Unit3TheartofpaintingReading課件高中英語(yǔ)譯林版(2020)選擇性

Unit3Theartofpainting：FirstimpressionsWelcometotheunit&Reading01LeadinWatchthevideoandguessWhichtypedoeseachofthepaintingsbelongto?PortraitpaintingStilllifepaintingLandscapepaintingReal-lifepaintingTypesFirstimpressions第一印象02FASTREADINGMatcheachparagraphwiththemainidea.Para.1

AgeneralintroductiontothemuseumMuséed’Orsay.Paras.2–4

Paras.5–6

DescriptionsofpaintingsofClaudeMonetandPierre-AugusteRenoir.SimilaritiesinImpressionistpaintersandtheirinfluence.TrueorFalseTheauthorwasmostimpressedbyMonetandRenoir.(Para.2Line11)Renoir'smasterpieceDanceatLeMoulindelaGaletteisverydetailed.(Para.4Line26)TheImpressioniststriedtopaintextremelyrealisticpaintings.(Para.5Line36)TheImpressionistsshowedtheeffectoflightonthingswithcolors.(Para.5Line34)VanGoghwasinfluencedbyImpressionism.(Para.6Line39)TFFTTshowsverylittlecleardetail.didn’ttrytoWhat'sthepurposeofthepassage?A.Tointroduceseveralworld-famousartists.B.TogivereadersinformationaboutImpressionism.C.TointroducetheMuséed'Orsaytoreaders.D.Tointroducetwofamouspaintings.Whatisthepassagemainlyabout?A.Anintroductiontoanartmuseum.B.Monet'sandRenoir'smasterpieces.C.Avisittoanartmuseum.D.Post-Impressionistpainters.03DETAILEDREADINGPara.1TranslatingAsahugeartfan,IknewexactlywhatIwaslookingforwardtomostaboutmytriptoParis:visitingtheMuseed’Orsay.

Housedinanoldrailwaybuilding,thisworld-famousartmuseumfeaturessomeofthebest-knownpaintingsfromtheImpessionistmovementofthe19thcentury.

作為一個(gè)狂熱的藝術(shù)迷，我非常清楚自己此次巴黎之旅最期待的是什么:參觀奧賽博物館。這家舉世聞名的藝術(shù)博物館設(shè)在一座古老的鐵路建筑里，以19世紀(jì)印象派運(yùn)動(dòng)時(shí)期一些最著名的畫(huà)作為特色。Para.2TranslatingAsIwanderedthroughtheimpressionistgallery,IappreciatedmasterpieceslikeTheBalletClassandTheCardPlayers.

EventhoughIhadadmiredthemhundredsoftimesonmycomputerscreen,nothingcouldhavepreparedmeforthewonderIfeltwhenIfinallylaideyesontherealthing.我漫步于印象派展館，欣賞著像《舞蹈課》和《紙牌玩家》這樣的杰作。盡管我在電腦屏幕上已經(jīng)欣賞過(guò)數(shù)百次，但當(dāng)我終于親眼見(jiàn)到實(shí)物時(shí)，還是覺(jué)得猝不及防，驚嘆不已。Para.2Translating

Whileitwashardtopickafavouritepaintingoutof

somanyamazingworks,theartistswhomadethedeepestimpressiononmeweretwoofthegreatestimpressionistpainters,ClaudeMonetandPierre-AugusteRenoir.雖然從這么多令人稱(chēng)奇的作品中很難選出一幅最喜歡的，但兩位偉大的印象派畫(huà)家給我留下了最深的印象——克勞德·莫奈和皮埃爾·奧古斯特·雷諾阿。ThecityofHangzhouisreallyan___________(impress)place.ThefamousWestLakealwaysleavesadeep__________(impress)onvisitors.Iwasstrongly__________(impress)byitsbeautythefirsttimeIsawit.beimpressedwith/bysth.對(duì)…有深刻的印象，受…感動(dòng)leave/makean/a+adj.+impressiononsb.給某人留下…的印象impressionn.印象,效果,影響impressiveadj.感人的，給人以深刻印象的，令人欽佩的impressvt.＆vi.使欽佩；給…留深刻印象;使意識(shí)到impressiveimpressionimpressed_________________________ 期待，期盼(L1)_________________________ 即使(L8)_________________________ 看見(jiàn)/注意到某人/某物（L10）_________________________ 從……挑選出（L10-11）_________________________ 給某人留下深刻印象（L11-12）lookforwardtoevenif/thoughlay/seteyesonsb/sthpick…outof…makeadeepimpressiononsbClaudeMonet克勞德·莫奈(法）奧斯卡-克勞德·莫奈（法文：Oscar-ClaudeMonet，1840年11月14日-1926年12月5日），法國(guó)畫(huà)家，被譽(yù)為“印象派領(lǐng)導(dǎo)者”，是印象派代表人物和創(chuàng)始人之一。代表作：日出·印象、盧昂大教堂、維特尼附近的罌粟花田、睡蓮、干草堆2019年5月14日,《干草堆》紐約,1.107億美元《日出印象》《阿爾讓特依的帆船》《睡蓮》Para.3TranslatingIcouldseefromMonet'sworksthathewasgreatlyinspiredbynature.Inthelastthreedecadesofhislifehepaintedmostlyscenesfromhisgarden.OneofthesescenesisshowninthefamouspieceBlueWaterLilies,whichIstudiedforquiteawhileinthegallery.從莫奈的作品中，我可以看出他深受大自然的啟發(fā)。在他生命的最后三十年里，他畫(huà)的大多是自家花園里的風(fēng)景。其中一處風(fēng)景就展現(xiàn)在他著名的《藍(lán)睡蓮》里，我在展館里端詳了好一陣子。Para.3TranslatingIcouldn'tbelieveitwhenIheardhedidaround250paintingsofthesamewaterlilypond,allindifferentcoloursandstyles.

