理工類閱_讀理解考試卷模擬考試題_0

1、姓名：_ 班級：_ 學(xué)號：_-密-封 -線- 理工類閱_讀理解考試卷模擬考試題考試時間：120分鐘 考試總分：100分題號一二三四五總分分?jǐn)?shù)遵守考場紀(jì)律，維護知識尊嚴(yán)，杜絕違紀(jì)行為，確?？荚嚱Y(jié)果公正。1、another area of english languageconsider now another area of our language. english has a large number of nouns which appear to be neutral with regard to sex, but actually are covertly masculine. alt

2、hough the dictionary may define poet as one who writes poetry, a woman who writes poetry appears so anomalous or threatening to some,that they use the special term poetess to refer to her. there is no corresponding term to call attention to the sex of a man who writes poetry, but then we find nothin

3、g remarkable in the fact that poetry is written by men. of course, if a woman is sufficiently meritorious, we may forgive her sex and refer to her as a poet after all, or, wishing to keep the important fact of her sex in our consciousness, we may call her a woman poet. however, to balance the possib

4、le reward of having her sex overlooked, there remains the possibility of more extreme punishment, we may judge her work so harshly that she will be labelled a lady poet. once again, the moral is clear, people who write poetry are assumed to be men until proven otherwise, and people identified as wom

5、en who write poetry are assumed to be less competent than sexually unidentified (i.e., presumably male) people who write poetry.if the phenomenon we have been discussing were limited to poetry, we might not regard it as very significant , after all, our society tends to regard poets as some what odd

6、 anyway. but, in fact, it is wide spread in the language. there is a general tendency to label the exception, which in most cases turns out to be women. many words with feminine suffixes, such as farmerette, authoress, and aviatrix, have such a clear trivializing effect, that there has been a trend

7、away from their use and a preference for woman author and the like. the feminines of many ethnic terms, such as negress and jewess, are considered particularly objectionable. other words, such as actress and waitress, seem to have escaped the negative connotations and remain in use. however, we note

8、 that waiters often work in more expensive establishments than do waitresses, that actresses belong to” actors equity, “and that women participants in theatrical groups have begun to refer to themselves as “actors.” on rare occasions, this presumption of maleness in terms which should be sexually ne

9、utral, works to womens advantage. if someone is called a bastard, either as a general term of abuse, or as a statement of the lack of legal marital ties between that persons parents, we assume that person is a male. while an illegitimate child may be of either sex, only men are bastard in common usa

10、ge. although the dictionary seems to regard this as a sex-neutral term, a recent dictionary of slang gives the term bastard a definition as a “female bastard.”the word “anomalous” means ridiculous. （ ）a.rightb.wrongc.not mentioned2、another area of english languageconsider now another area of our lan

11、guage. english has a large number of nouns which appear to be neutral with regard to sex, but actually are covertly masculine. although the dictionary may define poet as one who writes poetry, a woman who writes poetry appears so anomalous or threatening to some,that they use the special term poetes

12、s to refer to her. there is no corresponding term to call attention to the sex of a man who writes poetry, but then we find nothing remarkable in the fact that poetry is written by men. of course, if a woman is sufficiently meritorious, we may forgive her sex and refer to her as a poet after all, or

13、, wishing to keep the important fact of her sex in our consciousness, we may call her a woman poet. however, to balance the possible reward of having her sex overlooked, there remains the possibility of more extreme punishment, we may judge her work so harshly that she will be labelled a lady poet.

14、once again, the moral is clear, people who write poetry are assumed to be men until proven otherwise, and people identified as women who write poetry are assumed to be less competent than sexually unidentified (i.e., presumably male) people who write poetry.if the phenomenon we have been discussing

15、were limited to poetry, we might not regard it as very significant , after all, our society tends to regard poets as some what odd anyway. but, in fact, it is wide spread in the language. there is a general tendency to label the exception, which in most cases turns out to be women. many words with f

16、eminine suffixes, such as farmerette, authoress, and aviatrix, have such a clear trivializing effect, that there has been a trend away from their use and a preference for woman author and the like. the feminines of many ethnic terms, such as negress and jewess, are considered particularly objectiona

17、ble. other words, such as actress and waitress, seem to have escaped the negative connotations and remain in use. however, we note that waiters often work in more expensive establishments than do waitresses, that actresses belong to” actors equity, “and that women participants in theatrical groups h

18、ave begun to refer to themselves as “actors.” on rare occasions, this presumption of maleness in terms which should be sexually neutral, works to womens advantage. if someone is called a bastard, either as a general term of abuse, or as a statement of the lack of legal marital ties between that pers

19、ons parents, we assume that person is a male. while an illegitimate child may be of either sex, only men are bastard in common usage. although the dictionary seems to regard this as a sex-neutral term, a recent dictionary of slang gives the term bastard a definition as a “female bastard.”this passag

