水墨動畫《山水情》道家思想體現(xiàn)英文版

1、embodiment of taoist thought in the "landscape emotion" ofchinese ink and wash cartoonchenchuanzhiabstract: ink cartoon 'landscape11 is a classic in the history of chinese animation art, the rich ethnic style of the film chinese excellent traditional cultural thoughts are embodied in t

2、he arrangement of plot structure, ink painting techniques and the use of the background music rhythm, especially embodiment of taoist thought. ''mountains and rivers/1 the story is simple, rich in content, is a milestone in traditional chinese ink animation works.key words: water ink animati

3、on 'landscape emotion11 taoism thought"landscapers a well known ink animation, the film is produced by shanghai animation film studio made in 1988, is chinese ink animation summit. its plot is rich in connotation, full of philosophy the technique of expression of the film pictures and the a

4、rtistic conception is far-reachi ng, will china's traditi on al landscape freeha nd painting pay attention to "lifelikeness, vacuousness” successfully and animation tech no logy together. nsce nic” most outstandi ng achievement is not only of ink animation techniques skillful use of, more i

5、mportant significanee lies in it is the embodiment of chinese traditional culture and ideology, especially the embodiment of taoism. taoism culture is an important part of chinese traditional ideology and culture. it has laid the foundation for the development of traditional chinese thought and cult

6、ure. through the comprehensive analysis of the water ink animation jan dscape sen time nt： we will contain the taoism thought as follows:first, the animation plot in the pursuit of ”harmony between man and nature11film director yan shanchun once said: hwater and ink animation not come out of thin ai

7、r, the requirements of the script is very high, the script must for ink and wash paintings, the success of the11 seenic "can speaking and wang shuchen script are in separable."'landscape emotion11 in the whole animation plot design has always been the core theme of the taoist thought -

8、 "harmony between man and nature,n.the taoist "heaven and man” covered by the object is usually only two: days and people, that is hthe way of heavert and "people's way'1. the so-called "heaven" is collectively referred to as "heaven all things1' in the obje

9、ctive law, and mthe way1' refers to the subjective state of the person. the taoist respect for human nature also respects the law of hthe way of heave n" only on the basis of huma n n ature, con form to the "way of heavert to achieve the ultimate pursuit of the highest realm - hharmony

10、 between man and nature1111.film characters only old musician and fisher boy, the entire movie plot is which started in the mountains and rivers of the large natural environment. the simple and clear acco unt of the relati on ship between man and n ature in the plot.plot starting in old musician in

11、the homeward journey fainted in the deserted wild ferry, the objective events occur such as fellow elaborated hthe way of heaverf： is the change of objective environment. at this time the boy's reaction is the focus of the plot developments. if the script describes the old man ignored the old ma

12、n, and left alone. i am afraid this film will not res on ate with the audience, so successful.plot arrangement of fisher boy left the elderly in their cottage rest and care for, this is the taoist advocate "the way11 embodimentz which started a series of plot is carried out under the theme of &

13、quot;the way”. when the old man out of body, playing the guqin, melodious sound attracted the boy. the young heart from the date has, the old man taught, and tireless in teachi ng others, feeli ng in creasingly deep. this is a “plain” plot, simple place contains taoist philosophy of "let it be&

14、#39;1. autumn to spring, the young piano art big in to, the master is very happy next story bega n to turn, it is old musician to get a thorough un d erst a nding of "the way of heaven, and guide fisher boy piano art of process.the old man thought how to make disciples skills to strive for furt

15、her improvement. one day, the old man occasi on ally see eagles leave the mother alone fly to the see ne, click into place. the n the old man carr ying you ng boat back, by the mountai ns, magn ifice nt nature make the young dream. parti ng, the old man will love the guqin pass gift to him, leaving

16、a legacy and walked alone to the summit between the clouds, floating in the air. the arrangement of the plot is the echo of the core idea of the taoist "heaven”.the young look disappeared in the vast wild men tor figure, all sorts of feelings, suddenly inspiration surges, sit cross legged on th

17、e cliffs above, hand string playing the heart of the song, pouri ng out his men tor to deep gratitude. melodious sou nd sound reverberated in the mountains, the juvenile has reached "human organ in one of the highest. the just and taoist advocate hofh adaptation "word of the day11 to ultim

18、ately achieve "harmony between man and nature" ideas coincide. in this beautiful landscape, melodious sound, but also deep feeling of mentoring.second, the ink animation techniques in natureink animation can be regarded as a pioneering work of chinese animation. it is different from the ge

19、neral animation, the traditional chinese ink painting introduced into the animation. ink animation in the production of the seenes and figures without the use of con tour line, but by the ink on rice paper n atural ren dering, un aware tiancheng, one seene is a picture outstanding iandscape painting

20、. that the true mingled with the false choreographed elegant artistic conception and art style of the cartoon images to a major breakthrough. the background of the bold ink landscape magnificent, gentle strokes full of poetry. it reflects the chinese painting hlike and not like1' between the aes

21、thetic, artistic conception is far-reaching. the creation technique and taoism advocated hnatureh thoughts agree without prior without previous consultation. taoism's hnature" is not only refers to the natural environment around us, it is more important to refer to the nature of things. onl

22、y by following the n ature and esse nee of the thing itself is the real beauty."landscape" as its title, "landscape” is the core focus of the film screen. according to the traditional chinese painting master wu shanming memories,n landscape love "the theme of the natural landscap

23、e of the heavy weight, so i with mr. tewei invited famous landscape pain ting professor zhuo hejun resp on sible for painti ng landscape, i am resp on sible for the desig n of characters. we cooperate tacit un d erst a nding, if i draw the characters on the ship, zhuo hejun is clever to make up the

