新視野大學(xué)英語3網(wǎng)上測(cè)試題及答案

1、Part 1 Word Dictation(每小題：1 分)Directions: Listen and write down the words you hear. You are going to listen to the recording twice. During the first time, write the word that you hear. Check your answers as you listen the second time.1.2.3.4.5.6.7.8.9.10.11.12.13.14.15.Part 2 Understanding Short Con

2、versations(每小題：1 分)Directions: In this section you'll hear some short conversations. Listen carefully and choose the best answer to the questions you hear.1.A. Reading.B. Walking.C. Studying.D. Planting trees.2.A. Animals are dying.B. Animals can care too.C. People depend on animals.D. People ar

3、e failing.3.A. Go on a hot date.B. Return home.C. Fuel the car.D. Drive a lot.4.A. Damage done by last night's winds.B. Cars overturned in the streets.C. Several houses destroyed.D. Trees pulled out of the ground.5.A. The man will join the conservation group.B. The man will plant trees in the fo

4、rest.C. The man will cut down trees in the forest.D. The man won't go with the woman today.Part 3 Understanding Long Conversations(每小題：1 分)Directions: In this section you'll hear a long conversation or conversations. Listen carefully and choose the best answer to the questions you hear.（DCBA

5、C）Part 4 Understanding Passages(每小題：1 分)Directions: In this section you'll hear a passage or passages. Listen carefully and choose the best answer to the questions you hear.Questions 1 to 5 are based on the same passage or dialog.1.A. Damage done by an earthquake.B. Rescue teams after the earthq

6、uake.C. Help given by the UN and others.D. Earthquakes around the world.2.A. He said he had never seen such a big natural disaster.B. He sent medical aid and food.C. He asked bordering countries for help.D. He gave sympathy for all the people killed.3.A. Israel.B. Turkey.C. Germany.D. Greece.4.A. $6

7、.7 million.B. $2 million.C. $540 thousand.D. $30 thousand.5.A. Germany.B. France.C. Istanbul.D. Izmit.Part 5 Compound Dictation(每小題：1 分)Directions: In this section you will hear a passage or passages three times. When the passage is read for the first time, you should listen carefully for its genera

8、l idea. When the passage is read for the second time, you are required to fill in the blanks with the information you have just heard. Finally, when the passage is read for the third time, you should check what you have written.Questions 1 to 10 are based on the same passage or dialog.A very importa

9、nt world problem is the increasing number of people who actually inhabit (居住) this planet. We must look at the limited (1) of land and land resources. They will soon be unable to support the huge (2) if it continues to grow at its present rate. Even though the rate of (3) has begun to slow down, we

10、might still have a problem. Most experts believe the population size will still pass eight (4) during the next 50 years. Not all land is useful to humans as it cannot (5) food. More than three fifths of the land is either desert or (6) covered by snow and ice, or is too mountainous. Some of this lan

11、d is even at too great a (7) above sea-level. Obviously, with so little land to support us, (8). But are we? Mankind seems to be unable to accept that we live on a finite (有限的) planetwe act as if its resources were infinite. Man (9). By only considering our needs of today, we are ensuring there will

12、 be no tomorrow. In short, it is everybody's duty to safeguard (保護(hù)) the future of mankindnot only through population control, but (10). Nature is both fragile (脆弱的) and powerful. It is very easily destroyed; on the other hand, it can so easily destroy its most aggressive enemy-man.Part 6 Multipl

13、e Choice(每小題：1 分)Directions: Choose the best answer from the four choices marked A, B, C and D.1.One of his eyes was injured in an accident, but after a _ operation, he quickly recovered his sight.A. delicateB. considerateC. preciseD. sensible2.Could you please _ an appointment for me to see Mr. Smi

14、th?A. manageB. arrangeC. takeD. prepare3.Mr. Lewis broke the world _ for the 100 meters.A. markB. standardC. levelD. record4.In American universities, classes are often arranged in more flexible _ and many jobs on campus are reserved for students.A. scalesB. patternsC. gradesD. ranks5.Last year the

15、advertising rate _ by 20 percent.A. roseB. raisedC. arousedD. arose6.The guard walked through the train _ everyone's ticket.A. inspectingB. overlookingC. reviewingD. analyzing7.Our holiday was _ by showers of rain.A. spoiledB. destroyedC. crashedD. discouraged8.We were tired of hearing him _ abo

16、ut how strong he was.A. commentB. remarkC. referD. boast9.Most nurses are women, but in the higher ranks of the medical profession women are in a _.A. scarcityB. minorityC. minimumD. shortage10.The room _ cool in summer and warm in winter.A. feelsB. has been feltC. is feltD. has been feeling11.My un

17、cle rarely used to oversleep, _?A. wasn't heB. didn't heC. was heD. did he12.Jack was about to announce our plan but I _.A. put him throughB. turned him outC. gave him upD. cut him short13.Only after a long chat, _ that Mr. Smith was in fact a boss of a big factory.A. he realizedB. he has re

18、alizedC. did he realizeD. has realized he14.There's a man at the reception desk who seems very angry and I think he means _ trouble.A. makingB. to makeC. to have madeD. having made15.I found him always _ of others.A. thoughtB. thinkC. thinksD. thoughtful16.My wallet is nowhere to be found. I _ o

19、n the train yesterday.A. have lostB. must lose itC. must have lost itD. could have lost it17.I'd rather read than watch television; the programs seem _ all the time.A. to get worseB. to be getting worseC. to have got worseD. getting worse18.It is vital that enough money _ to help the project.A.

