Using Marxist Tragedy View to Analyze Drama Works獲獎(jiǎng)科研報(bào)告

UsingMarxistTragedyViewtoAnalyzeDramaWorks獲獎(jiǎng)科研報(bào)告"LeifengTower";WhiteLady;tragedy

"LeifengTower"byFangChengpeioftheQingDynastyisadramaabout"WhiteSnake".Tothisday，"LeifengTower"stillhasahighvalueinboththeplotandthecharacterization.FangChengpei，theauthorof"LeifengTower"，canbesaidtobeanimportantwriterinthehistoryofChinesedramaliterature.

Fromtheanalysisofthecontentof"LeifengTower"，thelegendofFangChengpeis"LeifengTower"inheritedthestorymodeofthelovestorybetweenhumansandmonsters.Infiltratemoreelementsofrationalthinking，Atthesametime，itwritesthecomplexityandprofoundnessofthetragedyoftheWhiteSnake，whichbreaksthroughtheframeworkofthelovebetweenhumansandmonsters，hasdeepspiritualconnotations，anddemonstratesprofoundsocialcontradictions.

1.UnderstandingofMarxistTragicViewTheory

Hegel'stheoryoftragedyisthis：First，hebelievesthat"anythingthatisrealisticisreasonable，andeverythingthatisreasonableisrealistic";Second，hebelievesthatthedevelopmentofworldhistoryisanascentfromalow-levelsocialformtoahigh-levelsocialform.Fromtheperspectiveofdevelopmentandchange，therealitywiththeinevitabilityandrationalityofexistencewillinevitablyloseitsrationalityandbecomeunreasonable.TheemphasisofMarxistphilosophyontragedyistoemphasizetheunityoftragedyandhistory.Therefore，thenatureoftragedyisrevealedinthemultipleinternalconstructiverelationsbetweenthetragedyofMarxismandpolitics，economy，andhistory.Marxbelievesthattherearetwotypesoftragedies.Thefirstoneisbecauseitviolatestheinevitableprocessofhistoricaldevelopment，makesmistakesorsomeoneisdestinedtofacetheendofthetragedy，buthedoesnotrealizeit，butinsistsonhisownopinions.Thisisatragedy;thesecondistragedy.Thetragedyisbecausethe"oldforces"aretoopowerful，andthingsthatarefullofvitalityandrepresentprogresscannotfullyrealizethemselves.Thisisalsoatragedy.

2.TheTragicLifeoftheWhiteLady

Thewhitelady'sstrugglefinallyendedintragedy.ShewassuppressedundertheLeifengTowerandcouldneverstandup.AlltheconflictsbetweenWhiteLadyandFahai，thegovernment，andXuXuanareallforthepursuitofherownloveandhappiness.Therefore，thewhitelady'sloveforXuXuanandthefierceresistanceandhugesacrificesmadeforthisaremoreobviousmodernlovecolorsinthissense.WhiteLady'skindness，loyaltytolove，andresistanceandstrugglefrombeginningtoendallshowthetremendouspowerofhumannature.Therefore，italsoshowsthemosttrueandinstinctivesideindealingwithlove.

3.Marxistviewoftragedyanalyzesthetragiclifeofthewhitelady

In"LeifengTower"，thewhiteladyboldlychallengedthefeudalethics，andthepursuitoffreeandhappyloveisboundtobeunacceptabletodefenderswhorepresenttheevilforcesoffeudalism.Intheseventh[TanteOrder]straightforward，"Ifyoudontgiveup，letmepityeachother，Iwouldliketosendthesameheart."[DrunkDongfeng]："Theofficialreturn，thatis，beggingthematchmakertoagree，anditwillbeagoodthingearly."ItshowsanewtypeoffemaleimagethatbreaksthroughtheConfucianself-restraint，self-restraint，pursuesself-instinct，andlovesfreely.Butthosewhoareontheroadaheadwillalwaysbeinterferedbytheoldforces，andthedevelopmentisnotyetmature，andreformsthatlackexperienceandtheoreticalguidancearedoomedtofailandbecometragedies.ThisshowsthatthecontentoftragedyintheMarxistviewoftragedyisnotanidea，butthecontradictionandconflictinreallife，whichistheconceptof"aconflictbetweentheinevitablehistoricalrequirementandthepracticallyimpossiblerealizationofthisrequirement".

4.Conclusion

Asanartthatreflectstheconceptoftragedy，reflectingsocialconflictistheessentialfeatureofdramaart，anditismostprominentandconcentrated.In"LeifengTower"，themoreintenseherresistance，themoreincomparableherimagemeaningis.Theweakerherpower，themoreintensehervoice，themoreinfluentialandaestheticeffecthertragicmeaningis.Thespiritoftheweakwhodaretochallengethepowerfulisevenmorevaluable.Inshort，thedrama"LeifengTower"reflectstheyearningofordinaryworkingpeopleforahappylifebyshapingthetragiccharacteroftheWhiteLady.Eveniftwopeoplearetrulyinlove，theywilleventuallybedestroyedbytherulingclassthatrepresentspower.

References：

[1]ZhangYanju.Awailingweed——AnanalysisoftheMarxistviewoftragedyonthetragicfateoftheslaveMosesin"TheWeedsAreSinging"[J].ModernCommunication，2011.

[2]LuGuishan，editedbyZhouZhonghou.SelectedLecturesonMarxistLiteratureandArt[M].Publishedb