Unit 1 Art 周測(cè)卷(含答案)-2024-2025學(xué)年高中英語(yǔ)人教版(2019)選擇性必修第三冊(cè)_第1頁(yè)
Unit 1 Art 周測(cè)卷(含答案)-2024-2025學(xué)年高中英語(yǔ)人教版(2019)選擇性必修第三冊(cè)_第2頁(yè)
Unit 1 Art 周測(cè)卷(含答案)-2024-2025學(xué)年高中英語(yǔ)人教版(2019)選擇性必修第三冊(cè)_第3頁(yè)
Unit 1 Art 周測(cè)卷(含答案)-2024-2025學(xué)年高中英語(yǔ)人教版(2019)選擇性必修第三冊(cè)_第4頁(yè)
Unit 1 Art 周測(cè)卷(含答案)-2024-2025學(xué)年高中英語(yǔ)人教版(2019)選擇性必修第三冊(cè)_第5頁(yè)
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高二年級(jí)英語(yǔ)第一次周測(cè)試題姓名_________班級(jí)________一,單詞拼寫(xiě)(20*2=40)Artishardtogivea_________definition.(精確的)DuringthemiddleAges,Westernartworkswereoften_____andtwo-dimensional.(原始的;簡(jiǎn)單的)Whilehispaintingsstillhad______themes,theyshowedreal,peopleinarealenvironment.(宗教的)Paintersintherenaissanceperiodbegantoadoptamore_____________attitudetolife.(人性的)Animportant___________(突破)duringthisperiodwastheuseofperspectivebyMasaccio.Insubjectmatter,the_________(重點(diǎn))oftherenaissancepaintingsincreasinglyshiftedfromreligiousthemestopeopleandtheworldaroundus.Peopleofhighrankwantedtopurchase________(精確的)picturesofthemselves.Intheworkcalledsunrise,Monet'saimwasto_________(傳遞)thelightandmovementinthescene.Renoir'spaintingssoughttoshowpeople’sinnerwarmthand_________(人性)aswell.AfterImpressionism,_________(隨后的)artistsbegantoask,"Whatdowedonext?".PainterssuchasPicasso(1881-1973)triedto_________(分析)theshapesinanewway,withCubism.12.Themuseumisholdingan___________(展覽)13.Shemadeher___________tothesoundofthunderousapplause.(進(jìn)入)14.Thebookisan___________ofaseriesoflecturesgivenlastyear.(擴(kuò)充)15.Mywatchisstillunder________________(保修期),sothey’llrepairitforfree. 16.IthinktheGreatWallandTerracottaWarriorsaretheattractionsmost________ofbeingvisited.(值得)17.He___________hislifesavingsinhisdaughter’sbusiness.(投資)18.Wealllongfor___________peace.(永久的)19.Theorganizationhasbeen__________fornottakingtheproblemseriously.(批評(píng))20.Thesculptureis___________ofhisworkofthatperiod.(代表作)二,閱讀理解(15*3=45)閱讀下列短文,從每題所給的四個(gè)選項(xiàng)(A、B、C和D)中,選出最佳選項(xiàng)。AIfConfucius(孔子)werestillalivetodayandcouldcelebratehisSeptember28birthdaywithabigcake,therewouldbealotofcandles.He’dneedafanorastrongwindtohelphimputthemout.WhilemanypeopleinChinawillrememberConfuciusonhisspecialday,fewpeopleintheUnitedStateswillgivehimapassingthought.It’snothingpersonal.MostAmericansdon’tevenrememberthebirthdaysoftheirownnationalheroes.Butthisdoesn’tmeanthatAmericansdon’tcareaboutConfucius.InmanywayshehasbecomeabridgeforeignersmustcrossiftheywanttoreachadeeperunderstandingofChina.Inthepasttwodecades,theChinesestudiesprogramshavegainedhugepopularityinWesternuniversities.Morerecently,theChinesegovernmenthassetupConfuciusInstitutesinmorethan80countries.TheseschoolsteachbothChineselanguageandculture.ThemaincoursesofChinesecultureusuallyincludedChineseart,historyandphilosophy.SomesocialscientistssuggestthatWesternersshouldtakeadvantagesoftheancientChinesewisdomtomakeupforthedrawbacksofWesternersphilosophy.StudentsintheUnitedStates,atthesametime,areracingtolearnChinese