.Fromlate19thtoearly20thcentury.D.From20thcenturytotoday.StylesinWesternarthavechanged__________.Artis_________bythe________and_________________.DuringtheMiddleAges,themain____ofpainterswasto_________________themes.Artistswere___________creating______and_____forGod.manytimes
influencedcustomsfaithofapeopleaimrepresentreligiousinterestedinrespectloveIntheRenaissance,peoplebeganto___________moreon_______andlesson_______.Artiststriedtopaint______and________theyreally____.Masaccioused__________inhispaintingswhichmadepeople________theywere______________aholeinthewall__arealscene.concentratehumansreligionpeoplenatureaswere
perspectiveconvincedlookingthroughatInthelate19thcentury,Europechanged__________fromamostly__________societytoamostly________on
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