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考博英語模擬題閱讀理解試題1
Proponentsofdifferentjazzstyleshavealwaysarguedthattheirpredecessor,s
musicalstyledidnotincludeessentialcharacteristicsthatdefinejazzasjazz.
Thus,1940'sswingwasbelittledbybeboppersofthe1950'swhowerethemselves
attackedbyfreejazzesoftheI960's.Theneoboppersofthe1980'sand1990'
sattackedalmosteverybodyelse.ThetitanicfigureofBlacksaxophonistJohn
Coltranehascomplicatedtheargumentsmadebyproponentsofstylesfrombebop
throughneobopbecauseinhisownmusicaljourneyhedrewfromallthosestyles.
Hisinfluenceonalltypesofjazzwasimmeasurable.Attheheightofhispopularity,
Coltranelargelyabandonedplayingbebop,thestylethathadbroughthimfame,to
exploretheouterreachesofjazz.
Coltranehimselfprobablybelievedthattheonlyessentialcharacteristicof
jazzwasimprovisation,theoneconstantinhisjourneyfrombeboptoopen-ended
improvisationsonmodal,Indian,andAfricanmelodies.Ontheotherhand,thisdogged
studentandprodigioustechnician—whoinsistedonspendinghourseachday
practicingscalesfromtheorybooks一wasneverabletojettisoncompletelythe
influenceofbebop,withitsfastandelaboratechainsofnotesandornamentson
melody.
TwostylisticcharacteristicsshapedthewayColtraneplayedthetenorsaxophone:
hefavoredplayingfastrunsofnotesbuiltonamelodyanddependedonheavy,
regularlyaccentedbeats.ThefirstledColtraneto“sheetsofsound“wherehe
racedfasterandfaster,pile-drivingnotesintoeachothertosuggeststacked
harmonies.Thesecondmeantthathissenseofrhythmwasalmostasclosetorock
astobebop.
ThreerecordingsillustrateColtrane,senergizingexplorations.RecordingKind
ofBluewithMilesDavis,Coltranefoundhimselfoutsidebop,exploringmodal
melodies.Hereheplayedsurging,lengthysolosbuiltlargelyaroundrepeatedmotifs
—anorganizingprincipleunlikethatoffreejazzsaxophoneplayerOrnetteColeman,
whomodulatedoralteredmelodiesinhissolos.OnGiantSteps,Coltranedebuted
asleader,introducinghisowncompositions.Herethesheetsofsound,downbeat
accents,repetitions,andgreatspeedarepartofeachsolo,andthevarietyofthe
shapesofhisphrasesisunique.Coltrane?ssearchingexplorationsproducedsolid
achievement.MyFavoriteThingswasanotherkindofwatershed.HereColtraneplayed
thesopranosaxophone,aninstrumentseldomusedbyjazzmusicians.Musically,the
resultswereastounding.WiththesopranoJspipingsound,ideasthathadsounded
darkandbroodingacquiredafeelingofgiddyfantasy.
WhenColtranebeganrecordingfortheImpulse!Label,hewasstillsearching.
Hismusicbecameraucous,physical.Hisinfluenceonrockerswasenormous,including
JimiHendrix,therockguitarist,who,followingColtrane,raisedtheextended
guitarsolousingrepeatedmotifstoakindofrockartform.
1.Theprimarypurposeofthetextisto
[A]discusstheplaceofColtraneintheworldofjazzanddescribehismusical
explorations.
[B]examinethenatureofbebopandcontrastitwithimprovisationaljazz.
[C]analyzethemusicalsourcesofColtrane,sstyleandtheirinfluenceonhis
work.
[D]acknowledgetheinfluenceofColtrane'smusiconrockmusicandrock
musicians.
2.Whichofthefollowingbestdescribestheorganizationofthefourth
paragraph?
[A]Athesisreferredtoearlierinthetextismentionedandillustratedwith
threespecificexamples.
[B]Athesisisstatedandthreeexamplesaregiveneachsuggestingthata
correctionneedstobemadetoathesisreferredtoearlierinthetext.
[C]Athesisreferredtoearlierinthetextismentioned,andthreeexamples
arepresentedandrankedinorderoftheirsupportofthethesis.
