“Golden Glory” and a Golden Workshop “金色榮耀”·一個(gè)金色工作間

1、.“Golden Glory” and a Golden Workshop “金色榮耀”·一個(gè)金色工作間photographer: Christian Richters攝影師：Christian RichtersDesign team:設(shè)計(jì)組modulorbeatThe Münster-based architectural group “modulorbeat”, consisting of Marc Günnewig and Jan Kampshoff, was commissioned to design the pavilion. They had alr

2、eady created a portable, temporary pavilion in 2007 for “skulptur projekte münster”, which garnered much attention, not only due to its gold-coloured façade. “modulorbeat”建筑工作室的總部在明斯特，組員有Marc Günnewig和Jan Kampshoff，他們受委托來設(shè)計(jì)這個(gè)展示工作間。他們已經(jīng)在2007年為“skulptur projekte münster”設(shè)計(jì)過一個(gè)可

3、移動(dòng)的，臨時(shí)的展覽建筑。建筑當(dāng)時(shí)受到了很大的關(guān)注，不僅僅只是由于它金色的立面。Modulorbeat developed their new creation for “Golden Glory” together with students from the Münster School of Architecture (msa). At the time of their commission, Günnewig and Kampshoff were searching for a seminar theme to teach at the school. I

4、n varying groups throughout the semester, several designs were developed, linked, revised, discarded and then revised anew, once the constructions precise location on Domplatz had been determined. With a second group of students, they commenced planning and the realization of the 95 sq. metre pavili

5、on, which was completed in six weeks time. 工作室和來自Münster學(xué)校建筑系的學(xué)生一起完成了這個(gè)“金色榮耀”的建筑。在Günnewig 和Kampshoff剛受到委托的時(shí)候，他們也剛好在尋找學(xué)校研討會(huì)上的教學(xué)主題。通過一學(xué)期的組員變化，一些方案被深化，相互關(guān)聯(lián)，修改，推翻，然后再修改，最后在Domplatz建造的精確位置被確定下來。第二組的學(xué)生，他們負(fù)責(zé)計(jì)劃和施工這個(gè)95展覽工作建，在6周時(shí)間內(nèi)，它就被造好了。In order to compensate for the slope of the Domplatz, t

6、he pavilion was built on top of simple piles made of in-situ concrete and wood, which would leave no traces once they were dismantled. The building has a cross-shaped layout with four “wings”. Each wing open inwards like a funnel, so that the layout is more reminiscent of an abstract windmill than a

7、 crucifix. The effect is an inviting gesture to visitors, as the inside path opens up onto the central workshop area.為了彌補(bǔ)Domplatz傾斜地面的高差，整個(gè)展示間就建在由幾個(gè)簡潔的，由混凝土塊和木材樁上，并且以后建筑拆除時(shí)，可以不留下任何痕跡。建筑采用十字形構(gòu)圖，看起就就像有4個(gè)翅膀一樣。每個(gè)翅膀就像漏斗一樣向內(nèi)打開，使得在構(gòu)圖上更讓人聯(lián)想到的是風(fēng)車而不是希臘十字。由于進(jìn)入到中心的工作區(qū)域的室內(nèi)過道暢通無阻，所以對(duì)參觀者來說，建筑就好比一個(gè)邀請的手勢。The walls a

8、re made of full wooden plywood panels. Indoors, the wood is visible, lending the foundry area a robust, resilient atmosphere. From the outside, the compact pavilion seems similarly robust, but here the façade is covered in eye-catching, gold-copper metal panels. The furrowed, vertical profile o

9、f the shimmering panels along each of the four wings narrows towards the centre. This creates a dynamic rhythm, in which the sparkling metal mixes with a play of light and shadows that shifts with the passing of the sun overhead. The small pavilion seems to be a portable, accordion-like construction

