高中英語(yǔ)人教版選擇性必修第三冊(cè)Unit1Readingandthinking課件（13張ppt）

Unit1Unit1ArtIntroductiontoRaphael'sSchoolofAthens1.Thepaintingtakes2yearstofinish,whichdescribesthewonderfulmindsoftheoldtimes...2.Theytakepartintheinquiriesthathavebroughtthemtotheexcellence.3.Platopointstotheheavensandindicateshistheorythatwearebornwithpreciousinnateknowledge.4.Aristotlepointstotheworld,urgingustogoout.5.Allofancientacademiaseemstoflowacrossthefresco.Brainstorming1.Whydidthepainterputallthesepeoplelivingatdifferenttimestogether?2.Whydoyouthinkthepaintercreatedthisworkofart?3.Whatideadidthepainterwanttoconvey?1.Theyallsymbolisedhumanpursuitofwisdomandtruth.2.Thepaintercreatedthisworkofarttopraisethe

"GoldenAge"and3.conveyayearningforafreeandopenfuture.AShortHistoryofWesternpaintingMindMapTheMiddleAges(5thC.to15thC)purpose:teachChristianitynointerestinrealisticscenes(religiousthemes)(notrealistic)characteristics:primitiveandtwo-dimensionalmaincharacters(larger)Representative:GiottodiBondone(1267-1337)Uniqueness:showrealpeopleinarealenvironment

(逼真的人臉和強(qiáng)烈的情感沖擊）(setapartfrom）byrealistichumanfacesanddeepemotionalimpact.Works：TheFlightIntoEpypt

《逃往埃及》

Juda’sKiss《猶大之吻》

TheLamentationofChrist《哀悼基督》

thuspioneerAppreciateMiddleAges’PaintingsTheRenaissance(14thC.—17thC)humanisticattitude（人性化態(tài)度）Newideasandvaluesuseperspective（運(yùn)用透視法）

useoilpaints(油性顏料）

emphasizepeopleandtheworldRepresentativesI.Masaccio(1401-1428)Works:HolyTrinity

《圣三位一體》2.LeonardoDaVinciWorks：MonaLisa

TheLastSuper3.Michelangelo(1475-1564)TheLastJudgment4.Raphael(1483-1520)

SchoolofAthensSelf-portraitwithShadedEyes《眼部蒙上陰影的自畫(huà)像》

創(chuàng)作者：倫勃朗RembrandtThemanwhogainedareputationasamasterofshadowandlight光影大師Impressionism(late19th-early20th)Event:theinventionofphtographchallengeforpaintings:noneedtopreservewhatpeopleandtheworldlookedlikeResult:findanewwayoflookingattheirart.Originofthename:Impression,SunrisebyClaudeMonet(1840-1926)該畫(huà)描繪了晨霧籠罩中的日出港口景象，用美妙的光的變幻與運(yùn)動(dòng)展現(xiàn)了迷人景色，以及畫(huà)家用輕快跳躍的筆觸刻畫(huà)了光在寬闊的海面上反射與顫動(dòng)的生動(dòng)景象。Monet’saim:toconveythelightandthemovementinthescene-thesubjectiveimpressionthescenegavehim克勞德·莫奈(ClaudeMonet，1840年11月14日-1926年12月5日)，法國(guó)畫(huà)家，印象派代表人物和創(chuàng)始人之一。莫奈擅長(zhǎng)光與影的實(shí)驗(yàn)與表現(xiàn)技法。oneofthefoundingfathersofFrenchimpressionismoneofthemostprolificpaintersfamousfordrawingexaggeratedportraitsbyage15Nothappyaboutthetraditionaltechniquesmoreinterestedincapturingthefeelingofthecolorandlight.PierreAugusteRenoir油畫(huà)作品VS19世紀(jì)照片style:fulloflight,shadow,colorandlife.showwarmthandhumanity19thcentury’sphotograph(VincentWillemvanGogh，1853-1890)，荷蘭后印象派畫(huà)家。StarryNight“我想畫(huà)上半打的《向日葵》來(lái)裝飾我的畫(huà)室，讓純凈的鉻黃，閃閃發(fā)光；我要給這些畫(huà)配上最精致的涂成橙黃色的畫(huà)框，就像哥特式教堂里的彩繪玻璃一樣?！辫蟆じ叽_實(shí)做到了讓這些色彩熾熱的陽(yáng)光，在畫(huà)面上大放光