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PygmalionbyGeorgeBernardShawOutlinePartI.QuzziPartII.AuthorandthebackgroundPartIII.PygmalionEffectPartIV.PlotPartV.CharactersAnalysisPartVI.ExtensionPartIQuizz...
1.ThistextismainlyaboutHenryHigginsandColonelPickering_________aboutteachingEliza.A.makingaconversationB.quarrelingC.makingabetD.fighting一、選擇題
2.ElizacametovisitHenryHigginsandColonelPickeringinordertoletthem_________A.givehersomemoneyB.giveherajobasaflowershop’sassistantC.teachherspeakwellD.haveabath
3.Elizaonlyofferedthem________iftheycouldteachher.A.1shillingB.2shillingsC.nothingD.3shillings
4.HenryHigginsandcolonelPickeringfinallydecidedto_______Eliza.A.throwbackB.teachC.onlyteachherhowtospeakD.beat
5.Elizarefusedtohaveabath,fromwhatshesaid,wecaninferthatsheliveda________life.A.miserableB.happyC.good
D.dirty二、判斷題6、AccordingtoProfessorHiggins,itisLANGUAGEthatdecidesone'spositioninsociety.7、Accordingtothenovel,ElizaandProfessorHigginsgotmarriedintheend.三、問答題8、WhatdoyouthinkHigginswouldhavetodotochangeElizaintoalady?9、WhydidPickeringfancyhimself?10、HowdoyouthinkColonelPickering?
1.ThistextismainlyaboutHenryHigginsandColonelPickering_________aboutteachingEliza.A.makingaconversationB.quarrelingC.makingabetD.fighting
2.ElizacametovisitHenryHigginsandColonelPickeringinordertoletthem_________A.givehersomemoneyB.giveherajobasaflowershop’sassistantC.teachherspeakwellD.haveabath
3.Elizaonlyofferedthem________iftheycouldteachher.A.1shillingB.2shillingsC.nothingD.3shillings
4.HenryHigginsandcolonelPickeringfinallydecidedto_______Eliza.A.throwbackB.teachC.onlyteachherhowtospeakD.beat
5.Elizarefusedtohaveabath,fromwhatshesaid,wecaninferthatsheliveda________life.A.miserableB.happyC.good
D.dirtyAccordingtoProfessorHiggins,itisLANGUAGEthatdecidesone‘spositioninsociety.T7:Accordingtothenovel,ElizaandProfessorHigginsgotmarriedintheend.F8、WhatdoyouthinkHigginswouldhavetodotochangeElizaintoalady?InordertohaveElizamakeabigchange,Higginshastoteachherfromthealphabet9、WhydidPickeringfancyhimself?Becausehecanpronouncetwenty-fourdistinctvowelsounds.10、HowdoyouthinkColonelPickering?Heisverykindandwell-educatedPartIIAboutGeorgeBernardShaw
and
thebackground...GeorgeBernardShaw(1856-1950)●HisDramatic
Writings●PopularityofShaw●Dramatist
of
Ideas●BriefIntroduction●Mrs.Warren'sProfession●HislifetimeThePerson:
Irish
comicdramatist,literarycritic,andsocialistpropagandist(宣傳者)
,winneroftheNobelPrizeforLiteraturein1925.
愛爾蘭劇作家,文學(xué)評論家,社會主義的宣傳者,1925年因作品具有“理想主義”和“人道主義”獲諾貝爾文學(xué)獎。GeorgeBernardShaw1856-1950
AfreethinkerAdefenderofwomen'srightsAadvocateofequalityofincome.BernardShawwasborninDublin,Ireland,ofEnglishparentagein1856.Hewasinterestedinliterature,musicandart.Heleftschoolat14andstartedtowork.lifeTimeHehadmuchcontactwiththepoorpeopleandcametoknowtheirmiserablelife.Between1879and1883,hestartedtoattendpublicmeetings.In1884,hejoinedtheFabianSociety.From1885,heservedasacriticofmusicanddrama,heintroduceddanewstandardinjudgingperformersandcomposers.WhentheFirstWorldWarbrokeout,hedenouncedthoseimperialist
war-launchersinhisbook,CommonSenseAbouttheWar.In1925,hewontheNobelPrize..HevisitedtheformerSovietUnionin1931.In1933,hevisitedChina
andmetMadamSongQinglingandMr.LuXun.魯迅、蕭伯納、蔡元培Shaw’sBirthplaceinDublinbedroomShaw’scornerIn1906theShawsmovedintoahouse,nowcalledShaw’sCornerShaw—DramatistofIdeas(觀念?。?ThesocialcontextoftheTheatreofIdeasisthattheendofthe19thcenturywasaperiodinwhichideasofreformflourished—socialists,feminists—andotherswereexcitedbyideas,analyzedthem,andusedthemasweaponsagainsttheestablishedtraditions.ShawandIbsen(Norwegianplaywright,ADoll'sHouse):originatedinEnglandbutborrowedfromIbsen.
