強(qiáng)化第37至詞義推測(cè)題_第1頁(yè)
全文預(yù)覽已結(jié)束

下載本文檔

版權(quán)說(shuō)明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)

文檔簡(jiǎn)介

準(zhǔn)解析》;2011-Text1①ThedecisionoftheNewYorkPhilharmonictohireAlanGilbertasits準(zhǔn)解析》;2011-Text1classical-musicworldeversincethesuddenannouncementofhisappointmentin2009.②Forthemostpart,theresponsehasbeenfavorable,tosaytheleast.③“Hooray*!Atlast!”wrote①Oneofthereasonswhytheappointmentcameassuchasurprise,however,isthatGilbertiscomparativelylittleknown.②EvenTommasini,whohadadvocatedGilbert’sappointmentintheTimes,callshim“anunpretentious*musicianwithnoairoftheformidable*conductorabouthim.”③AsadescriptionofthenextmusicdirectorofanorchestrathathashithertobeenledbymusicianslikeGustavMahlerandPierreBoulez,thatseemslikelytohavestruckatleastsomeTimesreadersasfaintpraise.①Formypart,IhavenoideawhetherGilbertisagreatconductororevenagood②Tobesure,heperformsanimpressivevarietyofinterestingcompositions,butitisnotnecessaryformetovisitAveryFisherHall,oranywhereelse,tohearinterestingorchestralmusic.③AllIhavetodoistogotomyCDshelf,orbootup*mycomputeranddownloadstillmorerecordedmusicfromiTunes.①Devotedconcertgoerswhoreplythatrecordingsarenosubstituteforliveperformancearemissingthepoint.②Forthetime,attention,andmoneyoftheart-lovingpublic,classicalinstrumentalistsmustcompetenotonlywithoperahouses,dancetroupes*,theatercompanies,andmuseums,butalsowiththerecordedperformancesofthegreatclassicalmusiciansofthe20thcentury.③Theserecordingsarecheap,availableeverywhere,andveryoftenmuchhigherinartisticqualitythantoday’sliveperformances;moreover,theycanbe“consumed”atatimeandplaceofthelistener’schoosing.④Thewidespreadavailabilityofsuchrecordingshasthusbroughtaboutacrisisintheinstitutionofthetraditionalclassicalconcert.①Onepossibleresponseisforclassicalperformerstoprogramattractivenewmusicthatisnotyetavailableonrecord.②Gilbert’sowninterestinnewmusichasbeenwidelynoted:AlexRoss,aclassical-musiccritic,hasdescribedhimasamanwhoiscapableofturningthePhilharmonicinto“amarkedlydifferent,morevibrant*organization.”③Butwhatwillbethenatureofthatdifference?④Merelyexpandingtheorchestra’srepertoire*willnotbeenough.⑤IfGilbertandthePhilharmonicaretosucceed,theymustfirstchangetherelationshipbetweenAmerica’soldestorchestraandthenewaudienceithopestoWelearnfromParagraph1thatGilbert’sappointmentincurred [B]raised[C]received [D]arousedTommasiniregardsGilbertasanartistwho [B] [C] [D]TheauthorbelievesthatthedevotedignoretheexpensesofliverejectmostkindsofrecordedexaggeratethevarietyofliveoverestimatethevalueofliveAccordingtothetext,whichofthefollowingistrueofTheyareofteninferiortoliveconcertsinTheyareeasilyaccessibletothegeneralTheyhelpimprovethequalityofTheyhaveonlycoveredRegardingGilbert’sroleinrevitalizingthePhilharmonic,theauthor [B] [C] [D]準(zhǔn)解析》;2005-Text4①Americansnolongerexpectpublicfigures,whetherinspeechorinwriting,to準(zhǔn)解析》;2005-Text4③Inhislatestbook,ngOurOwnThing:TheDegradationofLanguageandMusicandWhyWeShould,Like,Care,McWhorter,alinguistandcontroversialistofmixedliberalandconservativeviews,seesthetriumphof1960scounter-cultureasresponsibleforthedeclineofformalEnglish.①Blamingthepermissive1960sisnothingnew,butthisisnotyetanothercriticismagainstthedeclineineducation.②Mr.McWhorter’sacademicspecialityislanguagehistoryandchange,andheseesthegradualdisappearanceof“whom”,forexample,tobenaturalandnomoreregrettablethanthelossofthecase-endingsofOld①Butthecult*oftheauthenticandtheal,“ngourownthing,”hasspeltthedeathofformalspeech,writing,poetryandmusic.