The Analysis of the Symbolic Device of the Novel The Call of the Wild

1、分析小說野性的呼喚中象征手法的運用the analysis of the symbolic device of the novel the call of the wildcontentsabstract.1key words.1i. introduction.2ii. literature review.31. different views.32. criticism.4iii. the style of this novel.41. point of view.42. setting.43. naturalism.5iv. symbolism in the call of the wil

2、d .51. the special natural and social environment.62. civilization vs. the wild.73. major characterbuck.7v. the desire for humanity in the call of the wild.8 1. bucks attitude and behavior towards its master with the way the master treat buck.82. bucks response to john thorntons death.11vi. conclusi

3、on.11references.12the analysis of the symbolic device of the novelthe call of the wildabstract: the call of the wild was one of the most excellent works of american famous writer, jack london. the persona of this novel was a dog named bark. during cruel domesticated courses, it cognized the equitabl

4、e and natural laws；the execrable survival environment let him understand jesuitism and cheating, afterward itself exerted jesuitism and cheating to an incomparable level；the cruel and life-and-death struggle experience let bark learn how to protect itself, and how to stand at an incincible position

5、in drastic competitions. finally it determined its status of a leading dog. after then, bark had not attaching to human society and made for wilderness responding to the call of the wild which it had listened for many times and urgently yearned. the lonely bark said “goodbye” to human beings and joi

6、ned the wolf family. the intention of this study is to describe the analysis of the symbolic device of the novel the call of the wild and discuss the major character of it. the author analyses factors such as how to use the symbolism in the novel, the style of this novel and it topic tracking and so

7、 on in order to help reader to understand this novel key words: buck；the call of the wild；symbolic significance；the wild摘要：野性的呼喚是美國著名作家杰克倫敦最優(yōu)秀的作品之一。小說的主人公是一條狗，名叫巴克。整個故事以阿拉斯加淘金熱為背景，講述了在北方險惡的環(huán)境下，巴克為了生存，如何從一條馴化的南方狗退化到似狗非狗、似狼非狼的野蠻狀態(tài)的過程。在殘酷的馴服過程中，它意識到了公正與自然的法則；惡劣的生存環(huán)境讓它懂得了狡猾與欺詐，后來它自己將狡猾與欺詐發(fā)揮到了讓人望塵莫及的地步；經(jīng)

8、過殘酷的、你死我活的斗爭，使巴克學到了如何保護自己，如何在激烈的競爭上處于不敗之地。它最后終于確立了領頭狗的地位。巴克對人類社會已無所依戀，從此它便走向了荒野，響應它這一路上多次聆聽到的、非常向往的那種野性的呼喚。孤獨的巴克告別了人類，加入到狼群的行列。本文作者在文中簡要描述了小說野性的呼喚中象征手法的運用，及其對主人公巴克的描寫。作者從以下幾點分析了小說，例如：在小說中象征手法的運用、小說的寫作風格、及文章的線索等等，旨在幫助讀者更好的理解這篇小說。關鍵詞：巴克;荒野的呼喚;象征意蘊;野性i. introductionone of americas most prolific and bel

9、oved authors, london was born in 1876 in san francisco, california. his family was so poor that he went to work as soon as he finished grade school. his early experiences working in a saloon and a factory, hunting seals, tramping on the railroads, and spending thirty days in prison for vagrancy prov

10、ided london a wealth of material for his gritty, naturalistic fiction.in 1894 london completed high school, attended the university of california at berkeley for one semester, and joined the socialist party. he immersed himself in the writings of charles darwin, karl marx, friedrich nietzsche, and h

11、erbert spencer. he was intrigued by socialism and darwins concept of the survival of the fittest, two ideas that would influence his later writings.in 1897, frustrated with his unsuccessful attempts at starting a literary career, he went with his brother-in-law to the klondike, in the yukon territor

12、y of canada. the gold rush in the klondike was underway, and london hoped to strike it rich. although he did not discover any gold, he did find subject matter for his fiction. his experiences in the frozen northland inspired his first stories, which appeared in the nations leading periodicals. londo

13、ns fiction was very popular with the public; his stories were new and exciting and very different from the tales of romance that flooded the market during that time.the most popular book to come out of his alaskan experiences was the call of the wild (1903), the story of a dogs difficult transition

14、from the warm, comfortable southland to the wild, treacherous northland. many scholars find autobiographical elements in this novel, in particular londons exciting and dangerous adventures in the klondike and his short stint in prison. just as buck has to learn to accept the law of the club and the

15、law of the fang, london learned how to survive in prison. the novel was one of londons greatest critical and commercial successes.although the call of the wild is a story about a dog, buck, it vividly depicts the life in the primitive north where people rushed for gold and fortune. buck, used to bel

16、ong to a judge, was kidnapped and sold to north. then he became a member of a dog-team pulling a sled. in the days of pulling a snow-sled, he learned to conform to the law of nature and obey the master. finally, he found a basic instinct hidden inside him, which enabled himself to survive the tough

