Advanced Dungeons Dragons - Xecunet.doc

1、Advanced Dungeons & DragonsDungeon Masters GuideAs interpreted and envisioned by Phil Knopp, DMSPECIAL REFERENCE WORKA COMPILED VOLUME OF INFORMATION PRIMARILY USED BYADVANCED DUNGEONS & DRAGONSTMG AME REFEREES, INCLUDING:SUGGESTIONS ON GAMEMASTERING; AND MORE.Table of ContentsI.Introduction2A.Forew

2、ard2B.Preface3C.The spirit and intent of the game.6D.Regarding this revision7E.House Rules10Characteristics of Rules10Characteristics of Stats11a.Mechanics:11b.Differences between this campaign universe and the real world12II.Dungeon Master Notes, thoughts, and commentary14A.The Campaign14B.E. Gary

3、Gygax On introducing a new player to the game17C.Monster Population and Placement18D.A guide to creating believable campaign settings23E.What Not to Include: Hard choices in campaign design32F.Integrating Player Characters into Your World39G.Monsters and Organization Primer from 1st edition DMG43H.G

4、uide to better DMing47I.Go with the flow52J.Achieving Verisimilitude53K.Be the Best DM you can be55L.An Introductory Guide to Understanding Role Playing57M.Uncle Figgys Guide to Good Game Mastering or.61N.Concepts of the Elemental Planes79O.The First Dungeon Adventure81P.Life, Death, and well the af

5、ter life.84Q.Magic Theory86R.Alignment88S.Miscellaneous thoughts92III.Historical notes and conversion in into game terms96A.Simplified Formal Organized Structures/Hierarchies of the Sentient Races97B.Stone Age Cultures100C.Bronze Age or Ancient/Primitive Cultures104D.Iron Age or Classical Cultures10

6、5E.Medieval Cultures107F.Renaissance Cultures109G.Example of an historical political body to campaign world equivalent110H.Reconsidering military development based on historical study.112I.Culture and Civilization115IV.Glossary: Terminology or clarification of reserved words147I. IntroductionA. Fore

7、wardIs Dungeon Mastering an art or a science? An interesting question!If you consider the pure creative aspect of starting from scratch, the ”personal touch” of individual flair that goes into preparing and running a unique campaign, or the particular style of moderating a game adventure, then Dunge

8、on Mastering may indeed be thought of as an art.If you consider the aspect of experimentation, the painstaking effort of preparation and attention to detail, and the continuing search for new ideas and approaches, then Dungeon Mastering is perhaps more like a science - not always exacting in a liter

9、al sense, but exacting in terms of what is required to do the job well.Esoteric questions aside, one thing is for certain - Dungeon Mastering is, above all, a labor of love. It is demanding, time consuming, and certainly not a task to be undertaken lightly (the sheer bulk of the book you hold in you

10、r hand will tell you that!). But, as all DMs know, the rewards are great - an endless challenge to the imagination and intellect, an enjoyable pastime to fill many hours with fantastic and often unpredictable happenings, and an opportunity to watch a story unfold and a grand idea to grow and flouris

11、h. The imagination knows no bounds, and the possibilities of the game of ADVANCED DUNGEONS & DRAGONS are just as limitless. Who can say what awaits each player, except a cornucopia of fantasy and heroic adventure? So much is waiting, indeed!This book holds much in store for you as a DM- it is your p

12、rimary tool in constructing your own “world”, or milieu. It contains a wealth of material, and combined with the other works of ADVANCED DUNGEONS & DRAGONS (the MONSTER MANUAL and PLAYERS HANDBOOK) gives you all the information you need to play AD&D. But, as always, one more thing is needed - your i

13、magination. Use the written material as your foundation and inspiration, then explore the creative possibilities you have in your own mind to make your game something special.Dungeon Mastering itself is no easy undertaking, to be sure. But Dungeon Mastering well is doubly difficult. There are few ga

14、memasters around who are so superb in their conduct of play that they could disdain the opportunity to improve themselves in some way. Fortunately, this work addresses the matter at length, and gives you plenty of suggestions on all aspects of Dungeon Mastering (as well as some of the finer points)

15、in order to help you improve your own efforts. Take heed, and always endeavor to make the game the best it can be - and all that it can be!Mike CarrTSR Games & Rules Editor16 May 1979Original 1st edition AD&D Dungeon Masters GuideB. PrefaceWhat follows herein is strictly for the eyes of you, the cam

16、paign referee. As the creator and ultimate authority in your respective game, this work is written as one Dungeon Master equal to another. Pronouncements there may be, but they are not from on high as respects your game. Dictums are given for the sake of the game only, for if ADVANCED DUNGEONS & DRA

17、GONS is to survive and grow, it must have some degree of uniformity, a familiarity of method and procedure from campaign to campaign within the whole. ADVANCED D&D is more than a framework around which individual DMs construct their respective milieux, it is above all a set of boundaries for all of

