以查理·卓別林和金·凱瑞的電影為例

1、以查理以查理卓別林和金卓別林和金凱瑞的電影為例凱瑞的電影為例 作者】 王智超； 【導師】 李增； 【作者基本信息】 東北師范大學， 英語語言文學， 2007， 碩士 【副題名】以查理卓別林和金凱瑞的電影為例 【摘要】 自從電影誕生至今,美國喜劇電影一直為全世界人民所喜愛,它將現(xiàn)實生活以諷刺與幽默的手段夸張地再現(xiàn)了出來。更為重要的是好萊塢這個著名的電影工業(yè)基地善于采用當時最流行的藝術元素來對電影進行包裝,以達到最佳的藝術效果,因此在美國的喜劇電影特別是卓別林和金凱瑞的電影之中我們能看到大量的現(xiàn)代主義和后現(xiàn)代主義元素,這正是制造喜劇效果必不可少的手段。但是無論是從卓別林還是金凱瑞的電影之中我們看到

2、的都是社會下層普通民眾的生活狀態(tài),這些小人物用各種幽默甚至是荒謬的方式來來和命運抗爭,但是在他們的行為背后所反映出的社會矛盾確是真實地存在于生活之中。由此可見美國喜劇電影體現(xiàn)出一種平民化的本質屬性。國內外對美國喜劇電影的研究通常以作品為中心,但是缺少對其在長達一百多年的各個時期里風格和本質的深層次探討。所以,本論文將致力于平民本質的研究,試圖進一步擴展對美國喜劇電影更深層次的認識,從而更好地把其精髓所在。引言部分首先概括地介紹了兩次工業(yè)革命中美國喜劇電影發(fā)展的歷程和意義。接下來指出國內外學術評論界對于美國喜劇電影的研究現(xiàn)狀以及爭議,同時提出本篇論文的主題:美國喜劇電影的平民本質,并且說明美國喜

3、劇電影的現(xiàn)代主義和后現(xiàn)代主義的創(chuàng)作風格之中透露出這種平民本質。在此基礎上,闡明本篇論文的研究價值和現(xiàn)實意義,將學術研究的理論與當前中國的社會實際有機地結合起來,從現(xiàn)實的角度來探究美國喜劇電影的內涵。論文的第一章主要分析了美國喜劇電影從一開始就深受各種因素的共同影響。首先它有著深刻的社會和思想基礎,這里有第二次和第三次工業(yè)革命過程中科技進步的作用,貧富分化產(chǎn)生的社會基本矛盾加劇,同時期民主思想的傳播和文藝理論的多元化。其次,電影創(chuàng)作者的生活經(jīng)歷對于他們的作品有著巨大的影響,美國喜劇電影的兩位大師卓別林和金凱瑞的人生經(jīng)歷從一開始就受到批評家們的重視。最后通過分析上述的兩個方面,我們可以發(fā)現(xiàn)平民本質

4、的內涵體現(xiàn)在以下四個方面:對小人物命運的關懷,對資本主義社會陰暗面的關注,對商業(yè)競爭社會人與人之間關系的剖析,反抗不公平社會的行為。論文的第二章主要分析了美國早期喜劇電影的現(xiàn)代主義風格特征。在這里簡要的說明了現(xiàn)代主義的概念和影響,因為現(xiàn)代主義誕生于第二次工業(yè)革命之后,是對現(xiàn)代社會的一種反叛和批判,主張個性化強調個人的自由。這個思潮在當時有著廣泛的影響力,所以它也對當時早期美國喜劇電影有著很大的影響。特別是在卓別林生活的時代現(xiàn)代主義開始興起,所以對于現(xiàn)代主義的關注可以有效的認識早期美國喜劇電影的風格。論文的第三章主要分析了二戰(zhàn)之后美國喜劇電影的后現(xiàn)代主義風格特征。后現(xiàn)代主義打破藝術與生活的界限;

