《嘉莉妹妹》嘉莉的性格分析

1、精選優(yōu)質(zhì)文檔-傾情為你奉上精選優(yōu)質(zhì)文檔-傾情為你奉上專心-專注-專業(yè)專心-專注-專業(yè)精選優(yōu)質(zhì)文檔-傾情為你奉上專心-專注-專業(yè)嘉莉妹妹女主人公的性格分析摘要：嘉莉妹妹是美國著名的主義小說家西奧多德萊塞的第一部長篇小說，講述的天真，純潔，美麗少女嘉莉如何從社會底層登上百老匯紅五星寶座的過程，細(xì)膩地展示了嘉莉的生存景觀及心路歷程。該作品以真切的現(xiàn)實主義為鮮明的特征，揭露了資本主義社會繁榮的表面底下的失業(yè)、貧困和饑餓，對美國貧富對立的社會作了深刻的描寫。在美國文學(xué)史上,嘉莉妹妹一直是頗具爭議的人物，本文主要對女主人公嘉莉的性格進行分析，研究嘉莉妹妹的性格特征。關(guān)鍵字：嘉莉妹妹，性格分析，寫作意圖引言

2、作者的介紹西奧多德萊塞（MarkTwainl8711945）美國小說家。1871年8月27日生于印第安納州的特雷霍特鎮(zhèn)。出生于破產(chǎn)小業(yè)主家庭。曾長期在社會底層勞動掙扎。父親原是德國的紡織工人，于1846年逃避兵役到了美國，開過紡織工場。德萊塞12歲起充當(dāng)呢絨綢緞店的店員和報童；17歲時去芝加哥謀生，曾在一家小飯館里洗碟子，在鐵器店做伙計。18歲時。由小時候的一個女教師資助，進入印第安納大學(xué)肄業(yè)，有機會接觸到達爾文、赫胥黎和斯賓塞的著作。一年后又回到芝加哥，充當(dāng)房地產(chǎn)公司的推銷員和洗衣店的送貨員。從23歲開始。先后在芝加哥和圣路易斯的報紙任記者，在紐約每月雜志任主編。開始寫作嘉莉妹妹，第二年完成

3、并出版。嘉莉妹妹通過農(nóng)村姑娘家莉到芝加哥謀生而成為名演員的故事，揭露了資本主義社會繁榮的表面底下的失業(yè)、貧困和饑餓，對美國貧富對立的社會作了深刻的描寫。嘉莉妹妹用巴爾扎克式的現(xiàn)實主義寫成為美國文學(xué)開創(chuàng)了一個新的天地。Theodore Dreiser (MarkTwainl871 1945) American novelist. August 27, 1871 was born in the town of Terre Haute, Indiana. Born in the bankruptcy of small property owners family. Had long been str

4、uggling at the bottom of Labor. The father was a textile worker in Germany to avoid military service in 1846, the United States, opened a textile factory. Dreiser act as the woolen Chou Duandian staff and newsboy at age 12; the age of 17 went to Chicago to earn a living in a small restaurant, washin

5、g dishes, do the folks in hardware shops. The age of 18. By the child a female teacher support, into the Indiana University Graduated, and have access to the writings of Darwin, Huxley and Spencer. One year later, he returned to Chicago, to act as a real estate salesman and laundry deliveryman. From

6、 the 23-year-old. Has any reporter in Chicago and St. Louis newspapers, the editor in chief at New York, a monthly magazine. Sister Carrie began to write, the second was completed and published. Sister Carrie through rural Gu Niangjia and to Chicago to earn a living and become the story of the actor

7、 exposed underneath the surface of the prosperity of capitalist society, unemployment, poverty and hunger, made a profound description of the society of rich and poor opposition in the United States. Sister Carrie with the realism of Balzac was creating a new world of American literature.三對嘉莉妹妹的故事情節(jié)

