名著老人與海英語讀后感

名著老人與海英語讀后感老人與?！繁磉_(dá)了海明威的人生哲學(xué)和道德理想，永不服輸?shù)亩肥烤窈头e極向上的樂觀人生態(tài)度。以下是帶來的老人與海英語，希望對你有幫助。WhenIwasamiddleschoolstudent,I'vefinishedthisbookinChinese.ButwhenIreaditinEnglish,Ireallygainsomethingnewbothinthewayofexpressionandthespirititshowstous.Maybedifferentagestoreadthesamebookwewilllearndifferentthingsfromit.Atleast,formypart,thatistrue.Firstly,Iwouldliketoreviewsomeinformationaboutthisbook.Suchasthebackground,majorcharactersandthetopicofit.TheOldManandtheSeaisastorybyErnestHemingway,writteninCubain1951andpublishedin1952.ItwasthelastmajorworkoffictiontobeproducedbyHemingwayandpublishedinhislifetime.Oneofhismostfamousworks,itcentersuponSantiago,anagingCubanfishermanwhostruggleswithagiantmarlinfaroutintheGulfStream.TheOldManandtheSeaservedtoreinvigorateHemingway'sliteraryreputationandpromptedareexaminationofhisentirebodyofwork.Thenovellawasinitiallyreceivedwithmuchpopularity;itrestoredmanyreaders'confidenceinHemingway'scapabilityasanauthor.Itspublisher,Scribner's,onanearlydustjacket,calledthenovellaa"newclassic,"andmanycriticsfavorablypareditwithsuchworksasWilliamFaulkner's"TheBear"andHermanMelville'sMoby-Dick.Thisbookgivesmeadeepimpressionespeciallythedescriptionabouttheman'sbravenessandpersistence.Inthisbook,inordertosuggesttheprofundityoftheoldman'ssacrificeandtheglorythatderivesfromit,HemingwaypurposefullylikensSantiagotoChrist,who,aordingtoChristiantheology,gavehislifeforthegreatergloryofhumankind.CrucifixionimageryisthemostnoticeablewayinwhichHemingwaycreatesthesymbolicparallelbetweenSantiagoandChrist.WhenSantiago'spalmsarefirstcutbyhisfishingline,thereadercannothelpbutthinkofChristsufferinghisstigmata.Later,whenthesharksarrive,Hemingwayportraystheoldmanasacrucifiedmartyr,sayingthathemakesanoisesimilartothatofamanhavingnailsdriventhroughhishands.Furthermore,theimageoftheoldmanstrugglingupthehillwithhismastacrosshisshouldersrecallsChrist'smarchtowardCalvary.EventhepositioninwhichSantiagocollapsesonhisbed—facedownwithhisarmsoutstraightandthepalmsofhishandsup—bringstomindtheimageofChristsufferingonthecross.HemingwayemploystheseimagesinthefinalpagesofthenovellainordertolinkSantiagotoChrist,whoexemplifiedtranscendencebyturninglossintogain,defeatintotriumph,andevendeathintorenewedlife.Themajorcharactersinthisbookarealsovividandlively.Santiago?,theoldmanofthenovella'stitle,SantiagoisaCubanfishermanwhohashadanextendedrunofbadluck.Despitehisexpertise,hehasbeenunabletocatchafishforeighty-fourdays.Heishumble,yetexhibitsajustifiedprideinhisabilities.Hisknowledgeoftheseaanditscreatures,andofhiscraft,isunparalleledandhelpshimpreserveasenseofhoperegardlessofcircumstance.Themarlin?,Santiagohooksthemarlin,whichwelearnattheendofthenovellameasureseighteenfeet,onthefirstafternoonofhisfishingexpedition.Manolin?,aboypresumablyinhisadolescence,ManolinisSantiago'sapprenticeanddevotedattendant.Theoldmanfirsttookhimoutonaboatwhenhewasmerelyfiveyearsold.DuetoSantiago'srecentbadluck,Manolin'sparentshaveforcedtheboytogooutonadifferentfishingboat.Manolin,however,stillcaresdeeplyfortheoldman,towhomhecontinuestolookasamentor.JoeDiMaggio,althoughDiMaggioneverappearsinthenovel,heplaysasignificantrolenoheless.Santiagoworshipshimasamodelofstrengthandmitment,andhisthoughtsturntowardDiMaggiowheneverheneedstoreassurehimselfofhisownstrength.Perico?,Perico,thereaderassumes,ownsthebodegainSantiago'svillage.Heneverappearsinthenovel,butheservesanimportantroleinthefisherman'slifebyprovidinghimwithnewspapersthatreportthebaseballscores.ThisactestablisheshimasakindmanwhohelpstheagingSantiago.Martin,likePerico,Martin,acafeownerinSantiago'svillage,doesnotappearinthestory.ThereaderlearnsofhimthroughManolin,whooftengoestoMartinforSantiago'ssupper.Astheoldmansays,Martinisamanoffrequentkindnesswhodeservestoberepaid.Fromtheveryfirstparagraph,Santiagoischaracterizedassomeonestrugglingagainstdefeat.Hehasgoneeighty-fourdayswithoutcatchingafish—hewillsoonpasshisownrecordofeighty-sevendays.AlmostasareminderofSantiago'sstruggle,thesailofhisskiffresembles“theflagofpermanentdefeat.”Buttheoldmanrefusesdefeatateveryturn:heresolvestosailoutbeyondtheotherfishermentowherethebiggestfishpromisetobe.Helandsthemarlin,tyinghisrecordofeighty-sevendaysafterabrutalthree-dayfight,andhecontinuestowardoffsharksfromstealinghisprey,eventhoughheknowsthebattleisuseless.BecauseSantiagoispittedagainstthecreaturesofthesea,somereaderschoosetoviewthetaleasachronicleofman'sbattleagainstthenaturalworld,butthenovellais,moreaurately,thestoryofman'splacewithinnature.BothSantiagoandthemarlindisplayqualitiesofpride,honor,andbravery,andbotharesubjecttothesameeternallaw:theymustkillorbekilled.AsSantiagoreflectswhenhewatchesthewearywarblerflytowardshore,whereitwillinevitablymeetthehawk,theworldisfilledwithpredators,andnolivingthingcanescapetheinevitablestrugglethatwillleadtoitsdeath.Santiagolivesaordingtohisownobservation:“manisnotmadefordefeat...[a]mancanbedestroyedbutnotdefeated.”InHemingway'sportraitoftheworld,deathisinevitable,butthebestmen(andanimals)willnohelessrefusetogiveintoitspower.Aordingly,manandfishwillstruggletothedeath,justashungrysharkswilllaywastetoanoldman'strophycatch.Thenovelsuggeststhatitispossibletotranscendthisnaturallaw.Infact,theveryinevitabilityofdestructioncreatesthetermsthatallowaworthymanorbeasttotranscendit.Itispreciselythroughtheefforttobattletheinevitablethatamancanprovehimself.Indeed,amancanprovethisdeterminationoverandoverthroughtheworthinessoftheopponentshechoosestoface.Santiagofindsthemarlinworthyofafight,justasheoncefound“thegreatnegroofCienfuegos”worthy.HSantiago,thoughdestroyedattheendofthenovella,isneverdefeated.Instead,heemergesasahero.Santiago'sstruggledoesnotenablehimtochangeman'splaceintheworld.Rather,itenableshimtomeethismostdignifieddestiny.WhileitiscertainlytruethatSantiago'seighty-four-dayrunofbadluckisanaffronttohisprideasamasterfulfisherman,andthathisattempttobearouthisskillsbysailingfarintothegulfwatersleadstodisaster,Hemingwaydoesnotcondemnhisprotagonistforbeingfullofpride.Onthecontrary,Santiagostandsasproofthatpridemotivatesmentogreatness.Becausetheoldmanacknowledgesthathekilledthemightymarlinlargelyoutofpride,andbecausehiscaptureofthemarlinleadsinturntohisheroictranscendenceofdefeat,pridebeesthesourceofSantiago'sgreateststrength.Withoutaferocioussenseofpride,thatbattlewouldneverhavebeenfought,ormorelikely,itwouldhavebeenabandonedbeforetheend.Santiago'spridealsomotivateshisdesiretotranscendthedestructiveforcesofnature.Throughoutthenovel,nomatterhowbalefulhiscircumstancesbee,theoldmanexhibitsanunflaggingdeterminationtocatchthemarlinandbringittoshore.Whenthefirstsharkarrives,Santiago'sresolveismentionedtwiceinthespaceofjustafewparagraphs.Eveniftheoldmanhadreturnedwiththemarlinintact,hismomentofglory,likethemarlin'smeat,wouldhavebeenshort-lived.ThegloryandhonorSantiagoaruesesnotfromhisbattleitselfbutfromhisprideanddeterminationtofight.SantiagodreamshispleasantdreamofthelionsatplayonthebeachesofAfricathreetimes.Thefirsttimeisthenightbeforehedepartsonhisthree-dayfishingexpedition,thesecondourswhenhesleepsontheboatforafewhoursinthemiddleofhisstrugglewiththemarlin,andthethirdtakesplaceattheveryendofthebook.Infact,thesoberpromiseofthetriumphandregenerationwithwhichthenovellaclosesissupportedbythefinalimageofthelions.BecauseSantiagoassociatesthelionswithhisyouth,thedreamsuggeststhecircularnatureoflife.Additionally,becauseSantiagoimaginesthelions,fiercepredators,playing,hisdreamsuggestsaharmonybetweentheopposingforces—lifeanddeath,loveandhate,destructionandregeneration—ofnature.Thisbookgivesmecourageofconqueringallkindsofdifficulties.AndIhavethebeliefthatthemostbeautifulthingistheprocessthatwemakeourbesttoachieveourdream,andneversaygiveup.theOldManandtheSeaisoneofHemingway\'smostenduringworksandmayverywellbeeoneofthetrueclassicsofthisgeneration.ItplayedaGREatpartinhiswinningthePulizerPrizein1953andthe1954NovelPrizeforLiteratureandconfirmedhispowerandpresenceintheliteraryworld.Hemingwayisalsooneofmyfavoritewriters.BesidesTheOldManAndtheSea,Ihavereadsomeofhisotherworks,suchasTheSunAlsoRises,AFarewelltoArmsandTheSnowofKilimanijaro.ButTheOldManandtheSeaistheonethatleftthedeepestimpressiononme.IfirstreadthisbookwhenIwasinmyfifteens.AndnowIrememberitjustaswellasifIhadreadityesterday.PrideandPrejudiceisachefdoeuvre.Myfirstimpressionofthisstorywasfromscreen.It\'slonglongago,maybebeforeIcanreadenglishbooks.Idon\'trememberwhichmovieeditionIhadseen.ButIwasimpressed