5、強調從主觀感情到轉向客觀世界;對個性和風格持漠視或敵視態(tài)度;主張藝術平民化,大量適用大眾傳播媒介。這些觀念對于當代的美國喜劇電影有著深刻的影響,我們在金凱瑞電影之中看到的很多夸張且富有想象力表演,都是后現(xiàn)代主義的風格在電影之中的再現(xiàn)。本文在結論中一方面通過對現(xiàn)代主義、后現(xiàn)代主義和平民本質的了解品析出喜劇電影真正的內涵所在,不再以流行的眼光來評論影視作品;另一方面,在社會轉型期的中國所面臨的一系列社會問題和矛盾在美國喜劇電影之中都能夠體現(xiàn)出來,這種平民本質對于用“以人為本”的精神來“建立和諧社會”還是有積極的建設性作用的。這也是本篇論文的實踐價值所在。 更多還原 【Abstract】 Since

6、 the birth of film, American comedy film has been always enjoyed by the people of the whole world. It reflects the real life in the way of satire and humour in order to make spectators sympathize with the ideas of creators. There is a more important reason that Hollywood is good at using the most po

7、pular elements of art to pack films so as to achieve the best artistic effect, so we can see many elements of modernism and postmodernism in American comedy films, especially the films of Charlie Chaplin and Jim Carrey. However, from these films, we all see the living situation of common people at t

8、hat time. They use all kinds of humourous and even ridiculous way to struggle with their destiny, but behind their action, the social conflict, exists in the daily life. The portrayal of common people shows the pursuit of the commonalty in American comedy film.With regard to American comedy film, th

9、e domestic and overseas investigations often focus on the texts of film, but ignore the discussion of theme and styles during the period of one hundred years. Therefore, this thesis will conduct the research into the theme and the styles of American comedy.The part of introduction generalizes the de

10、velopment and significance of American comedy film during the second and third industrial revolution. Through the comparison among the various investigations and debates of academia for American comedy film, the commonalty is showed in this part. And then the subject will be implicated in the creati

11、ve styles of modernism and postmodernism. While indicating the investigative value and practical significance, the modernist and postmodernist theory may be combined with the social reality in order to search the implication of American comedy film, realistically.Chapter One focuses on the theme of

12、American comedythe commonalty. Firstly, it has a profound basis of society and thought, including the function of advanced science and technology during the process of industrial revolution, the intension of social conflicts, the development of democracy and socialism, and the pluralistic theory of

13、literature and art. Secondly, the experience of the creators of film has enormous influence on their works. Literary critics always pay attention to the living experiences of Chaplin and Jim Carrey. Finally, through the analysis, the commonalty will show the following four aspects: the solicitude fo

14、r the destiny of the little, the attention to the seamy side of capitalism, the anatomy of relationship among people in the commercial society, and the reaction against the unequal reality.Chapter Two explains the modernist characteristics of American comedy film in the early time. In this part, wit

15、h regard to the modernist movement and its influence on the comedy of the time, the emphasis of analysis will be directed at Charlie Chaplins comedy. Modernism is a kind of rebellion and critique towards the modern society and has extensive influence at that time. American comedy film also employs t

16、he useful elements for reference. Modernism advocates individualization and personal freedom. The attention to modernism is effective to understand the early style of American comedy film.Chapter Three introduces the postmodernist characteristics of American comedy film after World War. Postmodernis

17、m breaks the boundary between art and life, emphasizes the transformation from subjective feeling to objective world, has the hostile attitude for individuality and style, and advocates the art of commonalty so as to apply to the mass media. These notions have profound influence on American comedy f

18、ilm in the contemporary times. The exaggerative and fantastic action in the films of Jim Carrey is the emersion of the style of postmodernism.In conclusion, the thesis summarizes the real implication of American comedy film through the understanding of modernism, postmodernism, and the commonalty. A

19、t the same time, it also touches the realistic problem in China, which can draw some lessons from the American comedy in“building a harmonious society”through the“people-oriented”principle. This is also the practical value of the thesis. 更多還原 【關鍵詞】 美國喜劇電影； 平民本質； 現(xiàn)代主義； 后現(xiàn)代主義； 風格； 【Key words】 American

20、 comedy film； the commonalty； modernism； postmodernism； style； 參考文獻： 愛因斯坦和卓別林 格式：pdf | 發(fā)布者：斌斌 8267 | 發(fā)布時間：2010-09-16 著名科學家愛因斯坦非常推崇卓別林的電影。一次，他在給卓別林的一封信中寫道：“你的電影摩登時代，世界上的每一個人都能看懂，你一定會成為一個偉人。愛因斯坦?！?趙本山和卓別林在反“三俗”中的思考 格式：pdf | 發(fā)布者：Shmily 花兒 | 發(fā)布時間：2011-01-11 生根于貧瘠的土壤,以其頑強的生命,倔強地破土而出,以其不擇地而生的性格孳生蔓延,人間開始出現(xiàn)

