日本文化介紹英文學(xué)習(xí)教案

1、會(huì)計(jì)學(xué)1日本文化介紹英文日本文化介紹英文第一頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第1頁(yè)/共23頁(yè)第二頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。Theblossomforecast,sakurazensen,literallycherryblossomfrontisannouncedeachyearbytheweatherbureau,andiswatchedcarefullybythoseplanninghanamiastheblossomsonlylastaweekortwo.第2頁(yè)/共23頁(yè)第三頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第3頁(yè)/共23頁(yè)第四頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。I

2、nJapancherryblossomsalsosymbolizecloudsduetotheirnatureofbloomingenmasse,besidesbeinganenduringmetaphorfortheephemeralnatureoflife,anaspectofJapaneseculturaltraditionthatisoftenassociatedwithBuddhisticinfluence,andwhichisembodiedintheconceptofmononoaware.Theassociationofthecherryblossomwithmononoawa

3、redatesbackto18t hcenturyscholarMotooriNorinaga.Thetransienceoftheblossoms,theextremebeautyandquickdeath,hasoftenbeenassociatedwithmortality;forthisreason,cherryblossomsarerichlysymbolic,andhavebeenutilizedofteninJapaneseart,manga,anime,andfilm,aswellasatmusicalperformancesforambienteffect.Thereisat

4、leastonepopularfolksong,originallymeantfortheshakuhachi(bambooflute),titledSakura,andseveralpopsongs.TheflowerisalsorepresentedonallmannerofconsumergoodsinJapan,includingkimono,stationery,anddishware第4頁(yè)/共23頁(yè)第五頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第5頁(yè)/共23頁(yè)第六頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第6頁(yè)/共23頁(yè)第七頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第7頁(yè)/共23頁(yè)第八頁(yè)，編輯

5、于星期一：二十三點(diǎn) 三十七分。Thereareobviousdifferencesindressingkimonobetweenmanandwoman.Themankimonoissingularincolorandemphasizeblackwithlessstyle,thinwaistbandandsimpleaccessoriessothateasytowear,Whilewomankimonoarecolorfulwithwidewaistband,variousstyleandmanyaccessories.PeopleweardifferentKimonoinspecificsit

6、uationandtimetoshowprudence.Womenhavekimonosforwedding,adult,dinner,ceremonyandalsocommonkimonos.第8頁(yè)/共23頁(yè)第九頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。InJapan,thereisstillapaintinggenrespecializeindrawingthewomenwearingkimono.Thesepaintingsnotonlykeepthecolor,texture,design,fashionandaccessoriesofkimonosindifferentperiod,bu

7、talsoreflectdressingrulesanddifferentposeswithdifferentexpressionswhenwearingit.Thepaintingsalsoexpresstheattitudeandfondnessofartistandthepeopleinthesameage.Besides,therearesomespecificrulesandtabooinwearingit.ThearticlestatetheimportantmeaningofkimonoforJapaneseculturethroughtheintroductionofkimon

8、oindetail,anddemonstratetheimportanceofmoderncostumeinnationalhistoryandculture.第9頁(yè)/共23頁(yè)第十頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。Oten, Junichi Kouchi, and Seitar Kitayama. By the 1930s animation became an alternative format of storytelling to the live-action industry in Japan. But it suffered competition from foreign p

9、roducers and many animators, such as Nobur fuji and Yasuji Murata still worked in cheaper cutout not cel animation, although with masterful results.第10頁(yè)/共23頁(yè)第十一頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第11頁(yè)/共23頁(yè)第十二頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。The1970ssawasurgeofgrowthinthepopularityofmangamanyofthemlateranimated.TheworkofOsamuTezuk

10、adrewparticularattention:hehasbeencalledalegendandthegodofmanga。RobotanimeliketheGundamandTheSuperDimensionFortressMacrossseriesbecameinstantclassicsinthe1980s,andtherobotgenreofanimeisstilloneofthemostcommoninJapanandworldwidetoday.Inthe1980s,animebecamemoreacceptedinthemainstreaminJapan，andexperie

11、ncedaboominproduction.第12頁(yè)/共23頁(yè)第十三頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第13頁(yè)/共23頁(yè)第十四頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。Nowanimehasbecomecommerciallyprofitableinwesterncountries,asearlycommerciallysuccessfulwesternadaptationsofanime,suchasAstroBoy,haverevealed.Sincethe19thcentury,manyWesternershaveexpressedaparticularinteresttowardsJa

12、pan.AnimedramaticallyexposedmoreWesternerstothecultureofJapan.Asidefromanime,otherfacetsofJapanesecultureincreasedinpopularity.Worldwide,thenumberofpeoplestudyingJapaneseincreased.Evendomesticanimationindustrieshadmadeattemptsatemulatinganime.Anime-influencedanimationreferstonon-Japaneseworksofanima

13、tionthatemulatethevisualstyleofanime.Somecreatorsciteanimeasasourceofinspirationwiththeirownseries.Furthermore,aFrenchproductionteamforbanStar-RacersmovedtoTokyotocollaboratewithaJapaneseproductionteamfromHalFilmMaker.Criticsandthegeneralanimefanbasedonotconsiderthemasanime.第14頁(yè)/共23頁(yè)第十五頁(yè)，編輯于星期一：二十三點(diǎn)

14、 三十七分。ONE PIECENARUTOREBON Vampire KnightDetective ConanBlack butler第15頁(yè)/共23頁(yè)第十六頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。buckwheat noodles, and soybean curd. 第16頁(yè)/共23頁(yè)第十七頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第17頁(yè)/共23頁(yè)第十八頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第18頁(yè)/共23頁(yè)第十九頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。第19頁(yè)/共23頁(yè)第二十頁(yè)，編輯于星期一：二十三點(diǎn) 三十七分。as sashimi is the raw fish component, not the rice component. The word sushi itse