宮崎駿龍貓英語課前演講課件

1、Miyazaki Hayaoand his world Miyazaki (Miyazaki, Miyazaki Hayao) is a famous Japanese animation director, January 5, 1941 Born in Tokyo. Hayao Miyazaki has no substitute in the global animation industry status, Disney called “animation industry Akira Kurosawa”, he was received numerous awards . 宮崎駿（宮

2、崎駿，Miyazaki Hayao）是日本著名動畫片導(dǎo)演，1941年1月5日生于東京。宮崎駿在全球動畫界具有無可替代的地位，迪斯尼稱其為“動畫界的黑澤明”，更是獲獎無數(shù)。 Valley of the Wind, 1984 film 風(fēng)之谷Castle in the Sky, 1986 film 天空之城My Neighbor Totoro, 1988 film龍貓 Kikis Delivery Service, 1989 film 魔女宅急電Princess Mononoke, 1997 film 幽靈公主Spirited Away, 2001 film千與千尋 (winner, Academ

3、y Award for Best Animated Feature, 2002) Howls Moving Castle, 2004 film霍爾的移動城堡(nominee, Academy Award for Best Animated Feature, 2005) Ponyo, 2008 film 懸崖岸上的金魚姬Main films吉卜力工作室 Studio Ghibli Miyazaki takes a leading role when creating his films, frequently serving as both writer and director. He per

4、sonally reviewed every frame used in his early films.宮崎駿在電影創(chuàng)作扮演主導(dǎo)的角色，經(jīng)常同時擔(dān)任編劇及導(dǎo)演。他在早期的電影作品中會親自審閱每幅畫面.Miyazaki uses very human-like movements in his animation. In addition, much of the art is done using water colors. In contrast to American animation, the script and storyboards are created together,

5、and animation begins before the story is finished and while storyboards are developing.宮崎駿在他的動畫作品中使用非常人性化的程序。此外，吉卜力工作室也大量使用水彩藝術(shù)。與美國動畫相異，吉卜力工作室采用同時創(chuàng)造劇本及記事板的方法，動畫及記事板在故事完成之前就已經(jīng)開始制作Style：Miyazakis works are characterised by the recurrence of progressive themes, such as environmentalism, pacifism, femin

6、ism, and the absence of villains.His films are also frequently concerned with childhood transition and a marked preoccupation with flight.宮崎駿的動畫電影大多涉及人類與自然之間的關(guān)系、和平主義及女權(quán)運動。他的作品也經(jīng)常出現(xiàn)飛行、兒童心理及青春期的思想。畫風(fēng) 宮崎駿創(chuàng)作的影片背景的畫風(fēng)始終是清新浪漫的，總有一種能讓人想要回歸自然的感覺。尤其是影片中出現(xiàn)的天空背景，給人以廣闊無垠的感覺，使人不禁生出一種遐想，似乎想要到那背景中去尋找遠離城市污濁空氣的清新中，去感

7、受自然之美。 再從人物形象來說。宮崎駿筆下的人物是全部采用手繪的方式創(chuàng)造出來的。人物（也包括動物）線條簡潔明快，并不復(fù)雜，令人看后更覺簡約樸實，貼近生活。這一切一切，都表現(xiàn)出宮崎駿對于自然與生活的熱愛，也頗富有意義。 My Neighbor TotoroIn 1958 Japan, university professor Tatsuo Kusukabe and his two daughters, Satsuki and Mei move into an old house to be closer to the hospital where their mother Yasuko is r

8、ecovering from a long-term illness. Satsuki and Mei find that the house is inhabited by tiny animated dust creatures called susuwatari small, dark, dust-like house spirits seen when moving from light to dark places. One day, Mei sees two white, rabbit-like ears in the grass and follows the ears unde

9、r the house. Despite her many attempts, Mei is unable to show her family Totoros tree. Her father comforts her by telling her that this is the keeper of the forest, and that Totoro will reveal himself when he wants to.One rainy night, the girls are waiting for their fathers bus and grow worried when

10、 he does not arrive on the bus they expect him on. In return, he gives her a bundle of nuts and seeds. A bus-shaped giant cat halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, their fathers bus arrives. The girls plant the seeds. A few days later, they awaken at midnight t

11、o find Totoro and his two miniature colleagues engaged in a ceremonial dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout, and then grow and combine into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. Meis disappear

12、ance prompts Satsuki and the neighbors to search for her Delighted to be of assistance, he summons the Catbus, which carries her to where the lost Mei sits. Having rescued her, the Catbus then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital, overhearing a conversation between their parents and discovering that she has been kept in hospital by a minor cold and is otherwise doing well. Miyazakis films often incorporate recurrent themes li