10、 that could be folded up and transported to another location at any time. 墻體由實(shí)木膠合板構(gòu)成。在室內(nèi)，木頭是可見的，因此為工作區(qū)域增添了一種能讓人精力充沛的，并立刻恢復(fù)精神的氛圍。在室外，這個(gè)小巧的建筑立面似乎也和室內(nèi)相似，但在室外的立面上采用了有視覺吸引力的，金銅合金板。有溝痕的垂直立面板，看上去閃閃發(fā)光的，四個(gè)翅膀中的每一個(gè)都向中心變窄。這創(chuàng)造了一種動(dòng)態(tài)的韻律，即閃閃發(fā)光的金屬隨著頭頂上太陽的軌跡而產(chǎn)生的光影變化。這個(gè)小型的展示間似乎很便攜，就像能折疊一樣。它能被隨時(shí)折疊起來放到任何一地方。The pre

11、cise construction achieves a lot with little, while allowing for a merry playfulness: the simple forms and materials gain incredible complexity through subtle and precise displacements, elevating the project to a most entertaining building. Despite its symmetrical layout, it never looks like a cross

12、 but instead seems to reinvent itself at every new perspective. This awakens the urge to circle around the building again and again to look through the large openings at the end of the four wings into its centre. Ceiling-high glass elements open up the building completely, so that the view from outs

13、ide reaches into the foundry and beyond through the lightly askew axis to the opposite opening. Suddenly, the small building appears to be amazingly deep. The architecture reflects the theme of the exhibition not only with its brilliant encasement, but much more in the fine workmanship and meticulou

14、s details that are unusual, especially for a temporary pavilion.精確的建造過程獲得了細(xì)節(jié)上的很多成功，同時(shí)又很多喜悅。簡單的形狀和材料通過微妙和精確的搭接形成了這個(gè)不可思議的建筑，把這個(gè)項(xiàng)目提升為最愉快的建筑。盡管建筑是中心對(duì)稱的，它看起來絕不是一個(gè)十字，但在每一個(gè)新的角度它都在重復(fù)著自己。它使得人們一圈又一圈地繞著建筑透過每個(gè)翅膀端頭的大窗戶一遍又一遍的看。窗的高度與天花齊平，把建筑完全的敞開，讓來自室外的視線到達(dá)室內(nèi)并穿過輕微傾斜的軸線，到達(dá)對(duì)面的窗戶。突然間，這幢小建筑好像深不可測。建筑不僅通過。反應(yīng)的展示的主題，在更大程度

15、上，是在優(yōu)良的工藝和慎微的細(xì)節(jié)上反應(yīng)出它的不尋常，特別是對(duì)于臨時(shí)展示建筑來說。Using a very reduced selection of materials and colours, the pavilions interior design allows for the concentration required by this fine and detailed work. Floor, ceiling and all walls are, like all furniture and other components, crafted from a light coloured

16、 wood. This includes the sliding door, through which the foundry can be separated from the information area. In contrast, everything having directly to do with the work has been painted pitch black: the table lamps, the work surfaces, the screw clamps, and even the oil radiators, lamp cables and the

17、 kitchen sink. 盡可能的減少材料的種類和色彩的選擇，這個(gè)展示間的室內(nèi)設(shè)計(jì)通過優(yōu)良和細(xì)節(jié)的工作得到了關(guān)注。地板，天花，和所有的墻體，還有了家具和其他元素，都采用了淺色的木材。這包括移門，移門是用來隔斷信息區(qū)域的。相反的，每一件直接和工作有關(guān)的物體都被涂上了瀝青黑：桌上的燈，工作臺(tái)，螺絲鉗甚至散熱器，燈線和廚房水池。The interior was not only designed but also completely built by modulorbeat together with the students. In fact, all elements used

18、are cost-effective, standardized components that can be found in any hardware shop; the consistent design and uniform colour scheme are what transform them into something elegant. This is not merely for designs sake, but serves as a stage for the foundrys small protagonists: the golden elements are more recognizable when set against black.室內(nèi)的設(shè)計(jì)和施工都是modulorbeat和學(xué)生一起合作完成的。實(shí)際上，所有使用的元素都是合算的，任何五金商店都能有這些標(biāo)注的零件。持續(xù)的設(shè)計(jì)和統(tǒng)一的顏色體系把零件統(tǒng)一成美麗的事物。這并不只是設(shè)計(jì)的目的，它同時(shí)也成為為鑄造廠小主人的舞臺(tái)：金色和黑色搭配是最易識(shí)別的。Thus this marvellous architecture functions on all levels, from big to small. Even fr