8、的介紹嘉莉妹妹是19世紀(jì)美國著名小說家西奧多德萊塞的第一部長篇小說，也是一部自然主義的杰出作品。嘉莉就是這本書的主人公，故事發(fā)生在19世紀(jì)末的美國，當(dāng)時新興工商業(yè)城市相繼崛起，大批的鄉(xiāng)村人口涌進城市。嘉莉，一個十八歲，聰明又單純的少女，為了擺脫貧窮，壓住對家人的不舍，帶上僅有的四美元，懷著對未來生活的美好憧憬，坐上了去芝加哥的火車。然而殘酷的現(xiàn)實打破了她的美夢，迎接她的是失業(yè)和疾病，在走投無路的時，她做了推銷員的情婦。經(jīng)杜洛埃介紹，她認(rèn)識了酒店經(jīng)理赫斯渥，他被嘉莉的純樸美麗深深吸引，后來偷了酒店的錢，欺騙嘉莉私奔到紐約。在紐約，赫斯渥的經(jīng)濟每況愈下，嘉莉于是去當(dāng)演員來掙錢糊口，由于偶然的機會，

9、她成了走紅一時的演員，擠上了上流社會，并拋棄了逐漸貧窮的赫斯渥，已不自覺的殘忍將他推上了絕望之路，了斷生命。雖然嘉莉成名之后，但是她并不幸福，還是感覺單孤獨寂寞。對于她這個人物，對于她這個人物,大家褒貶不一。那么她到底是怎樣的一個人,作者為什么要塑造這樣一個人物呢? Sister Carrie is the 19th century, the famous American novelist Theodore Dreisers first novel, is also a naturalist of his remarkable works. Carrie is the hero of thi

10、s book, the story takes place in the United States in the late 19th century, when the emerging industrial and commercial city have been rising, a large number of rural population has poured into the city. Carrie, a eighteen years old, smart and simple girl, in order to get rid of poverty, press and

11、hold the familys dismay, only four U.S. dollars to bring a feeling of a better vision of the future life, riding on a train to Chicago . However, the harsh reality to break her dream to meet her unemployment and disease, in desperation, she made the mistress of the salesman. By Drouet, she met a hot

12、el manager, Hurstwood, he was Carries simple beautiful attracted to, and later to steal the money of the hotel, to deceive Carrie eloped to New York. In New York, Hurstwoods deteriorating economy, Carrie then went to an actor to earn their living due to chance, she became popular temporary actor, sq

13、ueezed into the high society, and abandoned the gradual poor Hurstwood unconsciously cruel onto the road of despair, a broken life. Carrie fame, but she is not happy or feel a single loneliness.For her character, her character, mixed. Her in the end what kind of a person, why the author to create su

14、ch a character?四對嘉莉妹妹的性格分析從作品本身來看,嘉莉妹妹是一個天真單純、勤奮、浪漫而現(xiàn)實、心地比較善良，有進取心但虛榮心較強的獨立女性。From the work itself, Sister Carrie is an innocent, simple, hard-working, romantic and realistic, the heart is relatively good, aggressive but vanity is a strong independent women.第一, 她的天真單純主要表現(xiàn)如下。她很容易被異性的殷勤和甜言蜜語打動。當(dāng)她在開往芝加

15、哥的火車上邂逅德魯埃下火車時提出給她拿包時,她說“你太好了。”并且“感到在異地他鄉(xiāng)受到如此殷勤的照顧真是幸運”。而德魯埃只不過是一個靠“對女人的強烈的欲望和愛慕支撐的膽量來討女人歡心” 的男子。她病了一場之后把工作丟了,到處找工作都沒著落之時,她再次遇到德魯埃,他先是邀請她吃東西,后來硬塞給她20 美元讓她去買衣服和鞋子,這時嘉莉的心情是復(fù)雜和矛盾的,她感到羞愧,畢竟不勞而獲是可恥的,所以她開始拒絕;但當(dāng)?shù)卖敯猿忠o她時,她抵制不住金錢的誘惑,終于接受了,她太需要錢了,所以她在羞愧之余仍然十分高興,于是她越發(fā)覺得德魯埃這人“慷慨大方,值得稱贊”,她根本不知道他是那種“把追求女人當(dāng)作一種樂趣的

