《綜合英語教程》課件第8章

UnitEightEntertainment

PartOne：ListeningPartTwo：SpeakingPartThree：ReadingPartFour：Grammar表語從句和同位語從句PartFive：PracticalWritingLetterofConsolation(慰問信)PartSix：TranslationSkills分詞短語的翻譯

PartOne：Listening

Directions：Thispartistotestyourlisteningability.Itconsistsof3sections.

SectionA

Directions：Thissectionistotestyourabilitytogiveproperresponses.Thereare5recordedquestionsinit.Aftereachquestion,thereisapause.Thequestionwillbespokentwotimes.Whenyouhearaquestion,youshoulddecideonthecorrectanswerfromthe4choicesmarkedA,B,CandDgiveninyourtestpaper.ThenyoushouldmarkthecorrespondingletterontheAnswerSheetwithasinglelinethroughthecenter.

Example：Youwillhear：

Youwillread: A．I’mnotsure.

B．You’reright.

C．Yes,certainly.

D．That’sinteresting.

Fromthequestionwelearnthatthespeakerisaskingthelistenertoleaveamessage.Therefore,C．Yes,certainly.isthecorrectanswer.YoushouldmarkContheAnswerSheetwithasinglelinethroughthecenter.

Nowthetestwillbegin.

[A][B]?

[D]

1．A．Yes,I’dliketo. B．Yes,Iknowthat.

C．Yes,I’msure. D．Yes,I’mallright.

2．A．That’sgreat. B．Teno’clock.

C．Leaveittome. D．That’sagoodidea.

3．A．Toodifficult. B．I’mtwenty.

C．Chinesehistory. D．Ilikefootball.

4．A．Theyarethirtydollars. B．Theyarethesamesize.

C．Theyaretoobig. D．Theyareinfashion.

5．A．Mypleasure. B．I’msorrytohearthat.

C．Yes,I’dlovetomakeit. D．No,thanks.

SectionB

Directions：Thissectionistotestyourabilitytounderstandshortdialogues.Thereare5recordedconversationsinit.Aftereachdialogue,thereisarecordedquestion.Boththedialoguesandquestionswillbespokentwice.Whenyouhearaquestion,youshoulddecideonthecorrectanswerfromthe4choicesmarkedA,B,CandDgiveninyourtestpaper.ThenyoushouldmarkthecorrespondingletterontheAnswerSheetwithasinglelinethroughthecenter.

6．A．Onanairplane. B．Onboardaship.

C．Inabookingoffice. D．Inapostoffice.

7．A．Callforadoctor. B．Buysomemedicine.

C．LookforJack. D．SendJacktoschool.

8．A．$20． B．$10.

C．$15． D．$5.

9．A．Heenjoysit. B．He’squiteinterestedinit.

C．Hedoesn’tlikeit. D．Hehasnoideaaboutit.

10.A．Sheisveryrich. B．Sheisverynice.

C．Sheisimpatient. D．Sheiscareless.

SectionC

Directions：Thissectionistotestyourabilitytocomprehendshortpassages.Youwillheararecordedpassage.Afterthatyouwillhear5questions.Boththepassageandquestionswillbereadtwice.Whenyouhearaquestion,youshouldcompletetheanswertoitwithawordorashortphrase.TheincompleteanswersareprintedbothonyourtestpaperandontheAnswerSheet.YoushouldwriteyouranswersontheAnswerSheetcorrespondingly.Nowthepassagewillbegin.

Somemanagershavenoticedrecentlythattheemployeesinthecompanyaretakingadvantageofthepolicyofhavingbreaks.Theworkershavetwo11minutebreaksper11.However,thetwobreaksarelasting12as25to30minuteseach.Theworkerscomplainthatthefactoryworkisso13thattheyneedlongerbreaks.Alsothedininghallisso14thatittakestoolongtowalkthereandback.Butthecompanyislosinghundredsofworkhourseachyear.Shouldemployeesbepaidforthetimetheyarenotworking?Thegeneralmanagerhastocallameetingto15thismatter.

