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AllieBeyerErikaDongJasonKwanLukeLuanAsianTheater111JapaneseAllieBeyerAsianTheater111Ja1MapofJapanBriefHistoryofJapan–Muromachi,Edo,Meiji,andmoderntimesHistoryofNohTheaterHistoryofKabukiTheaterHistoryofDojojiIntroductionMapofJapanIntroduction2NohandotherartformsdevelopedincapitalregionandNaraprovinceMapofJapanNohandotherartformsdevelo3MuromachiPeriod(picture)AshikagaTakauji,founderoftheMuromachiperiodin13381338-1573GrandsonYoshimitsu(ruled1358-1408)firstpatronofNohSuccessorsYoshimochiandYoshinoripatronizedotheractorsFollowedbyAzuchiMomoyamaPeriod(1568-1600),ruledbyToyotomiHideyoshiMuromachiPeriod(picture)Ashi41600-1868AgeofpeaceandnationalisolationTokugawafoundsnewshogunateatEdo(Tokyo)(pictured)OsakaCastlereconstructionRankingofsociety–Samurai,farmers,artisans,merchantsMerchantclassenjoysKabukiandBunrakutheaterbyearly1700s(pictured)PaintingofKabukiactorOtaniOnijiIIIEdo(Tokugawa)Period1600-1868Edo(Tokugawa)Period51868–1912Falloffeudalsystem

andpoliticalreformEmperorRestoredTransitionofnation-stateStrengtheningof

industriesandmilitaryMeijiPeriod1868–1912MeijiPeriod61912–TodayEconomicexpansionduringTaishoPeriod(’12-’26)WorldWarIIandeconomicrecoveryduringShowaPeriod(1926-1989)PrinceAkihitosucceedstothronein1989,beingHeiseiPeriodMajorEarthquakesinKantou/Tokyo(1923)andKansai/Kobe/Osaka(1995)ContemporaryJapan1912–TodayContemporaryJapan7LongHairedPrincessTempleofDojoji

Kannon,godofmercyMiyakoLongHairedPrincessMiyako8SonofKannamiKiyotsugu,headofYuzakisarugakutroupeFounderofNohtheaterPatronizedbyYoshimitsuHardshipsinlatterpartoflifeWrotemanyplaysandtheoreticalbooksZeamiMotokiyo(1363-1444)SonofKannamiKiyotsugu,head9LukewhenhewakesupLukewhenhewakesup10(pictured)PatronagebyToyotomiHideyoshi“officialmusic”ofTokugawas(Keene39)DeclineduringMeijiPeriodRevivalafterWorldWarTwoNohaftertheAshikagas(pictured)PatronagebyToyoto11LukegettingreadyforanightonthetownLukegettingreadyforanight12Gigakuandbugaku-maskeddancesinImperialcourt,originallyfromChina(Nakamura58)Dengaku-”fieldmusic”fromcountryside(Keene30)Ennen-ceremonialprayersthatbecameplays,textualmaterialforNohSangaku(sarugaku)-entertainmentforcommonersandillustrationofsermons,directancestorofNoh(29)Noh’sPredecessorsGigakuandbugaku-maskeddance13LukegettinghisgrooveonLukegettinghisgrooveon14TheNohPlayDojojiTheNohPlayDojoji15TheNohPlayDojojiTheNohPlayDojoji16Lukesaying,“Please…nomorepictures!”Lukesaying,“Please…nomorep17bornwiththenameKimitakeHiraokawrote16novels,80shortstoriesandmanyessays1949firstmajorwork-ConfessionsofaMask1953publishedDeathinMidsummer1966directedandstarredinfilmPatriotism1970committedritualsuicide,SeppukuMishimaYukio(1925-1970)bornwiththenameKimitakeHi18KabukiKabuki19

Okuni’sdanceOkuni’sdance20Shosagoto:“FujiMusume”(WisteraMaiden)

Shosagoto:“FujiMusume”(Wis21Jidaimono:kanadehonchushingura(ThetreasuryofLoyalRetainers)

Sewamono:BentenKozo(BententheThief)Jidaimono:kanadehonchushing22Nohbackgroundsettinginkabukiplay

Nohbackgroundsettinginkabu23

AragatoShosagoto

Kata:PerformanceStyleAragato24

MieMaiKata:PerformanceTechniqueMie25

ShamisenTsuzumiTaiko

Intruments1

ShamisenTsuzumi26

TakebueInstruments2Gezaensembleoffstage

TakebueInstruments227DebayashiEnsembleDebayashiEnsemble28CostumesandSetsCostumesandSets29Make-up

Make-up

30StageDesign

DiagramofkabukistageKabukicurtainsStageDesign

Diagramofk31“FeudalAge.”13March2001.<gopher://gan1.ncc.go.jp/00/JAPAN/History/Feudal>.“GeneralIntroductionandHistory.”13March2001.<>.“HistoryoftheNohTheater.”JapanAccess.July1999.13March2001.<>.Keene,Donald.NoandBunraku:TwoFormsofJapaneseTheater.NewYork:ColumbiaUniversityPress,1990.“MuromachiPeriod.”Schauwecker’sGuidetoJapan.17Sept.2000.13March2001.<>.Nakamura,Yasuo.trans.byDonKenny.Noh:TheClassicalTheater.PerformingArtsofJapan,Vol.4.NewYork:Walker/Weatherhill(incollaborationwithTankosha,Kyoto),1971.“TraditionalPerformingArtsinJapan.”BasedonJapan:APocketGuide,1996Edition.TheWebKanzaki.2July1996.13March2001.<>.Bibliographies“FeudalAge.”13March2001.32結(jié)束語(yǔ)當(dāng)你盡了自己的最大努力時(shí)，失敗也是偉大的，所以不要放棄，堅(jiān)持就是正確的。WhenYouDoYourBest,FailureIsGreat,SoDon'TGiveUp,StickToTheEnd結(jié)束語(yǔ)33感謝聆聽(tīng)不足之處請(qǐng)大家批評(píng)指導(dǎo)PleaseCriticizeAndGuideTheShortcomings演講人：XXXXXX時(shí)間：XX年XX月XX日

