月英語四級(jí)考試真題第三套帶詳解

1、2015年12月大學(xué)英語四級(jí)考試真題(第3套)Part Writing ( 30 minutes)Directions: For this part, you are allowed 30 minutes to write an essay commenting on the saying"Never go out there to see what happens, go out there to make things happen." You can citexamples to illustrate the importance of being participa

2、nts rather than mere onlookers inlife.You should write at least 120 words but no more than 180 words.Part Listening Comprehension ( 30 minutes)聽力音頻地址：Sheet 1 with a single line through the centre.1 A. Children should be taught to be more careful. B. Children shouldn't drink so much orange juice.

3、 C. There is no need for the man to make such a fuss. D. Timmy should learn to do things in the right way.2. A. Fitness training. B. The new job offer. C. Computer programming. D. Directorship of the club.3. A. He needs to buy a new sweater. B. He has got to save on fuel bills. C. The fuel price has

4、 skyrocketed. D. The heating system doesn't work.4. A. Committing theft. B. Taking pictures. C. Window shopping. D. Posing for the camera.5. A. She is taking some medicine. B. She has not seen a doctor yet. C. She does not trust the man's advice. D. She has almost recovered from the cough.6.

5、 A. Pamela's report is not finished as scheduled. B. Pamela has a habit of doing things in a hurry. C. Pamela is not good at writing research papers. D. Pamela's mistakes could have been avoided.7. A. In the left-luggage office. B. At the hotel reception. C. In a hotel room. D. At an airport

6、.8. A. She was an excellent student at college. B. She works in the entertainment business. C. She is fond of telling stories in her speech. D. She is good at conveying her message.Questions 9 to 11 are based on the conversation you have just heard.9. A. Arranging the woman's appointment with Mr

7、.Romero. B. Fixing the time for the designer's latest fashion show. C. Talking about an important gathering on Tuesday. D. Preparing for the filming on Monday morning.10.A. Her travel to Japan. B. The awards ceremony. C. The proper hairstyle for her new role. D. When to start the make-up session

8、.11.A. He is Mr.Romero's agent. B. He is an entertainment journalist. C. He is the woman's assistant. D. He is a famous movie star.Questions 12 to 15 are based on the conversation you have just heard.12. A. Make an appointment for an interview. B. Send in an application letter. C. Fill in an

9、 application form. D. Make a brief self-introduction on the phone.13.A. Someone having a college degree in advertising. B. Someone experienced in business management. C. Someone ready to take on more responsibilities. D. Someone willing to work beyond regular hours.14. A. Travel opportunities. B. Ha

10、ndsome pay. C. Prospects for promotion. D. Flexible working hours.15. A. It depends on the working hours. B. It is about 500 pounds a week. C. It will be set by the Human Resources. D. It is to be negotiated.Section BDirections.In this section, you will hear 3 short passages.At the end of each passa

11、ge, you will hearsome questions.Both the passage and the questions will be spoken only once.After youhear a question, you must choose the best answer from the four choices marked A., B,Cand D.Then mark the corresponding letter on Answer Sheet 1 with a single linethrough the center.Passage OneQuestio

12、ns 16 to 19 are based on the passage you have just heard.16.A. To give customers a wider range of choices. B. To make shoppers see as many items as possible. C. To supply as many varieties of goods as it can. D. To save space for more profitable products.17. A. On the top shelves. B. On the bottom s

13、helves. C. On easily accessible shelves. D. On clearly marked shelves.18.A. Many of them buy things on impulse. B. A few of them are fathers with babies. C. A majority of them are young couples. D. Over 60% of them make shopping lists.19.A. Sales assistants promoting high margin goods. B. Sales assi

14、stants following customers around. C. Customers competing for good bargains. D. Customers losing all sense of time.Passage TwoQuestions 20 to 22 are based on the passage you have just heard.20.A. Teaching mathematics at a school. B. Doing research in an institute. C. Studying for a college degree. D

15、. Working in a hi-tech company21. A. He studied the designs of various clocks. B. He did experiments on different materials. C. He bought an alarm clock with a pig face. D. He asked different people for their opinions.22. A. Its automatic mechanism. B. Its manufacturing process. C. Its way of waking

16、 people up. D. Its funny-looking pig face.Passage ThreeQuestions 23 to 25 are based on the passage you have just heard.23.A. It is often caused by a change of circumstances. B. It actually doesn't require any special treatment. C. It usually appears all of a sudden. D. It generally lasts for sev

17、eral years.24.A. They cannot mix well with others. B. They irrationally annoy their friends. C. They depend heavily on family members. D. They blame others for ignoring their needs.25. A. They lack consistent support from peers. B. They doubt their own popularity. C. They were born psychologically w

18、eak. D. They focus too much on themselves.Part Reading Comprehension(40 minutes)Section ADirections: In this section, there is a passage with ten blanks. You are required to select one word for each blank from a list of choices given, in a word bank following the passage. Read the passage through ca

