英國(guó)文學(xué)浪漫主義時(shí)期

精品TheRomanticPeriod

(1798-1832)精品IntroductionEnglishRomanticismbeginsin1798withthepublicationofWordsworthandColeridge’s

TheLyricalBalladsandendsin1832withWalterScott’sdeath.WilliamBlakeandRobertBurnsalsobelongtothisliterarygenre,thoughtheylivepriortotheRomanticperiod.精品WhatisRomanticismRomanticismisamovementthatemergedasareactionagainstNeoclassicism新古典主義,theageprecedingtheRomanticmovement.TheNeoclassicalagewasalsocalledthe“TheageofEnlightenment”,whichemphasizedonreasonandlogic.TheRomanticperiodwantedtobreakawayfromthetraditionsandconventionsthatweredeartotheNeoclassicalageandmakewayforindividualityandexperimentation.精品DefinitionfromWikipediaRomanticism(ortheRomanticEraorthe"'RomanticPeriod"')wasanartistic,literaryandintellectualmovementthatoriginatedinthesecondhalfofthe18thcenturyinEurope,andgainedstrengthinreactiontotheIndustrialRevolution.Inpart,itwasarevolt反叛;反抗againstaristocraticsocialandpoliticalnorms標(biāo)準(zhǔn),規(guī)范oftheAgeofEnlightenmentandareactionagainstthescientificrationalizationofnature.Itwasembodiedmoststronglyinthevisualarts,music,andliterature,buthadamajorimpactonhistoriography,educationandnaturalhistory.精品HistoricalBackgroundPolitically:theFrenchRevolution"DeclarationofRightsofMan"(1791-2),ThomasPaine

"InquiryconcerningPoliticalJustice"(1793),WilliamGodwin"AVindicationoftheRightsofWoman"(1792),MaryWollstonecraft

Workers’Movement精品Economically:theIndustrialRevolutionContinuedfastchangestookplacebothinthecountryandinthecities;Manyfarmhandsdrivenoutoflandrushedintothecity;Womenandchildrenwereemployedascheaplabor;Newmachinesweresetup,renderingmanyoutofwork;Disparitywasgrowingbetweentherichandthepoor;精品IdeologicallyTheprincipleofRationwasgivingwaytoanindividualized,free,liberal,imaginativeattitudetowardslife;atendencytoturnorescapefromthetumultuous嘈雜的動(dòng)亂的andconfusingsociety

精品CharacteristicsofRomanticismLoveofNature:TheRomanticsgreatlyemphasizedontheimportanceofnature,andoneofthemaincharacteristicsofRomanticisminpoetryisthebeautyofnaturefoundinthecountrylife.Thiswasmainlybecausetheindustrialrevolutionhadtakenmanfromthepeacefulcountrylifetowardsthecitylife,transformingman'snaturalorder.NaturewasnotonlyappreciatedforitsphysicalbeautybytheRomantics,butalsoforitsabilitytohelptheurbanmanfindhistrueidentity.

精品Emotionsvs.Rationality:UnliketheNeoclassicalagewhichfocusedonrationalityandintellect,Romanticismplacedhumanemotions,feelings,instinctandintuitionaboveeverythingelse.Whilethepoetsintheformereraadheredtotherulesandregulationswhileselectingasubjectandwritingaboutit,theRomanticwriterstrustedtheiremotionsandfeelingstocreatepoetry.ThisbeliefcanbeconfirmedfromthedefinitionofpoetrybyWilliamWordsworth,wherehesaysthat"poetryisthespontaneousoverflowofpowerfulfeelings".TheemphasisonemotionswasalsospreadtomusiccreatedintheRomanticperiod,andwasseeninthecompositionsmadebygreatmusicianslikeWeber,Beethoven,Schumann,etc.

精品Artist,theCreator:AstheRomanticperiodemphasizedonemotions,thepositionorroleoftheartistorthepoetalsogainedsupremacy.Intheearliertimes,theartistwasseenasapersonwhoimitatedtheexternalworldthroughhisart.However,Romanticismrevertedthisbelief.Thepoetorartistwasseenasacreatorofapieceofworkwhichreflectedhisindividualityandinnermind.Itwasalsoforthefirsttimethatthepoemswritteninthefirstpersonwerebeingaccepted,asthepoeticpersonabecameonewiththevoiceofthepoet.