PartTwo：Speaking

Thispartistotrainyourspeakingability.Readthesamplesandfinishthetaskstogetherwithyourgroupmembersorpartner(s).

Sample1

A：Goodmorning,sir.CanIhelpyou?

B：Oh,I’mjusthavingalook.

A：Verygood.We’vealargestockofhandicraftarticleshereinthesetwoshowcases.

B：Wouldyoushowmethissmallvase,please?

A：

Yes,ofcourse.It’sacloisonnévaseoftypicalChineseart,andonlyfortwenty-oneyuan.

B：Ithinkit’stooexpensive.

A：Butperhapsitmaycostthreeasmuchasinyourcountry.

B：Yes,Iguessso.Letmesee…well,I’lltakeit.

A：Good.I’llhaveitwrappedupforyou.(later)Hereyouare.Twenty-oneyuan,please.

B：(Paying.)OK.Here’stwenty-fiveyuan.

A：Here’syourchange,fouryuan.Thankyou.

Task1

ReadSample1again,andworkinpairsorgroupstotalkabouttheshoppingexperienceattherailwaystation.Youmayrefertothefollowingexpressionsandphrases.

1．CanIhelpyou?

2．Iamjustlooking…

3．Wouldyoushowme…

4．I’dliketohave…

5．I’mafraid...It’stooexpensive.

6．Hereisyourchange.

7．Aresouvenirsavailablehere,please?

8．Doyouhavecheaperone?

9．Comeagain.

Sample2

A：Haveyoubeenattendedto,sir?

B：Notyet.Wouldyoushowmethiscasket?

A：Yes,byallmeans.(showingthreeofthem.)Theymakeveryprettysouvenirs.

B：(Onsecondthoughts.)Thismiddlesizedonelooksnice.Howmuch?

A：It’sfifty-fiveyuan.

B：I’mafraidit’stooexpensive.Howmuchisthatsmallerone?

A：It’smuchcheaper…onlytwenty-fiveyuan.

B：OK.IthinkI’lltakethesmallerone.

A：PleasewaitamomentIwillwrapitupforyou.Anythingelse.

B：No,thankyou.Hereisthirtyyuan.

A：Hereisyourchange.Thankyou,sir.Comeagain.

Task2

Readsample2carefullyandtrytomakeconversationswithyourpartner(s),talkingaboutshoppingexperience.Consultmediasorinternetforinformationifnecessary.

Task3

Talkwithapartneraboutshoppinghabits.Usethefollowingquestionsasaguide.

1．Doyoulikeshopping?

2．Howoftendoyougoshopping?

3．Whatisyourfavouritekindofshop?

4．Whatkindofthingsdoyoubuyregularly/occasionally/rarely/never?

5．Isthereashopthatyougotooften?Explainwhyyougothere.

6．Doyoueverbuysomethingthatyoureallydonotwantbutletyourselfbeconvincedbyasalesperson?

7．Doyouknowwhatimpulsebuyingis?Ifnot,trytoguesswhatismeant.

PartThree：Reading

BeforeYouRead

Ⅰ.LookatthepicturesbelowanddiscussinpairswhysomepeopleareaddictedtoTVserials.Andthenasksomepairstogivetheiropinionsonsoapoperasbeforetheclass.

Ⅱ.Askthestudentstoconsiderallsidesoftheissuewhenitcomestosoapoperas,andsomestudentscantalkabouttheirfavoritesfromtheirownpointsofvieworpersonalexperience.

TextA

WhyAreWeAddictedtoSoaps?

SoapoperaappearedasaserialprogrammeonUSdaytimeradiosupportedbycompaniesinthe1930sand40s.ItisnowthemostpopularformofTVentertainmentintheworld,andadailymustforsomepeople.Butbeforewegoonwiththefunofsoaps,maybeweshouldaskourselvesthefollowingquestion:

Whyareweaddictedtosoaps?