16、男人。所以當(dāng)姐姐姐夫看她找不到工作嫌她是個累贅想趕她回老家時,德魯埃又提出讓她住到他那里去,并且?guī)退夜ぷ?這時嘉莉已經(jīng)完全被他征服了,乖乖地成了他的情婦。她幻想著德魯埃能夠娶她,可是德魯埃并不是一個對感情專一的人,他到處拈花惹草,甚至還和他的女仆調(diào)情,每當(dāng)嘉莉提到結(jié)婚的話題時,他總說等他生意好一點再說。嘉莉?qū)λ坪醪槐Щ孟肓恕５坏诙€男人騙得更慘,這第二個男人便是德魯埃的朋友赫斯特伍德。嘉莉同樣被他的外表和談吐打動了,在德魯埃出差時頻頻和他約會,她全然不知赫斯特伍德已是有婦之夫。當(dāng)?shù)卖敯８嬖V她赫斯特伍德的情況之后,她才知道自己上當(dāng)受騙,悔恨不已。但嘉莉的單純還在后頭。當(dāng)嘉莉得知赫斯特伍德

17、已有家室時,決定不再和他交往,可是老謀深算的赫斯特伍德有一天突然來到她的住處告訴嘉莉德魯埃生病住院了,嘉莉絲毫不懷疑地跟著他走,誰知道又是被他騙了,騙到了開往另一個地方的火車上駛向另一個陌生的城市,這樣她只好跟了他,在他化名后,成了他的妻子。嘉莉的天真、單純使她兩度成為男人的獵物First, her naivete and simplicityShe is easy to move by heterosexual complaisance and sweet words. she encountered Drouet on the train for Chicago and after get

18、ting off the train,Drouet asked for taking the package for Carrie, she said, very kind of you. and felt that it is really lucky to get the such complaisant care in strange land. But Carrie didnt know Drouet was a person who only relies on the strong desire and adoration for women and made women happ

19、y. Carrie was out of work after an illness and couldnt find a job in a short time, she met Drouet again and he invited Carrie to dinner and then forced upon her twenty dollars to let her buy clothes and shoes. Then Carries mood is complex and contradictory, and she felt ashamed and refused him, but

20、she accepted at last under the lure of money. Once again Carrie though Drouet was a generous and very good person, but she didnt know he was only a man who took the pursuit of women for fun. When Carrie had no choice and had to go home, Drouet gave a hand to Carrie, so Carrie was moved and became hi

21、s mistress at last. Later, because of her simplicity, Carrie was deceived even worse by the second man, hurstwood. She was also attracted by the appearance and conversation of him and he her pretty, so they frequently made appointment, but she was completely unaware of Hurstwood was a married man. W

22、hen Drouet told her that Hurstwood had a family, she knew that she was deceived and she felt much regretted. When Carrie was informed that the Hurstwood has been married and decided not to contacts with him, but one day, Hurstwood suddenly came to her residence and tell Carrie that Drouet was sick i

23、n the hospital, she follows him with no doubt then she was cheated to strange city- New York by Hurstwood. Because of her naivete and simplicity, Carrie makes herself to become the prey of the men twice.Actually get something for nothing is shameful, so she began to refuse; but when DrewAye stick to

24、 give her, she not resist the temptation of money, and finally accessBy, and she needed the money, so she still shame IPleased, she more and more think and De Luai this generosity, the valuePraise, she did not know he was that the pursuit of a woman whenFor a fun man. So when the sister, brother-in-

25、law to see herNot find a job too she is a burden to want to catch her back home, DrewAye is also proposed to allow her to live in him, and to help her find a job, whichWhen Carrie was conquered, wants to become his loveWoman. Her fantasy De Luai be able to marry her, but not De LuaiA specific feelin

26、gs, he full of love affairs, and evenAnd his flirting with the maid whenever Carrie mentioned the topic of marriage, heAlways say wait his business a little better to say. Carrie does not seem to hold the magic for himThink of. She was the second man deceive even worse, this second maleIs Delu Ais f

27、riend Hirst Wood. Carrie alsoAppearance and conversation touched, and his De Luai travel frequentlyAppointment, she was completely unaware of the Hirst Wood is a married man. When theThe Delu Ai told her the case of Hirst Wood, she knewOwn deceived remorse. But Carries simple stillHead.When Carrie w

