(6.4.2)-冰雪山水畫代表人物-于志學

冰雪奇緣AmazingSnowandIce------冰雪山水畫代表人物——于志學------Snowandicelandscapepaintingrepresentativefigure-YuZhixu

冰雪山水畫的創(chuàng)始人，代表畫家于志學先生。

ThefounderofSnowandIceLandscapePainting,representingthepainterMr.YuZhixue.于志學先生在大興安嶺寫生。Mr.YuZhixuewroteinDaxingAnling.潑白法White-throwingmethod雪皴法Snowflakemethod重疊法Overlapping春曲的發(fā)表ThepublicationoftheSpringSong塞外曲Plugtheoutersong1960-1980年屬于早期冰雪山水畫，是以摹擬自然為主，用筆稚嫩、樸實、比較單一，生活氣息比較濃，比如這幅《春曲》——

1960-1980belongstotheearlyiceandsnowlandscapepainting,isbasedonthepreparationofnature,withayoung,simple,relativelysingle,lifeatmosphereisrelativelystrong,suchasthis"SpringSong"-

縱觀于志學先生繪畫風格的發(fā)展歷程，大致可以分為三個階段：

ThroughoutthedevelopmentofMr.Zhixu'spaintingstyle,itcanbedividedintothreestages:1981-1993年冰雪山水畫逐漸成熟，增加了主觀審美取向，摹擬自然的特點漸漸減弱，開始注重語言美感，表現(xiàn)力增強，形成了穩(wěn)定的風格，比如這幅《密林深處》：1981-1993snowandicelandscapepaintinggraduallymatured,increasedsubjectiveaestheticorientation,thecharacteristicsofthenaturalpaintinggraduallyweakened,begantopayattentiontotheaestheticsenseoflanguage,expressionenhanced,formingastablestyle,suchasthis"deepforest":1993至今屬于后期，冰雪山水畫開始注重繪畫的書寫性，筆墨技法純熟，在此基礎上突破了地域性的限制，追求更高的精神性，為冰雪山水畫的抽象繪畫打下基礎。比如這幅《春雀圖》：Since1993,snowandicelandscapepaintingbegantopayattentiontothewritingofpainting,penandinktechniquesarepure,onthisbasis,breakthroughtheregionalrestrictions,thepursuitofhigherspirituality,fortheiceandsnowlandscapepaintingabstrac