Overtheyears,therehavebeenendlessargumentsaboutthevalueofsoaps.Forsomecritics,theyarenomorethanmindlessentertainment.Othersbelievetheyaretheonlyprogrammesthattellthetruthandshowsocietyasitreallyis.Whateverthecriticssay,thefactremainsthatmillionsofpeopletuneineagerlytotheirfavoriteeveryday.Thesoapoperahassucceededincapturingtheimaginationoftheentireworld.

Whyissoapsopopular?

Themostimportantreasonisthattheyareaboutthedailyactivitiesofordinarypeople,andtheyusuallycenteraroundasmallcommunityoralargefamily.However,soapoperasaremuchmoredramaticthanreallife.Itallowsthescriptwritertocreateacomplicatedplot,withfiveorsixdifferentstorylinesallrunningatthesametime.Thestoriesareusuallybasedonproblemswithinpersonalrelationshipsandfamilylife,sotheviewerscaneasilyidentifywiththefeelingsandopinionsofthecharacters.Theycanseethatthelivesofthepeopleonthescreenarenotsoverydifferentfromtheirown.

SomeviewersevenstarttothinkoftheTVcharactersasrealfriendsandfamily.Theywriteletterstotheirfavorites,givingthemadviceandofferingtheirownopinion,andsometimescopytheirstylesofdressandbehavior.Eventslikebirths,weddingordeathsinsoapsarealwaysfollowedwithgreatinterest.Ifafavoritecharacterisunfairlytreated,thisusuallyprovokesstrongreactions.Inonefamoussoap,awomanwassenttoprison,andviewersstartedanationalcampaigntohavehersetfree.

Soapmayalsobepopularbecausetheyoffereasyentertainment.Viewersdon’thavetoconcentrateveryhardtofollowthestory.Thesamecharactersareseeneveryday,andthestoriesmovealongquiteslowly.Ifviewersareforcedtomisstheirfavoritesoapforacoupleofweeks,there’snoneedtoworry.Theyonlyneedtowatchoneortwoepisodestocatchupagain.Thisisbecausethescriptconstantlyrefersbacktopastevents,andbecauseeachstorylinetakesalongtimetodevelop.

Anotherimportantreasonwhysoapsattractlargeaudiencesistheuseofatechniquecalledthe“cliff-hanger”ending.Thismeansthateachepisodealwaysendsatacriticalpointinthestory.Adramaticincidentsuchasanargumentisdeliberatelycutshortbytheclosingtitlesequence.Thetechniquealmostguaranteesthatthousandsofviewerswilltuneintothenextepisodetofindoutwhathappensnext.

Inbetweenepisodes.viewerscanspeculatewiththeirfriendsaboutthedirectionthattheplotmaytake.Theonlywaytofindoutiftheyarerightorwrongisbywatchingthenextepisode.Someviewerssaytheyenjoygossipingaboutthesoapasmuchastheyenjoywatchingtheactualprogram.Aswellastryingtopredictwhatisgoingtohappen,theyliketoanalyzethebehaviorandmotivesofthecharacters,andcomparethemwiththeirownlives.

Accordingtotheirfans,soapsaregoodforyou.Theyaregoodentertainment,buttheyalsoprovide“foodforthought”,allowingviewerstothinkaboutarangeofissuesandproblemsofeverydaylifeandrelationships.

NewWords

addict/??dikt/vt. 使沉溺

analyze/??n?laiz/vt. 分析

attract/??tr?kt/vt. 吸引

behavior/bi?he?vj?/n. 行為，舉止

capture/?k?pt??/vt. 引起(注意)；迷住

complicated/?k?mplikeitid/adj. 復(fù)雜的

concentrate/?k?ns?ntreit/vt.&vi. 全神貫注

constantly/?k?nst?ntli/adv. 經(jīng)常地，不斷地

compare/compare/vt.&vi. 比較

critic/?kritik/n. 批評(píng)家

critical/?kritik?l/adj. 決定性的，關(guān)鍵的

deliberately/di?lib?ritli/adv. 故意的

dramatic/dr??m?tik/adj. 戲劇的，戲劇性的

entertainment/ent??teinm?nt/n. 娛樂，下標(biāo)