IbsenHowever,ShawandIbsenaredifferentShawGeorgeBernardShawShaw—DramatistofIdeas:I、Hispurposeofwritingtheseplaysof“ideas”istodrawpeople’sattentiontothesocialproblems.
Shaw—“Dramaisnomeresettingupofthecameratonature;itisthepresentation...ofproblem.”
Shawcalledhisfirstplays“unpleasant”,because“theirdramaticpowerisusedtoforcethespectatortofaceunpleasantfact.”
GeorgeBernardShawPopularityofShaw:
Betweenthefallof1904andthesummerof1907,thenewtheatregave988performancesof32playstoitsaudiences.Amongthe32playswere11playsbyBernardShawwith701performances.GeorgeBernardShawHismainworks:
Widowers'Houses《鰥夫的房產(chǎn)》CashelByron‘sProfession《卡希爾·拜倫的職業(yè)》SaintJoan《圣女貞德》Pygmalion《賣花女》(1964年改編成電影《窈窕淑女》,當(dāng)年獲奧斯卡最佳影片、最佳導(dǎo)演、最佳改編音樂等八座小金人。)TheDevil'sDisciple《魔鬼的門徒》ManandSuperman《人與超人》HeartbreakHouse《傷心之家》Mrs.Warren'sProfession《華倫夫人的職業(yè)》MajorBarbara《巴巴拉少?!稵heAppleCart《蘋果車》TheDoctor'sDilemma《醫(yī)生的兩難選擇》BacktoMethuselah《長生》或《千歲人》CaesarandCleopatra《凱撒和克婁巴特拉》Dramaticwriting:Hisfirstplayin1893,Widowers’Houses,andthen
Mrs.Warren’sProfessionThedecadeof20thcenturybeforeWWIisaperiodofhighproductivityforShaw:
ManandSuperman(1903)《人與超人》
MajorBarbara(1907)《芭芭拉上?!?/p>
Pygmalion(1914)《賣花女》;《窈窕淑女》GeorgeBernardShawWidowers'HousesManandSupermanMajorBarbaraPygmalion
——MyFairLadyWWIisaturningpointforShaw.His
anti-warspeechesandhispamphlet
CommonSenseabouttheWar
madehimthetarget['tɑ:git]ofmuchcriticism.
HeartbreakHouse(1919),《傷心之家》
Saint
[seint]
Joan
[d??un]
(1924)
《圣女貞德》GeorgeBernardShawFeaturesofhisplay蕭伯納的戲劇最突出的特點(diǎn)是緊密結(jié)合現(xiàn)實政治斗爭,敢于觸及資本主義社會最本質(zhì)的問題,把剝削階級的丑惡嘴臉暴露在公眾前。revealsocialconflictsAStrongSenseofComedyStrikinglyeasy,dazzlinglywittydialogueMrs.Warren’sProfession:
.TheplayMrs.Warren’sProfessionwascalledbythewriterhimself“PlaysUnpleasant”.Unpleasanttheyweretothebourgeois(資產(chǎn)階級)public,becauseG.B.Shawattackedinthemthevicesofcapitalistsociety.Mrs.Warren'sProfessionLeadingRolesMrs.KittyWarren-Anattractive,middle-agedbusinesswoman,madewealthybyrunningastringofbrothels(妓院)Mr.Praed-AfriendofMrs.Warren,middle-agedandattractive,agoodmanSirGeorgeCrofts-Mrs.Warren'sbusinesspartner--middle-aged,stodgy,entitledmemberoftheupperclassReverendSamuelGardner-AlocalministerandVivie'sbiologicalfatherVivieWarren-Mrs.Warren'sdaughter,justgraduatedfromcollegewithhonors.FrankGardner-YouthfulsonofReverendGardner.2.Thewritershowsthatundertheguiseofbourgeoisrespectability,horriblecrimesandcorruptionareconcealed.InthisplayShawaccusesthebourgeoisieofmakingprofitbyfosteringprostitution(賣淫).Mrs.Warren’sprofessioniskeepingbrothels.Mr.Croftsisherpartnerinthisbusiness.
