英譯漢考研英語一級真題

英譯漢考研英語一級真題1Itisspeculatedthatgardensarisefrombasicneedtheindividualsmadethem:theneedforcreativeexpression.Thereisnodoubtthatgardensevidenceanimpossibletocreate,express,fashion,andbeautifyandthatself-expressionisabasichumanurge;(46)whenonelooksatthephotographsofthegardencreatedthehomeless,itstrikesonethat,alltheirdiversityofstyles,thesegardensspeakosvariousotherfundamentalurges,beyondthatofdecorationandcreativeexpression.Oneoftheseurgeshadtodowithcreatingastateofpeacethemidstturbulence,a“stillpointofturningworld,toborrowafromT.Eliot.(47)Asacredplaceofpeace,howevercrudeitmaybe,isadistinctlyneed,asopposedtoshelter,whichisadistinctlyanimalneed.Thisdistinctionissomuchsothatwherelatterlacking,asisfortheseunlikelygardens,thefoemerbecomesallthemoreurgent.Composureisastateofmadepossiblebythestructuringofonerelationtoone’senvironment.(48)Thegardensofthehomelesswhichareineffect

homelessgardensintroducefromintoanurbanenvironmentwhereiteither’texistorwasnotdiscernibleassuch.InsodoingtheygivecomposuretoasegmenttheinarticulateenvironmentinwhichtheytaketheirAnotherorneedthesegardensappeartorespondto,ortoarisefromsointrinsicwearebarelyconsciousofitsabidingclaimsus.Whenweareofgreen,plants,oftrees,(49)mostusgiveintodemoralizationofspiritwhichweusuallyblamesomepsychologicalconditions,untilonedaywefindourselvesingardenandfeelexpressionvanishifbymagic.InmostthehomelessgardensofNewYorkCityactualcultivationofplantsisunfeasible,evensothecompositionsoftenseemtorepresentattemptstocallarrangementmaterials,aninstitutionofcolors,smallpoolofwater,andafrequentpresenceofpetalsorleavesaswellasofstuffedanimals.Ondisplayherearevariousfantasyelementsreference,atsomebasiclevel,seemstobethenaturalworld.(50)Itisthisimplicitexplicitreferencenaturethatfullyjustifiesuseofwordgardenthoughina“l(fā)iberatedsense,describesyntheticconstructions.themwecanseebiophilia-ayearningcontactwithnonhumanlife-assumingrepresentationalforms.

46.yet,onelooksatthephotographsofthegardenscreatedbythehomeless,itstrikesonethat,alltheirdiversitystyles,thesegardensspeakofvariousfundamentalurges,beyondthatofdecorationandcreativeexpression.【參考譯文】然而，看著無家可歸者繪制出的花園圖片時，人們會突然想到盡管這些花園風格多樣它們都顯示了人類除了裝飾和創(chuàng)造性表達之外的其他各種基本訴求47.Asacredplaceofpeace,howevercrudeitbe,isdistinctlyneed,asopposedshelter,whichisadistinctlyanimal【參考譯文】無論地方多么簡陋不堪，尋求一片靜謐圣土是人類特有的需求，而動物需要的僅是僅是避難棲息之地。48.Thegardensofthehomeless,whichareineffecthomelessgardens,introduceformintoanurbanenvironmentwhereiteitherdidn’texistwasdiscernibleassuch.【參考譯文】無家可歸者的樂園,實際上是一個毫無家氣息的地方,給城市環(huán)境帶來了一種新的形式。。無家可歸者描繪的花園實質上是無所依附的,這些花園把一種形式引入城市環(huán)境中而這樣的城市環(huán)境中形式要么根本不存在,要么就完全不是以這種明顯的方式存在。

49.mostofusgiveintoademoralizationofspiritwhichusuallyblamesomepsychologicalconditions,untilonedaywefindourselvesinagardenandfeeloppressionvanishasbymagic.【參考譯文】我們大多數(shù)人會深陷于精神萎靡的狀態(tài)，并常常將此歸咎為一些心理原因，直到某天我們發(fā)現(xiàn)自己置身花園中，感到如魔法般煩悶盡消50.Itisthisimplicitexplicitreferencenaturethatfullyjustifiesuseofthewordgarden,thoughin“l(fā)iberatedsense,todescribesyntheticconstructions.【參考譯文正是對自然的這種或隱晦含蓄或清晰直白的提及，充分證實了用“花園”一詞來描述這些虛擬建筑是合乎情理的，即使是從毫無拘泥的意義來講的。英譯漢考研英語一級真題2Shakespearelifetimewascoincidentaperiodofextraordinaryactivityandachievementthedrama.BydateofhisbirthEuropewaswitnessingpassingofthereligiousdrama,andthecreationofnewformsundertheincentiveofclassicaltragedyandcomedy.Thesenewformswereatfirstmainlywrittenbyscholarsandperformedbyamateurs,butinEngland,as

everywhereelseinwesternEurope,thegrowthaclassofprofessionalactorswasthreateningmakedramapopular,whetheritshouldneworold,classicalormedieval,literaryorfarcical.schoolorganizationsofamateurs,andtravelingactorswereallrivalsinsupplyingawidespreaddesiredramaticentertainment;and(47)boywhowentgrammarschoolcouldbeignorantthatthedramawasaformofliteraturewhichgavegloryGreeceandRomemightyetbringhonortoEngland.WhenShakespearewastwelveyearsold,thefirstpublicplayhousewasbuiltinLondon.Foratimeliteratureshowedinterestinthisstage.Playsaimingatliterarydistinctionwerewrittenforschoolorcourt,orforchoirboysofSt.Paul’sandtheroyalchapel,who,however,playsinpublicaswellasatcourt.(48)butprofessionalcompaniesprosperedintheirpermanenttheaters,anduniversitywithliteratureambitionswerequickturntothesetheatersasofferingmeansoflivelihood.BythetimeShakespearetwenty-five,Lyly,Peele,andGreenemadecomediesthatwereoncepopularliterary;Kydhadwrittenatragedycrowdedpit;andMarlowehadbroughtpoetryandgeniustriumphonthecommonstage-wheretheyhadplayedpartsincedeathofEuripides.(49)Anativeliterarydramabeencreated,alliance