[D]Athesisisstated,threeseeminglyopposingexamplesarepresented,and
theirunderlyingcorrespondenceisexplained.
3.Accordingtothetext,JohnColtranedidallofthefollowingduringhiscareer
EXCEPT
[A]improviseonmelodiesfromanumberofdifferentcultures.
[B]performasleaderaswellassoloist.
[C]spendtimeimprovinghistechnicalskills.
[D]eliminatetheinfluenceofbeboponhisownmusic.
4.AccordingtothetextamajordifferencebetweenColtraneandotherjazz
musicianswasthe
[A]degreetowhichColtrane,smusicencompassedallofjazz.
[B]repetitionofmotifsthatColtraneusedinhissolos.
[C]numberofhisowncompositionsthatColtranerecorded.
[D]indifferenceColtranemaintainedtomusicaltechnique.
5.Intermsofitstoneandform,thetextcanbestbecharacterizedas
[A]dogmaticexplanation.
[B]indignantdenial.
[C]enthusiasticpraise.
[D]speculativestudy.
[答案與考點(diǎn)解析]
1.【答案】A
【考點(diǎn)解析】本題是一道中心主旨題。第一段的倒數(shù)第一、二句是全文的中心主旨句,
全文就是根據(jù)這兩句話展開論述的。抓住這兩句話就可以找出本題的正確選項(xiàng)A。考生在解
題時(shí),尤其是破解中心主旨題時(shí),一定要先找出全文的中心主旨句。
2.【答案】C
【考點(diǎn)解析】這是一道例(舉)證與細(xì)節(jié)理解題。第四段第?句明確指出“三張唱片為
科爾特蘭尼富有活力的探索提供了證明”。這說明第四段將講述三個(gè)例子用來說明在前一段
即第三段所提出的論點(diǎn)。另外這三個(gè)例子是按著先后順序給出的,因此本題的正確選項(xiàng)是C?
考生在解題時(shí)要注意段落之間的相互關(guān)系,更要注意句子之間的相互關(guān)系。
3.【答案】D
【考點(diǎn)解析】這是一道細(xì)節(jié)理解題型。本題屬于比較難的題型,因?yàn)楸绢}的涉及面比較
廣。本題A、B、C選項(xiàng)的內(nèi)容分別在第二段第一句、第四段第三四句和第二段第二句提到過。
故本題的正確選項(xiàng)應(yīng)該是D。其實(shí)這道題表面上非常難,但是對(duì)于善于捕捉全文中心主旨句
的同學(xué)來講確比較容易,因?yàn)閺牡谝欢蔚谒木涞脑驙钫Z從句中就可以推導(dǎo)出本題的正確答
案D?考生在解題時(shí)應(yīng)時(shí)時(shí)牢記全文的中心主旨句。
4.【答案】A
【考點(diǎn)解析】本題是一道審題定位題型。根據(jù)本題題干中的“otherjazzmusicians”
可將本題的答案信息來源定位在第一段的第一至四句,因?yàn)樵谶@四句話中提到了其它的爵士
音樂家。第一段第四句的狀語從句明確指出了“Coltrane”與其它音樂家的不同在于他吸收
了各種風(fēng)格的爵士音樂。故本題的正確答案應(yīng)該是A??忌诮忸}時(shí)應(yīng)重視審題定位。
5.【答案】C
【考點(diǎn)解析】本題是一道歸納推導(dǎo)題型。細(xì)心的同學(xué)可從本文作者在論述時(shí)使用的詞語
中推導(dǎo)出本題的正確答案C。例如作者在第一段第四句的主語上使用了“titanicfigure”;
在第五句使用了"hisinfluence…wasimmeasurable";在最后一段的第三句使用了“his
influence--wasenormousw,這都反映了作者的"enthusiasticpraise
[參考譯文]
不同的爵士樂風(fēng)格的支持者一貫認(rèn)為他們前輩的音樂風(fēng)格沒有包括那些使爵士樂之所
以成為爵士樂的本質(zhì)特征。這樣,二十世紀(jì)五十年代的比波普派輕視二卜世紀(jì)四卜年代的搖
