都柏林人-象征

Symbolism許晶晶鐘姍姍羅薇陳奕杉symbolismInliterature,asymbolisathingthatstandsfororsuggestssomethingelsebyreasonofrelationship,association,conventionoraccidentalresemblance,especiallyavisiblesignofsomethinginvisible.SixKindsofSymbols

inDubliners

environmenthumanbehaviorsdeathescapecharacters’thoughtsparalysis阿拉比阿拉比是1894年5月14日都柏林曾經(jīng)舉辦過(guò)一場(chǎng)名為（大東方節(jié)慶）（GrandOrientalFete）的市集活動(dòng)，接連舉辦6天，阿拉比代表充滿神秘的東方想像。IdealArabyArabyis“asplendidbazaar”whereMangan’ssisterrecommendedmetogo.Araby“castanEasternenchantmentoverme”.BecauseArabyisanoldnameforArab.ItisaplacewiththeOrientalfragranceinDublin.RealAraby“GazingupintothedarknessIsawmyselfasacreaturedrivenandderidedbyvanityandmyeyesburnedwithanguishandanger”

------ArabyHugegap------betweenidealArabyandrealAraby

TheNorthRichmondStreet“Wewalkedthroughtheflaringstreets,jostledbydrunkenmenandbargainingwomen,amidthecursesoflaborers,theshrilllitaniesofshopboyswhostoodonguardbythebarrelsofpigs’cheeks,thenasalchantingofstreetsingers,whosangacome-all-youaboutO’DonovanRossa.”-------ArabySothestreetwasasymbolforthewholeIreland.人物意念的象征

——Clay

Character’sthoughts

Thetwonext-doorgirlshadarrangedsomeHallowEvegamesandsooneverythingwasmerryagain.……She(Maria)movedherhandabouthereandthereintheairanddescendedononeofthesaucers.Shefeltasoftwetsubstancewithherfingersandwassurprisedthatnobodyspokeortookoffherbandage.Therewasapauseforafewseconds;andthenagreatdealofscufflingandwhispering.Somebodysaidsomethingaboutthegarden,andatlastMrs.Donnellysaidsomethingverycrosstooneofthenext-doorgirlsandtoldhertothrowitoutatonce:thatwasnoplay.Mariaunderstoodthatitwaswrongthattimeandsoshehadtodoitoveragain:andthistimeshegottheprayer-book.

Claystandsfordeath,andprayer-bookdirectsMariatoenteraconvent(女修道院).ThesesymbolsrevealthatMariahasbeenandwillbelonelythroughoutherlife.

2).BeforeMariawent,shesanganoldfolktoJoeandhisfamily.Afterfinishedthefirstsectionofverse(歌詞)onagorgeoushouse,sheisexpectedtosingthesecondsectiononloveandfamily.However,shejustrepeatsthefirstsection.HerbrotherJoeisdeeplymovedandrealizesthatMariahasamiserablelife,whichisfullofsuffering,noloveandfamily.

Therefore,thesymbolhereisthatbylisteningtoMaria’srepeatingthefirstversion,ratherthangoingtothesecondversionwhichisextollingloveandfamily,JoyrealizesthetragedyofMaria’slife.Thisprocesssymbolizespeople’sepiphanyofmentalparalysis.

瑪麗亞在離開她弟弟家以前，給大家唱了一支古老的民歌。當(dāng)她應(yīng)該唱關(guān)于愛情和家庭的第二段歌詞時(shí),她無(wú)意中重復(fù)唱了第一段關(guān)于華麗住宅的歌詞,“誰(shuí)也沒有說(shuō)穿她唱錯(cuò)的地方”,而她的弟弟聽了卻深受感動(dòng),頓時(shí)意識(shí)到這個(gè)凄苦操勞的婦人,一生充滿了苦難,沒有愛情與家庭,凄然淚下。小說(shuō)以歌詞的誤錯(cuò),到弟弟由此聽出的瑪麗亞的人生,到精神的頓悟,象征對(duì)精神癱瘓的醒悟,

看到人生的本質(zhì)。死亡———精神的癱瘓姐妹小說(shuō)以神父的死亡，來(lái)象征精神的癱瘓象征意義的句子

1）“禍根就是他打碎的的那只圣餐杯------那是不祥的開端?！薄皬拇艘葬?，他就悶悶不樂(lè)，不和人家打交道……”（圣餐杯被打碎，象征著失去宗教信仰

往生者曾向格麗塔求愛，為執(zhí)著追求愛情而死的年輕人，他雖死猶生。格麗塔的丈夫，當(dāng)他知道他的妻子一直裝著她的初戀情人時(shí)，才明白自己的愛情是蒼白膚淺的。其實(shí)，他是一個(gè)感情的癱瘓者，雖生猶死。格里塔多年來(lái)對(duì)感情的壓抑，也是一種死者般的癱瘓。有象征意義的句子：“他的靈魂緩緩的昏睡了，當(dāng)他聽著雪花微微的穿過(guò)宇宙在飄落，微微的如同他們最終的結(jié)局那樣，飄落到所有的生者死者身上?！保ù笱┑拿鑼憦?qiáng)化了死亡所象征的意義：精神的癱瘓。）人物行為——對(duì)精神癱瘓社會(huì)環(huán)境發(fā)的抗?fàn)幝酚鲆蝗簠捑肓藢W(xué)校生活的小孩為了打破尋求新奇