17、environment. this is the call of the wild. when you read the story, you will feel that buck is a man instead of a dog, struggling with his fortune and conforming to the law of nature. though short, it is really a thrilling story. what you never forget is the tough life in the nature, the brave and c

18、rafty dog. maybe the wild is calling you to go ahead. while writing for only 16 years throughout his life, london produced an amazing body of work among which, white fang, martin eden, the valley of the moon are representative.ii. literature review1. different viewswhen the call of the wild was publ

19、ished in 1903, it was a resounding critical and popular success. reviewers applauded this exciting adventure tale and viewed it as a welcome alternative to the popular fiction of the day. londons reputation also extended overseas, where he was considered one of americas foremost writers. yet in amer

20、ica, despite the early attention the novel received, the call of the wild came to be seen as escapist fiction most suitable for children. london was barely mentioned in the literary histories published in the 1920s and after, and he was dismissed by the new critics, the prominent literary scholars o

21、f the 1940s and 1950s.londons fiction, especially the call of the wild, continued to be popular with the reading public. it wasnt until the 1960s that scholars reassessed their opinions regarding londons work. since that time a flood of critical and biographical material on london has been published

22、, elevating him once again as one of americas most important authors.while a few scholars, including mary kay dodson, perceive the novel as a perfect embodiment of naturalism, others, such as earl j. wilcox, argue that the naturalism that characterizes this novel is not consistently developed. jonat

23、han auerbach sums up most opinions on the issue when he states, there is a massive set of contradictions about buck at the heart of the narrative, which moves in two seemingly opposite directions: toward nature from culture (the standard naturalist plot of civilization), and a more troubled but also

24、 more passionate movement toward self-transcendence, which cannot be fully contained by the conventional naturalistic model.in my opinion, londons reputation also extended overseas, where he was considered one of americas foremost writers. yet in america, despite the early attention the novel receiv

25、ed, the call of the wild came to be seen as escapist fiction most suitable for children. london was barely mentioned in the literary histories published in the 1920s and after, and he was dismissed by the new critics, the prominent literary scholars of the 1940s and 1950s.2. criticismjack londons ca

26、ll of the wild, one of the most widely read american novels in the world, seems a strange choice for this distinction. the setting is the wilderness of the klondike region, the protagonist is a dog, and the theme of the novel is devolution of the protagonist. yet these are the same elements that gar

27、nered fame for the novel when it was first published in 1903; and these same elements continue to attract readers almost a century later.a beautiful, dangerous setting alone does not guarantee a great novel. character is often paramount. in the call of the wild, however, the main character is assume

28、d to be enslaved by man and by its own instinct. both of these considerations would make buck, the saint bernard-scotch shepherd mix, a poor candidate for a riveting, dynamic character. yet, by following his instincts, buck takes his readers to the deepest reaches of the mind; and the readers, follo

29、wing their instincts, immediately translate bucks canine qualities into human ones. buck, therefore, becomes a mythic hero, and here lies the real power of the novel.iii. the style of this novel1. point of viewpoint of view is the narrative perspective from which a work is presented to the reader. t

30、he call of the wild is told from a very unusual point of view - that of a dog. yet a human narrator stands outside of bucks consciousness and makes sense of the dogs universe to human readers. london also tries to maintain bucks believability as a dog. so while he explains his motivations, london re

31、minds the reader that buck does not actually think. after a lengthy passage about bucks moral decline, explaining why buck steals food from his master, london writes, not that buck reasoned it out unconsciously he accommodated himself to the new mode of life.2. settingsetting is the time, place, and

32、 culture in which the action of a narrative takes place. the call of the wild is neatly divided into two regions that are diametrically opposed - the southland and the northland. the former represents civilization and the latter the wild. in the south, buck lived a domesticated and perfectly stable

33、life. when buck arrives in the north, he realizes that survival is the only concern.the difference between the two regions is typified by their climates. in the south, it is warm, food grows easily, and people enjoy their leisure. in the north, the harsh, cold conditions are very dangerous if one is

34、 not prepared, and people must work hard and suffer much to survive.3. naturalismalthough there has been much debate about how much the call of the wild conforms to naturalism, some of the novels basic ideas are perfect illustrations of the theory. as an outgrowth of realism, naturalism dawned in th

35、e 1890s, when writers like stephen crane and frank norris produced fiction that examined life with scientific objectivity, concluding that biology and socioeconomic factors ruled behavior. while local color and sentimental fiction dominated the literary marketplace at that time, these writers promot

36、ed a literature that was real and true in its depiction of the underside of americas burgeoning cities. influenced by darwinist theories of biological determinism, they applied such ideas to society, where the struggle for existence was often brutal and dehumanizing.bucks fate is in the hands of men

37、. he is unable to decide his own course of action. london underscores this when he writes that buck found himself where he was because men had found a yellow metal in the north, and because manuel was a gardeners helper whose wages did not lap over the needs of his wife and divers small copies of hi