entire/in?tai?/adj. 全部的；整個(gè)的

episode/?epis?ud/n. (作品)一段情節(jié)；(連續(xù)劇)一集

gossip/?ɡ?sip/vt. 閑聊

identify/ai?dentifai/vt. 有同感

mindless/?maindlis/adj. 省心的

motive/?m?utiv/n. 動(dòng)機(jī)

opera/??p?r?/n. 歌劇

predict/pri?dikt/vt. 預(yù)測(cè)

provide/pr??vaid/vt.&vi. 提供；供應(yīng)

provoke/pr??v?uk/vt. 激起，引起

range/reind?/n. 一系列；范圍

reaction/ri??k??n/n. 反應(yīng)

refer/ri?f?：/vt.&vi. 提到，談及

script/skript/n. 劇本

sequence/?si:kw?ns/n. (影視中描述同一主題的)連續(xù)鏡頭

serial/?si?ri?l/n. 連續(xù)劇

speculate/?spekjuleit/n. 推測(cè)

style/stail/n. 款式；流行式樣

succeed/s?k?si:d/vi. 成功；做成

Phrases&Expressions

arangeof 一系列

accordingto 根據(jù)，按照

anargumentabout/over 關(guān)于……的爭論

centeraround 圍繞

cliff-hanger (連載的)驚險(xiǎn)故事，驚險(xiǎn)影視劇

cutshort 剪短；縮短；中止

closingtitlesequence 片尾的演職員表滾動(dòng)鏡頭

identifywith 和……有同感

inbetween 在……中間

movealong 往前走；發(fā)展

nomorethan 只不過；僅僅

onthescreen 在銀幕上；在電影里

referto 提到

setfree 釋放

soapopera 肥皂劇，連續(xù)劇

speculateabout 推測(cè)

storyline 故事情節(jié)

succeedindoing 做成某事，成功做某事

thinkof…as… 把……看做……

tunein(to) 調(diào)諧，收聽，收看

Notes

Ⅰ．SoapOpera：Soapoperaisaserialontelevisionorradiothatdealswiththelivesofagroupofcharacters,especiallyinamelodramaticorsentimentalway.Thenamederivesthefactthattheywereoriginallyoftensponsoredbysoapmanufacturingcompanies

Ⅱ．comedy：adramaoflightandamusingcharacterandtypicallywithahappyending;thegenreofdramaticliteraturedealingwiththecomicorwiththeseriousinalightorsatiricalmanner.

Ⅲ．tragedy：dramaticgenrethatpresentstheheroicormoralstruggleofanindividual,culminatinginhisorherultimatedefeat.Whileseriousdramaandcomedyarefoundinnearlyeverycultureandtimeperiod,tragicplaysappearchieflyinsocietiesthatmaintainafixedhierarchyofpoliticalandreligiousbeliefs.Onlywhenspectatorssharewiththeplaywrightaparticularsocialvisionandsystemofclass-basedvaluescantheyempathizewiththefalloftheprotagonist(centralcharacter)fromanelevatedpositionintobleakdespairorannihilation.

ComprehensionoftheText

Ⅰ．Workingroupsanddiscussthefollowingquestionsrelatedtothetext.

1．Whatistheauthor’sattitudetowardssoapoperas?

2．Whyareweaddictedtosoaps?

3．Whyisitimportantforsoapstodevelopstoriesaroundasmallcommunityorabigfamily?

4．Canviewersplayanactiveroleinthestorylinesbecomeofasoapopera?How?

5．Whydoestheslowdevelopmentofstorylinesbecomeanadvantageofsoaps?

6．Whatdosoapfansastotheirgossipaboutthesoaps?

Ⅱ．Fillintheblankswithoutreferringtotheoriginaltext.Thencheckyouranswersagainsttheoriginal.Afterthat,readthepassagealouduntilyoucansayitfrommemory.

Soapsarevery1inspiteofendless2abouttheirvalue.Sincesoapsdealtypicallywiththedailyeventsof3,andusuallycenteraroundasmallcommunityoralargefamily,someviewerseventakethe4as5.Thoughsoapsareeasyentertainment,theyoftenuseatechniquecalledthe“6”ending,whichcanhelptoattract7.Accordingtothefans,soapsarebothgood8and“9”.

