《HongKongCinemathroughaGlobalLens》課程教學(xué)大綱

HongKongCinemathroughaGlobalLens課程教學(xué)大綱課程基本信息(CourseInformation)課程代碼(CourseCode)CCGL9001*學(xué)時(shí)(CreditHours)168hrs*學(xué)分(Credits)*課程名稱(CourseName)（中文）(英文)HongKongCinemathroughaGlobalLens課程性質(zhì)(CourseType)通識(shí)核心課程授課對(duì)象(TargetAudience)交大與港大學(xué)生授課語言(LanguageofInstruction)English*課程簡(jiǎn)介(Description)（中文300-500字，含課程性質(zhì)、主要教學(xué)內(nèi)容、課程教學(xué)目標(biāo)等）在一個(gè)跨文化互動(dòng)和全球交流頻繁的時(shí)代，香港電影不能僅僅被視為當(dāng)?shù)仉娪?。這是一個(gè)有趣的領(lǐng)域，可以追蹤復(fù)雜的全球流程。資本，電影人員，技術(shù)，思想和創(chuàng)造力的流動(dòng)在電影制作的文化產(chǎn)業(yè)內(nèi)外充滿活力，導(dǎo)致跨國(guó)聯(lián)合制作和跨文化合作等現(xiàn)象。這些動(dòng)態(tài)過程在香港屏幕上的特征描繪，情節(jié)發(fā)展和時(shí)空配置中都有所變化。本課程讓學(xué)生從各種方法跨學(xué)科探索本地-全球互動(dòng)。通過精選的香港電影，該課程旨在通過調(diào)查有關(guān)全球化的主要問題，幫助學(xué)生全面了解當(dāng)?shù)?，流行娛樂和全球電影界之間的雙向關(guān)系。電影評(píng)論家和學(xué)者將被邀請(qǐng)進(jìn)行客座講座。*課程簡(jiǎn)介(Description)(英文300-500字)Inanagewherecross-culturalinteractionsandglobaltrafficsarefrequent,HongKongcinemacannotberegardedmerelyasalocalcinema.Itisaninterestingsitewherecomplexglobalprocessescanbetraced.Flowsofcapital,filmpersonnel,technologies,ideasandcreativityarevibrantlycirculatinginsideandoutsidetheculturalindustryoffilmmaking,resultinginphenomenasuchastransnationalco-productionsandcross-culturalcooperations.Thesedynamicprocessesareinflectedincharacterization,plotdevelopment,andspace-timeconfigurationsonHongKongscreens.Thiscoursetakesstudentsonaninterdisciplinaryexplorationofthelocal-globalinteractionsfromavarietyofapproaches.WithaselectionofHongKongfilms,thecourseaimstohelpstudentsattainathoroughunderstandingofthetwo-wayrelationshipbetweenthelocal,popularentertainmentandtheglobalfilmscenebyinvestigatingthemajorquestionsconcerningglobalization.Filmcriticsandscholarswillbeinvitedtoconductguestlectures.課程教學(xué)大綱(CourseSyllabus)Reviewthemulti-facetednatureofglobalizationbyacquiringnewknowledgeaboutHongKongcinemaintheglobalcontext.通過在全球范圍內(nèi)獲取有關(guān)香港電影的新知識(shí)，回顧全球化的多面性。Identifykeyconceptsthatillustratetheinterconnectedrelationshipbetweentheglobalsceneandlocallivesthroughanalysisofcinematictextsandfilm-institutionalpractices.*學(xué)習(xí)目標(biāo)(LearningOutcomes)通過分析電影文本和電影制度實(shí)踐，確定闡明全球場(chǎng)景與當(dāng)?shù)厣钪g相互關(guān)系的關(guān)鍵概念。3.Articulatethecomplexityofidentityissuesinaglobalworldthroughdiscussionsoffilmictextsandfilmmakers/experiences.通過討論電影文本和電影制作人的經(jīng)驗(yàn)，闡明全球世界中身份問題的復(fù)雜性。4.Communicateeffectivelyinoralandwrittenformsthroughtheiranalysesanddiscussionsofcinematicandculturaltexts.通過討論電影文本和電影制作人的經(jīng)驗(yàn)，闡明全球世界中身份問題的復(fù)雜性。*教學(xué)內(nèi)容進(jìn)度安排及要求(ClassSchedule&Requirements)教學(xué)內(nèi)容學(xué)時(shí)教學(xué)方式作業(yè)及要求基本要求考查方式?Lecturesandtutorials(24hrs+10hrs=34hrs)IntroductionJackieChanandtheNewGlobalKungFuCrazeBruceLeeandtheGlobalKungFuCrazeMigrationMelodramas:FocusonMabelCheung'sAnAutumn/sTaleJohnWoo'sHeroicBloodshedFilms:HongKongvs.HollywoodDisintegratingIdentities:FocusonInfernalAffairsStephenChow'sMermaidand/asGlobalEcocinemaHongKongasWorldCinemaHongKongCinema'sIndependentVoicesAReturntotheJiangHu—QuestioningHongKongFilmHistoryFilmviewings(36hrs)Reading/SelfStudy(60hrs)AssessmentEssay/Reportwriting(25hrs)Presentation(includingpreparation)(13hrs)?Fieldtrip(Optional)（成績(jī)構(gòu)成）*考*考核方式（Grading）100%Coursework（必含信息：教材名稱，作者，出版社，出版年份，版次，書號(hào)）RequiredReadingSelectionsfrom:Abbas,A.(1997).HongKong:Cultureandthepoliticsofdisappearance.HongKong:HongKongUniversityPress,[pp.16-47]Cheung,E.M.K.,Marchetti,G?,&Tan,S.-K.(2011).HongKongscreenscapes:Fromthenewwavetothedigitalfrontier.HongKong:HongKongUniversityPress.*教材或參考資料