21、一片新綠。這片新綠的種子隨風披靡遐邇,造成了綠色的世界。春風助其生,野火遏其. “本山小品”創(chuàng)造了喜劇經(jīng)典嗎？ 格式：pdf | 發(fā)布者：粘粘妹 | 發(fā)布時間：2011-01-11 十年前，我在影視鑒賞課上讓學生們評價卓別林和周星馳在電影藝術領域的地位，一位來蹭課的研究生回答：“大師與過客?！毕矚g周星馳的本科生立刻追問：“什么是大師？”研. 第一卓別林 格式：pdf | 發(fā)布者：177233188 | 發(fā)布時間：2010-09-11 尊重的境界 格式：pdf | 發(fā)布者：Summerzhang | 發(fā)布時間：2011-07-01 一次，卓別林正要登臺演出，一位熱心的觀眾忽然提醒他：“大師，你的

22、上衣紐扣忘了扣了?！弊縿e林一怔，連忙表示感謝，很快將組扣系好。那位觀眾走后。他又悄悄把紐扣解開。 作者】 王智超； 【導師】 李增； 【作者基本信息】 東北師范大學， 英語語言文學， 2007， 碩士 【副題名】以查理卓別林和金凱瑞的電影為例 【摘要】 自從電影誕生至今,美國喜劇電影一直為全世界人民所喜愛,它將現(xiàn)實生活以諷刺與幽默的手段夸張地再現(xiàn)了出來。更為重要的是好萊塢這個著名的電影工業(yè)基地善于采用當時最流行的藝術元素來對電影進行包裝,以達到最佳的藝術效果,因此在美國的喜劇電影特別是卓別林和金凱瑞的電影之中我們能看到大量的現(xiàn)代主義和后現(xiàn)代主義元素,這正是制造喜劇效果必不可少的手段。但是無論是

23、從卓別林還是金凱瑞的電影之中我們看到的都是社會下層普通民眾的生活狀態(tài),這些小人物用各種幽默甚至是荒謬的方式來來和命運抗爭,但是在他們的行為背后所反映出的社會矛盾確是真實地存在于生活之中。由此可見美國喜劇電影體現(xiàn)出一種平民化的本質屬性。國內外對美國喜劇電影的研究通常以作品為中心,但是缺少對其在長達一百多年的各個時期里風格和本質的深層次探討。所以,本論文將致力于平民本質的研究,試圖進一步擴展對美國喜劇電影更深層次的認識,從而更好地把其精髓所在。引言部分首先概括地介紹了兩次工業(yè)革命中美國喜劇電影發(fā)展的歷程和意義。接下來指出國內外學術評論界對于美國喜劇電影的研究現(xiàn)狀以及爭議,同時提出本篇論文的主題:美

24、國喜劇電影的平民本質,并且說明美國喜劇電影的現(xiàn)代主義和后現(xiàn)代主義的創(chuàng)作風格之中透露出這種平民本質。在此基礎上,闡明本篇論文的研究價值和現(xiàn)實意義,將學術研究的理論與當前中國的社會實際有機地結合起來,從現(xiàn)實的角度來探究美國喜劇電影的內涵。論文的第一章主要分析了美國喜劇電影從一開始就深受各種因素的共同影響。首先它有著深刻的社會和思想基礎,這里有第二次和第三次工業(yè)革命過程中科技進步的作用,貧富分化產(chǎn)生的社會基本矛盾加劇,同時期民主思想的傳播和文藝理論的多元化。其次,電影創(chuàng)作者的生活經(jīng)歷對于他們的作品有著巨大的影響,美國喜劇電影的兩位大師卓別林和金凱瑞的人生經(jīng)歷從一開始就受到批評家們的重視。最后通過分析

