認知語言學論文認知語言學 詩歌隱喻 概念整合理論 翻譯整合網

1、認知語言學論文：從認知視角論詩歌隱喻的翻譯【中文摘要】”散文是井然有序的文字,詩是巧然成序的絕妙好詞?！庇娙丝吕章芍蔚倪@句評論充分體現(xiàn)了詩歌作為最重要的文學形式,所具有的獨特價值。然而,美國詩人弗羅斯特卻說:“詩就是在翻譯中所喪失的東西。”這句話不但道出了詩歌翻譯之艱難,也成為了詩歌不可譯觀點的代表。自國際交流產生以來,人們從未停止過對詩歌的譯入和譯出,這個事實使詩歌不可譯論不攻自破。真正的詩是屬于全世界的,它自身散發(fā)的光芒吸引著譯者們去翻譯它、傳播它。誠然,在翻譯的過程中,隨著語言形式的轉變,一首詩原有的聲音、韻律和節(jié)奏等詩歌所特有的音樂性元素很難在譯文中幸存,這是每一位詩歌譯者不得不面

2、對的宿命,也就是弗羅斯特所說的“喪失的東西”。接受這一宿命的詩歌譯者們唯有盡力將詩意傳遞。詩人往往通過在詩歌中使用隱喻性語言反映其對世界的認識,表達某種情感。傳統(tǒng)的隱喻研究認為隱喻是一種修辭方法、一種意義轉移的表達方式。認知語言學的出現(xiàn),改變了人們對隱喻的成見。認知語言學家認為,隱喻是以具象的事件或經驗來理解和體驗抽象的事件或經驗,隱喻是人類普遍的認知方式和思維方式。詩人取道隱喻,是在傳達其他途徑無法言說的東西。因此,同樣作為詩歌的一項基本元素隱喻的翻譯,決定著一首詩精.【英文摘要】”Prose is words in their best order; poetry is the best

3、words in their best order.”Coleridges remark demonstrates the unique value of poetry as the most important literary genre. However, by contending“poetry is what gets lost in translation”, Frost represents an opinion that poetry is untranslatable. This is true in a sense that every poem is the unity

4、of form and meaning, with linguistic transformation, certain poetic elements such as sound, meter and rhythm, inevitably get lost in translation. Then how .【關鍵詞】認知語言學 詩歌隱喻 概念整合理論 翻譯整合網絡 概念結構 異化與歸化【英文關鍵詞】cognitive linguistics poetic metaphor conceptual integration theory blending network of translati

5、on conceptual structure foreignization and domestication【索購全文】聯(lián)系Q1：138113721 Q2：139938848【目錄】從認知視角論詩歌隱喻的翻譯Abstract5-6摘要7-11Chapter 1 Introduction11-151.1 Research Background and Significance11-131.2 Methodology and Organization of the Thesis13-15Chapter 2 About Poetic Metaphor15-272.1 On Metaphor15-

6、18 The Aristotelian View on Metaphor15-16 The Cognitive Approach to Metaphor16-182.2 On Poetic Metaphor18-23 Defining Poetic Metaphor18-21 The Function of Poetic Metaphor21 The Attributes of Poetic Metaphor21-232.3 On Translation of Poetic Metaphor23-27revious Studies on Translation of Metaphor23-25

7、 Main Conflicts in Translation of Poetic Metaphor: Originality vs. Culture25-27Chapter 3 Conceptual Integration View on Translation27-333.1 Theory of Conceptual Integration Network27-293.2 Conceptual Blending Network of Translation29-303.3 Conceptual Structure30-33Chapter 4 Blending Network of Trans

8、lation Specified for Poetic Metaphor33-474.1 Input Space 1: Two Levels of Meaning of the Source Text33-38 The Micro Level of Meaning33-36 The Macro Level of Meaning36-384.2 Input Space 2：TranslatorMental Space38-394.3 Generic Space: A Trade-off between Structures39-414.4 Running the Blend41-434.5 Bl

9、end：Emergent Structure43-47Chapter 5 Comparative Study of Auguries of Innocence and Xiangchou (Nostalgia)47-655.1 Study of Auguries of Innocence47-56 Different Blends48-50 Generic Space: the Problem Pinpointed50-51 Micro Level: Performances in Copying the Conceptual Structures51-52 Macro Level: the Themes Derived52-55 Summary55-565.2 Study of Xiangchou (Nostalgia)56-65 Different Blends57-59 Micro Level: Performances in Copying the Conceptual Structures59-60 Generic Space: the Problem Pinpointed60-62 Macro Level: Performances Compared in Communicating Em