*教材或參考資料

(Textbooks&Other

Materials)K.Cheung&Y.W.Chu(Eds.),Betweenhomeandworld(pp.2-15).HongKong:OxfordUniversityPress.Corrigan,T.(2005/2011).Ashortguidetowritingaboutfilm.NewYork:Longman.Desser,D.(2005).Makingmoviesmale:ZhangCheandtheShawBrothersmartialartsmovies,1965-1975.InL.K.Pang&D.Wong(Eds.),MasculinitiesandHongKongcinema(pp.17-34).HongKong:HongKongUniversityPress.Ford,S.(2008).MabelCheungYuen-TingsAnautumnstale.HongKong:HongKongUniversityPress.Hall,K.E.(2009).JohnWoosThekiller.HongKong:HongKongUniversityPress.Kam,L.(2010).HongKongculture:Wordandimage.HongKong:HongKongUniversityPress.Lo,K.C.(2005).Chineseface/qff:ThetransnationalpopularcultureofHongKong.

HongKong:HongKongUniversityPress.Magnan-Park,A.H.J.(2002).BruceLeeasthekungfusuperman:*Yellowmasks1andtherestorationoftheethnichero.Cinescapesofthe^yet-to-be-fully-nationalHongKongActionCinemasTransnationalEngagement.PhD.diss.TheUniversityofIowa.[pp.107-174]Magnan-Park,A.H.J.(2011).Restoringthetransnationalfromtheabyssofethnonationalfilmhistoriography:ThecaseofChungChangWha.TheJournalofKoreanStudies,16(2),249-284.Marchetti,G.(2007).AndrewLauandAlanMaksInfernalAffairs-thetrilogy.HongKong:HongKongUniversityPress.Marchetti,G.,&Tan,S.-K.(2007).HongKongfilm,Hollywoodandthenewglobalcinema:Nofilmisanisland.London:Routledge.Morris,M.,Li,S.L.?&Chan,C.K,S.(2005).HongKongconnections:Transnationalimaginationinactioncinema.Durham,NC:DukeUniversityPress;HongKongUniversityPress.PangL?,&Wong,D.(2005).MasculinitiesandHongKongcinema.HongKong:HongKongUniversityPress.Sima,Q.[Ssu-ma,Ch'ien](1968).RecordsofthegrandhistorianofChina(B.Watson,Trans.).NewYork:ColumbiaUniversityPress.Yau,C.M.E.(2001).Introduction:HongKongcinemainaborderlessworld.InC.M.E.Yau(Ed.),Atfidlspeed:HongKongcinemainaborderlessworld(pp.1-28).Minneapolis,MN;London:UniversityofMinnesotaPress.RequiredFilmViewingChan,F.(Director).(2004).食交子[Dumplings].Cheung,M.(Director).(1987).秋天的童者舌[AnAutumnsTale].Chow,S.(Director).(2004).功夫[KungFuHustle].Clouse,R.(Director).(1973).青旨爭(zhēng)虎[EntertheDragon].Hu,K.(Director).(1966).大醉俠[ComeDrinkwithMe].Lau,A.,&Mak,A.(Directors).(2002).^^道[I對(duì)。rna/AJJUirs].Wong,K.(Director).(2000),花棣年莘[IntheMoodforLove].Woo,J.(Director).(1989).喋血曼雄[TheKiller].Zwart,H.(Director).(2010).功夫蘿[TheKarateKid].RecommendedReadingAhn,S.(2012).ThePusanInternationalFilmFestival,SouthKoreancinemaandglobalization.HongKong:HongKongUniversityPress.Bordwell,D.(2000).PlanetHongKong:Popularcinemaandthearto