28、as informed that the Hirst Wood has been married and decided not toAnd his contacts, but the wily Hurst Wood, one daySuddenly came to her residence tell 嘉莉德魯埃 sick in the hospital,Jia Lisi no doubt follow him, who knows what is to be he liedFool on the train bound for another place to sail anotherSt

29、range city, so she had with him, after his pseudonym, asHis wife.Carrie naive, simple to make her twice to become the prey of a mans。第二, 她的勤奮，有進取心。嘉莉的勤奮主要表現(xiàn)在她的工作上。初到芝加哥的第二天,她就出去找工作,奔走了一整天,最后找到了一家周薪四塊五的鞋廠,雖然待遇低、工時長,工作環(huán)境惡劣,但她忍受著,后來因為她穿著單薄,禁不起寒冷的襲擊病倒了,這份可憐的工作丟掉了。她成為德魯埃的情婦后,德魯埃所屬的共濟會正在演出一部募捐戲煤氣燈下, 正好缺女主

30、角,德魯埃便讓嘉莉去試試,她天天在家里練習(xí),后來終于把這個角色成功地表演了出來。這個經(jīng)歷為她后來在百老匯的成功打下了基礎(chǔ)。被赫斯特伍德騙到紐約后,嘉莉先是家庭主婦,但當(dāng)赫斯特伍德失業(yè)后,生活日趨窘困,嘉莉不得不自己出去找事做,后來在一家合唱團當(dāng)一名不起眼的合唱演員。但她從未放棄希望和努力,后來終于越來越走紅,過上了富裕的生活。她的成功是和她的勤奮分不不開的。Second. Her diligence and Carries diligences her work. When she first arrived in Chicago and the next day, she went out

31、to find a job. For running all day, she finally found a job that weekly pays four point five dollars in a shoes factory.Though it was low pay, long working hours, poor working conditions, she endured that. Later because she was wearing thin, she got cold and lost her job. After she became the mistre

32、ss of Drouet, Carrie tried to in improving herself in taste and she found herself was more tasted than Drouet. And at that time, the Masonic which Drouet belonged to was performing a fund-raisingPlay - Under the Gaslight, just missing the heroine. Drouet asked Carrie to have a try, so Carrie replied

33、 to try. Carrie practiced painstakingly at home everyday and though that is a good choice to get rid of privation. So she knew that if she wanted to success, she had to hardworking and then Carrie finally performed this role successfully. This experience laid a solid foundation for her to success in

34、 the Broadway later. Hurstwood lured Carrie to New York and they lived together. Carrie first was a housewife, but when Hurstwood, was unemployment and stayed at home. The environment was getting increasingly embarrassment; Carrie had to go out to look for a job to do, then in a choir as a humble ch

35、orus actor. But she did not give up hope and made an effort, she eventually became more and more popular, lived a prosperous life. Without her hard work, Carrie could get success at last. Her gumption expressed in improving herself. In Chicago, Carrie learned the conversations and manners of the peo

36、ple in .第三, 浪漫而現(xiàn)實。她的浪漫體現(xiàn)在她對生活和情感的幻想中,她幻想自己終究會“得到回報,她的辛勤勞動不會白費。”在找到那份周薪四塊五的工作后,她幻想“她會比以前過得更快活幸福的生活在等著她。”但她的幻想很快就破滅了,在這個競爭激烈的大都市里,毫無工作經(jīng)驗的她找工作相當(dāng)困難;那份周薪四塊五的工作環(huán)境惡劣得她幾乎難以忍受,而且她還要付給姐姐、姐夫伙食費,剩下的錢還不夠她坐車。而且病了三天之后,這樣的一份工作也丟了。她的浪漫還體現(xiàn)在她對情感的幻想中,她先是幻想德魯埃會和她結(jié)婚,后來則幻想和赫斯特伍德會有一個理想的結(jié)合,可是前者并不真的想娶她,而后者也只是把她當(dāng)作躲避蠻橫無理而又粗野的妻

