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試卷第=page44頁,共=sectionpages55頁02中國傳統(tǒng)戲劇:京劇、黃梅戲、昆曲、越劇本專題內(nèi)容切合2022年版新課標主題內(nèi)容“人與社會”范疇“之文學、藝術(shù)與體育”主題群中“中外影視、戲劇、音樂、舞蹈、繪畫、建筑等藝術(shù)形式中的文化價值和作品賞析,優(yōu)秀的藝術(shù)家及其藝術(shù)成就”這一子主題內(nèi)容。一、閱讀理解AInthelateQingdynasty,farmersinZhejiang’sShengCounty(嵊縣)createdanewtypeofperformance.Itjoinedtalkingandsingingtogetherinthelocallanguage.Itwascalledxiaogeban(小歌班).Farmersactedoutandsangtheunusualeventsofthedayandlegends(傳說)oflongago.Attheturnofthe20thcentury,xiaogebanspreadtoShanghai.However,itsactorswereoftenlaughedatbythelocals.ThisfinallyledtothecreationofYueopera.Thenewartformwasmoreformal(正式的)thanxiaogeban.Itborrowedideasfromotheroperatictraditionsandstartedusingcarefully-madesets(布景),costumesandmusic.Yueoperaactorsaregoodatexpressingemotionsthroughsinging.Theromanticstoriesperformedbywomenattractedmoreaudiences.Overtime,theartformbecamefemale-dominated(女性主導的).Today,malerolesinYueoperaareoftentakenbyfemaleactors.HerefollowssomeofthemostfamousstoriesinYueopera.TheButterflyLovers(《梁?!?TheButterflyLovers,orLiangZhu,tellsthestoryofLiangShanboandZhuYingtai.Itisataleoflove,devotionandfight.TheYueoperaversionofthistaleissetinZhejiang.Itisoneofthebest-knownversionsofthestoryandwasevenmadeintoahitmoviein1953.TheStoryoftheWesternWing(《西廂記》)ThisromanticstorywaswrittenbyWangShifu,aYuandynastyplaywriter,whotellsthestoryofloversZhangShengandCuiYingying.TheyfallinlovewitheachotherandtrytorunawayfromYingying’smother.PeachBlossomFan(《桃花扇》)ThissadlovestoryissetinthelateMingdynasty.ItwaswrittenbyQingdynastyplaywriterKongShangren.Inthestory,ayoungscholarHouFangyuandcourtesan(花魁)LiXiangjunexchangeafanasatoken(信物)oftheirlove.Unfortunatelyforthetwolovers,Houhastoleavethecorruptimperialcourt(腐敗的朝廷)andapowerfulofficialforcesLitomarryanotherman.1.WhatdoesthewriterwanttotellusinPara.1-2?A.Theorigin(起源)ofYueopera. B.ThepopularityofYueopera.C.Theaudience(觀眾)ofYueopera. D.TheachievementsofYueopera.2.Whichofthefollowingstatementsistrue?A.Yueoperawaswomen-dominatedatfirst. B.YueoperawascreatedinYuandynasty.C.XiaogebanactorswerepopularinShanghai. D.TherearefewmaleYueoperaactorstoday.3.WhatcanwelearnaboutthethreemostfamousstoriesinYueoperaaccordingtothepassage?A.Theywerecreatedinthesamedynasty. B.Theyallhadahappyending.C.Theyalltoldstoriesoftwolovers. D.Theyweremadeintofilmsin1950s.【答案】1.A2.D3.C【導語】本文主要介紹越劇起源及著名的越劇故事。1.主旨大意題。第一二段主要介紹了越劇的起源。故選A。2.推理判斷題。根據(jù)“Today,malerolesinYueoperaareoftentakenbyfemaleactors”可知,今天男性角色被女演員代替。故選D。3.推理判斷題。根據(jù)“Itisataleoflove”、“ThisromanticstorywaswrittenbyWangShifu,aYuandynastyplaywriter,whotellsthestoryofloversZhangShengandCuiYingying.”及“ayoungscholarHouFangyuandcourtesanLiXiangjunexchangeafanasatokenoftheirlove.”可知,這三個著名的故事都講述的是情侶故事。故選C。