20、e is from a chapter called “of girls and clicks”. from the middle part of the chapter we can know this. （ ）a.rightb.wrongc.not mentioned3、another area of english languageconsider now another area of our language. english has a large number of nouns which appear to be neutral with regard to sex, but

21、actually are covertly masculine. although the dictionary may define poet as one who writes poetry, a woman who writes poetry appears so anomalous or threatening to some,that they use the special term poetess to refer to her. there is no corresponding term to call attention to the sex of a man who wr

22、ites poetry, but then we find nothing remarkable in the fact that poetry is written by men. of course, if a woman is sufficiently meritorious, we may forgive her sex and refer to her as a poet after all, or, wishing to keep the important fact of her sex in our consciousness, we may call her a woman

23、poet. however, to balance the possible reward of having her sex overlooked, there remains the possibility of more extreme punishment, we may judge her work so harshly that she will be labelled a lady poet. once again, the moral is clear, people who write poetry are assumed to be men until proven oth

24、erwise, and people identified as women who write poetry are assumed to be less competent than sexually unidentified (i.e., presumably male) people who write poetry.if the phenomenon we have been discussing were limited to poetry, we might not regard it as very significant , after all, our society te

25、nds to regard poets as some what odd anyway. but, in fact, it is wide spread in the language. there is a general tendency to label the exception, which in most cases turns out to be women. many words with feminine suffixes, such as farmerette, authoress, and aviatrix, have such a clear trivializing

26、effect, that there has been a trend away from their use and a preference for woman author and the like. the feminines of many ethnic terms, such as negress and jewess, are considered particularly objectionable. other words, such as actress and waitress, seem to have escaped the negative connotations

27、 and remain in use. however, we note that waiters often work in more expensive establishments than do waitresses, that actresses belong to” actors equity, “and that women participants in theatrical groups have begun to refer to themselves as “actors.” on rare occasions, this presumption of maleness

28、in terms which should be sexually neutral, works to womens advantage. if someone is called a bastard, either as a general term of abuse, or as a statement of the lack of legal marital ties between that persons parents, we assume that person is a male. while an illegitimate child may be of either sex

29、, only men are bastard in common usage. although the dictionary seems to regard this as a sex-neutral term, a recent dictionary of slang gives the term bastard a definition as a “female bastard.”if a poem is written by a poetess, we tend to judge it favorably. （ ）a.rightb.wrongc.not mentioned4、anoth

30、er area of english languageconsider now another area of our language. english has a large number of nouns which appear to be neutral with regard to sex, but actually are covertly masculine. although the dictionary may define poet as one who writes poetry, a woman who writes poetry appears so anomalo

31、us or threatening to some,that they use the special term poetess to refer to her. there is no corresponding term to call attention to the sex of a man who writes poetry, but then we find nothing remarkable in the fact that poetry is written by men. of course, if a woman is sufficiently meritorious,

32、we may forgive her sex and refer to her as a poet after all, or, wishing to keep the important fact of her sex in our consciousness, we may call her a woman poet. however, to balance the possible reward of having her sex overlooked, there remains the possibility of more extreme punishment, we may ju

33、dge her work so harshly that she will be labelled a lady poet. once again, the moral is clear, people who write poetry are assumed to be men until proven otherwise, and people identified as women who write poetry are assumed to be less competent than sexually unidentified (i.e., presumably male) peo

34、ple who write poetry.if the phenomenon we have been discussing were limited to poetry, we might not regard it as very significant , after all, our society tends to regard poets as some what odd anyway. but, in fact, it is wide spread in the language. there is a general tendency to label the exceptio

35、n, which in most cases turns out to be women. many words with feminine suffixes, such as farmerette, authoress, and aviatrix, have such a clear trivializing effect, that there has been a trend away from their use and a preference for woman author and the like. the feminines of many ethnic terms, suc

36、h as negress and jewess, are considered particularly objectionable. other words, such as actress and waitress, seem to have escaped the negative connotations and remain in use. however, we note that waiters often work in more expensive establishments than do waitresses, that actresses belong to” act

37、ors equity, “and that women participants in theatrical groups have begun to refer to themselves as “actors.” on rare occasions, this presumption of maleness in terms which should be sexually neutral, works to womens advantage. if someone is called a bastard, either as a general term of abuse, or as

38、a statement of the lack of legal marital ties between that persons parents, we assume that person is a male. while an illegitimate child may be of either sex, only men are bastard in common usage. although the dictionary seems to regard this as a sex-neutral term, a recent dictionary of slang gives

39、the term bastard a definition as a “female bastard.”the main idea of the passage is that the seemingly neutral english is actually masculine. （ ）a.rightb.wrongc.not mentioned5、another area of english languageconsider now another area of our language. english has a large number of nouns which appear