19、refully before making your choices. Each.choice in the bank is identified by a letter.Please mark the corresponding letter for each item on Answer Sheet2 with a single line through the center.You may not use any of the words in the bank more than once.Questions 36 to 45 are based on the following pa

20、ssage.Children do not think the way adults do.For most of the first year of life, if something is out of sight, it's out of mind.If you cover a baby's36toy with a piece of cloth, the baby thinks the toyhas disappeared and stops looking for it.A 4-year-old may 37 that a sister has more fruit

21、juice when it is only the shapes of the glasses that differ, not the38 of juice.Yet children are smart in their own way.Like good little scientists, children are always testing their child-sized39 about how things work.When your child throws her spoon on the floor for the sixth time as you try to fe

22、ed her, and you say, "That's enough! I will not pick up your spoon again!"the child will 40 test your claim. Are you serious? Are you angry? What will happen if she throws the spoon again? She is not doing this to drive you41; rather, she is learning that her desires and yours can diff

23、er, and that sometimes those42 are important and sometimes they are not.How and why does children's thinking change? In the 1920s, Swiss psychologist Jean Piaget proposed that children's cognitive (認(rèn)知的) abilities unfold 43, like the blooming of a flower,almost independent of what else is44in

24、 their lives.Although many of his specific conclusions havebeen45 or modified over the years, his ideas inspired thousands of studies by investigators all over the world.A. advocateB. amount C. confirmed D. crazy E. definite F. differencesG. favorite H. happeningI. ImmediatelyJ. NaturallyK. Obtainin

25、gL. PrimarilyM. ProtestN. RejectedO. theoriesSection BDirections: In this section, you are going to read a passage with, ten statements attached to it.Each statement contains information given in one of the paragraphs.Identify the paragraph from which the information is derived.You may choose a para

26、graph more than once.Each paragraph is marked with a letter. Answer the questions by marking the corresponding letter on Answer Sheet 2.The Perfect EssayA. Looking back on too many years of education, I can identify one truly impossible teacher.Shecared about me, and my intellectual life, even when

27、I didn't.Her expectations were high-impossibly so.She was an English teacher.She was also my mother.B. When good students turn in an essay, they dream of their instructor returning it to them in exactly the same condition, save for a single word added in the margin of the final page : "Flaw

28、less." This dream came true for me one afternoon in the ninth grade.Of course, I had heard that genius could show itself at an early age, so I was only slightly taken aback that I had achieved perfection at the tender age of 14.Obviously, I did what any professional writer would do; I hurried o

29、ff to spread the good news.I didn't get very far. The first person I told was my mother.C. My mother, who is just shy of five feet tall, is normally incredibly soft-spoken, but on the rare occasion when she got angry, she was terrifying.I am not sure if she was more upset by my hubris(得意忘形) or b

30、y the fact that my English teacher had let my ego get so out of hand.In any event,my mother and her red pen showed me how deeply flawed a flawless essay could be.At the time,I am sure she thought she was teaching me about mechanics, transitions (過渡), structure, styleand voice.But what I learned, and

31、 what stuck with me through my time teaching writing at Harvard, was a deeper lesson about the nature of creative criticism.D. First off, it hurts.Genuine criticism, the type that leaves a lasting mark on you as a writer, also leaves an existential imprint (印記) on you as a person.I have heard people

32、 say that a writer should never take criticism personally.I say that we should never listen to these people.E. Criticism, at its best, is deeply personal, and gets to the heart of why we write the way we do.Theintimate nature of genuine criticism implies something about who is able to give it, namel

33、y,someone who knows you well enough to show you how your mental life is getting in the way of good writing.Conveniently, they are also the people who care enough to see you through this painful realization.For me it took the form of my first, and I hope only, encounter with writer'sblock-I was n

34、ot able to produce anything for three years.F. Franz Kafka once said: "Writing is utter solitude (獨(dú)處), the descent into the cold abyss (深淵) of oneself." My mother's criticism had shown me that Kafka is right about the cold abyss, and when you make the introspective (內(nèi)省的) descent that w

35、riting requires you are not always pleased by what you find.But, in the years that followed, her sustained tutoring suggested that Kafka might be wrong about the solitude.I was lucky enough to find a critic and teacher who was willing to makethe journey of writing with me."It is a thing of no g

36、reat difficulty," according to Plutarch, "to raise objections against another man's speech, it is a very easy matter; but to produce a better in its place is a work extremely troublesome." I am sure I wrote essays in the later years of high school without my mother's guidance,

37、 but I can't recall them.What I remember, however, is how she took up the "extremely troublesome" work of ongoing criticism.G. There are two ways to interpret Plutarch when he suggests that a critic should be able to produce "a better in its place." In a straightforward sense

38、, he could mean that a critic must be more talented than the artist she critiques (評(píng)論).My mother was well covered on this count. But perhapsPlutarch is suggesting something slightly different, something a bit closer to Marcus Cicero's claim that one should "criticize by creation, not by fin

39、ding fault." Genuine criticism creates a precious opening for an author to become better on his own terms-a process that is often extremely painful,but also almost always meaningful.H. My mother said she would help me with my writing, but first I had to help myself.For each assignment, I was to