BPekingOperaPekingOperaisconsideredthequintessence(國粹)ofChina,butactually,itslanguageisnotthedialect(方言)ofBeijing.In1790,the“FourGreatAnhuiTroupes”traveledtoBeijing,thecapitaloftheQingDynasty,toperformfortheImperialCourt(朝廷).TheycreatedPekingOperabymixingtheirlocaloperawiththeothersinHubei,ShaanxiandZhejiang.Thebasicskillsincludesinging,speaking,dancingandacrobaticfighting.Ingeneral,therolesonthestagearedividedintofour:Sheng,Dan,JingandChou.Exaggerated(夸張的)makeuphelpstobuilddifferentcharacters.HuangmeiOperaHuangmeiOpera,whichoriginated(inHuangmeiCounty,HubeiProvinceanddevelopedinAnqing,AnhuiProvince,isoneofChina’sfivemajoroperas.DatingbacktotheTangDynasty(618-907),itwasfirstsungbywomenwhentheywerepickingtea.KnownastheTeaPickingTune,theoperahasgonethroughseveralstagesincludingone-manshows,threeroleplaylets,sandaqichang(threeperformersplayingpercussionmusicwhilesevensing)andorchestralmusicaccompaniment(伴奏).ThecostumesshowstrongHancharacteristics,butheavyfacialmakeupisseldomused.YueOperaYueOpera,knownasthesecondnationalopera,originatedinthelate19thcenturyinShengzhouofZhejiangProvince,developedinShanghaiandspreadthroughouttheworld.Therewereonlymaleperformerswhenitwascreated,butwiththedevelopmentofboththeoperaandpeople’smind,femaleperformersareincreasing.Itsperformanceischaracterizedbybeautifulsingingwithlyricalexpressions.Duetothegentlecharacteristic,theoperaisaperfectwaytoshowlovestories.YueOperausessoftandnaturalmakeup,andthebeautifyingandpaintingmethodsmakethecharacterslookmorelively.4.InwhichSECTIONofawebsitecanwereadthematerial?A.CULTURE. B.ONSCREEN. C.BUSINESS. D.FASHION.5.The“FourGreatAnhuiTroupes”wenttoBeijingto________.A.masterthebasicskillsofPekingOpera B.improvetheirlocaloperaC.performfortheImperialCourt D.drawinspirationfromotheroperas6.It’sclearthatHuangmeiOpera________.A.originatedinAnqing,AnhuiProvinceB.hasahistoryofaboutsixhundredyearsC.ispresentedmainlyintwostylesD.grewfromtheTeaPickingTune7.YueOperaisaperfectwaytoshowlovestoriesmainlybecause________.A.it’sskillfulinsinginggentlywhileexpressingfeelingsB.softandnaturalmakeuphelpsmakethecharacterslooklivelyC.there’sanincreaseinthenumberoffemaleperformersD.it’sthesecondmostpopularoperainChina8.Whatcanwelearnfromthematerial?A.YueOperawasonlywelcomeinZhejiangandShanghai.B.PekingOperahasfourmainkindsofrolesandskills.C.BothPekingOperaandHuangmeiOperauseheavyfacialmakeup.D.MenaremoreexpertatperformingYueOperathanwomen.【答案】4.A5.C6.D7.A8.B【導語】本文主要介紹了京劇、黃梅戲和越劇的相關(guān)內(nèi)容。4.推理判斷題。根據(jù)“PekingOpera”;“HuangmeiOpera”和“YueOpera”可知,本文主要介紹了京劇、黃梅戲和越劇的相關(guān)內(nèi)容,因此與文化有關(guān),故選A。5.細節(jié)理解題。根據(jù)“In1790,the‘FourGreatAnhuiTroupes’traveledtoBeijing,thecapitaloftheQingDynasty,toperformfortheImperialCourt(朝廷).”可知,“安徽四大劇團”來到清朝的首都北京,為朝廷表演。故選C。6.細節(jié)理解題。