學(xué)人教版選修六Unit1 Artreading課件（29張PPT）.ppt

unit1artashorthistoryofwesternpainting step1 checktheworkofpreview 1 adj 抽象的 深奧的n 摘要2 n 信任 信心 信念3 n 目標 目的vi 財產(chǎn)7 adj 卓越的 杰出的 極好的8 n 影子 陰影9 adj 荒謬的 可笑的10 n 努力 嘗試 試圖vt 嘗試 企圖11 vt 預(yù)言 預(yù)告 預(yù)測12 adj 確切的 特定的 possess possession abstract faith aim typical adopt shadow ridiculous attempt predict specific 巧合地大量使某人信服 相信 企圖做某事一方面 另一方面 集中 于 脫離 擺脫渴望做 幾十個 大量的 許多的也就是說 詞組翻譯1 bycoincidence2 agreatdeal3 sb beconvincedthat 4 attempttodosth 5 ontheonehand ontheotherhand 6 concentrate on 7 breakawayfrom 8 beeagertodo9 scoresof10 thatis 11 信任 對 有信心12 實現(xiàn)某人目標13 某人一貫如此14 顯然15 導(dǎo)致 促成16 據(jù)預(yù)測17 那是因為18 第一個做某事的人19 計算出 理解20 對 過敏或反感21 本人 親自 活著的 havefaithinachieveone saimitistypicalofsbtodosthitisevidentthatleadtoitispredictedthatthatisbecausethefirstpersontodosthfigureoutbeallergictointheflesh whatdowecallthesethings paintings step2 leading in oilpaintingwatercolorlandscapecartoonfiguredrawingsketch 油畫水彩畫風(fēng)景畫卡通人物畫素描 kindsofpainting whatarethedifferencesbetweenwesternpaintingandchinesepainting itisoftenaboutnature suchasmountain water bird and flower etc ithasanairoflivinginnature harmony 和諧 andpeace chinesepainting westernpaintings aboutreligion humanabstract richincolor oil lineandshape lookatthefollowingpictures canyoumatchthepaintingsandthepainters 1 2 3 4 c a d b step3 presentation beforereading readthetitleandthefirstparagraphtogetthemainideaandreadthesubtitlestolearnthestructure 20thcenturytotoday themiddleages therenaissance impressionism modernart 15thto16thcentury 5thto15thcenturyad late19thtoearly20thcentury timeorder ashorthistoryofwesternpainting task1skimming what sthemainideaofthetext stylesin have alotwithtimegoingby westernart changed 1 westernarthaschangedverylittleoverthelastseventeencenturies 2 paintingsinthemiddleagesdidnotuseperspective 3 impressionistspaintedlandscapes 4 youcannotrecognizeanyobjectinabstractmodernart 5 intherenaissancemostartistspaintedindoors 6 abstractartisstillanartstyletoday f t t t t t task2scanning para1 q whywesternarthasmorechangethanthechineseone artisinfluencedby andthe ofthepeople andchinaunlikeeurope hasfollowedasimilarwayoflifeforalongtime thistextwilldescribeonlythemostimportantstyles startingfromthe6thcenturyad customs faith task3detailedreading features theme artistswerenotinterestedinshowing butinterestedincreating religion themiddleages para2 whichismorerealistic religioussymbols a 6thcentury natureandpeopleastheyreallywere b 13thcentury respectandloveforgod b 13thcentury masaccio thefirstpersontouseperspectiveinpainting 圣母子 features focusedmoreon andlesson twodevelopments a b humans religion drawingthingsinperspective oilpainting humanistic therenaissance para3 4 1 paintersinrenaissancebegantofocuson a religionb humansc natured science 2 inrenaissance paintersreturnedtoclassical and ideasaboutart a roman parisb greek londonc roman greek therenaissance 3 whichofthefollowingisnotthethingstherichpeoplepaidfamousartiststopaint therichpeoplethemselvesb housesandpossessionsc thegodd activitiesandachievements thecolorlooks thepaintersgavethesubjectsfull bloodylife trytocomparethem richeranddeeper blankfilling changesinpaintingstyles inthelate19thcentury europe agreatdeal fromamostly societytoamostly one peoplemovedfrom tothe therearemany and changed agricultural industrial countryside newcities newinventions socialchanges triedtobreakawayfromthetraditionalstyleofthepainting ledto theimpressionists impressionism para 5 6 sunrisebymonetclaudeinthe19thcentury 1 whydidthepaintershavetopaintquickly naturallightchangessoquickly 2 didpeoplelikethisstyleofpainting why no theysaidthatthepainterswerecarelessandtheirpaintingswereridiculous q whydidtheimpressionistshavetopaintquickly becausenaturallightchangessoquickly atdifferenttimeoftheday light shadow paintingswerenotso indoors outdoors people saction consequently detailed modernart para7 certainqualitiesoftheobject photograph a twoextremes whatweseewithoureyes color lineandshape e x 1onp3 5thto15thcenturyad religiousthemesreligioussymbols 15thto16thcentury religiousthemesperspectivenewoilpaints 19 early20thcentury paintedoutdoorspaintedchangesinlightnotdetailed 20thcenturytotoday abstract concentrateoncertainqualitiesoftheobjectveryrealistic looklikephotographs themiddleages modernart impressionism therenaissance let stelltherightstyleofthepaintings step4 consolidation 1 howisthepassageorganized a b c d 2 whichofthefollowingstatementsistrue a paintingsinmiddleageswereveryrealistic b westernarthaschangedalotsincethe5thcentury c impressionistpaintingswerepaintedmainlyindoors d modernartbeganintherenaissance 3 accordingtothetext thepaintersduringtherenaissance adoptedamorehumanisticattitudetolife discoveredtherulesofperspective developedoilpaints brokeawayfromthetraditionalstyleofpaintinga b c d 4 atfirstmostpeoplehatedtheimpressionists styleofpainting because a theirpaintingwereveryabstract b theirpaintingwereveryrealistic c theybrokeawayfromthetraditionalstyleofpainting d theirpaintingswereveryridiculous artisinfluencedbythecustomsand1 ofapeople herearethemostimportantstylesofwesternart duringthemiddleagesthemain2 ofpainterswastorepresent3 themes intherenaissancepeoplebeganto4 amorehumanisticattitudetolife the5 ofperspectivewasfirstusedbymasaccio by6 oilpaintswerealsodevelopedatthistime makingthecolourslookricheranddeeper theimpressionistsshowedhowlightand7 fellonobjects buttheirpaintingswerethought8 asformodernart someis9 somepaintersconcentrateoncertainqualitiesoftheobjectwhileothersarerealistic whocan10 whatpaintingstylestherewillbeinthefuture faith aim religious adopt technique coincidence shadow ridicu