38、mself. in other words, circumstances well beyond bucks control are guiding his life. the call of the wild perfectly illustrates the doctrines of naturalism because buck is a product of biological, environmental, and hereditary forces.iv. symbolism in the call of the wildin jack londons book, the cal

39、l of the wild, he symbolizes many things in the book. buck, gold sacks, mercedes, and others are looked on as symbolic. in this essay, you will find out what these items symbolize.the main character in the book is buck, a half st. bernard, half scotch shepherd dog. in the story, he is betrayed by so

40、meone he trusts and is thrown into a harsh world. a world where you must work or be discarded. he adapts to the harsh environment, and soon enough becomes the leader of a wolf pack. here london makes buck a symbol of one that reaches full potential. instead of lying around and doing nothing, he lear

41、ns to work in a way he doesnt know too well about. he learns to fight and/or steal his food, if he didnt , he would have starved to death. that is why buck is portrayed as one who achieves full potential. mercedes portrays the absolute opposite to buck. she represents all that is weak in a civilized

42、 society. she cannot live without her precious belongings like her clothes. a suitcase of clothes would have been suitable for the trip, but she cannot part with her clothes, so she brings almost all of them. she doesnt know how to walk. when charles and hal ask her to get off the sled and hike alon

43、g, she refuses and has to be carried off and dropped. when charles and hal set up camp, they have to go back and pick up mercedes, who thinks she should be carried to dawson city. charles and hal shouldnt1. the special natural and social environmentin the late 1800s the klondike region was swept by

44、a gold rush. gold had been found in california in 1848, and later in british columbia, south africa, australia, and new zealand. yet this rush was in alaska, purchased from russia thirty years earlier in 1867, and canadas yukon territory, and rivaled all previous gold rushes. it had formidable chall

45、enges, though; not only the forbidding cold, but also the uncharted geography made it a treacherous choice for the unprepared prospector. still, many answered the call of quick money, including the young jack london.although london staked a claim which he later abandoned, he was awed by the natural

46、beauty he found in the ice-locked rivers and snow-encrusted mountains, in the spring thaw and sudden summer blooms, in the abundance of animal life from king salmon in the streams to caribou and bear on the plains to sheep and goats in the highlands. before a year was up, london returned to his cali

47、fornia home with debilitating scurvy. yet he had found gold: his visions of the klondike, the tales from the sourdoughs or old-timers, and his own intense experiences gave him enough material to write brilliant stories including his most masterful of all, the call of the wild.most early readers of t

48、he novel were content to curl up in a warm corner and read about the inhospitable climate and terrain of americas last frontier. today, although alaska attracts tourists, its environment and weather conditions will never attract as many permanent residents as, for example, the sun belt states do. th

49、e exotic land skirting the arctic circle is still forbidding - and if the environmentalists maintain their influence in the region, its pristine and primitive beauty will be preserved for future generations and future readers.2. civilization vs. the wildthe main conflict in the call of the wild is t

50、he struggle between civilization and the wild. the novel traces bucks gradual transformation from a domesticated dog to a wild one.buck has to learn to adapt to an entirely new way of life and code of conduct in order to survive. he must give up his life of leisure and his trusting nature. he learns

51、 the law of the club and fang, meaning that those who have the greatest physical strength are the rulers. the chain of command is comprised of men with clubs; the lead dogs, who have achieved mastery by wounding or killing dogs that challenge them; and the other dogs, who do most of the work.buck st

52、arts out on the bottom of this hierarchy, but soon adapts to his new life. he begins to steal food, losing his moral nature. most of all, buck is fit, and his superior strength, conditioned by his experiences, allows him to be more aggressive. he challenges the lead dog and wins the coveted top posi

53、tion. his survival instinct leads him to refuse to lead the team any further when they travel on thin ice.at this point in the narrative, bucks consistent development (or retrogression), as london calls it, from civilization to the wild is halted. when thornton becomes his master, he discovers a str

54、onger bond - love - than any he has ever experienced. his risks his life for his master, in direct contradiction to the new ethos he has learned on the trail. with thornton, buck lives a domesticated life, but he continues to hear the call of the wild. although he is torn between the two, he remains

55、 with thornton, unable to break the bond between them. when thornton is killed, he is released, finally able to fulfill his true nature and join the wolf pack. only then is his transformation from domesticated dog to like wolf wild one complete.3. major characterbuckbuck is stolen by the gardener an

56、d sold to a group traveling north. before long buck knows that he is in a strange land with different rules and expectations. a man in a red sweater teaches buck his first lesson of the northland: a man with a club was a law-giver, a master to be obeyed, though not necessarily conciliated. bucks fir

57、st masters are just, but he must make a difficult adjustment to his new life of labor and near-starvation. he even steals food from his master, an act which marks the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence. although buck is a dog, his development (or retrogression), as london calls it, is depicted in almost human terms. he is losing all the