根據(jù)“DatingbacktotheTangDynasty(618-907),itwasfirstsungbywomenwhentheywerepickingtea.KnownastheTeaPickingTune,theoperahasgonethroughseveralstagesincludingone-manshows,threeroleplaylets,sandaqichang(threeperformersplayingpercussionmusicwhilesevensing)andorchestralmusicaccompaniment(伴奏).”可知,黃梅戲是由采茶調(diào)發(fā)展而來的,故選D。7.細節(jié)理解題。根據(jù)“Duetothegentlecharacteristic,theoperaisaperfectwaytoshowlovestories.”可知,由于溫和的特點,越劇是表現(xiàn)愛情故事的完美方式。故選A。8.細節(jié)理解題。根據(jù)“Thebasicskillsincludesinging,speaking,dancingandacrobaticfighting.Ingeneral,therolesonthestagearedividedintofour:Sheng,Dan,JingandChou.”可知,京劇有4種基本技能和4種主要角色,故選B。C請先閱讀下面短文,掌握其大意,然后從下面的選項中,選擇合適的選項還原到文章中,使短文意思通順、結(jié)構(gòu)完整。EverySunday,agroupofstudentsinZhejiangUniversitygettogetherandpracticeBeijingOpera.TheyaremembersoftheBeijingOperaClubintheuniversity.WangYilinistheheadoftheclub.9“ThefirstpieceIlearnediscalled‘Shajiabang’”shesaid.“ItwassohardthatIspentawholemonthpracticingitbeforebeingabletosingitwell.”Luckily,Wangdidn’tgiveupafterthefirsttry.10ShestartedtheclubbecauseshewantedmorestudentstoenjoythebeautyofBeijingOpera.11Theyletthemtouchoperaprops(道具)andtryonoperaclothes.Theyteachthemtopaintoperamasks(面具)andpracticesomesimpleoperasingingskills.TheyalsoholdonlineBeijingOperashowsfromtimetotime.“Inthebeginning,somestudentsthoughtBeijingOperawassomethingfortheirgrandparentstoenjoyandlearn,”saidWang.“12”“Nowwe’retryingtobringoperasandpopmusicorfineartstogethertomakemorepeopleseethebeautyofthetraditionaloperacultureinmoderntimes.13Wehopethroughourhardwork,wecanspread(傳播)theoperaculturetomorepeople,”Wangsaid.A.Aftermonthsofpractice,shesangbetterandbetter.B.ShetookaninterestinBeijingOperafromayoungage.C.Butaftertheyjoinedourclub,theychangedtheirideassoon.D.Wealsoplantoworkwithoperaclubsinotheruniversitiestohavedifferentactivities.E.Tocollectnewmembers,theclubtriestohelpyoungstudentsfindoutthefunofBeijingOperafirst.【答案】9.B10.A11.E12.C13.D【導語】本文講述了一群大學生組建京劇俱樂部,把戲曲文化傳播給更多的人所做的努力。9.根據(jù)“ItwassohardthatIspentawholemonthpracticingitbeforebeingabletosingitwell.”可知,本段是這位女孩對京劇的看法,選項B“她從小就對京劇感興趣。”符合,故選B。10.根據(jù)“Luckily,Wangdidn’tgiveupafterthefirsttry.”可知,她在第一次嘗試后并沒有放棄。選項A“經(jīng)過幾個月的練習,她唱得越來越好了?!狈希蔬xA。11.根據(jù)“Theyletthemtouchoperaprops(道具)andtryonoperaclothes.”可知,此空會指明they和them指代的對象,且本段在描述所做的努力,選項E“為了吸引新會員,俱樂部試圖首先幫助年輕學生發(fā)現(xiàn)京劇的樂趣?!狈希蔬xE。12.根據(jù)“Inthebeginning,somestudentsthoughtBeijingOperawassomethingfortheirgrandparentstoenjoyandlearn”可知,起初,一些學生認為京劇是他們的祖父母喜歡和學習的東西。選項C“但他們加入我們俱樂部后,很快就改變了主意。”符合,故選C。13.根據(jù)“Wehopethroughourhardwork,wecanspread(傳播)theoperaculturetomorepeople”可知,此處是把戲曲文化傳播給更多的人所做的努力。選項D“我們還計劃與其他大學的戲曲俱樂部合作,舉辦不同的活動?!狈希蔬xD。二、短文填空A閱讀下面短文,在空白處填入一個適當?shù)脑~,或填入括號中所給單詞的正確形式。

