用英語總結(jié)京劇特點(diǎn)

用英語總結(jié)京劇特點(diǎn)第1篇用英語總結(jié)京劇特點(diǎn)第1篇AlthoughitiscalledPekingOpera,theoriginsofPekingOperaarenotinBeijingbutintheprovincesofAnhui(EastChina)andHubei(South-centralChina).Itsriseisdueingreatparttothefavorableeyesandpatronageoftheimperialroyalties.

雖然被稱為京劇，但京劇的起源并不在北京，而是在安徽省（中國(guó)東部）和湖北?。ㄖ袊?guó)中南部）。它的崛起在很大程度上要?dú)w功于皇室的青睞和贊助。

用英語總結(jié)京劇特點(diǎn)第2篇ThecharactersstagedinPekingoperaarenotbasedontheappearanceofpeopleindailylife.Artisticexaggerationsareappliedinelaborationofmakeupandcostumesaccordingtogender,personality,age,occupation,andsocialstatusoftherolesindifferentplays.

京劇中的人物并不是以人們?cè)谌粘Ｉ钪械耐獗頌榛A(chǔ)的。根據(jù)不同劇中角色的性別、性格、年齡、職業(yè)和社會(huì)地位，在化妝和服裝的制作中使用了藝術(shù)夸張。

Ingeneral,therolesonthestagearedividedintofourcategories:Sheng(male),Dan(female),Jing(male,painted-facecharacters)andChou(male,clowns).Eachcharacterhasadifferentage,genderandsocialstatus.ShengisthemainmaleroleinPekingOpera.Danisafemalecharacter.However,interestingly,youngmaleperformersactuallyplaythisroleaswomenwereprohibitedfromactinguntil1912.InMandarin,“jing”meansclean.Thefacepaintdoesnotmakethecharacterappearclean,sotheword“jing”isusedinacontradictorysense.“Chou”meansugly.Theactorswhoplaythechouroleshaveawhitedotdrawnontheirnoses.Thisfeaturemeanstheyaresupposedtobeugly.Generally,actorsaretrainedforonecategoryofrole;crossoverartistsareexceptionallytalentedandrare.

一般來說，舞臺(tái)上的角色分為四類：生（男）、旦（女）、凈（男，臉譜演員）和丑（男，小丑）。每個(gè)角色都有不同的年齡、性別和社會(huì)地位。生是京劇中的主要男性角色。旦是女性角色。然而，有趣的是，年輕的男演員實(shí)際上扮演這個(gè)角色，因?yàn)?912年之前，女性不允許表演。在普通話中，“凈”的意思是干凈，然而角色臉上的臉譜使這個(gè)角色看上去并不干凈，所以“凈”實(shí)際是相反的意思。“丑”的意思是丑陋。扮演丑角的演員鼻子上畫了一個(gè)白點(diǎn)。這個(gè)特性意味著它們是丑的。一般來說，演員只扮演一類角色；跨界藝術(shù)家是非常有天賦和罕見的。

1.Sheng(生)

It'sacommonnameofmalecharactersandcomposedofLaoSheng,XiaoShengandWuSheng.LaoShengreferstothemiddle-agedmanwithabeardwhoactsasthedecencyfigure;forexample,Zhugeliangin'EmptyCityScheme'.XiaoShengmeansyoungmanwithoutabeard.Zhangshengin'TheStoryoftheWestRoom'isarepresentativeofXiaoSheng.WuShengmainlyplaysbravewarriorsorheroesoftheforest.

這是一個(gè)常見的男性角色名稱，由老生、小生、武生組成。老生指的是有胡子的中年男子，他扮演的是正派人物；例如《空城計(jì)》中的朱葛亮。小生指沒有胡子的年輕人?！段鲙洝分械膹埳褪切∩拇?。武生主要扮演的是勇猛戰(zhàn)將或是綠林英雄。

2.Dan(旦)

ThegeneralnameforfemalecharacterscanbedividedintoZhengdan,Huadan,Laodan,Wudan.Zhengdanisalsocalled'Qingyi',whomainlyplaysthepartofthestrong-mindedmiddle-agedwomanwhobehaveselegantly.Huadanreferstolittlegirlswhooftenliveinthebottomofsociety.LaodanreferstotheseniorwomanandWudanindicatesthefemalewhoisgoodatfighting.

女性角色的一般名稱可分為正旦、花旦、老旦、武旦。正旦也叫'青衣'，主要扮演思想堅(jiān)強(qiáng)、舉止優(yōu)雅的中年婦女。花旦指的是經(jīng)常生活在社會(huì)底層的小姑娘。老旦指的是高級(jí)女性，武旦表示善于戰(zhàn)斗的女性。

3.Jing（凈)

Jingxingiscommonlyknownaspaintedfaceandaregenerallymaleroles.Itcanbedividedinto①thefirstpaintedface:theloyalgeneralsofhigherstatus,steadydemeanor;②thesecondpaintedface:mostlythebrashandrecklesscharacters;③WuJing:arolebasedonmartialarts.