Theplaytellsanoutrageous(令人吃驚的)truthinamoribund(垂死的)capitalistsociety,evenprostitutioncanbemadeameansofexploitationbyanex-prostituteMrs.Warren,andasoundinvestmentbyarespectablearistocrat(貴族)SirGeorgeCrofts在藝術(shù)手法上,他通過人物對話和思想感情交鋒來表現(xiàn)性格沖突和主思想。作品批判不講道德、貪婪、腐朽的資產(chǎn)階級生活。揭發(fā)披華貴外衣者的墮落,揭露了資本主義社會的經(jīng)濟(jì)基礎(chǔ)但對華倫夫人這類賣淫從業(yè)者給予了深切同情,因為逼良為娼是社會的罪惡。Pygmalion:BackgroundPygmalion:Background
PygmalionissetinLondon,England,aroundthebeginningofthetwentiethcentury.DuringthistimeinLondon,working-classpeoplelikeElizaDoolittlePygmalion:Background
livedinslums(貧民窟)hadnoheatorhotwaterhadtoputcoinsinametertogetelectriclightPygmalion:Background
TheclassstructureinEnglandatthistimewasveryrigid.upperclassmiddleclassworkingclassPygmalion:Background
Thegovernmentdidprovidesomeschooling.However,aneducationdidnotteachtheproperspeechthatwasconsideredasignoftheupperclass.Pygmalion:Background
Thewaythatmanyworking-classpeoplespokewasanobstacle(障礙)totheirbecomingmiddleclass.PartIIIPygmalionEffect...Whatmythbehind"Pigmalion"?
Actually,”Pigmalion”iscamefromGreekstory.Pigmalion,akingofCyprus(塞浦路斯)wasafamousscuptorandhehadnointerestinlocalwomen.Hefoundthemimmoralandfrivolous,instead,heconcerntratedonhisartuntilonedayheranacrossalarge,flawlesspieceofivoryanddecidedtocarveabeautifulwomanfromit.
Whenhehadfinishedthestatue,Pigmalionfounditsolovelyandtheimageofhisidealwomanthatheclothedthefigureandadornedherinjewels.hegavethestatueaname“Galatea”(伽拉泰亞),sleepingloveHefoundhimselfobsessedwithhisidealwoman,sohewenttothetempleofAphrodit(阿芙洛忒迪,希臘神話中的愛神)tobegforawifeasperfectashisstatue.Aphroditewascuriousaboutit.soshevisitedthesculptorandwascharmedbyhiscreation,actually,Galateawastheimageofherself.flattered,Aphroditebroughtthestatuetolife.whenPigmalionreturned,hefoundheralive.Burne-Jones,Edward“PygmalionandtheImageSeries:TheSoulAttains”1878Whilehestandsastonishedandglad,,Healsofearedthathemightbeinthedream,sohetouchestheobjectofhishopesagainandagainwithalover‘sardor.
