雅思G類閱讀誤區(qū)

千里之行，始于第2頁(yè)/共2頁(yè)精品文檔推薦雅思G類閱讀誤區(qū)雅思G類閱讀與A類針對(duì)的人群不同，所以備考的方法自然也有些差異，除了備考資料有差異外，還要留意一些雅思G類閱讀備考誤區(qū)。

雅思G類閱讀誤區(qū)4大備考誤區(qū)肯定要避開!

雅思G類閱讀備考誤區(qū)有哪些?其實(shí)G類閱讀難度并不低，所以備考G類不能由于自己英語(yǔ)基礎(chǔ)還可以就掉以輕心。但是G類雖難，也沒有莫非很可怕的地步，所以只要仔細(xì)備考就肯定會(huì)有不錯(cuò)的提升。除此之外，還要在備考中用對(duì)資料，打好基礎(chǔ)。

雅思G類閱讀誤區(qū)一閱讀很簡(jiǎn)潔根本不用備考

雅思G類閱讀簡(jiǎn)潔嗎?相對(duì)來說，雅思G類閱讀文章的難度是要比A類的簡(jiǎn)潔一些，但是這不代表雅思G類閱讀不用備考。一些G類雅思索生感覺自己英語(yǔ)功底不錯(cuò)，將大量時(shí)間花在其他科目的備考上忽視了雅思G類閱讀備考，結(jié)果到了考場(chǎng)上才發(fā)覺題目根本做不完，但是悔之晚矣。G類閱讀難點(diǎn)主要有兩個(gè)，一是閱讀本身對(duì)于大部分G類考生來說是有難度的，需要仔細(xì)備考;二是G類閱讀雖然比A類簡(jiǎn)潔一些，但是得分卻比較困難，相同的分值，G類閱讀比A類要多對(duì)幾個(gè)題才能達(dá)到，所以萬不行自以為是，不仔細(xì)備考。

雅思G類閱讀誤區(qū)二閱讀太難備考也不會(huì)有提升

有的考生備考G類閱讀的時(shí)候覺得難度太高提升無望，想要徹底放棄閱讀方面的備考。G類閱讀的確有肯定的難度，我們?cè)谏衔闹幸矠榇蠹曳治隽穗y點(diǎn)，但只要大家仔細(xì)備考，確定會(huì)有不錯(cuò)的提升。假如閱讀基礎(chǔ)較差，那就針對(duì)閱讀先去提升詞匯量，提升語(yǔ)法基礎(chǔ)，然后再來做閱讀題目練習(xí)。只要備考時(shí)間充分，按部就班備考，閱讀肯定會(huì)有提升的，所以不要輕言放棄。

雅思G類閱讀誤區(qū)三A類閱讀資料都可以用來備考

雅思G類閱讀備考是否可以用A類閱讀的資料。假如大家用A類閱讀來做泛讀練習(xí)，倒也可行，但若是用來做習(xí)題練習(xí)，那就是鋪張時(shí)間了。雅思G類閱讀不論是文章還是題目與A類都有很大差別，所以假如要做習(xí)題練習(xí)，建議大家選用G類閱讀資料。目前質(zhì)量最高的雅思G類閱讀資料是劍雅真題，建議大家利用好，先做題，再糾錯(cuò)，然后再分析錯(cuò)題，把握文章出題點(diǎn)。

雅思G類閱讀誤區(qū)四憑技巧就能考出高分

雅思G類閱讀閱讀做題技巧有沒有用?當(dāng)然有用。但是假如大家在備考中想要單憑閱讀技巧考出高分，那幾乎是不行能的。假如你的目標(biāo)分值不高，只有4分或者5分，那可以在備考前突擊學(xué)習(xí)閱讀技巧，但假如想考到6分或6.5分以上，必需要打好基礎(chǔ)，在良好的基礎(chǔ)上再結(jié)合一些做題技巧才能考出高分。

雅思G類閱讀備考4大誤區(qū)如上，大家在備考G類閱讀的時(shí)候肯定要留意這幾個(gè)方面，不能盲目自信，也不能對(duì)自己太沒自信，其實(shí)雅思閱讀只要仔細(xì)備考都會(huì)有不錯(cuò)的提升。另外，備考資料建議選G類閱讀的相關(guān)資料，備考中要將基礎(chǔ)和技巧相結(jié)合。

雅思索試閱讀模擬練習(xí)及答案

SellingDigitalMusicwithoutCopy-protectionMakesSense

A.

Itwasuncharacteristicallylow-keyfortheindustry’sgreatestshowman.ButtheessaypublishedthisweekbySteveJobs,thebossofApple,onhisfirm’swebsiteundertheunassumingtitle“ThoughtsonMusic”hasnonethelessprovokedavigorousdebateaboutthefutureofdigitalmusic,whichAppledominateswithitsiPodmusic-playerandiTunesmusic-store.Atissueis“digitalrightsmanagement”(DRM)—thetechnologyguardingdownloadedmusicagainsttheft.SincethereisnocommonstandardforDRM,italsohastheside-effectthatsongspurchasedforonetypeofmusic-playermaynotworkonanother.Apple’sDRMsystem,calledFairPlay,isthemostwidespread.SoitcameasasurprisewhenMr.JobscalledforDRMfordigitalmusictobeabolished.

