高中英語(yǔ)人教版Unit1Art 市賽獲獎(jiǎng)_第1頁(yè)
高中英語(yǔ)人教版Unit1Art 市賽獲獎(jiǎng)_第2頁(yè)
高中英語(yǔ)人教版Unit1Art 市賽獲獎(jiǎng)_第3頁(yè)
高中英語(yǔ)人教版Unit1Art 市賽獲獎(jiǎng)_第4頁(yè)
全文預(yù)覽已結(jié)束

下載本文檔

版權(quán)說(shuō)明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)

文檔簡(jiǎn)介

Book6Unit1ArtReading:Ashorthistoryofwesternpainting編寫:周文娟審核:高二英語(yǔ)組Learningaims:1)GettoknowthefourdifferentstylesofWesternartandtheirfeatures.2)Practisethereadingskills,gettingthemainideaandfinddetailedinformation.I.FastreadingWhat’sthemainideaofthetext?2.Howmanyperiodsofwesternpaintingsarementionedinthetext?Whatarethey?Howisthepassageorganized?II.Scanthetextandchoosethebestanswer.1.Whichofthefollowingstatementsistrue?A.PaintingsinMiddleAgeswereveryrealistic.B.Westernarthaschangedalotsincethe5thcentury.C.Impressionistpaintingswerepaintedmainlyindoors.D.ModernartbeganintheRenaissance.2.IntheRenaissance,painters___.A.paintedreligiousscenesinamorerealisticstyle.B.focusedmoreonreligionthanonhumans.C.begantopaintoutdoors.D.returnedtoclassicalRomanandGreekideasaboutart.3.____discoveredhowtomakepaintingslookmorerealbyusingperspective.GiottodiBondone.B.Masaccio.C.ClaudeMonet.D.PabloPicasso4.Atfirstmostpeoplehatedtheimpressionists’styleofpainting,because_____.theirpaintingwereveryabstract.theirpaintingwereveryrealistic.Theybrokeawayfromthetraditionalstyleofpainting.D.theirpaintingswereveryridiculous.5.Whattypeofwritingisthistext?A.AnexhibitionguideB.AnartshowreviewC.AhistoricalreportofwesternartD.AnannouncementIII.Readingfordetails.middleagesandRenaissanceFillinthechartperiodTheMiddleagesTheRenaissanceTimeCharacteristicsofthepaintingsthemainaim:torepresent____________________Atypicalpicturewasfullof____________________.Peoplebegantoconcentratelessonreligiousthemesandadoptamore__________attitudetolife.Painterspaintedpeopleandnature___________.Newtechnique:_________wasusedandmadepeople_______thattheywerelookingthroughaholeinawallatarealscene.Newpaints:__________weredeveloped,whichmadethecolourslook______________TypicalpaintersImpressionismandModernArt1)WhatarethecharacteristicsofImpressionism?Thepictureswerepainted________________.Theyweretoshow_____________________________________________Theywerenot___________________thoseofearlierpaintings.2)Whatarethecharacteristicsofmodernart?Onetheonehand,somemodernartis____________.Paintersconcentrateon____________oftheobject,usingcolor_____and____.Ontheotherhand,somepaintingsofmodernartareso________thattheylooklikephotographs.IVSummary:FillintheblanksThistextdescribesfour________(period)ofWesternart.DuringtheMiddleAges,themainaimofconventionalpainterswastorepresent______(religion)themes.DuringtheRenaissance,peopleconcentratedless___religiousthemesandadoptedamorehumanisticattitude________life.Perspectivepaintingseven__________(convince)peoplethattheywerelookingthroughaholeinthewall.Oilpaintsweredeveloped,_______madethecolorsricheranddeeper.Inthelate19thcentury,socialchanges_____(lead)tonewpaintingstyleslikeImpressionism.Impressionistswerethefirst________(work)outdoorsandpaintedchangesinlight.Theirpaintingswerenotas__________(detail)asthosebefore,butareacceptedasthebeginningofmodernart.Somemodernartisabstract________someofthepaintingsaresorealistic.V.MakeadialogueIfyouweretoopenanewgalleryforourschool,whatkindofartwouldyouprefertoputinandwhy?Shareyouropinionswithyourpartnersandmakeadialogue.A:Ifyoucouldputinanypaintingsyoulike,whichkindofartwouldyouliketochoose…?B:Iwouldlike……,as…..What’syourpreference?A:I’mnotfondof…I’dprefer..Because…B:….(Realistic/abstract/religious/modern/colorful/natural/wonderful/nice/masterpieces/detailed.)(Traditional