精品Nationalism:TheRomanticsborrowedheavilyfromthefolkloreandthepopularart.Duringtheearlierperiods,literatureandartwereconsideredtobelongtothehighclasseducatedpeople,andthecountryfolkswerenotconsideredfittoenjoythem.Also,thelanguageusedintheseworkswerehighlypoetic,whichwastotallydifferentfromthatwhichwasspokenbypeople.However,Romanticismchangedallthis.Theirworkswereinfluencedfromtheballadsandfolklorethatwerecreatedbythemassesorthecommonpeople,ratherthanfromtheliteraryworksthatwerepopular.Apartfrompoetry,adoptingfromthefolkloreandballadsisalsooneoftheveryimportantcharacteristicsofRomanticisminmusic.AstheRomanticsbecameinterestedandfocusedondevelopingthefolklore,culture,language,customsandtraditionsoftheirowncountry,theydevelopedasenseofNationalismwhichreflectedintheirworks.Also,thelanguageusedinRomanticpoemsweresimplewhichwasusuallyusedineverydaylife.

精品Exoticism:AlongwithNationalism,theRomanticsevendevelopedtheloveoftheexotic.Hence,inmanyoftheliteraryaswellasartisticworksofthatperiod,thefaroffandmysteriouslocationsweredepicted.ThoughthiswascompletelyoppositefromtheidealofNationalism,theyneverclashedwitheachother.Thereasonforthisisthatjustliketheexoticlocations,thepeopledidnotknowaboutthefolkloreoftheirplacesbefore,andsotheyseemedtobeasvagueasthefarawayplaces.ExoticismisalsooneofthemostprominentcharacteristicsofRomanticisminart,alongwithsentimentalityandspirituality.

精品Supernatural:AnothercharacteristicofRomanticismisthebeliefinthesupernatural.TheRomanticswereinterestedinthesupernaturalandincludeditintheirworks.ThisfascinationforthemysteriousandtheunrealalsoleadtothedevelopmentoftheGothicromancewhichbecamepopularduringthisperiod.SupernaturalelementscanbeseeninColeridge's,'KublaKhan'andinKeats'poem'LaBelleDameSansMerci'.

精品OverviewofRomanticliteratureTheromanticperiodisanageofpoetry.WordsworthandColeridgearethemostrepresentativewriters.Theyexplorenewtheoriesandinnovatenewtechniquesinversification詩(shī)律.Theybelievethatpoetrycouldpurifyindividualsoulsandsociety.精品LakepoetsWordsworth,ColeridgeandSoutheywereknownasLakePoetsbecausetheylivedandknewoneanotherinthelastfewyearsofthe18thcenturyinthedistrictofthegreatlakesinNorthwesternEngland.TheformertwopublishedTheLyricalBalladstogetherin1798,whileallthreeofthemhadradicalinclinationsintheiryouthbutlaterturnedconservativeandreceivedpensionsandpoetlaureateshipsfromthearistocracy.精品SatanicPoetsOthergreatestRomanticpoetsare:JohnKeats,P.B.ShelleyandG.G.Byron.TheyarereferredtoasSatanicPoetsbyRobertSoutheyfortheirviolentimaginationandrebelliousspirit.精品

Feministworks

MaryWollstonecraftwroteAVindicationoftheRightsofWomanin1792.Gothicnovelisatypeofromanticfictionthatpredominatesinthelate18thcenturyandcontinuestoshowitsinfluenceinearly19thcentury.Itsprincipalelementsareviolence,horror,andthesupernatural.Frankenstein(1818)byMaryShelleyandTheMysteriesofUdolpho(1794)byAnnRadcliffearemasterpiecesofEnglishgothicnovel.精品RomanticFictionsEnglishfictiongropesitswayamidsttheoverwhelmingRomanticpoetry.ItrevivesitspopularityinthehandsofJaneAusten&WalterScott.WalterScottisnotedforhishistoricalnovelbasedonScottishhistoryandlegends.HeexertedgreatinfluenceonEuropeanliteratureofhistime.JaneAustenisthefirstandforemostEnglishwomennovelist.Followingtheneoclassicaltradition,sheisunsurpassedinthedescriptionofuneventfuleverydaylife.精品Newpoeticfeatureslanguage:simple,everydaylifespeech,commonvocabularyandaccentdialect