凈行俗稱花臉，又叫花面。一般都是扮演男性角色。凈行可分為正凈（大花臉）：地位較高，舉止穩(wěn)重的忠臣良將。副凈（二花臉）：俗稱架子花臉，大多扮演性格粗豪莽撞的人物。武凈（武花臉）：以武打?yàn)橹鞯慕巧?/p>

4.Chou(丑)

Chou,obviously,istheoppositeof'handsome'.Thecharactersplayedbythethemarenotallbadguys,butmostofthemhavetoputapieceofwhitepowderonthebridgeoftheirnose,andtheirimageisuglyafterall.TheyaredividedintoWenChouandWuChou.WenChoumeansascholar,andWuChouspecializesinmartialartsrolessuchasfalling,fighting,flippingandpouncing.

丑，其實(shí)不用解釋，無非是相對(duì)于“俊”來說的。人們不是常說“丑扮”、“俊扮”嗎？“丑角”扮演的人物雖不全是壞人，但大都須在鼻梁上抹一塊白粉，其形象畢竟是丑的。丑行又分文丑、武丑。文丑意為文人，儒生；武丑，專演跌、打、翻、撲等武技角色。

來自：奧莉芙小異>《待分類》

0條評(píng)論

發(fā)表

請(qǐng)遵守用戶評(píng)論公約

Int'lschoolstudentslearnPekingOpera

StudentsfromaninternationalschoolinBeijingparticipatedinapubliceducationactivitynamed_thecharmofSheng,Dan,Jing,ChouinPekingOpera_onThursdayhere._...

打敗四六級(jí)翻譯|7FactsAboutBeijingOpera

打敗四六級(jí)翻譯|7FactsAboutBeijingOpera2018-03-10大學(xué)英語學(xué)習(xí)大學(xué)英語學(xué)習(xí)。BeijingOpera—JustOneKindofChin...

英語作文：京劇的由來TheHistoryofPekingOpera

英語作文：京劇的由來TheHistoryofPekingOpera,knownasChina''s_nationalessence_,hasbeen200years,thesetroupesoftenperformedtoge...

京劇傳統(tǒng)劇目名字大盤點(diǎn)：一箭仇二進(jìn)宮三岔口四進(jìn)士五人義六月雪七星燈八大錘九江口十字坡

京劇傳統(tǒng)劇目名字大盤點(diǎn)：一箭仇二進(jìn)宮三岔口四進(jìn)士五人義六月雪七星燈八大錘九江口十字坡。京劇傳統(tǒng)劇目名字大盤點(diǎn)：一箭仇二進(jìn)宮三...

珍貴！京劇老磁帶專輯《眾名家聯(lián)唱現(xiàn)代京劇》值得收藏！

京劇老磁帶專輯《眾名家聯(lián)唱現(xiàn)代京劇》值得收藏！ClickontheBlueFontabovetopayattentionto''''''...

梅蘭芳大師的四十個(gè)瞬間京劇大師梅蘭芳PekingOperamasterMeiLanfang(20150808N)

梅蘭芳大師的四十個(gè)瞬間京劇大師梅蘭芳PekingOperamasterMeiLanfang(20150808N)pingpu.

2018年12月英語六級(jí)易考范文：京劇成為必修課的一部分

2018年12月英語六級(jí)易考范文：京劇成為必修課的一部分.英語六級(jí)易考范文第10篇:PekingOperaBeSetasPartofCompulsoryCourses京劇成為必修課的一部分.Recently,theMinistryofEducationlaun...

漲姿勢(shì)：100個(gè)傳統(tǒng)文化相關(guān)的名詞（三）

BeijingOpera京?。簢?guó)劇、國(guó)粹、花旦、青衣、戲子、戲曲、嫵媚

BeijingOpera京?。簢?guó)劇、國(guó)粹、花旦、青衣、戲子、戲曲、嫵媚。

微信掃碼，在手機(jī)上查看選中內(nèi)容

微信掃碼，在手機(jī)上查看選中內(nèi)容

用英語總結(jié)京劇特點(diǎn)第3篇NowletmesaysomethingaboutBeijingOpera.BeijingOperaisverypopularinChina.Ithasahistoryofmorethan200years.DuringthereignoftheQianlongemperorintheQingdynasty,Qianlonghadainterestinthelocalopera.In1790,tocelebratehiseightiethbirthday,hesummonedoperatroupesfromdifferentplacestoperformforhiminBeijing.FourfamoustroupesfromAnhuiprovinceremainedinBeijingafterthecelebration.In1828,AHubeitroupecametoBeijingandoftenperformedtogetherwiththeAnhuitroupes.ThetwotypesofsingingmixedtogetherandgraduallyanewtypecameintobeingknownasBeijingOpera.Nowistheperformance.Ihopeyouwilllikeit.