25、上述的兩個方面,我們可以發(fā)現(xiàn)平民本質的內涵體現(xiàn)在以下四個方面:對小人物命運的關懷,對資本主義社會陰暗面的關注,對商業(yè)競爭社會人與人之間關系的剖析,反抗不公平社會的行為。論文的第二章主要分析了美國早期喜劇電影的現(xiàn)代主義風格特征。在這里簡要的說明了現(xiàn)代主義的概念和影響,因為現(xiàn)代主義誕生于第二次工業(yè)革命之后,是對現(xiàn)代社會的一種反叛和批判,主張個性化強調個人的自由。這個思潮在當時有著廣泛的影響力,所以它也對當時早期美國喜劇電影有著很大的影響。特別是在卓別林生活的時代現(xiàn)代主義開始興起,所以對于現(xiàn)代主義的關注可以有效的認識早期美國喜劇電影的風格。論文的第三章主要分析了二戰(zhàn)之后美國喜劇電影的后現(xiàn)代主義風格特

26、征。后現(xiàn)代主義打破藝術與生活的界限;強調從主觀感情到轉向客觀世界;對個性和風格持漠視或敵視態(tài)度;主張藝術平民化,大量適用大眾傳播媒介。這些觀念對于當代的美國喜劇電影有著深刻的影響,我們在金凱瑞電影之中看到的很多夸張且富有想象力表演,都是后現(xiàn)代主義的風格在電影之中的再現(xiàn)。本文在結論中一方面通過對現(xiàn)代主義、后現(xiàn)代主義和平民本質的了解品析出喜劇電影真正的內涵所在,不再以流行的眼光來評論影視作品;另一方面,在社會轉型期的中國所面臨的一系列社會問題和矛盾在美國喜劇電影之中都能夠體現(xiàn)出來,這種平民本質對于用“以人為本”的精神來“建立和諧社會”還是有積極的建設性作用的。這也是本篇論文的實踐價值所在。 更多還

27、原 【Abstract】 Since the birth of film, American comedy film has been always enjoyed by the people of the whole world. It reflects the real life in the way of satire and humour in order to make spectators sympathize with the ideas of creators. There is a more important reason that Hollywood is good at

28、 using the most popular elements of art to pack films so as to achieve the best artistic effect, so we can see many elements of modernism and postmodernism in American comedy films, especially the films of Charlie Chaplin and Jim Carrey. However, from these films, we all see the living situation of

29、common people at that time. They use all kinds of humourous and even ridiculous way to struggle with their destiny, but behind their action, the social conflict, exists in the daily life. The portrayal of common people shows the pursuit of the commonalty in American comedy film.With regard to Americ

30、an comedy film, the domestic and overseas investigations often focus on the texts of film, but ignore the discussion of theme and styles during the period of one hundred years. Therefore, this thesis will conduct the research into the theme and the styles of American comedy.The part of introduction

31、generalizes the development and significance of American comedy film during the second and third industrial revolution. Through the comparison among the various investigations and debates of academia for American comedy film, the commonalty is showed in this part. And then the subject will be implic

32、ated in the creative styles of modernism and postmodernism. While indicating the investigative value and practical significance, the modernist and postmodernist theory may be combined with the social reality in order to search the implication of American comedy film, realistically.Chapter One focuse

33、s on the theme of American comedythe commonalty. Firstly, it has a profound basis of society and thought, including the function of advanced science and technology during the process of industrial revolution, the intension of social conflicts, the development of democracy and socialism, and the plur

34、alistic theory of literature and art. Secondly, the experience of the creators of film has enormous influence on their works. Literary critics always pay attention to the living experiences of Chaplin and Jim Carrey. Finally, through the analysis, the commonalty will show the following four aspects:

35、 the solicitude for the destiny of the little, the attention to the seamy side of capitalism, the anatomy of relationship among people in the commercial society, and the reaction against the unequal reality.Chapter Two explains the modernist characteristics of American comedy film in the early time.

36、 In this part, with regard to the modernist movement and its influence on the comedy of the time, the emphasis of analysis will be directed at Charlie Chaplins comedy. Modernism is a kind of rebellion and critique towards the modern society and has extensive influence at that time. American comedy f

37、ilm also employs the useful elements for reference. Modernism advocates individualization and personal freedom. The attention to modernism is effective to understand the early style of American comedy film.Chapter Three introduces the postmodernist characteristics of American comedy film after World

38、 War. Postmodernism breaks the boundary between art and life, emphasizes the transformation from subjective feeling to objective world, has the hostile attitude for individuality and style, and advocates the art of commonalty so as to apply to the mass media. These notions have profound influence on