擺音樂派,而他們自己又受到二十世紀(jì)六十年代的自由爵士派的抨擊。二十世紀(jì)八十至九十
年代的新比波普派幾乎對(duì)任何其他人都進(jìn)行抨擊。而黑人薩克斯管巨匠約翰?科爾特蘭尼使
這些從比波普派到新比波普派的支持者所提出的主張更加復(fù)雜化,因?yàn)樵谒约旱囊魳防?/p>
中,他經(jīng)歷了所有這些風(fēng)格。他對(duì)所有爵士音樂的風(fēng)格的影響是不可估量的。在他最受歡迎
的時(shí)期,科爾特蘭尼基本上放棄了比波普風(fēng)格的演奏以便探索爵士樂更深的處延,然而正是
比波普風(fēng)格的演奏使得他成名。
科爾特蘭尼自己可能認(rèn)為爵士樂的唯?本質(zhì)特征就是即興創(chuàng)作,這是他從比波普風(fēng)格到
對(duì)形式音樂、印度音樂、非洲音樂的自山即興演奏的歷程中一直沒有改變的。另一方面,這
個(gè)頑強(qiáng)的學(xué)生和異常的技巧家每天花幾個(gè)小時(shí)用以練習(xí)理論書籍上的曲譜,從未能完全拋棄
比波普的影響,在他的旋律中可以找到帶有比波普特點(diǎn)的快速和精細(xì)的音符以及修飾效果。
有兩種風(fēng)格特征影響了科爾特蘭尼演奏男高音薩克斯管的方式:他喜歡對(duì)建立于一種旋
律上的音符進(jìn)行快速的演奏,同時(shí)也依賴于強(qiáng)有力的、有規(guī)律的重音節(jié)奏。前者引導(dǎo)科爾特
蘭尼走向“片狀聲響”的境界,在那里科爾特蘭尼的演奏越來越快,將音符成堆互相累放起
來以表達(dá)一種堆疊起來的和諧感。而后者意味著,他的節(jié)奏感之接近于搖滾樂幾乎就像其接
近于比波普風(fēng)格一樣。
三張唱片為科爾特蘭尼富有活力的探索提供了證明。和馬爾斯?戴維斯合作錄制《有幾
分憂傷》時(shí),科爾特蘭尼發(fā)現(xiàn)他已離開了波普風(fēng)格,對(duì)形式音樂進(jìn)行探索。在這中間,他演
奏那些跌宕起伏的冗長(zhǎng)的獨(dú)奏,而這些獨(dú)奏基本上是圍繞著一個(gè)重復(fù)主題展開的。該種主題
是用以組織其音樂的原則,它和自山派爵士樂薩克斯管演奏家奧尼迪?科爾曼采用的組織方
式不同。后面這位音樂家在他的獨(dú)奏中會(huì)對(duì)其旋律進(jìn)行調(diào)節(jié)改變。在《大踏步》中,科爾特
蘭尼初次以領(lǐng)導(dǎo)者角色出現(xiàn),對(duì)他自己的作品進(jìn)行了介紹。在這中間,“片狀聲響”、強(qiáng)拍
重音、重復(fù)回旋和極快的速度組成了每一段獨(dú)奏的各個(gè)部分,各樂章的形式的多樣性是獨(dú)一
無二的??茽柼靥m尼深刻的探索獲得了穩(wěn)固的成就?!段业溺姁壑铩肥橇硪环N意義上的分
水嶺。在這里,科爾特蘭尼演奏了爵士樂演奏家很少使用的女高音薩克斯管,所產(chǎn)生的音樂
上的效果是驚人的。伴隨著女高音薩克斯管的尖音,那些顯得昏暗及帶有沉思意味的主題獲
得了一種令人眼花繚亂的夢(mèng)幻感覺。
當(dāng)科爾特蘭尼開始為沖動(dòng)唱片公司進(jìn)行音樂錄制時(shí),他仍然在探索。他的音樂變得沙啞
而感性。搖滾樂手受到他的巨大影響,其中包括吉米?亨德瑞克斯這位吉它手。后者仿效科
爾特蘭尼,使基于重復(fù)主題的大段吉他獨(dú)奏上升成為一種搖滾藝術(shù)形式。
2011年考博英語閱讀理解模擬題3
ItispossibleforstudentstoobtainadvanceddegreesinEnglishwhileknowing
littleornothingabouttraditionalscholarlymethods.Theconsequencesofthis
neglectoftraditionalscholarshipareparticularlyunfortunateforthestudyof
womenwriters.Ifthecanon-thelistofauthorswhoseworksaremostwidelytaught
一isevertoincludemorewomen,scholarsmustbewelltrainedinhistorical
scholarshipandtextualediting.Scholarswhodonotknowhowtoreadearly
manuscripts,locaterarebooks,establishasequenceofeditions,andsoonare
bereftofcrucialtoolsforrevisingthecanon.