40、to be neutral with regard to sex, but actually are covertly masculine. although the dictionary may define poet as one who writes poetry, a woman who writes poetry appears so anomalous or threatening to some,that they use the special term poetess to refer to her. there is no corresponding term to cal

41、l attention to the sex of a man who writes poetry, but then we find nothing remarkable in the fact that poetry is written by men. of course, if a woman is sufficiently meritorious, we may forgive her sex and refer to her as a poet after all, or, wishing to keep the important fact of her sex in our c

42、onsciousness, we may call her a woman poet. however, to balance the possible reward of having her sex overlooked, there remains the possibility of more extreme punishment, we may judge her work so harshly that she will be labelled a lady poet. once again, the moral is clear, people who write poetry

43、are assumed to be men until proven otherwise, and people identified as women who write poetry are assumed to be less competent than sexually unidentified (i.e., presumably male) people who write poetry.if the phenomenon we have been discussing were limited to poetry, we might not regard it as very s

44、ignificant , after all, our society tends to regard poets as some what odd anyway. but, in fact, it is wide spread in the language. there is a general tendency to label the exception, which in most cases turns out to be women. many words with feminine suffixes, such as farmerette, authoress, and avi

45、atrix, have such a clear trivializing effect, that there has been a trend away from their use and a preference for woman author and the like. the feminines of many ethnic terms, such as negress and jewess, are considered particularly objectionable. other words, such as actress and waitress, seem to

46、have escaped the negative connotations and remain in use. however, we note that waiters often work in more expensive establishments than do waitresses, that actresses belong to” actors equity, “and that women participants in theatrical groups have begun to refer to themselves as “actors.” on rare oc

47、casions, this presumption of maleness in terms which should be sexually neutral, works to womens advantage. if someone is called a bastard, either as a general term of abuse, or as a statement of the lack of legal marital ties between that persons parents, we assume that person is a male. while an i

48、llegitimate child may be of either sex, only men are bastard in common usage. although the dictionary seems to regard this as a sex-neutral term, a recent dictionary of slang gives the term bastard a definition as a “female bastard.”the authors tone can best be described as generally objective, but

49、also somewhat negative. （ ）a.rightb.wrongc.not mentioned6、another area of english languageconsider now another area of our language. english has a large number of nouns which appear to be neutral with regard to sex, but actually are covertly masculine. although the dictionary may define poet as one

50、who writes poetry, a woman who writes poetry appears so anomalous or threatening to some,that they use the special term poetess to refer to her. there is no corresponding term to call attention to the sex of a man who writes poetry, but then we find nothing remarkable in the fact that poetry is writ

51、ten by men. of course, if a woman is sufficiently meritorious, we may forgive her sex and refer to her as a poet after all, or, wishing to keep the important fact of her sex in our consciousness, we may call her a woman poet. however, to balance the possible reward of having her sex overlooked, ther

52、e remains the possibility of more extreme punishment, we may judge her work so harshly that she will be labelled a lady poet. once again, the moral is clear, people who write poetry are assumed to be men until proven otherwise, and people identified as women who write poetry are assumed to be less c

53、ompetent than sexually unidentified (i.e., presumably male) people who write poetry.if the phenomenon we have been discussing were limited to poetry, we might not regard it as very significant , after all, our society tends to regard poets as some what odd anyway. but, in fact, it is wide spread in

54、the language. there is a general tendency to label the exception, which in most cases turns out to be women. many words with feminine suffixes, such as farmerette, authoress, and aviatrix, have such a clear trivializing effect, that there has been a trend away from their use and a preference for wom

55、an author and the like. the feminines of many ethnic terms, such as negress and jewess, are considered particularly objectionable. other words, such as actress and waitress, seem to have escaped the negative connotations and remain in use. however, we note that waiters often work in more expensive e

56、stablishments than do waitresses, that actresses belong to” actors equity, “and that women participants in theatrical groups have begun to refer to themselves as “actors.” on rare occasions, this presumption of maleness in terms which should be sexually neutral, works to womens advantage. if someone

57、 is called a bastard, either as a general term of abuse, or as a statement of the lack of legal marital ties between that persons parents, we assume that person is a male. while an illegitimate child may be of either sex, only men are bastard in common usage. although the dictionary seems to regard

58、this as a sex-neutral term, a recent dictionary of slang gives the term bastard a definition as a “female bastard.”woman poet is treated differently from man poet. （ ）a.rightb.wrongc.not mentioned7、another area of english languageconsider now another area of our language. english has a large number of nouns which appear to be neutral with regard to sex, but actually are covertly masculine. although the dictionary may define poet as one who writes poetry, a woman who wr