18、the worlds devised by referees everywhere. These boundaries are broad and spacious, and there are numerous areas where they are so vague and amorphous as to make them nearly nonexistent, but they are there nonetheless.When you build your campaign you will tailor it to suit your personal tastes. In t

19、he heat of play it will slowly evolve into a compound of your personality and those of your better participants, a superior alloy. And as long as your campaign remains viable, it will continue a slow process of change and growth. In this lies a great danger, however. The systems and parameters conta

20、ined in the whole of ADVANCED DUNGEONS & DRAGONS are based on a great deal of knowledge, experience gained through discussion, play, testing, questioning, and (hopefully) personal insight.Limitations, checks, balances, and all the rest are placed into the system in order to assure that what is based

21、 thereon will be a superior campaign, a campaign which offers the most interesting play possibilities to the greatest number of participants for the longest period of time possible. You, as referee, will have to devote countless hours of real effort in order to produce just a fledgling campaign, viz

22、. a background for the whole, some small village or town, and a reasoned series of dungeon levels - the lot of which must be suitable for elaboration and expansion on a periodic basis. To obtain real satisfaction from such effort, you must have participants who will make use of your creations: playe

23、rs to learn the wonders and face the perils you have devised for them. If it is all too plain and too easy, the players will quickly lose interest, and your effort will prove to have been in vain. Likewise, if the campaign is too difficult, players will quickly become discouraged and lose interest i

24、n a game where they are always the butt; again your labors will have been for naught. These facts are of prime importance, for they underlie many rules.Naturally, everything possible cannot be included in the whole of this work. As a participant in the game, I would not care to have anyone telling m

25、e exactly what must go into a campaign and how it must be handled; if so, why not play some game like chess? As the author I also realize that there are limits to my creativity and imagination. Others will think of things I didnt, and devise things beyond my capability. As an active Dungeon Master I

26、 kept a careful watch for things which would tend to complicate matters without improving them, systems devised seemingly to make the game drag for players, rules which lessened the fantastic and unexpected in favor of the mundane and ordinary. As if that were not enough hats to wear, I also wore th

27、at of a publisher, watching the work so as to make sure that it did not grow so large as to become unmanageable cost-wise. None of this was compromise, per se, but the process was most certainly a refining of what should logically be presented in the system.Returning again to the framework aspect of

28、 ADVANCED DUNGEONS & DRAGONS, what is aimed at is a universe into which similar campaigns and parallel worlds can be placed. With certain uniformity of systems and laws, players will be able to move from one campaign to another and know at least the elemental principles which govern the new milieu,

29、for all milieux will have certain (but not necessarily the same) laws in common. Character races and classes will be nearly the same. Character ability scores will have the identical meaning - or nearly so. Magic spells will function in a certain manner regardless of which world the player is functi

30、oning in. Magic devices will certainly vary, but their principles will be similar. This uniformity will help not only players, it will enable DMs to carry on a meaningful dialogue and exchange of useful information. It might also eventually lead to grand tournaments wherein persons from any part of

31、the U.S., or the world for that matter, can compete for accolades.The danger of a mutable system is that you or your players will go too far in some undesirable direction and end up with a short-lived campaign. Participants will always be pushing for a game which allows them to become strong and pow

32、erful far too quickly. Each will attempt to take the game out of your hands and mold it to his or her own ends. To satisfy this natural desire is to issue a death warrant to a campaign, for it will either be a one-player affair or the players will desert en masse for something more challenging and e

33、quitable. Similarly, you must avoid the tendency to drift into areas foreign to the game as a whole. Such campaigns become so strange as to be no longer AD&D. They are isolated and will usually wither. Variation and difference are desirable, but both should be kept within the boundaries of the overa

34、ll system. Imaginative and creative addition can most certainly be included; that is why nebulous areas have been built into the game. Keep such individuality in perspective by developing a unique and detailed world based on the rules of ADVANCED D&D. No two campaigns will ever be the same, but all

35、will have the common ground necessary to maintaining the whole as a viable entity about which you and your players can communicate with the many thousands of others who also find swords & sorcery role playing gaming as an amusing and enjoyable pastime.As this book is the exclusive precinct of the DM

36、, you must view any non-DM player possessing it as something less than worthy of honorable death. Peeping players there will undoubtedly be, but they are simply lessening their own enjoyment of the game by taking away some of the sense of wonder that otherwise arises from a game which has rules hidd

37、en from participants. It is in your interests, and in theirs, to discourage possession of this book by players. If any of your participants do read herein, it is suggested that you assess them a heavy fee for consulting sages and other sources of information not normally attainable by the inhabitant

38、s of your milieu. If they express knowledge which could only be garnered by consulting these pages, a magic item or two can be taken as payment - insufficient, but perhaps it will tend to discourage such actions.I sincerely hope that you find this new system to your taste and enjoy it. The material