Itwasindeedalive!Finally,theygotmarriedashehadwhished.Butnow...Pigmalioneffect(皮革馬利翁效應(yīng))“Whatwebelieveinfluenceshowwebehave.Likewise,howwebehaveimpactswhatpeoplethinkaboutus.Inturn,thisaffectshowothersbehavetowardsus.Ultimately,howtheybehavetowardsusreinforceswhatwebelievedaboutourselvesinthefirstplace.”RelationbetweenPigmalionand“myfairlady”Relationandcomparasion???ThethemeoftheGreekstory:Pygmalion,anartistcreatedastatuefromstoneandmadeithaveanewlife.Thethemeof“Myfairlady”:Higgins,aphoneticsturnedagirlfromlowerclasspeopletoafairladybyteachingherEnglishandhowtobehaveingracefulway.PartIVPlot...HenryHigginsAphoneticprofessor
Elizabeth
Doolittle
a
flower
girl
!Shewantstolearntospeakproperlysothatshecangetajobinaflowershopinsteadofsellingflowersonthestreet.ElizacomestoHiggins’shousetoaskhimtogiveherspeechlessons.HenryHigginsColonelPickeringbet★dress★train
“thisisthehardestformetodo.”★takehertothepartyFreddyEynsford-HillAfterallofthehardwork,Elizabecameareallady.Ontheroyalball,shewasconsideredasaprincessbytheroyallinguist.“itisabigsuccess.”Asbeingoverlooked,Elizalefthenry’shouse.HenrywasangryandlookingforElizaeverywhere.HefoundElizawasinhismother’shouse.It’sthetimeforhimtofollowhisheart.PartVCharactersAnalysis...ElizaDoolittle(E):apoorflowergirlwhoisambitioustoimproveherself.ColonelPickering(P):anofficerinthearmyandlaterafriendof
Higgins’whosetshimatask.
Let’scheckProfessorHiggins(H):anexpertinphonetics,convincedthatthequality
ofaperson’sEnglishdecides
his/
herpositioninsociety.
MaincharactersfrommiddleclassElizaDiscussion
Henry
HigginsfromupperclassTextrudeimpatientconfidentsuperiorself-importantColonelPickeringkindpoliteconfidentgenerousenthusiasticeageranxiousunsureemotionalambitiousfromlowerclassComprehending
CharacterPositioninsocietyEvidenceintheplayElizaLowerclassBehavior:respectfultopeopleofhigherclassLanguage:callsgentleman“sir”and“cap’in”(orcaptain)whichisacomplimentCharacterPositionInsocietyEvidenceintheplayHenryHigginsBehavior:rude(andpatronizing)tolowerclass;politetosameorupperclassLanguage:callsEliza“yousillygirl”andPickering“mydearman”(anequalandfriend)MiddleclassCharacterPositioninsocietyEvidenceintheplayColonelPickeringBehavior:generallyconfidentandpolite;butignoresElizaLanguage:preparedtobeginaconversationwithHenry,whomhedoesnotknow;generouswithpraisetohimUpperclassPartVIExtension ...ReceivedPronunciation標(biāo)準(zhǔn)發(fā)音*
ReceivedPronunciation(RP)isthestandardaccentofStandardEnglishinEngland.Theaccentemergedfromthe18th-and19th-Centuryaristocracy(貴族),andhasremainedthe“goldstandard”eversince.RPisthekindofEnglishthatusedtobespokenontelevisionorradio.It'sveryrarethatyou'llfindsomeonewhoreallyspeaksRPEnglish,probablythequeenisoneofthefewpeoplewhospeakthatway.(BBCEnglish,OxfordEnglish,Queen’sEnglish)Cockneyaccent倫敦東郊貧民英語*
Cockneyhasbothageographicandalinguisticconnotation.Geographically,itisoftenusedtorefertoworking-classLondonersinthe
East-End.Linguistically,itcanrefertotheaccentandformofEnglishspokenbythisgroup.
CockneyaccentisprobablythesecondmostfamousofBritishAccents.ItoriginatedintheEastEndofLondon,butsharesmanyfeatureswithandinfluencesotherdialectsinthatregion.
CockneyEnglish一個很明顯的特點(diǎn)是吞音,比如單詞開頭的h被dropped:him---‘im,have-‘a(chǎn)ve,在TV里面t吞音更常見,你是否聽過有人大喊ge(t)ou(t).CockneyRhymingSlang(同韻俚語)isaformofphraseconstructionwhichinvolvesreplacingacommonwordwitharhymingphraseoftwoorthreewordsandthen.applesandpearsstairsdogandbone
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