e.g.Blake,Wordsworthform:lyrics(sonnet,ode),narrative(ballad)purpose:emotional,confessionalandvisionary/propheticprinciples:imagination精品subject:nature

therural/pastoralthepast/historicalthealien/exotic,orientalthesupernatural/mysterious(dreamsordream-like)thepersonalthecommon/lowclasstherevolutionarythepatriotic精品WilliamWordsworth(1770-1850)英國(guó)浪漫主義文學(xué)先驅(qū)，“湖畔派”詩(shī)人中創(chuàng)作成就最大的一位精品Wordsworth’sLife

alawyer’sfamilydeathofparentsgrammarschoollakedistrictCambridge,vocation1790,summertourtoFrance精品AftergettinghisdegreeinCambridge1791,backtoFrancefinancialdifficulties1797,ColeridgeweakenedrevolutionaryspiritseclusioninLakeDistrict1843,PoetLaureatediedin1850,attheageof80精品

MajorLiteraryWorksDescriptiveSketches,anEveningWalk(1793):hisfirstvolumewritteninthe18thcenturyfeelingfornaturaldescriptionLyricalBallads(1798):themanifestoofEnglishRomanticismThePrelude(1805):posthumouslyin1850;hisgreatestworkPoemsinTwoVolumes(1807):contains“Ode:IntimationsofImmortality”,theautobiographicalnarrative“ResolutionandIndependence”TheExcursion(1814)精品SubjectsPoemsonnature“ToaButterfly”“ToaSkylark”“TotheCuckoo”“IWanderedLonelyasaCloud”“TinternAbbey”精品

PoemsonsimplerusticlifeinthecountrysideLucypoems“SheDweltAmongtheUntroddenWays”O(jiān)therpoemsaboutcommonpeopleandtheirhumblelife“Michael”“TheSolitaryReaper”精品CharacteristicsofWordsworth’spoetyWordsworth'spersonalityandpoetryweredeeplyinfluencedbyhisloveofnature,especiallybythesightsandscenesoftheLakeCountry.Aprofoundlyearnestandsincerethinker,hedisplayedahighseriousnesscomparable,attimes,toMilton'sbuttemperedwithtendernessandaloveofsimplicity.Pioneerintheuseofthelanguageofordinaryspeech.(criticizedforthisquality)精品Wordsworth’stheoryofpoetry

“Theprincipalobject,then,whichIproposedtomyselfinthesepoemsaretochooseincidentsandsituationsfromcommonlifeandtorelateordescribethem,throughout,asfaraswaspossible,inaselectionoflanguagereallyusedbymen;and,atthesametime,tothrowoverthemacertaincolouringofimagination,wherebyordinarythingsshouldbepresentedtothemindinanunusualway;andaboveall,tomaketheseincidentsandsituationsinterestingbytracinginthem,trulythoughnotostentatiously,theprimarylawsofournature:chieflyasfarasregardsthemannerinwhichweassociateideasinastateofexcitement.”(PrefacetothesecondeditionoftheLyricalBallads)精品華茲華斯的詩(shī)論關(guān)于詩(shī)歌的題材問題——以微賤的田園生活作題材關(guān)于詩(shī)歌的語(yǔ)言問題——采用人們（農(nóng)村的下層民眾）真正使用的語(yǔ)言來(lái)加以描述或描寫關(guān)于詩(shī)的本質(zhì)問題——詩(shī)是強(qiáng)烈情感的自然流露詩(shī)人的特殊才能——想象力和語(yǔ)言表達(dá)能力——《抒情歌謠集?序言》精品Significance:

WithSamuelTaylorColeridgeusheredintheEnglishRomanticmovementManyconsiderhimthemostimportantEnglishRomanticpoetsucceededSoutheyasPoetLaureate精品她住在人跡罕至的小路間SheDweltAmongtheUntroddenWay她住在人跡罕至的小路間在鴿子谷的清泉旁一個(gè)無(wú)人贊揚(yáng)也很少人愛的姑娘。青苔邊的一朵紫羅蘭一半令人看不見美得像顆星星，孤孤單單在天上閃現(xiàn)。她默默無(wú)聞，很少有人曉得露西死于何時(shí)但她已在墓中，??！我悵然若失！精品Itisathree-stanzapoem,isthebestknownofWordsworth'sseriesoffiveworkswhichcomprisehis"Lucy"series,andwasafavouriteamongstearlyreaders.Itwascomposedbothasameditationonhisownfeelingsoflonelinessandloss,andasanodetothebeautyanddignityofanidealisedwomanwholivedunnoticedbyallothersexceptbythepoethimself.精品我曾遠(yuǎn)游海外

ITravelledamongUnknownMan我曾遠(yuǎn)游海外，周圍都是陌生的眼光;英格蘭，不知愛你有多深沉，只因未曾去過(guò)異國(guó)他鄉(xiāng)!

憂郁的夢(mèng)全都散去，遠(yuǎn)游的念頭旱已消亡，只因愛你越發(fā)深沉，我不愿再次背起行囊。你的崇山中有我的歡樂，你的峻嶺下有我的期望;傍著英格蘭爐火搖著紡車，還有我那心愛的姑娘。

你的展曦照著她在林陰流連，你的夜幕伴著她在茅舍徜徉;還有你那碧綠的田野。引來(lái)露西最后深情的眺望。精品IWanderedLonelyasacloud精品我如行云獨(dú)自游IWanderedLonelyasacloud

我好似一朵孤獨(dú)的流云，高高地飄游在山谷之上，突然我看到一大片鮮花，是金色的水仙遍地開放。它們開在湖畔，開在樹下它們隨風(fēng)嬉舞，隨風(fēng)飄蕩。它們密集如銀河的星星，像群星在閃爍一片晶瑩；它們沿著海灣向前伸展，通往遠(yuǎn)方仿佛無(wú)窮無(wú)盡；一眼看去就有千朵萬(wàn)朵，萬(wàn)花搖首舞得多么高興。粼粼湖波也在近旁歡跳，卻不如這水仙舞得輕俏；詩(shī)人遇見這快樂的旅伴，又怎能不感到歡欣雀躍進(jìn)；我久久凝視----卻未領(lǐng)悟這景象所給予我的精神至寶。后來(lái)多少次我郁郁獨(dú)臥，感到百無(wú)聊賴心靈空漠；這景象便在腦海中閃現(xiàn)，多少次安慰過(guò)我的寂寞；我的心又隨水仙跳起舞來(lái)，我的心又重新充滿了歡樂.精品Thisissimplyasuperbpoemdepictingpoet'slovefornature.Itisalyricpoemfocusingonthepoet'sresponsetothebeautyofnature.Thepoetisneveralonewhenheiswithnature.Poetneverfelthimselfisolatedinthecompanyofnature.HeistruelyaPantheist,wholovesnatureasamother.Thepoemtellsusthattheblisswecanenjoyintherealsenseofthetermifwecanmergeinthenature.精品威斯敏斯特橋上ComposedUponWestminsterBridge(sonnet)大地再?zèng)]有比這兒更美的風(fēng)貌：

若有誰(shuí)，對(duì)如此壯麗動(dòng)人的景物

竟無(wú)動(dòng)于衷，那才是靈魂麻木；

瞧這座城市，像披上一領(lǐng)新袍，

披上了明艷的晨光；環(huán)顧周遭：

船舶，尖塔，劇院，教堂，華屋，

都寂然、坦然，向郊野、向天穹赤露，

在煙塵未染的大氣里粲然閃耀。旭日金揮灑布于峽谷山陵，

也不比這片晨光更為奇麗；

我何嘗見過(guò)、感受過(guò)這深沉的寧?kù)o！

河上徐流，由著自己的心意；

上帝呵！千門萬(wàn)戶都沉睡未醒，

這整個(gè)宏大的心臟仍然在歇息！

精品ThepoemisasonnetdescribingLondon,viewedfromoneofthebridgesovertheThames,intheearlymorning.Itwasfirstpublishedin1807.InthepoemthethemeisthatofNature.Thisreiterateshisconvictionthatthecity,atthisparticularpointofday,doesnotclashwithnaturebutbecomesapartofit.精品Thesolitaryreaper孤獨(dú)的割麥女看，一個(gè)孤獨(dú)的高原姑娘

