開(kāi)題報(bào)告Magic Realism in Toni Morrison’s Beloved

1、畢 業(yè) 論 文開(kāi)題報(bào)告 題 目: magic realism in toni morrisons beloved 開(kāi)題報(bào)告填寫(xiě)要求1開(kāi)題報(bào)告（含“文獻(xiàn)綜述”）作為畢業(yè)設(shè)計(jì)（論文）答辯委員會(huì)對(duì)學(xué)生答辯資格審查的依據(jù)材料之一。此報(bào)告應(yīng)在指導(dǎo)教師指導(dǎo)下，由學(xué)生在畢業(yè)設(shè)計(jì)（論文）工作前期內(nèi)完成，經(jīng)指導(dǎo)教師簽署意見(jiàn)及所在專(zhuān)業(yè)審查后生效。2開(kāi)題報(bào)告內(nèi)容必須用黑墨水筆工整書(shū)寫(xiě)或按教務(wù)處統(tǒng)一設(shè)計(jì)的電子文檔標(biāo)準(zhǔn)格式（可從教務(wù)處網(wǎng)頁(yè)上下載）打印，禁止打印在其它紙上后剪貼，完成后應(yīng)及時(shí)交給指導(dǎo)教師簽署意見(jiàn)。3“文獻(xiàn)綜述”應(yīng)按論文的格式成文，并直接書(shū)寫(xiě)（或打印）在本開(kāi)題報(bào)告第一欄目?jī)?nèi)，學(xué)生寫(xiě)文獻(xiàn)綜述的參考文獻(xiàn)應(yīng)不少于

2、10篇。4有關(guān)年月日等日期的填寫(xiě)，應(yīng)當(dāng)按照國(guó)標(biāo)gb/t 740894數(shù)據(jù)元和交換格式、信息交換、日期和時(shí)間表示法規(guī)定的要求，一律用阿拉伯?dāng)?shù)字書(shū)寫(xiě)。如“2008年11月20日”或“2008-11-30”。畢業(yè)論文開(kāi)題報(bào)告1結(jié)合畢業(yè)論文課題情況，根據(jù)所查閱的文獻(xiàn)資料，每人撰寫(xiě)500字左右的文獻(xiàn)綜述：literature reviewbeloved (1987) is a pulitzer prize-winning novel by toni morrison. the novel, her fifth, is loosely based on the life and legal case of

3、 the slave margaret garner, about whom morrison later wrote in the opera margaret garner (2005). the books epigraph reads: sixty million and more, by which morrison refers to the estimated number of slaves who died in the slave trade.many themes are explored by scholars. the first major theme about

4、this novel is the impact of slavery systerm. beloved is a novel based on the impact of slavery and of the emancipation of slaves on individual black people.the effects of slavery on the self are inherited as a kind of intrinsic torment. it examines both the mental and physical trauma caused by slave

5、ry. historical implications of the novel are also studied upon by critics. many scholars find that toni morrison wrote beloved on a foundation of historical events. history is woven throughout the novel. the middle passage is referenced along with the underground railway in many parts of the novel;

6、the sixty million and more to whom morrison dedicates the novel may refer to the many who died during the middle passage.the role of beloved is another major topic of heated discussion. some scholars think that beloveds appearance reawakens memories of slavery among the other characters, and they ar

7、e forced to deal with their pasts instead of trying to repress their memories. they maintain that on an allegorical level, beloved represents the inescapable, horrible past of slavery returned to haunt the present. her presence, which grows increasingly malevolent and parasitic as the novel progress

8、es, ultimately serves as a catalyst for sethes, paul ds, and denvers respective processes of emotional growth. the motif of self-identity is also touched upon by other critics. beloved explores the physical, emotional, and spiritual devastation wrought by slavery, a devastation that continues to hau

9、nt those characters who are former slaves even in freedom. the most dangerous of slaverys effects is its negative impact on the former slaves senses of self, and the novel contains multiple examples of self-alienation.the use of symbolism is also discussed by lots of scholars. the trees, the tin tob

10、acco box, the color red are the three major symbols in the novel.mother-dauther relationship is also another major concern of scholars. mother-daughter relationships. slavery creates a situation where a mother is separated from her child, which has devastating consequences for both parties. often, m

11、others do not know themselves to be anything except a mother, so when they are unable to provide maternal care for their children, or their children are taken away from them, they feel a lost sense of self. similarly, when a child is separated from his or her mother, he or she loses the familial ide

12、ntity associated with mother-child relationships. bibliographyartwood, margaret. “haunted by their nightmares.” new york times book review, 1987 (9) : 49- 50.bayles, martha. “special effects, special pleading.” new criterion, 1988 (5): 34-40.bowers, susan. “beloved and the new apocalypse.” journal o

13、f ethnic studies, 1990 (18): 59-77.brown, rosellen. “the pleasure of enchantment.” nation, 1987 (12): 418-21.clemons, walter. “a gravestone of memories.” newsweek, 1987(13): 74- 75.crouch, stanley. “aunt medea.” new republic, 1987 (197): 38-43.韓昱馨.寵兒中塞絲重獲自我的實(shí)現(xiàn). 佳木斯大學(xué)社會(huì)科學(xué)學(xué)報(bào)，2006(3):22-23.劉霞. 尋找自我的歷程論

14、托尼莫里森寵兒中人物的主體性. 涪陵師范學(xué)院學(xué)報(bào)，2004 (4):12-15.王道水.漫漫解放之路解讀托尼莫里森的寵兒邵陽(yáng)學(xué)院學(xué)報(bào)，2006(2):44-45.王守仁，吳新云. 性別種族文化托尼莫里森與二十世紀(jì)美國(guó)黑人文學(xué). 北京：北京大學(xué)出版社，1999.詹妮特a克萊妮編, 李燕譯. 女權(quán)問(wèn)題理論和應(yīng)用. 北京：東方出版社，2006.畢業(yè)論文開(kāi)題報(bào)告本課題研究的主要內(nèi)容和擬解決的問(wèn)題：主要內(nèi)容: 托尼莫里森是當(dāng)今世界文壇上的一位杰出的黑人女作家。她“以其富于洞察力和詩(shī)情畫(huà)意的小說(shuō)把美國(guó)現(xiàn)實(shí)的一個(gè)重要方面寫(xiě)活了”。她的長(zhǎng)篇小說(shuō)寵兒于1987年問(wèn)世，并獲得1988年的普利策文學(xué)獎(jiǎng)，被譽(yù)為莫里森的代表作。因?yàn)樽髡邔⑿≌f(shuō)植根于自身的黑人文化傳統(tǒng)，在創(chuàng)作中既吸收了西方現(xiàn)代文學(xué)流派的精髓，又運(yùn)用了拉美的魔幻現(xiàn)實(shí)主義手法，形成了其獨(dú)特的藝術(shù)風(fēng)格。通過(guò)對(duì)魔幻現(xiàn)實(shí)主義的運(yùn)用，莫里森在小說(shuō)中充分將神奇與現(xiàn)實(shí)巧妙地交織在一起，創(chuàng)造出了強(qiáng)烈的魔幻式美學(xué)震撼效果，并深化了作品對(duì)現(xiàn)實(shí)的反映。本文從魔幻現(xiàn)實(shí)主義寫(xiě)作手法入手，闡述了魔幻現(xiàn)實(shí)主義的創(chuàng)作原則在寵兒中的具體體現(xiàn)，以