Toaddresssuchconcerns,anexperimentalversionofthetraditionalscholarly
methodscoursewasdesignedtoraisestudents'consciousnessabouttheusefulness
oftraditionallearningforanymoderncriticortheorist.Tominimizetheartificial
aspectsoftheconventionalcourse,theusualprocedureofassigningalargenumber
ofsmallproblemsdrawnfromtheentirerangeofhistoricalperiodswasabandoned,
thoughthisprocedurehastheobviousadvantageofatleastsuperficially
familiarizingstudentswithawiderangeofreferencesources.Insteadstudentswere
engagedinacollectiveefforttodooriginalworkonaneglectedeighteenth-century
writer,ElizabethGriffith,togivethemanauthenticexperienceofliterary
scholarshipandtoinspirethemtotakeresponsibilityforthequalityoftheirown
work.
Griffith'sworkpresentedanumberofadvantagesforthisparticularpedagogical
purpose.First,thebodyofextantscholarshiponGriffithwassotinythatitcould
allbereadinaday;thusstudentsspentlittletimeandeffortmasteringthe
literatureandhadaclearfieldfortheirowndiscoveries.Griffith,splayThe
platonicWifeexistsinthreeversions,enoughtoprovideillustrationsofeditorial
issuesbutnottoomanyforbeginningstudentstomanage.Inaddition,because
Griffithwassuccessfulintheeighteenthcentury,ashercontinuedproductivity
andfavorablereviewsdemonstrate,herexclusionfromthecanonandvirtual
disappearancefromliteraryhistoryalsohelpedraiseissuesconcerningthecurrent
canon.
TherangeofGriffith,sworkmeantthateachstudentcouldbecometheworldJ
sleadingauthorityonaparticularGriffithtext.Forexample,astudentstudying
Griffith,sWifeintheRightobtainedafirsteditionoftheplayandstudiedit
forsomeweeks.Thisstudentwassuitablyshockedandoutragedtofinditstitle
transformedintoAwifeintheNightinWatt'sBibliothecaBritannica.Such
experiences,inevitableandcommoninworkingonawritertowhomsolittleattention
hasbeenpaid,servetovaccinatethestudent—Ihopeforalifetime—against
creduloususeofreferencesources.
1.Theauthorofthetextisprimarilyconcernedwith
[A]revealingacommonlyignoreddeficiency.
[B]proposingareturntotraditionalterminology.
[C]describinganattempttocorrectashortcoming.
[D]assessingthesuccessofanewpedagogicalapproach.
2.Itcanbeinferredthattheauthorofthetextexpectsthattheexperience
ofthestudentmentionedashavingstudiedWifeintheRightwouldhavewhichof
thefollowingeffects?
[A]ItwouldleadthestudenttodisregardinformationfoundintheBibliotheca
Britannica.
[B]Itwouldteachthestudenttoquestiontheaccuracyofcertainkindsof
informationsourceswhenstudyingneglectedauthors.
[C]Itwouldteachthestudenttoavoidtheuseofreferencesourcesinstudying
neglectedauthors.
[D]Itwouldhelpthestudenttounderstandtheimportanceoffirsteditions
inestablishingtheauthorshipofplays.
3.Whichofthefollowingbeststatesthe^particularpedagogicalpurpose”
mentionedinlines1-2,paragraph3?
[A]Toassistscholarsinrevisingthecanonofauthors.
[B]Tominimizethetrivialaspectsofthetraditionalscholarlymethodscourse.
[C]ToprovidestudentswithinformationaboutGriffith,swork.
[D]Toencouragescholarlyrigorinstudents*ownresearch.
4.Whichofthefollowingbestdescribesthefunctionofthelastparagraphin
relationtothetextasawhole?