②Whileeventhemodestlyeducatedsoughtanelevatedtonewhentheyputpentopaperbeforethe1960s,eventhemostwellregardedwritingsincethenhassoughttocapturespokenEnglishonthepage.③Equally,poetry,thehighlyal,performativegenreistheonlyformthatcouldclaimrealliveliness.④InbothoralandwrittenEnglish,talkingistriumphingoverspeaking,spontaneityovercraft.①Illustratedwithanentertainingarrayofexamplesfrombothhighandlowculture,thetrendthatMr.McWhortersisunmistakable.②Butitislessclear,totakethequestionofhissubtitle,whyweshould,like,care.③Asalinguist,heacknowledgesthatallvarietiesofhumanlanguage,includingnon-standardoneslikeBlackEnglish,canbepowerfullyexpressive—thereexistsnolanguageordialectintheworldthatcannotconveycomplexideas.④Heisnotarguing,asmanydo,thatwecannolongerthinkstraightbecausewedonottalkproper.①Russianshaveadeeplovefortheirownlanguageandcarrychunksofmemorizedpoetryintheirheads,whileItalianpoliticianstendtoelaboratespeechthatwouldseemold-fashionedtomostEnglish-speakers.②Mr.McWhorteracknowledgesthatformallanguageisnotstrictlynecessary,andproposesnoradicaleducationalreforms—heisreallygrievingoverthelossofsomethingbeautifulmorethanuseful.③WenowtakeourEnglish“onpaperplatesinsteadofchina.”④Ashame,perhaps,butprobablyaninevitableTheword“talking”(Line6,Paragraph3) [C] [D]TowhichofthefollowingstatementswouldMcWhortermostlikelyLogicalthinkingisnotnecessarilyrelatedtothewayweBlackEnglishcanbemoreexpressivethanstandardNon-standardvarietiesofhumanlanguagearejustasOfallthevarieties,standardEnglishcanbestconveycomplexAccordingtothelastparagraph,“paperplates”isto“china”“temporary”isto [B]“radical”isto[C]“functional”isto [D]“humble”isto準(zhǔn)解析》;2009-Text1準(zhǔn)解析》;2009-Text1④Intheever-changing21stcentury,eventheword“habit”carriesanegativeimplication.①Soitseemsparadoxicaltotalkabouthabitsinthesamecontextascreativityandinnovation.②Butbrainresearchershavediscoveredthatwhenweconsciouslydevelopnewhabits,wecreateparallelpaths,andevenentirelynewbraincells,thatcanjumpourtrainsofthoughtontonew,innovative①Ratherthandismissingourselvesasunchangeablecreaturesofhabit,wecaninsteaddirectourownchangebyconsciouslydevelonewhabits.②Infact,themorenewthingswetry—themorewestepoutsideourcomfortzone—themoreinherentlycreative e,bothintheworkplaceandinourallives.①Butdon’tbothertryingtokilloffoldhabits;oncethoseruts*ofprocedurearewornintothebrain,they’retheretostay.②Instead,thenewhabitswedeliberaypressintoourselvescreateparallelpathwaysthatcanbypassthoseoldroads.①“Thefirstthingneededforinnovationisafascinationwithwonder,”saysDawnaMarkova,authorof“TheOpenMind”.②“Butwearetaughtinsteadto‘decide,’justasourcallshimself‘theDecider.’”③Sheadds,however,that“todecideistokilloffallpossibilitiesbutone.④Agoodinnovationalthinkerisalwaysexploringthemanyother①Allofusworkthroughproblemsinwaysofwhichwe’reunaware,she②Researchersinthelate1960sdiscoveredthathumansarebornwiththecapacitytoapproachchallengesinfourprimaryways:ytically,procedurally,relationally(orcollaboratively)andinnovati

溫馨提示

  • 1. 本站所有資源如無(wú)特殊說(shuō)明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽,若沒(méi)有圖紙預(yù)覽就沒(méi)有圖紙。
  • 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
  • 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
  • 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請(qǐng)與我們聯(lián)系,我們立即糾正。
  • 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。

最新文檔

評(píng)論

0/150

提交評(píng)論