20、be collectedB. must be collectedC. is collectedD. can be collected19.If only the committee _ the regulations and put them into effect as soon as possible.A. approveB. will approveC. can approveD. would approve20.You see the lightning _ it happens, but you hear the thunder later.A. the instantB. for

21、an instantC. on the instantD. in an instantPart 7 Skimming and Scanning (True or False Questions + Blank Filling)(每小題：2 分)Directions: Read the following passage and then answer the questions. For questions 1-7, choose Y (YES) if the statement agrees with the information given in the passage, choose

22、N (NO) if the statement contradicts the information given in the passage, choose NG (NOT GIVEN) if the information is not given in the passage. For questions 8-10, complete the sentences with the information given in the passage.Questions 1 to 10 are based on the same passage or dialog.Alfred Hitchc

23、ock: Britain's Best Film Director The early years in the film industry In the early part of his career, Alfred Hitchcock was widely considered to be Britain's best film director. His silent films were greeted with great enthusiasm by critics, and, at a time of expansion and increasing excite

24、ment for the British film industry, they were evidence that British films had reached an international standard. In 1929, Hitchcock was hailed by British critics for a film which used sound and dialogue with more imagination than any Hollywood or European film of the time. And in the mid-1930s, Hitc

25、hcock's films gave energy to the film industry with their fast pace and British sense of humor. After the outbreak of the Second World War the British press said he had "gone Hollywood". Throughout the 1940s and 1950s, British critics favored realism over all else, and they looked down

26、 upon the Hollywood style that characterized much of Hitchcock's work during this time. In the 1960s and 1970s, when critics celebrated Hitchcock's films, it was mainly the Hollywood Hitchcock that they admired, and these (largely American and French) critics had little interest in his Briti

27、sh films. Of course Hitchcock's public character in his later years was still very closely associated with his English background, as his appearances on the Alfred Hitchcock Presents television programs demonstrated. But his dark suits, manners, and humor seemed to be the style of a person overs

28、eas. It can be surprising, then, to discover the respect that Hitchcock enjoyed in his native country during his first dozen years as a director. When one of his films was first shown in 1926, it was declared to be a great piece of art and its director was proclaimed to be a young genius. Hitchcock

29、was already twenty-seven years old at the time, but his rise did seem to have been remarkable. Hitchcock's start in films He was born on the eastern edge of London, in Leytonstone, Essex, on 13th, August, 1899, and his family lived above a shop on Leytonstone High Road and later in the East End

30、neighborhood of Poplar and Stepney. He left school at the age of fourteen, and worked as a clerk at the Henley Telegraph (電報(bào)) Company and took evening lessons in drawing at the University of London. In 1919, this skill enabled him to get a job as a title card designer with the American production co

31、mpany Famous Players-Lasky when it began making films in a converted power station in Islington. The Americans did not stay long in Islington, but Hitchcock's rise quickened when the studio was taken over by Michael Balcon's Gainsborough Pictures in 1924. Balcon allowed Hitchcock to work at

32、different jobs for Gainsborough: as a set designer, writer, editor and as the assistant director to Graham Cutts, who was then Gainsborough's top director. The young director In 1925, Hitchcock was given his own assignments, as he directed two films that were filmed in Munich's Emelka Studio

33、s as part of a deal between Gainsborough and the German producer Erich Pommer. Neither film attracted much attention, and it was not until his third film, The Lodger (房客), that both the critics and the public took notice of Hitchcock. Indeed, The Lodger seemed able to please just about everyone. It

34、had techniques informed by the international art cinema of the 1920s, a narrative form borrowed from Hollywood, and an English subject matter. It was a remarkable combination and a great example of late silent cinema. The Lodger also introduced several of Hitchcock's most enduring story elements

35、: a hero whose virtue is in doubt, a love filled with suspicion, humor, and an interest in beautiful women. These elements would endure for many years. The Hitchcock touch During these early years Hitchcock was known primarily for the visual creativity of his films. The German director F.W. Murnau w

36、as a strong influence in this regard. While filming in Germany in 1924, Hitchcock visited Murnau. It was a key moment in his development as a filmmaker. Murnau's interest in an "unchained" camera and in a "pure cinema" (telling the story in visual terms alone) would be the li

37、felong interest of Hitchcock's too. He was also a member of the London Film Society, and its screening of French, German and Soviet art films, as well as early and pioneering American films, provided a unique forum for the consideration of film form and technique, and one that influenced Hitchco