Itisamazingthat

everytime

Monetstudiedthissimplescene,hebroughtthepond'sbeautytothecanvasinauniqueway.當(dāng)聽(tīng)說(shuō)同一個(gè)睡蓮池他畫(huà)了大約250幅畫(huà)，每一幅顏色和風(fēng)格都各異時(shí)，我簡(jiǎn)直難以置信。令人贊嘆的是，莫奈每次端詳睡蓮池這處簡(jiǎn)單的風(fēng)景，都以獨(dú)特的方式讓它的美躍然于畫(huà)布之上。Para.3Analyzingit作形式主語(yǔ)的常用句型①I(mǎi)tis/was+adj./n.+that從句/todosth./doingsth.②Ittakes(sb.)sometimetodosth.each/everytime,theminute/moment等可以引導(dǎo)時(shí)間狀語(yǔ)從句。Para.3Exercising我們應(yīng)該更好地了解這些動(dòng)物,這是重要的。_________________weshouldhaveabetterunderstandingoftheseanimals.

他們花了一個(gè)小時(shí)才解出那道很難的數(shù)學(xué)題。_____________________________thedifficultmathproblem.

ItisimportantthatIttookthemanhourtoworkoutListening&WritingPART1Para.4ReadingPierre-AugusteRenoir皮埃爾·奧古斯特·雷諾阿（法）皮埃爾·奧古斯特·雷諾阿（Pierre-AugusteRenoir，1841—1919）印象派重要畫(huà)家。1841年生于法國(guó)Haute-Vienne的小鎮(zhèn)里蒙（Limoges），后來(lái)隨家搬遷到巴黎。印象畫(huà)派成員之一。以油畫(huà)著稱(chēng)，亦作雕塑和版畫(huà)。作品有《包廂》《游船上的午餐》《小瑪高脫像》《煎餅?zāi)シ康奈钑?huì)》等

?！队瓮系奈绮汀愤_(dá)威爾小姐像MlleIreneCahend’AnversFieldsofWheat花開(kāi)Para.4TranslatingRenoir,Inoticed,preferredtopaintscenesofeverydaylife.Forme,themostinterestingofhispaintingsishis1876masterpieceDanceatLeMoulindelaGalette,whichshowslifeinabusyneighbourhoodofParisonaSundayafternoon.我注意到，雷諾阿更喜歡描繪日常生活場(chǎng)景。在我看來(lái)，他最有趣的畫(huà)作是他1876年的杰作《煎餅?zāi)シ坏奈钑?huì)》，這幅畫(huà)展現(xiàn)了某個(gè)周日下午巴黎一處熱鬧街區(qū)的生活。Para.4TranslatingWhenIsawitupclose,Iwasstruckbythesmallareasoflightacrossthepainting,andthewaythesoftedgesofthefiguresseemedtomixtogether.There'ssomuchgoingon,butsolittlecleardetail.Thiseffectmakesthelivelymovementofthedancealmostjumpoutattheviewer.我近距離觀賞時(shí)，畫(huà)面上遍布著小面積的光斑，人物柔和的輪廓似乎融為一體，（把我迷住了）令我驚嘆不已。畫(huà)上呈現(xiàn)的內(nèi)容如此豐富，但清晰的細(xì)節(jié)又如此之少。這種效果使得生動(dòng)的舞蹈動(dòng)作似乎躍然于觀眾面前。_________________________ 更喜歡(L21)_________________________ 在近處，近距離（L24）_________________________ 被……打動(dòng)，迷戀……（L24）prefertoupclosebestruckby_________________________ 期待，期盼(L1)_________________________ 即使(L8)_________________________ 看見(jiàn)/注意到某人/某物（L10）_________________________ 從……挑選出（L10-11）_________________________ 給某人留下深刻印象（L11-12）_________________________ 受到……的啟發(fā)(L14)_________________________ 更喜歡(L21)_________________________ 在近處，很近地（L24）_________________________ 被……打動(dòng)，迷戀……（L24）lookforwardtoevenif/thoughlay/seteyesonsb/sthpick…outof…makeadeepimpressiononsbbeinspiredbyprefertoupclosebestruckbyPara.5Translating