在遠(yuǎn)遠(yuǎn)的田野間收割，

一邊割一邊獨(dú)自歌唱，——

請(qǐng)你站?。蛘咔吻淖哌^(guò)！

她獨(dú)自把麥子割了又捆，

唱出無(wú)限悲涼的歌聲，

屏息聽吧！深廣的谷地

已被歌聲漲滿而漫溢！

還從未有過(guò)夜鶯百囀，

唱出過(guò)如此迷人的歌，

在沙漠中的綠蔭間

撫慰過(guò)疲憊的旅客；

還從未有過(guò)杜鵑迎春，

聲聲啼得如此震動(dòng)靈魂，

在遙遠(yuǎn)的赫布利底群島

打破過(guò)大海的寂寥。

精品她唱什么，誰(shuí)能告訴我？

憂傷的音符不斷流涌，

是把遙遠(yuǎn)的不聿訴說(shuō)？

是把古代的戰(zhàn)爭(zhēng)吟詠？

也許她的歌比較卑謙，

只是唱今日平凡的悲歡，

只是唱自然的哀傷苦痛——

昨天經(jīng)受過(guò)，明天又將重逢？

姑娘唱什么，我猜不著，

她的歌如流水永無(wú)盡頭；

只見她一面唱一面干活，

彎腰揮鐮，操勞不休……

我凝神不動(dòng)，聽她歌唱，

然后，當(dāng)我登上了山崗，

盡管歌聲早已不能聽到，

它卻仍在我心頭繚繞。精品ThemesThepoemmainlydiscussesthethemeofpoetryWordsworthmaintainedthatpoetryshouldnotrelyonartificialdictionforitseffort.Rather,itshouldbewritteninmoreordinarylanguageandsimplerformsothatallclassesmightappreciateit.精品Byron精品LifeFamily:

BornlameinanimpoverishnoblefamilyFatherdiedwhenhewasthree;livedinlonelinessandpovertywithhismotherinScotlandMadeLordByronat10bythedeathofhisgranduncle精品Earlyexperience:Cambridge:HoursofIdleness(1807);andEnglishBardsandScotchReviewerstwoyearslaterTourontheContinent(1809-1811):visitedPortugal,Spain,Albania,GreeceandTurkey精品ReturntoEngland:Embarkedonhispoliticalcareer;madespeechesintheparliamenttosupporttheproletariatPublishedthefirsttwocantosofChildeHarold’sPilgrimage(1812);wrotesomenarrativepoemswhichwerecalled“OrientalTales”MarriedAnnMilbankwholefthimoneyearafterthemarriage精品YearsontheContinentInSwitzerland:madeacquaintancewithShelleyInItaly:finishedChildeHarold’sPilgrimage;wrote