KunOperaisakindoftraditionalChineseopera14hasbeenaroundforover600years.Itisconsideredtobeoneof15(old)formsofChineseoperas.The16(one)recordofKunOperagoesback17the14thcenturyintheYuanDynasty.TheKunshanareainJiangsuProvinceisthebirthplaceofKunOpera.KunOperabecame18nationalartforminthe16thcentury.Inthefollowing200years,betweentheMingDynastyandtheQingDynasty,KunOpera19(welcome)aroundthecountry,becominganimportantpartofChineseculture.Sadly,KunOpera20(fall)littlebylittlesincethe18thcentury.WiththeriseofotheroperassuchasPekingOpera,KunOperastarted21(lose)itsground.Inthe20thcentury,KunOperaalmostdiedout.ThankstooverseasChineseKunOperagroupsand22(fan),someKunOperapiecesandskillsremained.23(recent),theriseof“zhezixi”couldkeepthiskindofartalive.Insteadofactingthewholepieceofoneplayforalongtime,nowtheartistscanperformoneorseveralinterestingpiecesontheirown.【答案】14.that/which15.theoldest16.first17.to18.a(chǎn)19.waswelcomed20.hasfallen21.tolose/losing22.fans23.Recently【導語】本文主要介紹昆劇的發(fā)展。14.句意:昆劇是一種有著600多年歷史的中國傳統(tǒng)戲曲。本句為定語從句,先行詞為物,引導詞在從句中作主語,所以此處用that/which引導。故填that/which。15.句意:它被認為是中國最古老的戲曲形式之一。oneofthe+形容詞最高級+名詞復(fù)數(shù)“最……之一”,所以此處填the+形容詞最高級。故填theoldest。16.句意:昆劇的第一個記載可以追溯到14世紀的元代。根據(jù)“The...record”可知,此處表示順序,應(yīng)填序數(shù)詞first。故填first。17.句意:昆劇的第一個記載可以追溯到14世紀的元代。comebackto“追溯到……”,固定搭配。故填to。18.句意:昆劇在16世紀成為一種民族藝術(shù)形式。此處泛指“一種民族藝術(shù)形式”,national以輔音音素開頭。故填a。19.句意:在接下來的200年里,從明朝到清朝,昆劇在全國各地受到歡迎,成為中國文化的重要組成部分。KunOpera與welcome是被動關(guān)系,結(jié)合“Inthefollowing200years,betweentheMingDynastyandtheQingDynasty”可知,時態(tài)為一般過去時,此處用一般過去時的被動語態(tài)bedone,主語為三單。故填waswelcomed。20.句意:遺憾的是,自18世紀以來,昆劇一點一點地衰落了。根據(jù)“sincethe18thcentury”可知,時態(tài)為現(xiàn)在完成時,用have/hasdone,主語為三單,助動詞用has。故填hasfallen。21.句意:隨著京劇等其他劇種的興起,昆劇也開始失勢。starttosth/startdoingsth“開始做某事”,固定搭配。故填tolose/losing。22.句意:感謝海外的中國昆劇團體和昆劇愛好者,一些昆劇作品和技巧得以保留??涨盁o限定詞,此處填名詞復(fù)數(shù)表示泛指。故填fans。23.句意:近年來,“折子戲”的興起使這種藝術(shù)得以延續(xù)。本空位于句首,應(yīng)填副詞,recently“最近”,符合語境。故填Recently。B根據(jù)下面短文內(nèi)容,在短文的空格處填上一個恰當?shù)脑~,使短文完整、通順。AtthebeginningofmyjourneyoflearningPekingOpera,IhadgreatconfidencethatIcouldperformitwonderfully.Later,IfoundthatIwas24.Themostdifficultpartisthatan25hastofirstunderstandthefeelingsofthecharacters.Toprove(證明)myideas,Iwouldliketoshareoneofmyexperiences.26,IactedasLinChong,aheroofWaterMargin.ItwashardformetounderstandhisfeelingswhenherushedtoLiangshanonasnowy27.Icouldn’tsingorperformasifItrulywasLin,soIfeltveryupset.Myteacherseemedtonoticemyproblem.Oneday,shecameuptomeandsaid,“Thefutureis28thesea.Therewillbealongwaytogobeforeyousucceed.Wipe(擦)thetearsawayfromyoureyesandkeeppracticing!”Afterlisteningtomyteacher’stouchingwords,Isuddenlyfeltmyconfidencecameback.IboughtacopyofWaterMarginandbeganto29itatonce.Whilereadingpartofthenovel,IknewthatLinwasrecallinghislifebeforehewasonthewaytoLiangshanatthatnight.Hehadtoleavehisfamily,hisjobandsoon.AfterI30readingthenovel,Ispentawholeeveningthinkingabouthislifestory.Afterthat,Ispentmoretimepracticing.Intheend,Ihaveabetterunderstandingofthecharactersinthisnovel.Therearemanychancesin

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