.SotheywillbereadyforlifeinaworldwhereChinaisanequalpowerwiththeUnitedStates.BusinessmenwhohopetomakemoneyinChinaarereadingbooksaboutConfuciustounderstandtheirChinesecustomers.Sotheoldthinker’sideasarestillaliveandwell.TodayChinaattractstheWestmorethanever,anditwillneedmoreteacherstointroduceConfuciusandChineseculturetotheWest.Asfortheoldthinker,hewillnotsoonbeforgottenbypeopleintheWest,evenifhisbirthdayis.1.Theopeningparagraphismainlyintendedto________A.providesomekeyfactsaboutConfuciusB.showgreatrespectfortheancientthinkerC.attractthereaders’interestinthesubjectD.provethepopularityofmodernbirthdaycelebrations2.Whatisthebesttitleforthepassage?A.ForgottenWisdominAmerica B.HugeFansoftheChineseLanguageC.ChineseCultureforWesterners D.OldThinkerwithaBigFuture3.Thepassageislikelytoappearin___________.A.anewspaper B.ahistorypaperC.aphilosophytextbook D.apbiographyBWhenwethinkofleadership,weoftenthinkofstrengthandpower.Butwhatarethesereally,andhowdotheyoperate?Leadershiptodayisnotaboutforcingotherstodothings.Ifthisisevenpossible,itisshort-term,andtendstobackfire.Ifyouordersomeonetodosomethingagainsttheirwill,theymaydoitbecausetheyfeeltheymust,buttheangertheyfeelwilldomoreharminthelong-term.Theywillalsoexperiencefear.Fearcausesthethinkingbraintoshutdown,makingthepersonunabletofunctionathisorherbest.Iftheyassociateyouwiththisemotionoffear,theywillbecomelessfunctionalaroundyou,andyouwillhavesucceededinnotonlyshootingyourselfinthefoot,butpossiblymakingaverygoodemployeeorpartnerunabletoperformeffectively.Fearhasnoplaceinleadership.Thewayweinfluencepeopleinalastingwayisbyourowncharacter,andourunderstandinganduseofemotion.Wecanordersomeonetodosomething,whichmaybepartoftheworkday;orwecanemploythemattheemotionallevel,sotheybecamefullydevotedtotheprojectsandprovidesomeoftheirownmotivation.Today’sworkplaceisallaboutrelationships.Anyoneworksharderinapositiveenvironmentinwhichthey’rerecognizedandvaluedasahumanbeingaswellasaworker.Everyoneproducesjustabitmoreforsomeonetheylike.Leadersunderstandthewaythingswork.Theyknowthepaycheckisnotthesinglemostmotivatingfactorintheworklifeofmostpeople.Thetruestrengthofleadershipisaninnerstrengththatcomesfromtheconfidenceofemotionalintelligence---knowingyourownemotions,andhowtohandlethem,andthoseofothers.Developingyouremotionalintelligenceisthesinglebestthingyoucandoifyouwanttodevelopyourrelationshipswithpeoplearoundyou,whichisthekeytotheleadershipskills.4.Theunderlinedphrase“shootingoneselfinthefoot”means_____inthispassage.A.throworwalkinaspecificdirectionortowardsaspecificobjectiveB.toinjureorharmone'sowninterestsC.tomoveorpasssuddenlyorswiftlyD.togrowforthfromtheground5.WhichofthefollowingisTRUEaccordingtothepassage?A.Peopletendtoassociateleadershipwithfear.B.Workingconditionsaffectpeople’sphysicalhealth.C.Goodrelationshipisthekeytobusinesssuccess.D.Smartpeoplearemorefunctionalintheworkplace.6.Topositivelyinfluenceemployees,aleadershouldfirstofall____.A.hidehisownemotionoffear B.providebettersuggestionsC.givehisemployeesapayraise