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中國傳統(tǒng)文化—旗袍TheChinesetraditionalculture–Cheongsam2021/5/91contentsThedefinitionofcheongsamTheevolutionofcheongsamThestructure

ofcheongsamRepresentativefiguresThefactionsofcheongsamonPicturesappreciating2021/5/92Thedefinition(定義)TheQiPaoalsoknownasthecheongsamormandaringown(長袍);Itisabody-hugging(緊身的)one-piece(連衣裙)Chinesedress2021/5/93WhycallQipaochinadressQipao,whichisfamouswithitsharmonyandunity,isknownastherepresentativeoftheChinesedressculture.Itshowstheeleganttemperament(優(yōu)雅氣質(zhì))ofChinesewomen,demonstratestheculture(文化)andvirtues(美德)ofournation.2021/5/941920s1930s

1940s2021/5/95

AftertheOpiumWar(鴉片戰(zhàn)爭),thewideandloosebodyhadgraduallybecomeshortandnarrow.In1919,theOrdinance(法令)aboutgarmentswasannouncedbytheNationalGovernmentandcheongsamwasestablishedtobethenationalgarments.2021/5/96IntheearlyRepublicofChina(中華民國),thecheongsambegantobepopularagain.Thebodybecameshortened.Thewaist

(腰部)wasnarrowed.2021/5/97

1930sand1940ssawthecheongsaminitspeakfashion(時(shí)尚頂峰).AffectedbythestylesoftheEurope,astepforwardwasmadeinexposingthefemalefigure(女性曲線)2021/5/98IntheEastAsia,thefoundingofthePeople’sRepublicofChinamarkstheendoftheoldlife.Thecheongsam,whichhasbeencherishedbypeopleforalongtimewasnotpracticalandwassetaside(放置一旁).Butin1950sand1960s,cheongsamsbegantoshowupagain

(再次出現(xiàn))inthepeople'slives.2021/5/99Frog盤扣Thestructure立領(lǐng)襟衩Mandarincollar立領(lǐng)Lapel/frontofagarment襟Openings衩embroidery刺繡2021/5/910Thestyle(樣式)Chi-paohasmanystyles,andthechangeismainlybasedonsleeves,Jin,collar,openings,andthelengthofCheongsam.Sleeves(袖子):widesleeves,narrowandlongsleeves,middlesleeves,shortsleevesorsleeveless.Jin(襟):roundJin,straightJin,slantingJin(斜襟),doubleJin(雙襟),PipaJin(琵琶襟),andsoon.Collar(領(lǐng)):highcollar,lowcollar,orcollarless.Openings(開衩):highopenings,lowopenings,noopening2021/5/911longsleevesshortsleevessleeveless.2021/5/912

Thebestcut(如意襟)

Pipalapel(琵琶襟)Surplice(斜襟)Doublebreasted(雙襟)2021/5/913Choker(高領(lǐng))Decolletage(低領(lǐng))

Collarless(無領(lǐng))2021/5/914Highopening(高開衩)

Lowopening(低開衩)2021/5/915Thefactions(派別)TheBeijingstyle京派Shanghaistyle2021/5/916TheBeijingstyleappearsreservedandconcise京派風(fēng)格顯得矜持凝練;京派2021/5/917ShanghaistyleabsorbingtheWestArtsisup-to-date,flexibleandhasastrongbusinessatmosphere.海派風(fēng)格吸收西藝為,標(biāo)新且靈活多樣,商業(yè)氣息濃厚。海派2021/5/918Representativefigures張愛玲EileenChang(1920-1995)

Awell-knownwriter,beaddictedtocheongsam.Lifeisacolorfulgown,coveredwithlice.生命是一襲華美的袍子,上面

爬滿了虱子。

2021/5/919宋美齡SoongMay-ling(1897-2003)FirstladyinRepublicofChina.旗袍第一夫人Sheownsthemostnumberofqipaoallovertheworld.2021/5/920鄧麗君WherethereareChinesethereishervoice,shereallymadethebeautyofthecheongsam,cheongsamaccomplishedherlegend.

有華人的地方就有鄧麗君的歌聲,她成全了旗袍的美麗,旗袍成就了她的傳奇。2021/5/921

Inthefilm《IntheMoodforLove》(似水年華)

,MaggieCheung(張曼玉)changemorethan23setsofqipao,afterthemovierelease,Itsetoffarushof“cheongsamhot(旗袍熱)."

Cheongsamreflectstheelegantcharmoforientalwomen2021/5/9222021/5/923Picturesappreciating2021/5/9242021/5/9252021/5/926Expo(展覽會(huì))2010ShanghaiChinaCollar(立領(lǐng))useevolutionofChinesecheongsam,boththemeaningandinterpretationofChinesecultureintotheinternationalfashiondesigntechniques.2021/5/927CheongsamforMissManners青花瓷

Blueandwhiteporcelainseriesinspiredbytheblueandwhite,theuseoftraditionalChineseembroidery,blueandwhitereproductionofabloomingeffect.寶藍(lán)2021/5/928MypersonalopinionsIbelievethatthecheongsams,

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