DonJuan,CainInGreece:plungedhimselfintoGreekpeople’sstrugglefornationalindependence;diedoffever精品MajorWorksEnglishBardsandScotchReviewers(1809)OrientalTalesTheGiaour(1813)TheCorsair(1814)Lara(1814)ChildeHarold’sPilgrimage(1812-1818)DonJuan(1818-1819)PoeticDrama:Manfred(1817)Cain(1821)TheTwoFoscari(1821)精品ChildeHarold’sPilgrimage4cantos,writtenintheSpenserianstanzaCantoI:Portugal&SpainCantoII:Albania&GreeceCantoIII:hisdaughter&thepoliticalstrugglesofthedayCantoIV:Italy精品DonJuanByron’smasterpiece,writtenintheprimeofhiscreativepowerintention:“toremovetheclokewhichthemannersandmaximsofsocietythrowovertheirsecretsins,andshewthemtotheworldastheyreallyare”(topresentapanoramicviewofdifferenttypesofsociety;thedifferencebetweenlife’sappearanceanditsactuality)Epicsatire:asatireonabusesofthepresentsociety;精品ArtisticFeaturesRevolutionaryspiritByronicheroVarietyinstylefrompassionateoutcriestopatheticutterance,fromsolemnexpressionstoironicmockeries,fromseriousmusingstoplayfulfancies,fromhighlylyricalpassagestoeverydayprosaicspeech,fromloftyphrasesingrandstyletoclownishplayonwords.精品ByronicHeroaproudrevolutionaryfigureofnobleorigin,risingsinglehandedagainstanykindoftyrannicrulesingovernmentorreligionormoralsocietywithunconquerablewillsandinexhaustibleenergies.ThesetoweringfiguresstandinsharpcontrastwiththeheroesintheversenarrativesoftheLakePoets,whoareeithersubmissiveagentsofGodorofothersupernaturalforcesorarewrappedinthemysteriousatmosphereofmysticismormagic.精品EvaluationHavinggreatinfluenceontheromanticpoetrywiththenoveltyofhisorientalscenery,theromanticcharacteroftheByronichero,andtheeasy,fluentandnaturalbeautyofhisverse.Twocontroversialopinions:InEngland:thepervertedman,thesatanicpoetOntheContinent:thechampionofliberty,poetofthepeople精品Shelley精品LifeBornintoanaristocraticfamilyenteredtheOxfordUniversityCollegein1810;expelledfromthecollegeforpublishingTheNecessityOfAtheismin1811elopedwiththe16-yearoldHarrietWestbrook;spentthefollowingtwoyearstravelinginEnglandandIreland,distributingpamphletsandspeakingagainstpoliticalinjustice.In1813publishedhisfirstimportantpoem,theatheisticQueenMab.精品In1814traveledabroadwithMaryWollstonecraftGodwin;marriedMaryWollstonecraftafterHarrietdrownedherselfin1816WroteTheSpiritofSolitude(1816)andTheRevoltofIslam(1817)movedtoItaly;drownedin1822精品MajorWorksInEngland:QueenMabTheSpiritofSolitudeTheRevoltofIslam精品InItaly:Twopoeticdramas:PrometheusUnboundTheCenciProse:ADefenseofPoetry精品Poems:Politicallyrics:TheMaskofAnarchySongtotheMenofEngland

LyricsonnatureandloveOdetotheWestWindToaSkylarkElegy:Adonais精品Odealyricpoemofsomelength,dealingwithaloftythemeinadignifiedmannerandoriginallyintendedtobesung精品RomanticodeEvolvedfromtheancientGreekode,writteninaseroustonetocelebrateaneventortopraiseanindividualNotintendedtobesung,yetquiteemotionalTheauthorfocusesonascene,pondersitsmeaning,andpresentsahighlypersonalreactiontoitthatincludesaspecialinsightattheendofthepoem精品OdetotheWestWind

Contents

ThisisoneofShelley'sbestknownlyrics.Thepoetdescribesvividlytheactivitiesofthewestwindontheearth,intheskyandontheseaandthenexpresseshisenvyfortheboundlessfreedomofthewestwindandhiswishtobefreelikeitandtoscatterhiswordsamongmankind.Thecelebratedfinallineofthepoem,"Ifwintercomes,canSpringbefarbehind"hasoftenbeencitedtoillustrateShelley'soptimisticbeliefinthefutureofmankind.精品Characteristicsagreatvarietyofpoeticalstylerichinmyth,symbolsandclassicalallusionsastrongdramaticpoweranintellectualthoughtabundantinpersonificationandmetaphorandotherfiguresofspeech精品ShelleyandByronComparedByron:onlyattachedpoliticaltyranny;thoughtmoreofone’spersonalhappinessandsorrowandbelievedchieflyinthemightofindividualheroesbuthadcontemptforthecommonpeopleShelley:alsosawthecruelrelationsofeconomicexploitationinthefeudalbourgeoisworld;hadfaithinthecollectivestrengthofthepeopleandworkedfortheinterestsofthemasses精品JohnKeats精品LifeBornin1795;sonofalivery-stablekeeperapprenticedat15tolearnsurgerydevotehimselftopoetryundertheinfluenceofLeighHuntandtheartistHaydonin1816精品Literarycreationfrom1816-1820:PublishedhisearlypoemsinTheExaminer(1816)Publishedhisfirstvolumeofpoetry,metwithveryseverecriticism(1818)Publishedhissecondvolumeofpoetry(1820)Fellillwithtuberculosis;traveledtoItalyupontheinvitationofShelley(1820)Diedofillness(1821)精品MajorWorksOnFirstLookingintoChapman’sHomerEndymionLamia,Isabella,TheEveofSt.Agnes,&OtherPoemsOdes:

OdetoaNightingaleOdeonaGrecianUrnOdetoPsycheOdeonMelancholyToAutumn精品OdeonaGrecianUrn精品OdeonaGrecianUrnTimeTheodewaswritteninMay1819outofcollectionofmemoryofseveralvisitstoexhibition.精品精品你，嫁給靜寂的，童貞的新娘，

你，被靜默和悠遠(yuǎn)收養(yǎng)的孩子，

林野的史家，擅長(zhǎng)在畫上宣揚(yáng)

艷壓詩(shī)篇的，繁花一般的傳奇：

身上環(huán)繞的，綠葉緣飾的傳說(shuō)

講述神還是凡人，或兼有兩者？

在騰佩，或懷抱溪谷的阿卡迪？

什么人或神？少女竟如此難惹？

多瘋的追求？怎樣掙扎的逃脫？

什么笛子手鼓？多野性的狂喜

精品清歌聞之甚美，然而未聽見的

更妙；婉轉(zhuǎn)的笛子，請(qǐng)你吹吧

不是為感官的雙耳，你要變得

更奇妙，為精神吹出無(wú)聲的歌：

碧樹下的美少年，你不會(huì)離開

你的歌，綠蔭也不會(huì)拋開樹木

莽撞的戀人，你永世都吻不上，

雖然萬(wàn)分接近——但不要悲哀，

她與衰老無(wú)緣，雖無(wú)艷?？上?，

你卻永墜愛河，如她芳華常駐！

精品啊，喜悅層生的枝條！你不會(huì)

飄落綠葉，也不會(huì)向春天揮別；

而你，歡快的樂手，永不疲憊

永遠(yuǎn)在吹奏，永遠(yuǎn)新鮮的仙樂

更多歡暢的愛！更多幸福的愛！

總是暖意融融，只等歡樂縱情

永遠(yuǎn)都在搏動(dòng)，永遠(yuǎn)青春四射；

所有呼吸的人欲，都遠(yuǎn)遠(yuǎn)拋開

離開悲痛莫名的，厭煩的心靈，

高燒不退的額頭，焦渴的唇舌

精品是一群什么人，趕來(lái)參加祭獻(xiàn)？

對(duì)著天空鳴叫的，那頭小母牛，

絲滑的腰身上，圍著繽紛花環(huán)

噢，神秘的祭司，你把它牽走

要去哪座綠色祭壇？什么小鎮(zhèn)

在河畔還是海濱，還是在山間

傍著幽靜的山寨，為這鄉(xiāng)俗里

敬神的早晨，騰出所有的人民？

你的街道永遠(yuǎn)沉默，無(wú)人重返

就沒人講述，你為何如此孤寂。精品噢，雅典的形體！情態(tài)的美妙！

大理石的繁帶，密布男女身上

還有佳木的枝葉，踏過(guò)的野草

你，沉默的塑形，像永恒一樣

引我們超越思想：涼的田園詩(shī)！

年華逝去，將催老我們這一輩，

你在別樣的悲傷中，不曾代謝

一個(gè)人類的朋友，對(duì)我們感喟

“美是真，真也是美”這就是

你知道，和你需要知道的一切。

精品SummaryHerethepoetgiveshiscommentonaGreekvasewhich,asarelicofancientculture,hascaughthisimagination.Onthesurfaceofthevasethereisanornamentalbandofsculpturewithfiguresoftrees,pipes,andloversonit.Thoughtheyarequietforms,theypossessandconveythebeauty,thesignificanceandtheeternityofart,whichappealedtoKeats.Soattheendofthepoem,thepoetemphasizestherelationshipbetw