感謝聆聽(tīng)演講人：XXXXXX時(shí)間：XX年34AllieBeyerErikaDongJasonKwanLukeLuanAsianTheater111JapaneseAllieBeyerAsianTheater111Ja35MapofJapanBriefHistoryofJapan–Muromachi,Edo,Meiji,andmoderntimesHistoryofNohTheaterHistoryofKabukiTheaterHistoryofDojojiIntroductionMapofJapanIntroduction36NohandotherartformsdevelopedincapitalregionandNaraprovinceMapofJapanNohandotherartformsdevelo37MuromachiPeriod(picture)AshikagaTakauji,founderoftheMuromachiperiodin13381338-1573GrandsonYoshimitsu(ruled1358-1408)firstpatronofNohSuccessorsYoshimochiandYoshinoripatronizedotheractorsFollowedbyAzuchiMomoyamaPeriod(1568-1600),ruledbyToyotomiHideyoshiMuromachiPeriod(picture)Ashi381600-1868AgeofpeaceandnationalisolationTokugawafoundsnewshogunateatEdo(Tokyo)(pictured)OsakaCastlereconstructionRankingofsociety–Samurai,farmers,artisans,merchantsMerchantclassenjoysKabukiandBunrakutheaterbyearly1700s(pictured)PaintingofKabukiactorOtaniOnijiIIIEdo(Tokugawa)Period1600-1868Edo(Tokugawa)Period391868–1912Falloffeudalsystem

andpoliticalreformEmperorRestoredTransitionofnation-stateStrengtheningof

industriesandmilitaryMeijiPeriod1868–1912MeijiPeriod401912–TodayEconomicexpansionduringTaishoPeriod(’12-’26)WorldWarIIandeconomicrecoveryduringShowaPeriod(1926-1989)PrinceAkihitosucceedstothronein1989,beingHeiseiPeriodMajorEarthquakesinKantou/Tokyo(1923)andKansai/Kobe/Osaka(1995)ContemporaryJapan1912–TodayContemporaryJapan41LongHairedPrincessTempleofDojoji

Kannon,godofmercyMiyakoLongHairedPrincessMiyako42SonofKannamiKiyotsugu,headofYuzakisarugakutroupeFounderofNohtheaterPatronizedbyYoshimitsuHardshipsinlatterpartoflifeWrotemanyplaysandtheoreticalbooksZeamiMotokiyo(1363-1444)SonofKannamiKiyotsugu,head43LukewhenhewakesupLukewhenhewakesup44(pictured)PatronagebyToyotomiHideyoshi“officialmusic”ofTokugawas(Keene39)DeclineduringMeijiPeriodRevivalafterWorldWarTwoNohaftertheAshikagas(pictured)PatronagebyToyoto45LukegettingreadyforanightonthetownLukegettingreadyforanight46Gigakuandbugaku-maskeddancesinImperialcourt,originallyfromChina(Nakamura58)Dengaku-”fieldmusic”fromcountryside(Keene30)Ennen-ceremonialprayersthatbecameplays,textualmaterialforNohSangaku(sarugaku)-entertainmentforcommonersandillustrationofsermons,directancestorofNoh(29)Noh’sPredecessorsGigakuandbugaku-maskeddance47LukegettinghisgrooveonLukegettinghisgrooveon48TheNohPlayDojojiTheNohPlayDojoji49TheNohPlayDojojiTheNohPlayDojoji50Lukesaying,“Please…nomorepictures!”Lukesaying,“Please…nomorep51bornwiththenameKimitakeHiraokawrote16novels,80shortstoriesandmanyessays1949firstmajorwork-ConfessionsofaMask1953publishedDeathinMidsummer1966directedandstarredinfilmPatriotism1970committedritualsuicide,SeppukuMishimaYukio(1925-1970)bornwiththenameKimitakeHi52KabukiKabuki53

Okuni’sdanceOkuni’sdance54Shosagoto:“FujiMusume”(WisteraMaiden)

Shosagoto:“FujiMusume”(Wis55Jidaimono:kanadehonchushingura(ThetreasuryofLoyalRetainers)

Sewamono:BentenKozo(BententheThief)Jidaimono:kanadehonchushing56Nohbackgroundsettinginkabukiplay

Nohbackgroundsettinginkabu57

AragatoShosagoto

Kata:PerformanceStyleAragato58

MieMaiKata:PerformanceTechniqueMie59

ShamisenTsuzumiTaiko

Intruments1

ShamisenTsuzumi60

TakebueInstruments2Gezaensembleoffstage

TakebueInstruments261DebayashiEnsembleDebayashiEnsemble62CostumesandSetsCostumesandSets63Make-up

Make-up

64StageDesign

DiagramofkabukistageKabukicurtainsStageDesign

Diagramofk65“FeudalAge.”13M

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