39、is herein, but only you can construct the masterpiece from it, your personal campaign which will bring hundreds of hours of fun and excitement to many eager players. Masterful dungeoning to you!E Gary Gygax Original 1st Edition AD&D Dungeon Masters GuideC. The spirit and intent of the game.It is the

40、 spirit of the game, not the letter of the rules, which is important. Never hold to the letter written, nor allow some barracks room lawyer to force quotations from the rule book upon you, if it goes against the obvious intent of the game. As you hew the line with respect to conformity to major syst

41、ems and uniformity of play in general, also be certain the game is mastered by you and not by your players. Within the broad parameters given in the Advanced Dungeons & Dragons volumes, you are creators and final arbiter.By ordering things as they should be, the game as a whole first, your campaign

42、next, and your participants thereafter, you will be playing Advanced Dungeons & Dragons as it was meant to be. May you find as much pleasure in so doing as the rest of us do!6Our Role Play FrameworkJuly 23, 2007D. Regarding this revisionAll role-playing games take place within a fictional environmen

43、t. In games based on Dungeons and Dragons these are most often referred to as a Universe or distinct universes separate from other timelines of fictional or non-fictional settings. In Multiverse, the universe of my creation, this barrier between the realties of each Universe is called the Flux or so

44、metimes the Void. The Flux is in essence the entire realm of all probabilities, which may occur in an infinite amount of time. It is in itself a sort of Universe “black box” where once a universe is sufficiently stable and coherent that is it self supporting and unique it sustains itself. Each unive

45、rse or “Universe” abides by its own set of unique, though often quite similar natural laws. Examples of a Universe include our own reality or at least the fictional parallel universes which are essentially the same as our reality, the Star Trek universe, the fictional world of the DC or Marvel Comic

46、s, the Star Wars Universe, the World of Greyhawk, Forgotten Realms, Birthright, and others. Each has subtle or not so subtle differences in the laws governing science, technology, and/or magic. The faster than light travel of a Star Trek universe or the powers of “The Force” of Star Wars are no more

47、 consistent with one another or other universes than they are with reality.This is a compilation of house rules, errata, notes, and details of interpretations that I as DM employ in running my fantasy campaigns. I have also included a variety of articles and commentary I have selectively chosen for

48、its quality and similarity to my personal views from a variety of sources. The majority of my gaming experience is based on the traditional 1st edition AD&D rule books and other core material. I have customized and elaborated upon these rules over the years to become tailored to my gaming preference

49、s, style, and personal tastes and have codified my personal variations in my version of the Players Handbook as an accepted set of house rules I will DM. This said, I have found at least a few additional game mechanics that I feel comfortable using in my campaigns, any of which I consider valid and

50、all of which can be used to adjudicate the interaction in my campaign world Multiverse based on the consensus between myself and my players. The already approved game mechanics I employee as a DM include: 1st Edition AD&D (limited to DMG, PHG, MMI, MMII, FF, with selected bits from other sources inc

51、luding Dragon Magazine; of particular note is the acceptance of weapon specialization for Fighters only). 1st Edition AD&D (all sources the most notable inclusion is Unearthed Arcana rule modifications). Castles and Crusades (an excellent rework of the original 1st edition rules, the core system inc

52、ludes many typical house rules I myself appended to the 1st edition rules from the most select bits of other gaming mechanics). 2nd Edition AD&D (with discretion, though most of the core rules overlap 1st edition I do not feel compelled to be a slave to the inordinate number of rules supplements and

53、 character kits). Basic D&D (though I am aware that here too I flavor it with the essence of 1st edition “feel”). D20 rules (although I myself have not yet had the opportunity to play or DM with these rules they appear to be a viable option which I would DM given sufficient time and player patience

54、for me to master the mechanics myself).Many thanks are owed to the dozens of players that I have gamed with over the years who have helped me refine these rules and my thoughts on gaming. In truth, many of the names are now long forgotten along with the specifics of most of their contributions. Thos

55、e whom I recognize as providing the most substantial contributions, however, are as follows:Joe Michaels: My first Dungeon Master and the person who introduced me to AD&D, Gamma World, and Top Secret.John Timothy Xavier Burns: A player in my very first campaign and in many others that followed. Most

56、 notably as a detective under a variant of the Top Secret game and as the “Paladin” in his most well role played AD&D campaign.Mike Williams: Possibly the player with the longest game time chronology in any of my games, his character eventually adventured with the NPC grandchildren of characters he

57、originally adventured with. He was the first player that showed interest in learning to be a dungeon master as well. The effort was a failure for a number of reasons not the least of which involved him falling in with an undesirable crowd and our friendship back in high school.Scott Horning: The mos

58、t successful magic user I had in my campaigns thru high school. Dondor the elf made it to 12th level as a magic user. Although he too showed interest in learning the background material and entertained the idea of becoming a dungeon master a combination of peer pressure, running track, and other interests lead him along a different path with different friends.John Nellons: “The assassin”. An excellent pla