[A]Itsummarizesthebenefitsthatstudentscanderivefromtheexperimental
scholarlymethodscourse.
[B]ItprovidesadditionalreasonswhyGriffith'sworkraisesissueshaving
todowiththecannotofauthors.
[C]Itprovidesanillustrationoftheimmediatenatureoftheexperiences
studentscanderivefromtheexperimentalscholarlymethodscourse.
[D]Itcontraststheexperienceofastudentintheexperimentalscholarly
methodscoursewiththeexperienceofastudentinthetraditionalcourse.
5.Itcanbeinferredthattheauthorofthetextconsiderstraditionalscholarly
methodscoursestobe
[A]irrelevanttotheworkofmoststudents.
[B]inconsequentialbecauseoftheirnarrowfocus.
[C]unconcernedabouttheaccuracyofreferencesources.
[D]toowide-rangingtoapproximategenuinescholarlyactivity
1.【答案】C
【考點(diǎn)解析】本題是一道中心主旨題。如果抓住了本文第二段第一句與第一段和全文其
它段落的關(guān)系就不難找出本題的正確答案C??忌诮忸}時(shí)?定要善于找出全文的中心主旨
句,并且細(xì)致入微地理解中心主旨句在上下文中的作用和關(guān)系。當(dāng)然考生在解題時(shí)一定要由
表及里地體味和歸納中心主旨句的深層含義,例如:第二段首句中表示目的的不定式短語
uaddresssuchconcernsw就是正確選項(xiàng)C中的“attempt”。
2.【答案】B
【考點(diǎn)解析】這是一道審題定位與細(xì)節(jié)推導(dǎo)題??忌筛鶕?jù)題干中的“WifeintheRight”
將本題的答案信息迅速確定在本文的最后一段。又可根據(jù)題干中的"experience"一詞將本
題的正確答案信息具體確定在全文的最后一句。這樣考生就可以尋找出本題的正確答案B,
選項(xiàng)B中的"questiontheaccuracy”體現(xiàn)了尾段最后?句的中心內(nèi)容??忌诮忸}時(shí)應(yīng)
重視準(zhǔn)確的審題定位能力。
3.【答案】D
【考點(diǎn)解析】這是一道指代詞與并列平行結(jié)構(gòu)題型??忌谄平獯祟}時(shí)一定要注意指代
詞“this”的準(zhǔn)確含義。它的確切含義在第二段的尾句,從這句話中可得出本題的正確答案
是D。考生在解題時(shí)一定要注意指代詞的出現(xiàn),一定要搞清指代詞的具體內(nèi)容。
4.【答案】C
【考點(diǎn)解析】本題是一道例(舉)證題型。通過本段中的"forexample"以及斜體字不
難發(fā)現(xiàn)本段是在用具體的例子來舉例說明一個(gè)論點(diǎn)。正確選項(xiàng)C中的“illustration”一詞
體現(xiàn)了尾段在全文中的作用。考生在解題時(shí)一定要善于辨別抽象敘述和具體舉例說明之間的
關(guān)系。
5.【答案】D
【考點(diǎn)解析】本題是一道歸納推導(dǎo)題型。根據(jù)題干中的“traditionalscholarlymethods
courses”可迅速將本題的答案信息確定在第二段。本題的具體答案信息在第二段第一、二、
三句,尤其是第二、三句。從第二段第二、三句可以“infer”(推斷)出本題的正確選是D。
這是一道比較難的題目,需要考生在理解第二、三句的基礎(chǔ)上進(jìn)行推導(dǎo),考生在破解這類題
型時(shí)應(yīng)注意由表及里地對(duì)原文進(jìn)行歸納和推導(dǎo)。
Moderntechnologyhasputmenonthemoonanddecipheredthehumangenome.Butwhenit
comestobrewingupflutomakevaccines,sciencestillturnstotheincredibleedibleegg.Eversince
the1940s,vaccinemakershavegrownlargebatchesofvirusinsidechickeneggs.Butgiventhatsome
36,000Americansdieofflueachyear,it'sremarkablethatourfirstlineofdefenseisstillwhat
SecretaryofHealthandHumanServicesTommyThompsoncalls“thecumbersomeandarchaic
egg-basedproduction/Newcell-basedtechnologiesareinthepipeline,however,andmayfinallyget
thesupporttheyneednowthattheUnitedStatesisfacedwithacriticalshortageoffluvaccine.
