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1、會計學(xué)1new criticismPPT學(xué)習(xí)學(xué)習(xí)(xux)課件課件第一頁,共79頁。第1頁/共78頁第二頁,共79頁。第2頁/共78頁第三頁,共79頁。第3頁/共78頁第四頁,共79頁。第4頁/共78頁第五頁,共79頁。第5頁/共78頁第六頁,共79頁。第6頁/共78頁第七頁,共79頁。第7頁/共78頁第八頁,共79頁。第8頁/共78頁第九頁,共79頁。第9頁/共78頁第十頁,共79頁。第10頁/共78頁第十一頁,共79頁。第11頁/共78頁第十二頁,共79頁。第12頁/共78頁第十三頁,共79頁。第13頁/共78頁第十四頁,共79頁。第14頁/共78頁第十五頁,共79頁。第15頁/共78頁第
2、十六頁,共79頁。第16頁/共78頁第十七頁,共79頁。第17頁/共78頁第十八頁,共79頁。第18頁/共78頁第十九頁,共79頁。第19頁/共78頁第二十頁,共79頁。第20頁/共78頁第二十一頁,共79頁。第21頁/共78頁第二十二頁,共79頁。第22頁/共78頁第二十三頁,共79頁。第23頁/共78頁第二十四頁,共79頁。第24頁/共78頁第二十五頁,共79頁。第25頁/共78頁第二十六頁,共79頁。第26頁/共78頁第二十七頁,共79頁。第27頁/共78頁第二十八頁,共79頁。第28頁/共78頁第二十九頁,共79頁。第29頁/共78頁第三十頁,共79頁。第30頁/共78頁第三十一頁,共
3、79頁。第31頁/共78頁第三十二頁,共79頁。第32頁/共78頁第三十三頁,共79頁。第33頁/共78頁第三十四頁,共79頁。第34頁/共78頁第三十五頁,共79頁。world in order to recover social order and stabilization(Wellek,1991:255)第35頁/共78頁第三十六頁,共79頁。第36頁/共78頁第三十七頁,共79頁。第37頁/共78頁第三十八頁,共79頁。第38頁/共78頁第三十九頁,共79頁。第39頁/共78頁第四十頁,共79頁。第40頁/共78頁第四十一頁,共79頁。c.upon one preferred per
4、iod. a pleasant and highly desirable supplement第41頁/共78頁第四十二頁,共79頁。第42頁/共78頁第四十三頁,共79頁。The Interpretation of The Great Gatsby on the basis of New CriticismPart Three第43頁/共78頁第四十四頁,共79頁。 The Theme of The Great GatsbyThe Great Gatsby displays the social condition and life of The Jazz Age, on the one h
5、and, it is a story about Gatsby, on the other hand, it is a story of the whole society. The theme that the author aims at expressing is that the people are in a state of moral degradation, money worship and hypocrisy.第44頁/共78頁第四十五頁,共79頁。New Criticism is about one fact that the theme is manifested by
6、 the formal elements, Therefore, the Following formal elements in The Great Gatsby will be used to reveal the theme.Perspective of New Criticism第45頁/共78頁第四十六頁,共79頁。 Theme IronyTensionMetaphor ImagesSymbol Point of ViewCharacterization 第46頁/共78頁第四十七頁,共79頁。 Irony When Nick writes to Meyer Wolfsheim to
7、 ask him to attend the funeral, he gives his response:“This has been one of the most terrible shocks of my life to me I hardly can believe it that it is true at all. Such a mad act as that man did should make us all think. I cannot come down now as I am tied up in some very important business and ca
8、n do a litter later let me know in a letter by Edgar. I hardly know where I am where I hear about a thing like this and am completely knocked down and out” (Fitzgerald, 2011: 231).第47頁/共78頁第四十八頁,共79頁。 The response seems to be very sincere, but the reader must pay attention to the underlying idea tha
9、t the author wants to express. 第48頁/共78頁第四十九頁,共79頁。第49頁/共78頁第五十頁,共79頁。第50頁/共78頁第五十一頁,共79頁。 TensionThe contrast between the past and the present:The Past: Nick recalls his life in Middle West:“When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twi
10、nkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it. . . before we melted indistinguishably into it again” (Fitzgerald, 2011: 246). 第51頁/共78頁第五十二頁,共79頁。第52頁/共78頁第五十三頁,共79頁。 The Present: The fo
11、llowing sentences can show the condition of the present: “The Bar is in full swing, and float-ing rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and causal innuendo and introduc-tions forgotten on the spot, and enthusiastic meetings between women w
12、ho never knew each others names”( Fitzgerald, 2011: 50).第53頁/共78頁第五十四頁,共79頁。society in 1920s effectively.第54頁/共78頁第五十五頁,共79頁。 Tension between Gatsby and Guests Those guests who often take part in the parties held by Gatsby actually know little about Gatsby, and they often gossip about Gatsby althoug
13、h Gatsby invites them to parties, which reveals hypocrisy of guests. After Gatsby is dead, they do not attend the funeral, which further uncovers the moral degradation of the society. To some degree, the tension between Gatsbys innocence and guests hypocrisy makes the expression of theme more powerf
14、ul.第55頁/共78頁第五十六頁,共79頁。 Tension Manifested by Daisy“She dressed in white, and half a little white roadster, and all day long the telephone rang in her house and excite young officers form camp Taylor demanded the privilege of monopolising her that night” (Fitzgerald, 2011: 96).The White color often
15、symbols innocence, so these sentences shows us that Daisy is pure and she lives in a real, simple and innocent world.第56頁/共78頁第五十七頁,共79頁。第57頁/共78頁第五十八頁,共79頁。MetaphorThe Valley of ashes is bounded on side by a small foul river, and, when the drawbridge is up to let barges through, the passengers on w