用英語總結(jié)京劇特點(diǎn)第4篇NowletmesaysomethingaboutBeijingOperaisverypopularinhasahistoryofmorethan200thereignoftheQianlongemperorintheQingdynasty,Qianlonghadainterestinthelocal1790,tocelebratehiseightiethbirthday,hesummonedoperatroupesfromdifferentplacestoperformforhiminfamoustroupesfromAnhuiprovinceremainedinBeijingafterthe1828,AHubeitroupecametoBeijingandoftenperformedtogetherwiththeAnhuitwotypesofsingingmixedtogetherandgraduallyanewtypecameintobeingknownasBeijingisthehopeyou.

ThetwotypesofsingingmixedtogetherandgraduallyanewtypecameintobeingknownasBeijingOpera,AHubeitroupecametoBeijingandoftenperformedtogetherwiththeAnhuihopeyouwilllikethereignoftheQianlongemperorintheQingdynasty,tocelebratehiseightiethisthefamoustroupesfromAnhuiprovinceremainedinBeijingafterthecelebrationNowletmesaysomethingaboutBeijingOpera,Qianlonghadainterestinthelocalhasahistoryofmorethan200OperaisverypopularinChina,hesummonedoperatroupesfromdifferentplacestoperformforhiminBeijing.

用英語總結(jié)京劇特點(diǎn)第5篇Walter'sgoalinlifewastobecomeasuccessfulsurgeon.First,though,hehadtogetthroughhighschool,soheconcentratedallhiseffortsonhisstudies——inparticular,biology,chemistry,andmath.Becauseheworkedconstantlyonthesesubjects,Walterbecameproficientinthem;however,Walterforgotthatheneededtomasterothersubjectsbesidesthosehehadchosen.Asaresult,duringhisjunioryearofhighschool,WalterfailedbothEnglishandLatin.Consequently,hehadtorepeatthesesubjectsandhewasalmostunabletograduateonschedule.Finally,onJune6,Walterachievedthefirststeptowardrealizinghisgoal.

用英語總結(jié)京劇特點(diǎn)第6篇Recently,theMinistryofEducationlaunchedanewreform,specifyingthatPekingOperabesetaspartofthecompulsorycoursesatprimaryandmiddleschools.

Thereformhascausedanenormousamountofcontroversyinsociety.

ManypeopleinfavorofitagreethatitmaycontributealottopromotingtraditionalChineseculture.

Butevenmorepeopleareagainstitfortheythinkitisnotquitefeasibleinteachingpractice.

Astothisissue,myviewisthatPekingOperashouldstepintoclassroom,notasacompulsorycourse,butasanoptionalone.

Ontheonehand,teachingPekingOperaatschoolcouldpopularizetraditionalartsothatmorepeoplewillknowandloveit.

Ontheotherhand,however,tosomeextent,settinganewcompulsorycoursewilladdtostudentsacademicburdenwhichhasbeenalreadyheavyenough.

Therefore,bysettingPekingOperaasanoptionalcourse,studentsmayhavemorefreedomtodecidewhethertotakeitornot.

Inaword,promotinganddevelopingtraditionalculturecannotmerelydependonrevitalizingPekingOpera.

Thekeyliesinimprovingtheculturalawarenessofthewholenationsubstantially.

用英語總結(jié)京劇特點(diǎn)第7篇BeijingoperaorPekingoperaisaformoftraditionalChinesetheatrewhichcombinesmusic,vocalperformance,mime,danceandacrobatics.Itaroseinthelate18thcenturyandbecamefullydevelopedandrecognizedbythemid-19thcentury.TheformwasextremelypopularintheQingDynastycourtandhascometoberegardedasoneoftheculturaltreasuresofChina.MajorperformancetroupesarebasedinBeijingandTianjininthenorth,andShanghaiinthesouth.TheartformisalsoenjoyedinTaiwan,whereitisknownasGuoju.IthasalsospreadtoothercountriessuchastheUnitedStatesandJapan.Beijingoperafeaturesfourmaintypesofperformers.Performingtroupesoftenhaveseveralofeachvariety,aswellasnumeroussecondaryandtertiaryperformers.Withtheirelaborateandcolorfulcostumes,performersaretheonlyfocalpointsonBeijingopera'scharacteristicallysparsestage.Theyutilizetheskillsofspeech,song,dance,andcombatinmovementsthataresymbolicandsuggestive,ratherthanrealistic.Aboveallelse,theskillofperformersisevaluatedaccordingtothebeautyoftheirmovements.Performersalsoadheretoavarietyofstylisticconventionsthathelpaudiencesnavigatetheplotoftheproduction.Thelayersofmeaningwithineachmovementmustbeexpressedintimewithmusic.ThemusicofBeijingoperacanbedividedintotheXipiandErhuangstyles.Melodiesincludearias,fixed-tunemelodies,andpercussionpatterns.TherepertoireofBeijingoperaincludesover1,400works,whicharebasedonChinesehistory,folklore,and,increasingly,contemporarylife.Inrecentyears,Beijingoperahasattemptednumerousreformsinresponsetosaggingaud