Althoughexpertsdisagreeonwhethernewwaysofproducingvaccinecouldhavepreventeda
shortageliketheonehappeningtoday,thereisnodoubtthattheexistingsystemhasseriousflaws.
Eachyear;vaccinemanufacturersplaceadvanceordersformillionsofspeciallygrownchicken
eggs.Meanwhile,public-healthofficialsmonitorcirculatingstrainsofflu,andeachMarchthey
recommendthreestrains—twoinfluenzaAstrainsandoneBstrain—formanufacturerstoincludein
vaccines.Inthelatespringandsummer;automatedmachinesinjectvirusintoeggsandlatersuckout
theinfluenza-richgoop.Virusfromtheeggs'innardsgetskilledandprocessedtoremoveeggproteins
andothercontaminantsbeforebeingpackagedintovialsforfallshipment.
Whyhasthiseggmethodpersistedforsixdecades?Themainreasonisthatit'sreliable.Buteven
thoughtheeggsarereliable,theyhaveseriousdrawbacks.Oneisthelongleadtimeneededtoorder
theeggs.Thatmeansit'shardtomakemorevaccineinahurry,incaseofashortageorunexpected
outbreak.Andeggsmaysimplybetoocumbersometokeepupwiththehundredsofmillionsofdoses
requiredtohandlethedemandforfluvaccine.
What'smore,someflustrainsdon'tgrowwellineggs.Lastyear,scientistswereunabletoinclude
theFujianstraininthevaccineformulation.Itwasarelativelynewstrain,andmanufacturerssimply
couldn'tfindaquickwaytoadaptitsothatitgrewwellineggs."Weknewthestrainwasoutthere/
recallsTheodoreEickhoffoftheUniversityofColoradoHealthSciencesCenter,“butpublic-health
officialswereleftwithoutavaccine—and,consequently,amoreseverefluseason/
Worse,thevirusesthatposethegreatestthreatmightbehardesttogrowineggs.That'sbecause
globalpandemicsliketheonethatkilledover50millionpeoplebetween1918and1920arethought
tooccurwhenabirdinfluenzachangesinawaythatletsitcrossthespeciesbarrierandinfecthumans.
Sincehumanshaven'tencounteredthenewvirusbefore,theyhavelittleprotectiveimmunity.The
deadlybirdflucirculatinginAsiain1997and1998,forexample,worriedpublic-healthofficials
becauseitspreadtosomepeoplewhohandledbirdsandkilledthem-althoughthebugnever
circulatedamonghumans.Butwhenscientiststriedtomakevaccinetheold-fashionedway,thebird
fluquicklykilledtheeggs.
l.Themoon-landingismentionedinthefirstparagraphtoillustrate.
[A]technologycannotsolveallofourhumanproblems
[B]progressinvaccineresearchforinfluenzahaslaggedbehind
[C]greatachievementshavebeenmadebymeninexploringtheunknown
[D]thedevelopmentofvaccineproductionmethodscannotbestopped
2.Whatstepisessentialtothetraditionalproductionoffluvaccine?
[A]Manufacturersimplantthevaccineintoorderedchickeneggs.
[B]Scientistsidentifytheexactstrainsoonafteraflupandemicstarts.
[C]Publichealthmeasuresaretakenasanimportantpandemic-fightingtool.
[D]Virusesaredeadenedandmadecleanbeforebeingputintovaccineuse.
3.Theforemostreasonwhytheegg-basedmethodisdefectiveliesin.
[A]thecomplexprocessofvaccineproduction[B]itspotentialthreattohumanbeing
[C]thelowsurvivalratefornewfluvaccines[D]itscontributiontothefluvaccineshortage
4.Whichofthefollowingistrueaccordingtothepassage?
[A]Fluvaccinesnowmainlyuseegg-basedtechnology.
[B]Abirdinfluenzahasoncecirculatedamonghumans.
[C]Safetycanbegreatlyimprovedwithcell-culturevaccines.
[D]Modernvaccineproductionmethodsaretoreplaceegg-basedmethods.