withthepublicplayhousesestablished,andatleastofitsgreattraditionshadbeenThedevelopmentoftheElizabethandramaforthenexttwenty-fiveyearsisofexceptionalinteresttostudentsliteraryhistory,forinthisbriefperiodwetracebeginning,blossoming,anddecayofmanykindsofandofmanygreatcareers.Weamazedtodaythemerenumberofplaysproduced,aswellasbynumberdramatistswritingatsametimethisoftwohundredthousandinhabitants.(50)Torealizegreatwasthedramaticactivity,wemustrememberfurtherthathostsofplayshavebeenlost,andthatprobablythereisnoauthorofnotewhoseentireworkhassurvived.英譯漢考研英語一級真題3Withinspanofahundredyears,intheseventeenthandearlyeighteenthcenturies,atideofemigration-onethegreatfolkwanderingshistory-sweptEuropetoAmerica.(46)Thismovement,drivenbypowerfuldiversemotivations,builtanationoutofawildernessand,itsnature,shapedthecharacteranddestinyofanunchartedcontinent.(47)TheUnitedStatesistheproductoftwoprincipalforces-theimmigrationEuropeanpeopleswiththeirvaried

ideas,customsnationalcharacteristicsandimpactofanewcountrywhichmodifiedthesetraits.Ofnecessity,colonialAmericawasaprojectionofEurope.AcrossAtlanticcamesuccessivegroupsofEnglishmen,Frenchmen,Germans,Scots,Irishmen,Dutchmen,Swedes,andmanyotherswhoattemptedtotransplanttheirhabitsandtraditionstothenewworld.(48)ButtheforceofgeographicconditionspeculiarAmerica,theinterplayofthevariednationalgroupsoneanother,thesheerdifficultyofmaintainingold-worldwaysinaraw,newcontinentcausedsignificantchanges.Thesechangesweregradualandatfirstscarcelyvisible.theresultwasnewsocialpatternwhich,althoughresembledEuropeansocietyinmanyways,hadacharacterwasdistinctlyAmerican.(49)ThefirstshiploadsimmigrantsfortheterritorywhichnowtheUnitedStatescrossedAtlanticmorethanhundredyearsafter15th-and-16th-centuryexplorationsNorthAmerica.Inmeantime,thrivingSpanishcolonieshadbeenestablishedMexico,WestIndies,SouthAmerica.ThesetravelerstoNorthAmericacameinsmall,unmercifullyovercrowdedDuringtheirsix-totwelve-weekvoyage,theysurvivedonbarelyenoughfoodallottedtothem.Manytheshipswereloststorms,manypassengersdiedofdisease,andinfants

rarelysurvivedjourney.Sometimesstormsblewthevesselsfarofftheircourse,andoftencalmbroughtunbearablylongdelay.TotheanxioustravelerssightofAmericanshorebroughtalmostinexpressiblerelief.Saidonerecorderevents,"Theairatleaguesdistancesmeltassweetasanew-blowngarden."Thecolonistsglimpseofthenewlandwassightofdensewoods.(50)Thevirginforestwithitsrichnessandvarietyoftreeswasarealtreasure-housewhichextendedMaineallthewaydowntoGeorgia.Herewasabundantfuelandlumber.wastherawmaterialhousesandfurniture,shipsandpotash,dyesandnavalstores.46)在多種強大的動機驅動下，這次運動在一片荒野上建起了一個國家，其本身塑造了一個未知大陸的性格和命運。47)美國是兩種主要力量的產物-即思想習俗民族特色各異的歐洲移民和修改這些特征的新國家的影響的產物。48)但由于美國特有的地理條件不同民族的相互作用,以及維護原始老式方式的純粹困難,新大陸引起了重大變化。49)在15-16世紀北美探索的一百多年之后，運往該領土-即當今的美國的第一船移民橫渡了大西洋。

50)擁有豐富多樣樹種的原始森林是一個真正的寶庫，它從緬因州一直延伸到喬治亞州。英譯漢考研英語一級真題4Withitsthemethat“Mindthemasterweavercreatingourinnercharacterandoutercircumstances，theAsaManThinkingbyJamesAllenisanin-depthexplorationthecentralideaofself-helpwriting.(46)Allen‘scontributionwastotakeanweallshare-thatbecausewearerobotswethereforecontrolourthoughts-andrevealitserroneousnature.Becauseofusbelievethatmindisseparatefromwethinkthatthoughtscanbehiddenandmadepowerless;thisallowsustothinkwayandactanother.However，Allenbelievedtheunconsciousmindgeneratesasmuchactionastheconscious，andwhilewemayabletotheillusionofcontrolthroughtheconsciousmind，inrealitywearecontinuallywithquestion：cannotImyselfdothisorachievethat?”Sincedesireandwillaredamagedthepresencethoughtsthatdonotaccordwithdesire，Allenconcluded：“Wenotattractwhatwewantwhatweare.”Achievementhappensbecauseyouasapersonembodytheexternalachievement;you

don‘t“getsuccessbutbecomeit.Thereisnogapbetweenmindandmatter.PartofthefameAllen‘sbookisitscontentionthat“Circumstancesdonotmakeperson，reveal”(48)Thisseemsjustificationforneglectofthosein，arationalizationexploitation，ofthesuperiorityofthosethetopandtheinferiorityofthos