B.

ThisisachangeoftackforApple.IthascomeunderfirefromEuropeanregulatorswhoclaimthatitsrefusaltolicenseFairPlaytootherfirmshas“l(fā)ockedin”customers.SincemusicfromtheiTunesstorecannotbeplayedonnon-iPodmusic-players(atleastnotwithoutalotoffiddling),anyiTunesbuyerwillbedeterredfromswitchingtoadevicemadebyarivalfirm,suchasSonyorMicrosoft.WhenFrenchlawmakersdraftedabilllastyearcompellingAppletoopenupFairPlaytorivals,thecompanywarnedof“state-sponsoredpiracy”.OnlyDRM,itimplied,couldkeepthepiratesatbay.

C.

ThisweekMr.JobsgaveanotherexplanationforhisformerdefenceofDRM:therecordcompaniesmadehimdoit.TheywouldmaketheirmusicavailabletotheiTunesstoreonlyifAppleagreedtoprotectitusingDRM.TheycanstillwithdrawtheircataloguesiftheDRMsystemiscompromised.ApplecannotlicenseFairPlaytoothers,saysMrJobs,becauseitwoulddependonthemtoproducesecurityfixespromptly.AllDRMdoesisrestrictconsumerchoiceandprovideabarriertoentry,saysMrJobs;withoutittherewouldbefarmorestoresandplayers,andfarmoreinnovation.So,hesuggests,whynotdoawaywithDRMandsellmusicunprotected?“Thisisclearlythebestalternativeforconsumers,”hedeclares,“andApplewouldembraceitinaheartbeat.”

D.

Whythesuddenchangeofheart?MrJobsseemschieflyconcernedwithgettingEurope’sregulatorsoffhisback.RatherthancomplainingtoAppleaboutitsuseofDRM,hesuggests,“thoseunhappywiththecurrentsituationshouldredirecttheirenergiestowardspersuadingthemusiccompaniestoselltheirmusicDRM-free.”Twoandahalfofthefourbigrecordcompanies,hehelpfullypointsout,areEuropean-owned.MrJobsalsohopestopainthimselfasaconsumerchampion.AppleresentsaccusationsthatithasbecometheMicrosoftofdigitalmusic.

E.

Applecanaffordtoembraceopencompetitioninmusicplayersandonlinestores.Consumerswouldgravitatetothebestplayerandthebeststore,andatthemomentthatstillmeansApple’s.MrJobsisevidentlyunfazedbyrivalstotheiPod.Sinceonly3%ofthemusicinatypicaliTuneslibraryisprotected,mostofitcanalreadybeusedonotherplayerstoday,henotes.(AndeventheprotectedtrackscanbeburnedontoaCDandthenre-ripped.)SoApple’sdominanceevidentlydependsfarmoreonbrandingandeaseofusethanDRM-related“l(fā)ockin”.

F.

ThemusicgiantsaretryingDRM-freedownloads.Lotsofsmallerlabelsalreadysellmusicthatway.Havingseenwhichwaythewindisblowing,MrJobsnowwantstobeseennotasDRM’sdefender,butasaconsumerchampionwhohelpedinitsdownfall.Wouldn’titleadtoasurgeinpiracy?No,becausemostmusicisstillsoldunprotectedonCDs,peoplewishingtostealmusicalreadycandoso.Indeed,scrappingDRMwouldprobablyincreaseonline-musicsalesbyreducingconfusionandincompatibility.Withtheleadingonlinestore,Applewouldbenefitmost.MrJobs’sargument,inshort,istransparentlyself-serving.Italsohappenstoberight.

Questions1-7

DothefollowingstatemetsreflecttheclaimsofthewriterinReadingPassage1?

WriteyouranswerinBoxes1-7onyouranswersheet.

TRUEifthestatementrefletstheclaimsofthewriter

FALSEifthestatementcontradictstheclaimsofthewriter

NOTGIVENifitisimpossbiletosaywhatthewriterthinksaboutthis

1.AppleenjoysacontrollingpositionindigitalmusicmarketwithitsiPodmusic-playerandiTunesmusic-store.

2.DRMisagovernmentdecreeissuedwithapurposetoprotectdownloadedmusicfromtheftbyconsumers.

3.LackofstandardizationinDRMmakessongsboughtforonekindofmusicplayermaynotfunctiononanother.

4.ApplehasbeencriticizedbyEuropeanregulatorssinceithasrefusedtograntalicenseFairPlaytootherfirms.

5.Allmusiccanbeeasilyplayedonnon-iPodmusicdevicesfromSonyorMicrosoftwithouttoomuchfiddling.

6.AppledependsfarmoreonDRMratherthanbrandingforitsdominanceofthedigitalmusicdevices.