VocabularyandStructure

Ⅰ．Awordhasdifferentmeaningsindifferentcontexts.Givetherightmeaningofthefollowingsentences,payattentiontothecontexts.

1．a(chǎn)nalyze

Weheldameetingtoanalyzethecauseoffailure.

Theyhadtheirmedicineanalyzedtofindiftheyweregettingtherightdrug.

2．capture

Hewascapturedtryingtoescapefromtheprison.

Hiswordscapturedourattentiontotheproblem.

Thebattleledtothearmy’scaptureofthewholecity.

WhenWorldWarIIended,thousandsofpeopleweretakencaptures.

3．Concentrate

Nowitistimeforyoutoconcentrateyourattentiononyourstudy.

Italy’sindustrialdistrictsareconcentratedinitsnorthernregions.

Theyhavedevelopedanewtechniquetoconcentratefreshorangejuice.

4．identify

Iidentifiedthehandwritingatthefirstlook.Itwasmybrother’s.

Peopleshouldnotidentifywealthwithhappiness.

Weidentifiedwiththemontheeducationreform.

Ⅱ．Choosetherightwordorphrasetocompletethefollowingsentences.

1．Theteachertriedto

thecauseofourfailure.

A．examine B．a(chǎn)nalyze C．a(chǎn)nalyzed D．a(chǎn)nalyzing

2．Heisaheroin

.

A．a(chǎn)ddict B．a(chǎn)ddicted C．a(chǎn)ddiction D．a(chǎn)ddicting

3．He

herheart.

A．catch B．wins C．captured D．defeat

4．Icannot

whenIamhungry.

A．focus B．center Cconcentrate D．strengthen

5．Wemustinheritina

way.

A．critic B．critical C．criticize D．criticing

6．Heenjoysthe

arts.

A．operatic B．dramatic C．theatric D．historic

7．Shelearnedhowto

medicinalherbsfromatraditionalChinesedoctor.

A．tell B．distinguish C．label D．identify

8．She

thathewouldmarryadoctor.

A．predicted B．foresee C．foretell D．portent

Ⅲ．Choosetherightwordfromthefollowinggroupsofwordstofillineachblank.Changetheformifnecessary.Someofthewordscanbeusedtwice.

1．behavebehavedbehaviorbehaviorism

A．Howisthenewengine

?

B．Hehas

wellatschool.

C．Don’tkeepblamingyourlittlesisterforyourbad

.

D．

yourself!

2．predictpredictionpredictorpredictable

A．Theiractionsfollowavery

pattern.

B．Icannot

whentomeetheragain.

C．Heisagreat

.

D．Thisgreat

iscomingtrue.

3．complicatecomplicatedcomplicationcomplications

A．Lifeisso

.

B．Thereisnoneedto

matters.

C．Thecarranoutofpetrol,andasafurther

thatIhadnomoney!

D．

setin,andthepatientdied.

4．dramaticdramadramaticallydramatics

A．Heisastudentof

.

B．His

madeallofuslaugh.

C．Sheplaysavery

womanwithflashingeyes.

D．Histonechanged

whenhesawthemoney.

5．concentrate(n.)concentratedconcentrationconcentrate(vt.)

A．Large

ofcapitalwereinthehandsofmerchants.

B．Hewascalmand

injudginghowtodefeathisopponent.

C．Somanychildrenlikefruits

.

D．Thegeneraldecidedto

hisforcesnearthecapital.

6．criticalcriticcriticizecriticism

A．Someyouthtodaydonotallowany

atall.

B．Thatwouldputbloodintheeyeofhis

.

C．They

mytakingrisks.

D．Weareata

timeinhistory.

7．entertainentertainerentertainmententertaining

A．

peopleisthemostnaturalthingintheworldforher.

B．They

agreatdeal.

C．They’velinedupsomeexcellent

forourshow.

D．Thehotelisfamousforits

.