D.develophisownpersonality7.Goodleadershipismainlyseeninaleader’sabilityto_____.A.provideavarietyofprojectforemployeesB.helpraiseemployees’livingstandardsC.dealwiselywithemployees’emotionsD.giveemployees’specificinstructionsCEveryyearinMay,artgalleriesandmuseumsprepareshowstohonorLeonardoDaVinci,whodiedinFranceonMay2,1519.Heisrememberedasoneofthegreatestartistsandcreativethinkersofalltime.HismostfamouspaintingsareTheMonaLisaandTheLastSupper.Recently,researchershavebeenstudyingapainting-Landscape8Pwhich,theythink,isDaVinci'searliest-knownartwork.Theyusedspeciallightingtostudytheartworkanddiscoveredthereweretwoimages(圖像),notone.Onedrawingisonthebackofthepiece,whichdatesbacktoAugust5,1473.ThedrawingonthefrontwaspaintedwhenLeonardowas21yearsold.ItshowsarivervalleyandacastleoutsidethecityofFlorence.Thereislittleleftofthedrawingonthebackperhapsbecauseitwaswipedoff.Onlyabridgeoverarivercanbeseen.Butthereiswritingonbothsides.Thewritingonthefrontgivesthedateandgoesfromrighttoleft.Somepeoplewouldcallthis"mirror-writing".It'sawayLeonardooftenwroteinhisnotebooks.Thewritingonthebackgoesfromlefttorightandtellsaboutanagreement,probablytoproduceaworkofart.CeciliaFrosininiisanarthistorian.Shesaid,"Leonardowasbornleft-handed,butwastaughttowritewithhisrighthandfromaveryyoungage.Bylookingathiswritings,includingfromthisdrawing,wecanseehisright-handedhandwritingiseducatedandwelldone.”Expertscomparedthetwohandwritingsamples(樣本)andsaidtheywerebothmadebyLeonardo.Theyshowhecouldwritewellusinghislefthandorhisrighthand.ThedrawingisknownasLandscape8Pfromitsnumberinanartlist.ItwillbepartofanexhibitatItaly'sUffiziGallery.Thegallerydirector,EikeSchmidt,saidbystudyingthedrawingresearchersgaveusanewwayoflookingatLeonardo'sdrawingtechniqueandhisabilitiesinwriting.8.Whichofthefollowingmentionedinthetexthasbeenstudiedbyresearchersrecently?A.TheMonaLisa. B.Landscape8P.C.Mirror-writing. D.TheLastSupper.9.Whatdoesthewritingonthebackprobablytellabout?A.Astatementaboutthepainting.B.AnintroductionaboutLeonardo.C.Anagreementtoproduceapainting.D.SomethingaboutthecityofFlorence.10.WhatcanwelearnaboutLeonardofromCecilia'swords?A.Hecouldwritewitheitherofhishands.B.Hedidbadinright-handedhandwriting.C.Hewasn'tgoodatwritingwithhislefthand.D.Hetaughthimselftowritewithrighthand.11.What'sEikeSchmidt'sattitudetowardstheresearch?A.Unclear. B.Indifferent.C.Doubtful. D.Positive.DSalvadorDali(1904—1989)wasoneofthemostpopularofmodernartists.ThePompidouCentreinParisisshowingitsrespectandadmirationfortheartistandhispowerfulpersonalitywithanexhibitionbringingtogetherover200paintings,sculptures,drawingsandmore.Amongtheworksandmasterworksonexhibitionthevisitorwillfindthebestpieces,mostimportantlyThePersistenceofMemory.ThereisalsoL’EnigmesansFinfrom1938,worksonpaper,objects,andprojectsforstageandscreenandselectedpartsfromtelevisionprogrammesreflectingtheartist’sshowmanqualities.ThevisitorwillentertheWorldofDalithroughaneggandismetwiththebeginning,theworldofbirth.Theexhibitionfollowsapathoftimeandsubjectwiththevisitorexitingthroughthebrain.TheexhibitionshowshowDalidrawstheviewerbetweentwoinfinities(無(wú)限)."Fromtheinfinitysmalltotheinfinitylarge,contractionandexpansioncominginandoutoffocus:amazingFlemishaccuracyandtheshowyBaroqueofoldpaintingthatheusedinhismuseum-theatreinFigueras,"explainsthePompidouCentre.Thefineselectionofthemajorworkswasdoneinclosecollaboration(合作)withtheMuseoNacionalReinaSofiainMadrid,Spain,andwithcontributionsfromotherinstitutionsliketheSalvadorDaliMuseuminSt.Petersburg.12.WhichofthefollowingbestdescribeDaliaccordingtoParagraph1?A.Optimistic. B.Productive.C.Generous. D.Traditional.13.WhatisDali’sThePersistenceofMemoryconsideredtobe?A.Oneofhismasterworks. B.Asuccessfulscreenadaptation.C.Anartisticcreationforthestage. D.OneofthebeatTVprogrammes.14.HowaretheexhibitsarrangedattheWorldofDali?A.Bypopularity. B.Byimportance.C.Bysizeandshape. D.Bytimeandsubject.15.Whatdoestheword"contributions"inthelastparagraphreferto?A.Artworks. B.Projects.C.Donations. D.Documents.三.七選五(5*3=15)根據(jù)短文內(nèi)容,從短文后的選項(xiàng)中選出能填入空白處的最佳選項(xiàng)。選項(xiàng)中有兩項(xiàng)為多余選項(xiàng)。Colorisfundamentalinhomedesign–somethingyou’llalwayshaveineveryroom.Agraspofhowtomanagecolorinyourspacesisoneofthefirststepstocreatingroomsyou’lllovetolivein.Doyouwantaroomthat’sfulloflife?Professional?Orareyoujustlookingforaplacetorelaxafteralongday?1,coloristhekeytomakingaroomfeelthewayyouwantittofeel.Overtheyears,therehavebeenanumberofdifferenttechniquestohelpdesignersapproachthisimportantpoint.2,theycangetalittlecomplex.Butgoodnewsisthatthere’rereallyonlythreekindsofdecisionsyouneedtomakeaboutcolorinyourhome:thesmallones,themediumones,andthelargeones.3.They’rethelittlespotsofcolorlikethrowpillows,mirrorsandbasketsthatmostofususetoaddvisualinteresttoourrooms.Lesstiringthanpaintingyourwallsandlessexpensivethanbuyingacolorfulsofa,smallcolorchoicesbringwiththemthesignificantbenefitofbeingeasilychangeable.Mediumcolorchoicesaregenerallyfurniturepiecessuchassofas,dinnertablesorbookshelves.4.Theyrequireabiggercommitmentthansmallerones,andtheyhaveamorepowerfuleffectonthefeelingofaspace.Thelargecolordecisionsinyourroomsconcernthewalls,ceilings,andfloors.Whetheryou’relookingatwallpaperorpaint,thetime,effortandrelativeexpenseputintoitaresignificant.5.A.WhileallofthemareusefulB.Whateveryou’relookingforC.Ifyou’reexperimentingwithacolorD.Smallcolorchoicesaretheoneswe’remostfamiliarwithE.It’snotreallyagoodideatousetoomanysmallcolorpiecesF.Soitpaystobesure,becauseyouwanttogetitrightthefirsttimeG.Colorchoicesinthisrangeareastepupfromthesmallonesintwomajorways四.語(yǔ)法填空(根據(jù)課文內(nèi)容和語(yǔ)法規(guī)則完成短文)(10*2=20)ItishardtogiveaprecisedefinitionofWesternart.Perhapsthebestway1(understand)WesternartistolookatthedevelopmentofWesternpaintingoverthecenturies.DuringtheMiddleAges,thepurpose____2________WesternartwastoteachpeopleaboutChristianity.Thus,artistswerenotinterestedin3__________(paint)realisticscenes.Thisbegantochange

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