7.IfDRMwascancelled,Sonywouldcertainlydominatetheinternationaldigitalmusicmarket.

Questions8-10

ChoosetheappropriatelettersA-Dandwritetheminboxes8-10onyouranswesheet.

8.WhichofthefollowingstatementsaboutMr.Jobs’ideaofDRMisNOTTRUE?

A.DRMplacesrestrictionsonconsumer’choiceofdigitalmusicproductsavailable.

B.DRMcomplesiTunesbuyerstoswitchtoadevicemadebySonyorMicrosoft.

C.DRMconstitutesabarrierforpotentialconsumerstoenterdigitalmusicmarkets.

D.DRMhindersdevelopmentofmorestoresandplayersandtechnicalinnovation.

9.Theword“unfazed”inline3ofparagraphE,means___________.

A.refused

B.welcomed

C.notbothered

D.notwellreceived

10.WhichofthefollowingstatementsisTRUEifDRMwasscapped?

A.Sonywouldgainthemostprofit.

B.Morecustomerswouldbe“l(fā)ockedin”.

C.Asuddenincreaseinpiracywouldoccur.

D.Online-musicsaleswouldprobablydecrease.

Questions11-14

Completethenotesbelow.

ChooseNOMORETHANTHREEWORDSfromReadingPassage1foreachanswer.

Writeyouranswersinboxes11-14onyouranswersheet.

Mr.SteveJobs,thebossofApple,explainsthereasonwhyheusedtodefendDRM,sayingthatthecompanywasforcedtodoso:therecordcompanieswouldmaketheirmusicaccessibleto…11...onlyiftheyagreedtoprotectitusingDRM;theycanstill…12…iftheDRMsystemiscompromised.HealsoprovidesthereasonwhyAppledidnotlicenseFairPlaytoothers:thecompanyreliesonthemto…13….ButnowhechangeshismindwithapossibleexpectationthatEurope’sregulatorswouldnottroublehimanymoreinthefuture.Heproposesthatthosewhoareunsatisfactorywiththecurrentsituationindigitalmusicmarketshould…14…towardspersuadethemusiccompaniestoselltheirmusicDRM-free.

雅思索試閱讀模擬練習(xí)及答案

PartII

NotestoReadingPassage1

1.low-key:

抑制的，受約束的，屈服的

2.showman:

開展覽會(huì)的人,出風(fēng)頭的人物

3.unassuming:

謙遜的,不夸耀的,不裝腔作勢(shì)的

4.iPod：

(蘋果公司出產(chǎn)的)音樂播放器

5.iTunesstore：

(蘋果公司出產(chǎn)的)在線音樂商店

6.getoffperson’sback:

不再找某人的麻煩，擺脫某人的糾纏

7.gravitate:

受吸引，傾向于

8.unfazed:

不再擔(dān)憂，不被打攪

PartIII

KeysandexplanationstotheQuestions1-13

1.TRUE

SeethesecondsentenceinParagraphA“…thefutureofdigitalmusic,whichAppledominateswithitsiPodmusic-playerandiTunesmusic-store.”

2.FALSE

SeethethirdsentenceinParagraphA“…Atissueis“digitalrightsmanagement”(DRM)—thetechnologyguardingdownloadedmusicagainsttheft.”

3.TRUE

SeethefourthsentenceinParagraphA“SincethereisnocommonstandardforDRM,italsohastheside-effectthatsongspurchasedforonetypeofmusic-playermaynotworkonanother.”

4.TRUE

SeethesecondsentenceinParagraphB“IthascomeunderfirefromEuropeanregulatorswhoclaimthatitsrefusaltolicenseFairPlaytootherfirmshas“l(fā)ockedin”customers.”

5.NOTGIVEN

ThethirdsentenceinParagaphBonlymentionsmusicfromtheiTunesstore,nothingaboutthatofSonyorMicrosoft.“SincemusicfromtheiTunesstorecannotbeplayedonnon-iPodmusic-players(atleastnotwithoutalotoffiddling).”

6.FALSE

SeethelastsentenceinParagraphE“SoApple’sdominanceevidentlydependsfarmoreonbrandingandeaseofusethanDRM-related“l(fā)ockin”.

7.NOTGIVEN

SeethefourthsentenceinParagraphFonlymentionsmusicgenerally,noparticularinformationaboutbusinessprospectofSony“Indeed,scrappingDRMwouldprobablyincreaseonline-musicsalesbyreducingconfusionandincompatibility.”

8.B

SeethefourthsentenceofParagraphC“AllDRMdoesisrestrictconsumerchoiceandprovideabarriertoentry,saysMrJobs;withoutittherewouldbefarmorestoresandplayers,andfarmoreinnovation.”

9.C

SeethethirdsentenceofParagraphEandthecontext“MrJobsisevidentlyunfazedbyrivalstotheiPod.Sinceonly3%ofthemusicinatypicaliTuneslibraryisprotected,mostofitcanalreadybeusedonotherplayerstoday.”

10.A

Se