宮崎駿龍貓英語(yǔ)課前演講精選課件

1、Miyazaki Hayaoand his world Miyazaki (Miyazaki, Miyazaki Hayao) is a famous Japanese animation director, January 5, 1941 Born in Tokyo. Hayao Miyazaki has no substitute in the global animation industry status, Disney called “animation industry Akira Kurosawa”, he was received numerous awards . 宮崎駿（宮

2、崎駿，Miyazaki Hayao）是日本著名動(dòng)畫(huà)片導(dǎo)演，1941年1月5日生于東京。宮崎駿在全球動(dòng)畫(huà)界具有無(wú)可替代的地位，迪斯尼稱(chēng)其為“動(dòng)畫(huà)界的黑澤明”，更是獲獎(jiǎng)無(wú)數(shù)。 Valley of the Wind, 1984 film 風(fēng)之谷Castle in the Sky, 1986 film 天空之城My Neighbor Totoro, 1988 film龍貓 Kikis Delivery Service, 1989 film 魔女宅急電Princess Mononoke, 2019 film 幽靈公主Spirited Away, 2019 film千與千尋 (winner, Academ

3、y Award for Best Animated Feature, 2019) Howls Moving Castle, 2019 film霍爾的移動(dòng)城堡(nominee, Academy Award for Best Animated Feature, 2019) Ponyo, 2019 film 懸崖岸上的金魚(yú)姬Main films吉卜力工作室 Studio Ghibli Miyazaki takes a leading role when creating his films, frequently serving as both writer and director. He per

4、sonally reviewed every frame used in his early films.宮崎駿在電影創(chuàng)作扮演主導(dǎo)的角色，經(jīng)常同時(shí)擔(dān)任編劇及導(dǎo)演。他在早期的電影作品中會(huì)親自審閱每幅畫(huà)面.Miyazaki uses very human-like movements in his animation. In addition, much of the art is done using water colors. In contrast to American animation, the script and storyboards are created together,

5、and animation begins before the story is finished and while storyboards are developing.宮崎駿在他的動(dòng)畫(huà)作品中使用非常人性化的程序。此外，吉卜力工作室也大量使用水彩藝術(shù)。與美國(guó)動(dòng)畫(huà)相異，吉卜力工作室采用同時(shí)創(chuàng)造劇本及記事板的方法，動(dòng)畫(huà)及記事板在故事完成之前就已經(jīng)開(kāi)始制作Miyazaki has used traditional animation throughout the animation process, though computer-generated imagery was employed s

6、tarting with Princess Mononoke to give a little boost of elegance.However,in his 2019 film Ponyo Miyazaki went back to traditional hand-drawn animation for everything, saying hand drawing on paper is the fundamental of animation. Studio Ghiblis computer animation department was dissolved before prod

7、uction on Ponyo was started, and Miyazaki has decided to keep to hand drawn animation.宮崎駿在整個(gè)動(dòng)畫(huà)制程中使用傳統(tǒng)動(dòng)畫(huà)，雖然他在幽靈公主當(dāng)中開(kāi)始使用電腦繪圖，不過(guò)在他2019年執(zhí)導(dǎo)的電影懸崖上的金魚(yú)公主中，宮崎駿又全部采用傳統(tǒng)的手工繪制來(lái)制作動(dòng)畫(huà)，并說(shuō)：“繪畫(huà)在紙上是動(dòng)畫(huà)的基本?！?吉卜力工作室的電腦動(dòng)畫(huà)部門(mén)在懸崖上的金魚(yú)公主制作開(kāi)始后遭到解散，宮崎駿決定堅(jiān)持采用手工繪制來(lái)制作動(dòng)畫(huà)。Style：Miyazakis works are characterised by the recurrence of pr

8、ogressive themes, such as environmentalism, pacifism, feminism, and the absence of villains.His films are also frequently concerned with childhood transition and a marked preoccupation with flight.宮崎駿的動(dòng)畫(huà)電影大多涉及人類(lèi)與自然之間的關(guān)系、和平主義及女權(quán)運(yùn)動(dòng)。他的作品也經(jīng)常出現(xiàn)飛行、兒童心理及青春期的思想。畫(huà)風(fēng) 宮崎駿創(chuàng)作的影片背景的畫(huà)風(fēng)始終是清新浪漫的，總有一種能讓人想要回歸自然的感覺(jué)。尤其是影

9、片中出現(xiàn)的天空背景，給人以廣闊無(wú)垠的感覺(jué)，使人不禁生出一種遐想，似乎想要到那背景中去尋找遠(yuǎn)離城市污濁空氣的清新中，去感受自然之美。 再?gòu)娜宋镄蜗髞?lái)說(shuō)。宮崎駿筆下的人物是全部采用手繪的方式創(chuàng)造出來(lái)的。人物（也包括動(dòng)物）線(xiàn)條簡(jiǎn)潔明快，并不復(fù)雜，令人看后更覺(jué)簡(jiǎn)約樸實(shí)，貼近生活。這一切一切，都表現(xiàn)出宮崎駿對(duì)于自然與生活的熱愛(ài)，也頗富有意義。 My Neighbor TotoroIn 1958 Japan, university professor Tatsuo Kusukabe and his two daughters, Satsuki and Mei move into an old house

10、to be closer to the hospital where their mother Yasuko is recovering from a long-term illness. Satsuki and Mei find that the house is inhabited by tiny animated dust creatures called susuwatari small, dark, dust-like house spirits seen when moving from light to dark places. One day, Mei sees two whi

11、te, rabbit-like ears in the grass and follows the ears under the house. She falls asleep atop the large totoro, but when Satsuki finds her, she is on the ground in a dense briar clearing. Despite her many attempts, Mei is unable to show her family Totoros tree. Her father comforts her by telling her

12、 that this is the keeper of the forest, and that Totoro will reveal himself when he wants to.One rainy night, the girls are waiting for their fathers bus and grow worried when he does not arrive on the bus they expect him on. As they wait, Mei eventually falls asleep on Satsukis back andTotoro appea

13、rs beside them, allowing Satsuki to see him for the first time. He only has a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken along for her father. In return, he gives her a bundle of nuts and seeds. A bus-shaped giant cat halts at the stop, and Tot

14、oro boards it, taking the umbrella. Shortly after, their fathers bus arrives. The girls plant the seeds. A few days later, they awaken at midnight to find Totoro and his two miniature colleagues engaged in a ceremonial dance around the planted nuts and seeds. The girls join in, whereupon the seeds s

15、prout, and then grow and combine into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. Meis disappearance prompts Satsuki and the neighbors to search for her Delighted to be of assistance, he summons the Catbus, which carries her to where the lost Mei s

16、its. Having rescued her, the Catbus then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital, overhearing a conversation between their parents and discovering that she has been kept in hospital by a minor cold and is otherwise doing well. In the end credits, Mei and Satsukis mother return home, and the sisters play with other children, with Totoro and his friends as unseen obse