40、 write the best essay I could.Real criticism is not meant to find obvious mistakes, so if she found any-the type I could have found on my own-I had to start from scratch.From scratch.Once the essay was "flawless," she would take an evening to walk me through myerrors.That was when true cri

41、ticism, the type that changed me as a person, began.I. She criticized me when I included little-known references and professional jargon (行話).She hadno patience for brilliant but irrelevant figures of speech."Writers can't bluff (虛張聲勢(shì)) their way through ignorance." That was news to me-

42、I would need to freed another way to structure my dailye xistence.J. She trimmed back my flowery language, drew lines through my exclamation marks and argued forthe value of restraint in expression."John," she almost whispered.I leaned in to hear her:"I can't hear you when you sho

43、ut at me." So I stopped shouting and bluffing, and slowly my writing improved.K. Somewhere along the way I set aside my hopes of writing that flawless essay.But perhaps I missed something important in my mother's lessons about creativity and perfection.Perhaps the point of writing the flawl

44、ess essay was not to give up, but to never willingly finish. Whit man repeatedly reworked "Song of Myself' between 1855 and 1891.Repeatedly.We do our absolute best with a piece of writing, and come as close as we can to the ideal.And, for the time being, we settle.Incritique, however, we ar

45、e forced to depart, to give up the perfection we thought we had achieved for the chance of being even a little bit better.This is the lesson I took from my mother: If perfection were possible, it would not be motivating.46.The author was advised against the improper use of figures of speech.47.The a

46、uthor's mother taught him a valuable lesson by pointing out lots of flaws in his seemingly perfect essay.48.A writer should polish his writing repeatedly so as to get closer to perfection.49.Writers may experience periods of time in their life when they just can't produce anything.50.The aut

47、hor was not much surprised when his school teacher marked his essay as "flawless".51.Criticizing someone's speech is said to be easier than coming up with a better one.52.The author looks upon his mother as his most demanding and caring instructor.53.The criticism the author received f

48、rom his mother changed him as a person.54.The author gradually improved his writing by avoiding fancy language.55.Constructive criticism gives an author a good start to improve his writing.Section CDirections: There are 2 passages in this section.Each passage is followed by some questions or unfinis

49、hed statements.For each of them there are four choices marked A, B, C.andD .You should decide on the best choice and mark the corresponding letter on Answer Sheet 2 with a single line through the center.Passage OneQuestions 56 to 60 are based on the following passage.Could you reproduce Silicon Vall

50、ey elsewhere, or is there something unique about it?It wouldn't be surprising if it were hard to reproduce in other countries, because you couldn't reproduce it in most of the US either. What does it take to make a Silicon Valley?It's the right people.If you could get the right ten thous

51、and people to move from Silicon Valley to Buffalo, Buffalo would become Silicon Valley.You only need two kinds of people to create a technology hub (中心) : rich people and nerds (癡迷科研的人).Observation bears this out.Within the US, towns have become star,up hubs if and only if they have both rich people

52、 and nerds.Few startups happen in Miami, for example, because although it's full of rich people, it has few nerds.It's not the kind of place nerds like.Whereas Pittsburgh has the opposite problem: plenty of nerds, but no rich people.The top US Computer Science departments are said to be MIT,

53、 Stanford, Berkeley, and Carnegie-Mellon. MIT yielded Route 128.Stanford and Berkeley yielded Silicon Valley. But what did Carnegie-Mellon yield in Pittsburgh? And what happened in Ithaca, home of Cornell University, which is also high on the list?I grew up in Pittsburgh and went to college at Corne

54、ll, so I can answer for both.The weather is terrible, particularly in winter, and there's no interesting old city to make up for it, as there is inBoston.Rich people don't want to live in Pittsburgh or Ithaca.So while there're plenty of hackers (電腦迷) who could start startups, there's

55、 no one to invest in themDo you really need the rich people? Wouldn't it work to have the government invest in the nerds?No, it would not.Start up investors are a distinct type of rich people.They tend to have a lot of experience themselves in the technology business.This helps them pick the rig

56、ht startups, and means they can supply advice and connections as well as money. And the fact that they have a personal stake in the outcome makes them really pay attention.56.What do we learn about Silicon Valley from the passage?A. Its success is hard to copy anywhere else.B. It is the biggest tech

57、nology hub in the US.C. Its fame in high technology is incomparable.D. It leads the world in information technology.57.What makes Miami unfit to produce a Silicon Valley?A. Lack of incentive for investment.B. Lack of the right kind of talents.C. Lack of government support.D. Lack of famous universit

58、ies.58.In what way is Carnegie-Mellon different from Stanford, Berkeley and MIT?A. Its location is not as attractive to rich people.B. Its science departments are not nearly as good.C. It does not produce computer hackers and nerds.D. It does not pay much attention to business startups.59.What does the author imply about Boston?A. It has pleasant weather all year round.B. It produces wealth as well as high-tech.C. It is not likely to attract lots of investors and nerds.D. It is an old city with many sites of historical interest.60.What does the author say about startup investors?A. They are e