Chinese

Paintings/TheMiddleAges/TheRenaissance/Impressionism/ModernArt/cartoons)VIHomeworkWritealettertotheheadmastergivingyoursuggestionsandreasonsforstartingthisnewartgallery.(100-120words)Dearsir,Iwishtomakeasuggestionabout…..Thegallerywouldprovide….Ifyouwereto…..,Ibelieve……….It’sagoodideato….Idohopeyouwillconsidermysuggestions.Yoursfaithfully,LiHuaExtensiveReadingMasaccio(December21,1401–autumn1428),wasthefirstgreatItalianpainteroftheItalianRenaissance.Masacciowasthebestpainterofhisgenerationbecauseofhisskillatrecreatinglifelikefiguresandmovementsaswellasaconvincingsenseofthree-dimensionality(三維).Masacciodiedattwenty-six.Despitehisbriefcareer,hehadaprofound(深遠(yuǎn)的)influenceonotherartists.Hewasoneofthefirsttouselinearperspective(直線透視法)inhispainting,employingtechniquessuchasvanishingpoint(滅點(diǎn))inartforthefirsttime.PerspectiveThetwomostcharacteristicfeatures(特點(diǎn))ofperspectivearethatobjectsaredrawn:smallerastheirdistancefromtheobserverincreases;Foreshortened:thesizeofanobject'sdimensions(尺寸

)along

thelineofsightarerelativelyshorterthandimensions

across

thelineofsightAdrawinghasone-pointperspectivecontainingonlyonevanishingpointonthehorizonline.Thistypeofperspectiveistypicallyusedforimagesofroads,railwaytracks,hallways,orbuildings.Adrawinghastwo-pointperspectivecontainingtwovanishingpointsonthehorizonline.Two-pointperspectivecanbeusedtodrawtheobjects:lookingatthecornerofahouse.Three-pointperspectiveisusuallyusedforbuildingsseenfromabove(orbelow).Lookingupatatallbuildingisacommonexampleofthethirdvanishingpoint.Thistimethethirdvanishingpointishighinspace.LeonardodaVinciwasanItalianpainter,sculptor,architect,musician,mathematician,engineer,inventorandwriter.Heiswidelyconsideredtobeoneofthegreatestpaintersofalltimeandperhapsthemostdiverselytalented(多才多藝)person.Amonghisworks,theMonaLisaisthemostfamousandTheLastSupperthemostreproducedreligiouspaintingofalltime.RaphaelwasanItalianpainterandarchitectoftheHighRenaissance(文藝復(fù)興時(shí)期盛期).Hisworkisadmiredforitsclarity(清晰)offormandeaseofcomposition(構(gòu)圖).TogetherwithMichelangeloandLeonardodaVinci,heformsthetraditionalthreegreatmastersofthatperiod.(文藝復(fù)興三杰)ThebestknownworkisTheSchoolofAthensMichelangelowasanItaliansculptor,painter,architect,poet,andengineeroftheHighRenaissancewhohadanunparalleled(空前的)influenceonthedevelopmentofWesternart.Michelangelowasconsideredthegreatestlivingartistinhislifetime.Hisoutputineveryfieldduringhislonglifewasremarkable.Heisthebest-documentedartistofthe16thcentury.Twoofhisbest-knownworks,thePietàandDavid,weresculptedbeforeheturnedthirty.MichelangeloalsocreatedoneofthemostinfluentialworksinthehistoryofWesternart:TheLastJudgment.ImpressionismOscar-ClaudeMonetwasafounderofFrenchImpressionistpainting,expressinghisperceptions(感知)beforenature.Theterm"Impressionism"camefromthetitleofhispaintingImpression,Sunrise,whichwasexhibitedin1874VincentWillemvanGoghwasaPost-Impressionistpa

溫馨提示

  • 1. 本站所有資源如無(wú)特殊說(shuō)明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽,若沒(méi)有圖紙預(yù)覽就沒(méi)有圖紙。
  • 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
  • 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
  • 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請(qǐng)與我們聯(lián)系,我們立即糾正。
  • 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。

最新文檔

評(píng)論

0/150

提交評(píng)論