8．mindmindfulmindedmindless

A．It’snotjust

entertainment,it’safilmwithamessage.

B．Helistenedwithallhis

.

C．

ofsmallmatterstotheneglectoflargeones.

D．Hecoulddoitifhewereso

.

Ⅳ．MatchthefollowingChinesetermswiththeirequivalentsinEnglish.

A．Scriptwriter,screenwriter B．director

C．producer D．leadingactor

E．leadingactress F．supportingactor

G．supportingactress H．photographer

I．composer J．a(chǎn)rtdesigner

K．costumedesigner L．soundeffectdesigner

M．logkeeper N．narrator

1．()旁白 2．()攝影

3．()美工 4．()導(dǎo)演

5．()服裝 6．()場(chǎng)記

7．()音樂 8．()編劇

9．()制片人 10．()音響

WordBuilding

Readthefollowingpassageandfillineachblankwiththeappropriatewordorphrasegivenbelow.Eachwordorphrasecanbeusedonce.

addictionentertainmentprofessionalemotionlittle

spancriticalobsessionaffectcontrol

Entertainmentisnecessaryforhumanbeings.Withthedevelopmentofsociality,peoplehavecreatedmanykindsof1.Infact,there’s2aboutlifeintheUnitedStatesthatisnotinfluencedbyentertainment.

3sportshavebeenaffectedbyAmericanentertainmentaddiction.Politicsisnow4byentertainment.Eventhechurchisbeing5bysociety’sneedtobeentertainment.

Entertainmentisdesignedtoappealtoaudience’s6.Thoseaddictedtoamusementlosetheirdesiretothink7,andbecauseofaddiction,theirattention8willbegreatlyreduced.

Asocietywillbeindangerifit’sindividuals’9istheirownpleasure.Americahascrossedthelineofmoderationandisplunginginto10.

Translation

I．TranslatethefollowingsentencesintoEnglish.

1．Youcan’tgetaclearreception,_______________________________(因?yàn)槟愕氖找魴C(jī)沒調(diào)好).

2．Whenthewarwasover,__________________________________(英國釋放了大部分俘虜).

3．____________________________(政府已采取一系列措施)topreventtheriverfromflooding.

4．Jackdidn’tlistentomefor______________________________(他正在專心地看那部連續(xù)劇).

5．Whilereadingthenovel,________________________(我覺得無法與書中的人物產(chǎn)生共鳴).

Ⅱ．TranslatethefollowingintoChinese.

1．Forsomecritics,soapoperasarenomorethanmindlessentertainment.

2．SomeviewersthinkoftheTVcharactersasrealfriendsandfamily.

3．Thestoriesareusuallybasedonproblemswithinpersonalrelationshipsandfamilylife.

4．SomeviewerscaneasilyidentifywiththefeelingsandopinionsoftheTVcharacters.

5．Theyliketoanalyzethebehaviorandmotivesofthecharacters.

TextB

Hollywood

Hollywoodmakespeoplethinkofattraction.Itisaplacewheretheyoungstarstruckteenagerscould,withabitofluck,fulfilltheirdreams.

MovieswerefirstmadeinHollywoodbeforeWorldWarI.TheconstantsunshineandpleasantweatherofsouthernCaliforniamadeitanidealplaceformakingfilms.Hollywood’sfameandwealthreacheditspeakinthe1930sand1940s,thegoldendaysoftheblackandwhitmovies.Mostofthefamousfilmcorporationsofthosedays,Metro-Goldwin-Mayer,ColumbiaandWarnerBrothersarestillverymuchinbusiness.Andgreatstarshavebecomeimmortal.

InthosedaysHollywoodwaslikeamagnet,drawingyoungmenandwomen,whohadstrongdesiresforsuccess,fromallovertheworld.GaryCooperwasoneofthefewwhowerenoticed.Hestartedasastuntrider,andfromthererosetobeoneofthegreatstarsoftheearlyWesterns.