38、ck and many other British filmmakers of the time. One can further point to Hitchcock's interest in drawing as a factor that enriched and enhanced the visual dynamic (強(qiáng)度) of his films. In his silent films, this was so striking that critics regularly discussed "the Hitchcock touch", refe

39、rring to the visually dramatic sequences that distinguished his work. Such moments might convey an amusing, dark or romantic story plot (故事情節(jié)), or they might explain the meaning of the story, but they always demonstrated the director's ability to tell the story without relying on dialogues or ex

40、planations. Britain's finest In 1927 Hitchcock left Gainsborough for the larger British International Pictures (BIP), and his new contract made him the highest paid director in Britain. Being assigned to direct BIP's first talking film was another sign of his status, and the film proved that

41、 such regard was fully deserved. At the time, many people interested in cinema thought that the use of speech would reduce cinema to being only "pictures of people talking", but Hitchcock's inventive use of sound demonstrated that the new technology actually opened a new world of possi

42、bilities. Many have said that Hitchcock found his true calling with the 1930s thrillers, while for others this concentration on one type of film represented a limitation of Hitchcock's talents and interests. Either way, their popularity ensured that he was invited to Hollywood, and in 1939 he to

43、ok up a contract with the producer David O. Selznick. This opportunity must have looked great. In the late 1930s, the British film industry had entered a financial crisis, and its difficulties would only become larger with the start of war. Yet it is evident that Hitchcock was eager to hold onto tie

44、s with Britain. He returned in wartime to make two short films for the Ministry of Information. In the immediate post-war period, he formed a production company that was designed to enable him to make films in Britain, and to free him from the interference of Hollywood producers such as Selznick. Of

45、 the company's two films only one was filmed in Britain, and although both are remembered for their bold experimentation with long takes and deep focus, neither was a popular success. His company soon folded, and Hitchcock subsequently worked with a range of Hollywood studios. He made only two f

46、urther films in Britain. The first was a thriller set in the West End theatre world that had excited him in his youth, but the film's sense of time and place was weakened by its international cast and its curiously limited use of location shooting. The second, shown in 1972, seemed to hit much c

47、loser to home and could be seen to represent a remake of The Lodger. The story was centered on a man who was wrongly believed to be a killer of women, and it was filmed with a largely British cast and in a London setting, the old Covent Garden market. This is not Hitchcock's last film, but it ca

48、n be seen as a revisiting of his career's dramatic beginnings in Britain and as a homecoming for a director who found his greatest success and popularity abroad. 1.Thanks to Hitchcock's early films, the British could claim their films were as good as others.（A）A. YB. NC. NG2.During the war y

49、ears, Hitchcock rejected the Hollywood style of filmmaking(B).A. YB. NC. NG3.People in his home country didn't appreciate his work during the mid-1920s.(B)A. YB. NC. NG4.Hitchcock's first job was to work as a clerk for a telegraph company.(C)A. YB. NC. NG5.The Lodger was Hitchcock's firs

50、t film as a young director.(B)A. YB. NC. NG6.Hitchcock kept his film The Lodger free of foreign influence.(B)A. YB. NC. NG7.An interest in "pure cinema" is something Hitchcock had in common with a German director, Murnau.(A)A. YB. NC. NG8.British directors, including Hitchcock, watched for

51、eign films screened by the .9.The "Hitchcock touch" was known for using images rather than to tell the story.10.Hitchcock kept his ties to the British film industry, even though it was in financial trouble during .Part 8 Reading Comprehension (Multiple Choice)(每小題：2 分)Directions: Read the

52、following passages carefully and choose the best answer from the four choices marked A, B, C and D.Questions 1 to 5 are based on the same passage or dialog.The cost of helping someone with AIDS drugs is high. Pills cost a lot of money. In Africa, AIDS drugs may cost more than a person makes in one y

53、ear. At the same time, some American hospitals throw away a lot of pills. One man, named Lee Wildes, didn't think this was fair, so he decided to do something about it. Wildes lives in a small apartment in San Francisco. Every month, he sends AIDS drugs, which would've been thrown away, to A

54、frica. His act of kindness has not been noticed much in his home country. In Africa though, he is well known. Many people in Africa send him e-mails, asking him for the medicine they need. Lee was a nurse. He knows that millions of dollars worth of drugs are thrown away. Five years ago he learned he

55、 was sick with HIV. Following this discovery, he took a vacation to Africa and saw many people there with AIDS. His visit caused him to begin sending drugs to Africa. Lee talks with doctors in Africa by mail, e-mail and telephone. With their help, he has gotten the names and addresses for a hundred

56、people in six African countries. He fills the pill orders and he records what pills he sends to them. He even returns to Africa, once a year, to see the people he's helping. Giving left over drugs away is against the law, as is giving out drugs without a license. However, it is not likely he'll be taken to court for his kindly efforts. People who have discovered his actions hav