24、iandscape, if i draw the characters in the dynamic, he will be in accordanee with the seene to depict the iandscape painting.111n order to make the ,flandscape” of the painting more charm, shanghai animation film studio also specially invited famous chinese painting artist li keran and cheng shifa a

25、nd artistic director. seen the art level of the film is high.in all the seenes, the film creators not only grasp the background of the natural iandscape, but also the nature of poetic characteristics of the elements, such as: piano, wind, eagle, snow and other financial conditions these natural imag

26、es have strong subjective feelings. between people and iandscape to seenes, combined with the actual situation, produce more than not as flavor. especially in the film “farewell” climax paragraph, is the pain ter to paint the see ne, the scene photographer photography technique. the picture is not o

27、nly pure and fresh and natural, give people feel water run and texture and screen performanee vivid, seene of the "farewell” very "natural" dem on strated, it is to reveal the truth. viewers see the animation is not a few carefully produced in advanee of the picture, but into the arti

28、st instant creation inspiration. the audienee completely intoxicated between ink made of this kind of landscape, the technique of making non general animation can match.hlandscape love” not the pursuit of gorgeous, rich picture, but pay attention to the plain and natural style screen. let everything

29、 happen naturally and can not be cut and polish. but this natural dull and not simply the bland, containing a broad and far-reaching, quiet smart the beauty of artistic conception in the plain and natural. in silenee in the audienee into the heart.third, the soundtrack of hdoing nothing"hscenic

30、" entire without a word of dialogue, the emotional exchange between young and old musician full by the background music and picture ianguage to reflect. in the ink ian dscape pain ting con text, without dialogue silent but to enhance the appeal of the motion picture, and fully mobilize the part

31、icipation of the audienee, let the audience inadvertently to work hard to experienee fishing for young and old musician of the emotional interaction, to participate in the progress of the story. "this sile nt wins audio11, the words of dialogue exactly with the taoist hofte n in action and with

32、out exceptionh has a similar to the wonderful.taoism advocated “in acti on" is not "doing no thing11, but in respect of the objective law of development of things based on as. the law of human development can not reverse the nature of things to the blind pursuit of personal goals, this is

33、a serious reality. as hscenic” soundtrack, looks in many parts of the film did not arrange any sound. howevec this is not the movie 'speechless.1' the use of music is based on the development of the plot. only in this way can the theme of the film more promine nt, the character's emotion

34、al activities more vivid image. if the blind to join the various kinds of music is not related, it will in t erf ere with the theme of the plot, making the performanee of the video content messy.hlandscape love1' background music sound, ye disheng sound，wind, water; birds, frogs and so on. the e

35、merge nee of these music to the audience to create an immersive, emoti onal in teractive experie nee space. as the most importa nt eleme nt of flute and harp sound at the same time the main progress is the whole movie. the young flute represents his naive light of heart from care, lively personality

36、. this is his ,trueh to be the old man sou nd to attract more. to lay the foundation for a higher level of understanding of the tao of nature. while the old musician ethereal flying piano reflected their in sights on life circumsta nces, his piano sometimes slow, sometimes dignified, sometimes sad,

37、sometimes pleasant, let people relaxed and happy, detached off. blend in this natural landscape and the flute music, intoxicated. silent silence in the film is not an extra prominence, it is silenee, silenc巳 do not express what is not against anything, do not praise what does not reveal what. from t

38、he encounter to disappear in the mountains and rivers, because they do not need to fully un d erst a nd and do not n eed to say. it gave the guqi n, the edge scattered away under the background of background music, in ink and wash technique process and architecture of this kind of chinese style part

39、i ng frie nd and scree n performance like tianzaodeshe.forth. the creative staff of the hearts of the roadhscenic" creative team strength is very strong, htet wai, yan shanchun* ma ke xuan three director; wang shuchen as a scree nwriter; li kera n, che ng shifa served as art director. zhuo heli

40、, wu shanming people responsible for characters and scenes in the creation of ink iandscape. hlandscape love" not only reflects the philosophy of the chinese taoist philosophy in the film itself, but also in the creation process of the creators of their own hearts adhere to the htaoh of the int

41、erpretation.hlandscape11 when the creation of the national implementation of reform and opening up, began with the global economy. in the late 1980s a series from the foreig n mature commercial cartoons have appeared on the televisi on scree ns in the domestic, such as "mickey mouse and donald

42、duck11, "sailor moon蔦"slam dunk11, "captain tsubasa11 and so on. the whole domestic animation, especially the creation of traditional ink and wash cartoon faces severe challenge. because ink animation creation and other animation is different, the production of human and material reso

43、urces are usually 3-4 times the ordinary animation. especially the performanee of ink rendering effect, its production process complicated even as good as the japanese are from seiko. this is known as the “miracle” of the world animation of chin ese ink an imati on, unexpectedly in the tide of globa

44、l economy could n't find you can con duct busi ness value."the way, the non constant tao11 universe of yin and yang, there is a tide, is the eter nal law. nsce nich creative staff a nd not because of the authori ng environ ment change and give up on themselves, there is no because of domest

45、ic animation crisis arising from arroganee aggressive but hold of your heart1,11 and their lifetime accumulati on of skills and tale nt threw himself into the creati on of the hla ndscape11. the beautiful picture of the film, the story of the deep meaning of the deep, not only to the chinese paintin

46、g ink techniques to play to the extreme, but also the chinese traditional taoist thought to be just right."landscape" after the release of the very fast by the attention of the domestic and foreign animation industry, and to award the grand prize for animation, can be described as victorio

47、us man gui. especially in 1990, won the fourteenth montreal film festival best short film award, the award is often referred to as the animation in dustry, oscar11. hsce nic” has become the in ter national animatio n hchi nese scho is a classical representative for, but regrettable is the advent of the hscenic" after no equivale nt of ink an imati