Asforstars,theywereheldonthetightreinbythestudiochiefswhocouldmakeandbreakallbutstarswithreallybigappeal.Theywereoftentypecastifheorshewaspraisedbythepublicasalover,andthenheorshealwaysplayedthesamepart.Astarwhowasahitasacowboyorabadguy,gotthesamekindofroleagainandagain.

Therewaslittlearguing.“Youaretheperfectdumbblond,baby,andthat’showyouaregoingtostay,”theywouldsay.Theyeventriedtointerfereintheirstars’privatelives：“No,sugar!Youjustcan’tmarryMelBilligan.Heistoointellectual.He’ddestroyyourimage.”O(jiān)nlywhentheywerenolongerstarsdidsomeofthemdiscoverthattheyweregoodactors!MoviesstarslikeBettyDavis,KatherineHeyburn,SpencerTracyandJamesMasongaveperformancesincharacterpartsaswellasleadingroles.

Hollywoodisnolongertheheatoftheworld’sfilmindustry.Mostmoviestodayarefilmedonlocation,somostoftheirstudioshavebeenleasedbytelevisionnetworks.About80%ofallAmericanTVentertainmentcomesfromHollywood.

YetHollywoodhaslostallitsglamour.Moviesstarsstilllivethere,orinneighboringBeverleyHills,andsodomanyofthefamousandwealthypeoplewhohavemadetheirhomesinsouthernCalifornia.ThereisalsotheattractiveHollywoodBowl,thehugeoutdooramphitheaterwhereeverysummer“SymphoniesundertheStars”areplayedbyAmerica’sbestorchestrasbeforepackedaudiences.

Hollywood,aboveall,hastheglamourofthepast.Itisanamewhichwillalwaysbeassociatedwithmotion-picturemaking.Formanyyearstocome,theoldHollywoodmovieswillbeshownagainandagaininmovieshousesandontelevisionscreensallovertheworld.

NewWords

Fulfill/ful?fil/vt.&vi. 實(shí)現(xiàn)，實(shí)施

constant/?k?nst?nt/adj. 固定不變的，連續(xù)不斷的

immortal/i?m?:tl/adj. 不朽的

magnet/?m?ɡnit/n. 有吸引力的人和物

stunt/st?nt/n. 特技演員，替身演員

rein/rein/n. 控制，約束

appeal/??pi:l/vi. 有吸引力，引起興趣

typecast/?taipkɑ:st/vt. 扮演同一角色

lease/li:s/vt. 租賃，出租

distinguish/dis?ti?ɡwi?/vt.&vi. 區(qū)別，辨別，認(rèn)明

glamour/?ɡl?m?/n. 出色的，杰出的

amphitheater/??mf??θi:?t?/n. 帶階梯的圓形劇場(chǎng)

symphony/?simf?ni/n. 交響樂

orchestra/??:kistr?/n. 管弦樂

Phrases&Expressions

inbusiness 經(jīng)營，經(jīng)商

stuntrider 特技騎士演員

asfor 關(guān)于，至于，就……來說

allbut 除了……都

interferein 干預(yù)，插手

earlyWesterns 早期西部片

associatewith 聯(lián)想，與……有聯(lián)系

ProperNames

Hollywood 好萊塢

California 加利福尼亞(州)

Metro-Goldwin-Mayer 米高梅(公司)

Columbia 哥倫比亞(公司)

WarnerBrothers 華納兄弟(公司)

GaryCooper 加里·庫珀

MelBilligan 梅爾比利甘

BettyDavis 貝蒂戴維斯

KatherineHeyburn 凱瑟琳赫本

SpencerTracy 斯賓塞特雷賽

JamesMason 詹姆斯梅森

ComprehensionoftheText

Ⅰ．Decidewhetherthefollowingstatementsaretrue(T)orFalse(F)accordingtothepassage.

1．()Mostyoungstar-struckteenagerssucceedintheircareerpursuitsinHollywood.

2．()MovieswerefirstmadeinHollywoodbeforeWorldWarII.

3．()The1930sand1940swerethegoldendaysoftheblackandwhitemovieofHollywood.

4．()Starswereneverheldonthetightreinbythest