Althoughthepaintingshadverydifferentsettings,itwastheirsimilaritiesthatstayedwithmelongafterIlefttheMuseed’Orsay----similaritieswhichcanbeseenthroughouttheImpressionists'paintings.盡管這兩幅畫(huà)的背景截然不同，但在我離開(kāi)奧賽博物館后很長(zhǎng)一段時(shí)間里，一直縈繞著我的卻是它們的相似之處——這種相似之處在印象派的畫(huà)作中隨處可見(jiàn)。強(qiáng)調(diào)句Para.5Translating

MonetandRenoir,alongwithotherlike-mindedartists,sought

liberationfromtherulesoftheoldstyle.莫奈和雷諾阿，以及其他志趣相投的藝術(shù)家，都力求從之前風(fēng)格的束縛中（尋求解放）掙脫出來(lái)。Para.5Analyzing強(qiáng)調(diào)句型的構(gòu)成Itis/was＋被強(qiáng)調(diào)＋that/who＋剩余。It僅起引導(dǎo)詞作用。去掉

Itis/was＋...＋that/whoImetMaryyesterday.(1)強(qiáng)調(diào)主語(yǔ)◆ItwasIthat/whometMaryyesterday.(2)強(qiáng)調(diào)賓語(yǔ)◆ItwasMarythat/whoImetyesterday.強(qiáng)調(diào)主語(yǔ)時(shí)，that、who后的動(dòng)詞的人稱(chēng)和數(shù)的變化與前面被強(qiáng)調(diào)的名詞或代詞一致。Itwastheythat/who

(be)late.werePara.5Exercising

LastnightIsawafilmintheYouthPalace.

強(qiáng)調(diào)主語(yǔ)：_____________________________________________________________________

強(qiáng)調(diào)賓語(yǔ)：______________________________________________________________________

ItwasIthat/whosawafilmintheYouthPalacelastnight.

ItwasafilmthatIsawintheYouthPalacelastnight.

Para.5TranslatingEverydaysubjectmatterwasthemainfocusoftheirworks,asopposedtothehistorypaintingsthathadtraditionallydominatedEuropeanart.

Theyemployedfreebrushworkandusedcolourstoshowtheeffectoflightonthings,creatingpaintingsthatwerefarlessrealisticthantheworksthatcamebefore.日常題材是他們作品的重點(diǎn)，這有別于傳統(tǒng)上在歐洲藝術(shù)界占主流地位的歷史題材畫(huà)作。他們運(yùn)用自由的筆法，使用色彩來(lái)表現(xiàn)光線投射在物體上的效果，創(chuàng)作的畫(huà)遠(yuǎn)不如前人之作那么寫(xiě)實(shí)。Para.5TranslatingTome,thesetechniquesaretheessenceoftheImpressionistviewofart.Impressionistartistsdidnottrytopainteverydetailinascene-justabrief"impression"theyhadatthatmoment,burningwithvividcoloursandlight,beforeitdisappeared.在我看來(lái)，這些技巧是印象派藝術(shù)觀的精髓。印象派畫(huà)家試圖描繪的并非某個(gè)場(chǎng)景的所有細(xì)節(jié)——而是他們當(dāng)時(shí)產(chǎn)生的瞬間“印象”，在它消失之前，迸發(fā)著鮮明的光彩。Para.6Translating

TheImpressionists'visioninspiredawholenewgenerationofPost-ImpressionistpainterssuchasVincentvanGoghandPaulGauguin,whoseworksarealsodisplayedattheMuseed’Orsay.ItisalsoworthyofnotethatPost-ImpressionistpainterswerenottheonlyonestobeinfluencedbyImpressionism----themovementhashadalastinginfluenceonmodernart,encouragingartiststolookattheworldfromanentirelynewpointofview.Itcertainlyleftalastingimpressiononme.印象派的遠(yuǎn)見(jiàn)卓識(shí)（想象力）啟發(fā)了新一代的后印象派畫(huà)家，如文森特·凡·高和保羅·高更，奧賽博物館有展出他們的作品。值得注意的是，后印象派畫(huà)家并不是唯一受印象派影響的群體——這場(chǎng)運(yùn)動(dòng)還對(duì)現(xiàn)代藝術(shù)產(chǎn)生了持久的影響，鼓勵(lì)著藝術(shù)家們從一個(gè)全新的視角去看待世界。當(dāng)然，這也給我留下了難忘的印象!Para.6Exercising

句型轉(zhuǎn)換Youradviceisworthconsidering.→Youradvice_______________________.