16、aiting trains can stare at the dismal scene for as long as half an hour (Fitzgerald, 2011: 160).第58頁/共78頁第五十九頁,共79頁。Valleys of ashes is a metaphor for the spiritual world where people has no conviction and morality, the author uses this metaphor to criticize the degradation of the society.第59頁/共78頁第
17、六十頁,共79頁。 ImagesThe author uses many striking images to help revealing the theme.“On buffet tables, garnished with glistening hors d oeuvre, spiced baked hams crowded against salads of harlequin designs and pasty pigs and turkeys bewitched to a dark gold” (Fitzgerald, 2011: 49).第60頁/共78頁第六十一頁,共79頁。第
18、61頁/共78頁第六十二頁,共79頁。 Symbol“But above the grey land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T.J. Eckleburg” (Fitzgerald, 2011: 29).The eyes of T.J. Eckleburg has appeared in the novel frequently, actually it symbols god, god stares
19、at and criticizes American society of moral degradation through the eyes, which is just the theme of this novel.第62頁/共78頁第六十三頁,共79頁。 Point of ViewThe Great Gatsby is narrated by Nick, he tells a story about Gatsby. According to the narrator Nick, Gatsby lives in a big house and holds the party every
20、 night. Men and women form upper class come to the party and talk about all kinds of topics. The gardens of Gatsbys house are strewn with the sound of music and the lights of different colors.第63頁/共78頁第六十四頁,共79頁。 The author displays the luxurious life in the Jazz Age by the narration of Nick. Nick n
21、arrates it that no one is willing to attend the funeral of Gatsby even Daisy, which makes Nick understand it that the society has been in a state of corruption and hypocrisy. Finally Nick leaves the East. What Nick understands is just the theme.第64頁/共78頁第六十五頁,共79頁。 Characterization The author charac
22、terizes Tom vividly. Tom is a rude and vulgar man, he is always boasting about his wealth, for example, he describes his house excitedly when Nick comes there. It is because of him that Wilson knows the address of Gatsby and finally kills Gatsby.第65頁/共78頁第六十六頁,共79頁。 It can be stated that Tom is a ep
23、itome of the Jazz Age, because the author uncovers a immoral and hypocritical society by the characterization of Tom. Therefore, the characterization also helps to reveal the theme. 第66頁/共78頁第六十七頁,共79頁。 Conclusion The Formal elements belong to the category of form, while the theme belongs to the cat
24、egory of content. There are many arguments between form and content, for example, form and argument are thought to be incompatible. I think the best works of art is the unity of form and content. 第67頁/共78頁第六十八頁,共79頁。 Although New Criticism pays attention to the form, it doesnt ignore the content. Th
25、e essence of New Criticism is that all of the formal elements of literary works work together to establish the theme of literary works, which is illustrated appropriately by the Interpretation of The Great Gatsby on the basis of New Criticism.第68頁/共78頁第六十九頁,共79頁。 Understanding “The Red Wheelbarrow”
26、By New Criticism第69頁/共78頁第七十頁,共79頁。The Red Wheelbarrow So much depends upon a red wheel barrow glazed with rain water beside the white chickens 紅色手推車 (鄭敏譯) 這么(zh me)多的事物都依賴 于 那一輛紅色輪子的 推車 它濕漉漉的沾滿雨 水 站在一群 白色的小雞旁邊第70頁/共78頁第七十一頁,共79頁。Theme This poem is written by William Carlos Williams who is a Imagist
27、. Imagist focus on displaying things sincerely by describing them neatly. 第71頁/共78頁第七十二頁,共79頁。serenity and happiness of life.第72頁/共78頁第七十三頁,共79頁。 Rhyme and Meter Poems of Imagism tend to use free verse, so the reader can not find regular meter and rhyme scheme. Considering the theme, the reader will
28、 find that free verse is very appropriate. The poet uses free verse to express it that ordinary and simple life doesnt need decoration and refinement, and life is just about common things.第73頁/共78頁第七十四頁,共79頁。 Imagesred wheelbarrowrain waterWhite chickensA man takes shelter from rain, perhaps the she
29、lter is too narrow to contain his wheelbarrow, so the wheelbarrow is glazed with rain water, and white chickens are around the wheelbarrow. These three images are clear and sharp, they consist of a ordinary and serene life in the countryside, wheelbarrow shows that life is closely related to common things.The colors of wheelbarrow and chickens manifest that ordinary life is also colorful. 第74頁/共78頁第七十五頁,共79頁。 Symbols The wheelbarrow symbols human beings, because it is made by human being, while rain water and chickens symbo
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