5.Intheauthor'sview,thenewvaccineproductionmethodseemstobe.
[A]remarkable[B]criticized[C]efficient[D]accepted
答案:1.B2.D3.C4.A5.D
AreportconsistentlybroughtbackbyvisitorstotheUSishowfriendly,courteous,
andhelpfulmostAmericansweretothem.Tobefair,thisobservationisalso
frequentlymadeofCanadaandCanadians,andshouldbestbeconsideredNorthAmerican.
Thereare,ofcourse,exceptions.Small-mindedofficials,rudewaiters,and
ill-manneredtaxidriversarehardlyunknownintheUS.Yetitisanobservation
madesofrequentlythatitdeservescomment.
Foralongperiodoftimeandinmanypartsofthecountry,atravelerwasa
welcomebreakinanotherwisedullexistence.Dullnessandlonelinesswerecommon
problemsofthefamilieswhogenerallyliveddistantfromoneanother.Strangers
andtravelerswerewelcomesourcesofdiversion,andbroughtnewsoftheoutside
world.
Theharshrealitiesofthefrontieralsoshapedthistraditionofhospitality.
Someonetravelingalone,ifhungry,injured,orill,oftenhadnowheretoturnexcept
tothenearestcabinorsettlement.Itwasnotamatterofchoiceforthetraveler
ormerelyacharitableimpulseonthepartofthesettlers.Itreflectedtheharshness
ofdailylife:ifyoudidn,ttakeinthestrangerandtakecareofhim,therewas
nooneelsewhowould.Andsomeday,remember,youmightbeinthesamesituation.
Todaytherearemanycharitableorganizationswhichspecializeinhelpingthe
wearytraveler.Yet,theoldtraditionofhospitalitytostrangersisstillvery
strongintheUS,especiallyinthesmallercitiesandtownsawayfromthebusy
touristtrails.Iwasjusttravelingthrough,gottalkingwiththisAmerican,and
prettysoonheinvitedmehomefordinner-amazing.Suchobservationsreportedby
visitorstotheUSarenotuncommon,butarenotalwaysunderstoodproperly.The
casualfriendlinessofmanyAmericansshouldbeinterpretedneitherassuperficial
norasartificial,butastheresultofahistoricallydevelopedculturaltradition.
Asistrueofanydevelopedsociety,inAmericaacomplexsetofculturalsignals,
assumptions,andconventionsunderliesallsocialinterrelationships.And,of
course,speakingalanguagedoesnotnecessarilymeanthatsomeoneunderstands
socialandculturalpatterns.Visitorswhofailtotranslateculturalmeanings
properlyoftendrawwrongconclusions.Forexample,whenanAmericanusestheword
friend,theculturalimplicationsofthewordmaybequitedifferentfromthoseit
hasinthevisitor*slanguageandculture.Ittakesmorethanabriefencounteron
abustodistinguishbetweencourteousconventionandindividualinterest.Yet,
beingfriendlyisavirtuethatmanyAmericansvaluehighlyandexpectfromboth
neighborsandstrangers.
55.Intheeyesofvisitorsfromtheoutsideworld,.
(A)rudetaxidriversarerarelyseenintheUS
(B)small-mindedofficialsdeserveaseriouscomment
(C)Canadiansarenotsofriendlyastheirneighbors
(D)mostAmericansarereadytoofferhelp
56.Itcouldbeinferredfromthelastparagraphthat.
(A)cultureexercisesaninfluenceoversocialinterrelationship
(B)courteousconventionandindividualinterestareinterrelated
(C)variousvirtuesmanifestthemselvesexclusivelyamongfriends
(D)socialinterrelationshipsequalthecomplexsetofculturalconventions
57.Familiesinfrontiersettlementsusedtoentertainstrangers.
(A)toimprovetheirhardlife
(B)inviewoftheirlong-distancetravel
(C)toaddsomeflavortotheirowndailylife
(D)outofacharitableimpulse
58.Thetraditionofhospitalitytostrangers.
(A)tendstobesuperficialandartificial
(B)isgenerallywellkeptupintheUnitedStates
(C)isalwaysunderstoodproperly
(D)hassomethingtodowiththebusytouristtrails
答案:DACB
Islamiclawisaparticularlyinstructiveexampleofusacredlaw”.Islamiclawisa
phenomenonsodifferentfromallotherformsoflawnotwithstanding,ofcourse,a
considerableandinevitablenumberofcoincidenceswithoneortheotherofthemasfar
assubjectmatterandpositiveenactmentsareconcernedthatitsstudyisindispensable
inordertoappreciateadequatelytheful1rangeofpossiblelegalphenomena.Eventhe
twootherrepresentativesofsacredlawthatarehistoricallyandgeographicallynearest
toit,JewishlawandRomanCatholiccanonlaw,areperceptiblydifferent.
BothJewishlawandcanonlawaremoreuniformthanIslamiclaw.Thoughhistorically
thereisadiscerniblebreakbetweenJewishlawofthesovereignstateofancientIsrael
andoftheDiaspora(thedispersionofJewishpeopleaftertheconquestofIsrael),the
spiritofthelegalmatterinlaterpartsoftheOldTestamentisveryclosetothat
oftheTalmud,oneoftheprimarycodifications(詮釋)ofJewishlawintheDiaspora.
Islam,ontheotherhand,representedaradicalbreakawayfromtheArabpaganism(信
仰)thatprecededit;Islamiclawistheresultofanexamination,fromareligiousangle,
oflegalsubjectmatterthatwasfarfromuniform,comprisingasitdidthevarious
componentsofthelawsofpreIslamicArabiaandnumerouslegalelementstakenover
fromthenonArabpeoplesoftheconqueredterritories.Allthiswasunifiedbybeing
subjectedtothesamekindofreligiousscrutiny,theimpactofwhichvariedgreatly,
beingalmostnonexistentinsomefields,andinothersoriginatingnovelinstitutions.
Thiscentraldualityoflegalsubjectmatterandreligiousnormisadditionaltothe
varietyoflegalethical
andritualrulesthatistypicalofsacredlaw.
Initsrelationtothesecularstate,IslamiclawdifferedfrombothJewishandcanon
law.Jewishlawwasbuttressedbythecohesionofthecommunity,reinforcedbypressure
fromoutside:itsrulesarethedirectexpressionofthisfeelingofcohesion,tending
towardtheaccommodationofdissent.CanonandIslamiclaw,onthecontrary,were
dominatedbythedualismofreligionandstate,wherethestatewasnot,incontrast
withJudaism,analienpowerbutthepoliticalexpressionofthesamereligion.Butthe
conflictbetweenstateandreligiontookdifferentforms;inChristianityitappeared
asthestruggleforpoliticalpoweronthepartofatightlyorganizedecclesiastical
hierarchy,andcanonlawwasoneofitspoliticalweapons.Islamiclaw,ontheother
hand,wasneversupportedbyandorganizedinstitution;consequentlytherenever
developedanoverttrialofstrength.Theremerelyexisteddiscordancebetween
applicationofthesacredlawandmanyoftheregulationsframedbyIslamicstates;this
antagonismvariedaccordingtoplaceandtime.
36.Accordingtotheauthor,whichofthefollowingisnottrue?
[A]IslamiclawisrarelydifferentfromJewishlawandcanonlaw.
[B]Islamiclawisespeciallyinstructiveexampleofscaredlaw.
[C]Jewishlawisthesameascanonlaw.
[D]IslamiclawismoreuniformthanbothJewishlawandcanonlaw.
37.Theword“it”(inLine7,Para2)mostprobablyrefersto.
[A]theOldTestament[B]Islamiclaw
[C]canonlaw[D]legalsubjectmatter
38.Theword“buttress”(inLine2,Para3)means.
[A]buttonhole[B]distress[C]support[D]hinder
39.Islamiclawneverdevelopedanoverttrialofstrength,because.
[A]itwasneversupportedbyanorganizedinstitute
[B]itwasdominatedbythedualismofreligionandstate
[C]itwasreinforcedbypressurefromoutside
[D]itwassupportedbyanorganizedinstitution
40.Thebesttitleforthispassagecouldbe.
[A]ScaredLaw[B]IslamicLaw
[C]IslamicLaw,JewishLawandCanonLaw[D]AllKindsofLaws
BBCDC
Themajorityofsuccessfulseniormanagersdonotcloselyfollowtheclassical
rationalmodeloffirs
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