→Youradvice_______________________.

→Youradvice__________________________.isworthyofbeingconsideredisworthytobeconsideredisworthyofconsideration_________________________ （表示對(duì)比）而不是，相對(duì)于（L32）_________________________ 值得……(L41)_________________________ 被……影響（L42）_________________________ 考慮角度，判斷方法；態(tài)度，觀點(diǎn)（L44）_________________________ 給某人留下不可磨滅的印象（L44）asopposedtobeworthyofsthbeinfluencedbypointofviewleavealastingimpressiononsb_________________________ 期待，期盼(L1)_________________________ 即使(L8)_________________________ 看見(jiàn)/注意到某人/某物（L10）_________________________ 從……挑選出（L10-11）_________________________ 給某人留下深刻印象（L11-12）_________________________ 受到……的啟發(fā)(L14)_________________________ 更喜歡(L21)_________________________ 在近處，很近地（L24）_________________________ 被……打動(dòng)，迷戀……（L24）lookforwardtoevenif/thoughlay/seteyesonsb/sthpick…outof…makeadeepimpressiononsbbeinspiredbyprefertoupclosebestruckby_________________________ （表示對(duì)比）而不是，相對(duì)于（L32）_________________________ 值得……(L41)_________________________ 被……影響（L42）_________________________ 考慮角度，判斷方法；態(tài)度，觀點(diǎn)（L44）_________________________ 給某人留下不可磨滅的印象（L44）asopposedtobeworthyofsthbeinfluencedbypointofviewleavealastingimpressiononsbgallerydecadedisplaylaideyesonemployingvividasopposedtovision對(duì)…印象深刻導(dǎo)致VerbsNounsAdjectivesimpressdominateliberate

employinfluence

Establishingwordsfamiliesimpression,Impressionism,Impressionistimpressivedominationdominantliberationemployment,employer,employeeemployableinfluenceinfluentialliberatedListening&WritingPART204POSTREADING3JuneParis,France Asahugeartfan,Iknew1.________(exact)whatIwas

lookingforward2.

mostaboutmytriptoParis:visitingthe

Muséed'Orsay.3._______(House)inanoldrailwaybuilding,thisworld-famousartmuseumfeaturessomeofthebest-known4.

(painting)fromtheImpressionistmovementofthe19thcentury.FirstimpressionsexactlyHousedtopaintingsAsI5.________(wander)throughtheImpressionist

gallery,IappreciatedmasterpieceslikeTheBalletClass

andTheCardPlayers.Even6._______Ihadadmiredthem7.

(hundred)oftimesonmycomputerscreen,nothingcould

havepreparedme8.____thewonderIfeltwhenIfinallylaid9.______(eye)ontherealthing.Itwashard10.

pickafavouritepaintingoutofsomanyamazingworks,theartists11.______madethedeepestimpression12.

meweretwoofthegreatestImpressionist13.________(painter),ClaudeMonetandPierre-AugusteRenoir.

wanderedif/thoughforeyeswho/thatpaintershundredstoonIcouldseefromMonet'sworksthathewas14._______(great)inspiredbynature.Inthelastthree15.________(decade)ofhislife,hepaintedmostlyscenesfromhisgarden.Oneofthese16.

(scene)isshowninthefamouspieceBlueWaterLilies,17._______Istudiedforquiteawhileinthegallery.Icouldn'tbelieveitwhenIheardhedidaround250paintingsofthesamewaterlilypond,allindifferentcoloursand18.______(style).Itisamazing19.

everytimeMonetstudiedthissimplescene,hebroughtthepond'sbeautytothecanvas20.

auniqueway.greatlydecadeswhichstylesscenesthatin

Renoir,Inoticed,1.

(prefer)topaintscenesofeverydaylife.Forme,themostinterestingofhispaintings2.

(be)his1876masterpieceDanceatLeMoulindelaGaltte,3.

showslifeinabusyneighbourhoodofParis4.___aSundayafternoon.WhenIsawitupclose,Iwas5._______(strike)bythesmallareasoflightacrossthepainting,andthewaythesoftedgesofthefiguresseemedtomixtogether.There'ssomuch6._______(go)on,butsolittlecleardetail.Thiseffectmakesthelivelymovementofthedancealmostjumpoutattheviewer.onstruckgoingpreferrediswhich

Althoughthepaintingshadverydifferent7._______(setting),itwastheirsimilarities8.____stayedwithmelongafterIlefttheMuseed'Orsay----similaritieswhichcanbeseenthroughouttheImpressionists'paintings.MonetandRenoir,along9.

otherlike-mindedartists,sought10._________(liberate)fromtherulesoftheoldstyle.Everydaysub