37、子的避風(fēng)港,她的情感的幻想相繼破滅,所以在她得到名利之后,她仍然不幸福。名利并非一切,先后兩次遭到情感的打擊使她對生活和愛情不再抱幻想,所以她迷惘,在成功之后她并不快樂,因為她的生活是有缺憾的,這種缺憾就是情感的失敗。所以她變得逐漸現(xiàn)實起來。在赫斯特伍德失業(yè)之后,她毅然離開了她,獨自去闖蕩世界,終于在社會中找到了適合自己的角色。她浪漫是因為她不懂得社會競爭的殘酷、不了解人心的險惡;她現(xiàn)實是因為生活的磨練教會了她不再輕易相信男人,只有憑自己的努力才能過自己想要的生活。Third, the romantic and realistic. Her romantic reflected in her

38、oppositeThe fantasy of living and emotional, I imagine that I will eventually get backReported that her hard work will not be wasted. To find that weeksSalary in the work of four of five, her fantasy, she flies faster than beforeLiving - live a happy life waiting for her. But her fantasySoon shatter

39、ed, and in this competitive metropolis, there is no workVery difficult experience to find a job; share of weekly earnings for four fivePoor working conditions she was almost unbearable, but she would also like to paySister, brother-in-law for food, the rest of paying the money is not enough that her

40、 car. AndAnd was sick for three days, such a job was lost. HerThe romance is also reflected in her emotional fantasies, her first fantasy GermanyLuai to marry her, and later fantasy and Hirst Wood will beAn ideal combination, but the former does not really want to marry her, and thenOnly her as a wi

41、fe to avoid the outrageous and unrulyA safe haven for her emotional illusions have been shattered, so she had toAfter that fame, fortune, she still is not happy. Fame is not everything, hasTwice been hit by the emotions so that she no longer hold the magic of life and loveWant to, so she confused Af

42、ter that success, she is not happy, because sheOf life there is a shortcoming, this shortcoming is the failure of emotion.So she gradually become reality together. Hirst Wood unemploymentLater, she decided to leave her alone to go into the world, and finally in the communityWill find suitable for th

43、eir roles. Her romance is because she does notUnderstand that social competition is brutal, sinister do not understand the peoples hearts; her realityBecause life hone church she no longer easily believe that a man,Only by their own efforts to live the life you want.第四, 她的虛榮心。嘉莉是一個虛榮心很強的女人,這種虛榮心導(dǎo)致了她

44、成為男人的犧牲品,同時也促使她日后走向成功。她總是向往衣服和首飾,當(dāng)她去百貨公司找工作時,她被每件商品吸引著“, 無論是廉價的小飾物,還是貴重的首飾,件件都吸引著她?這些飾物哪一件她不想現(xiàn)在就戴在身上而哪一件她不渴望擁有呢? 那精致的拖鞋和長統(tǒng)襪,鑲著美麗飾邊的裙子和襯裙,各色各樣的花邊、緞帶、發(fā)梳和花包,這一切要是都能擁有,該多好啊?！?“她內(nèi)心充滿了對穿戴和美貌的渴望?！焙髞硭秃账固匚榈略诩~約住下來之后,有一次隔壁的萬斯太太邀她去看戲,她的虛榮心在和萬斯太太的攀比下表現(xiàn)的淋漓盡致“, 嘉莉自己打扮得也夠漂亮了,可是跟萬斯太太一比,不由得自慚形穢起來。萬斯太太怎么會有這么多可愛的小玩意兒?

45、 ?”和萬斯太太一起走在人流中,嘉莉更加不自在,“滿大街都充斥著一股富足和炫耀之氣,而嘉莉覺得自己與之格格不入。她無論如何也不會有萬斯太太的儀態(tài)和風(fēng)度,這一事實令她難以接受,使她痛苦萬分。最后她發(fā)誓,不打扮得漂亮點兒就決不再到這兒來。同時她又渴望能和別人穿得一樣華麗,到這兒出風(fēng)頭。那將是多么快樂的事啊!”) 嘉莉的虛榮心就這樣表現(xiàn)在她對商品的渴望和同別人的攀比中,同時還表現(xiàn)在她對名利的追求中,但也正是這種虛榮心使得她不滿足于自己的現(xiàn)狀, 使她走出自己生活的圈子,最終獲得了成功,得到了她夢寐以求的名利。Fourth, her vanity. Carrie is a Woman with stro

46、ng vanity and desire for material and just because of this vanity and material desire led her to become a victim of the two men-Drouet and Hurstwood, also contributed to her success in the future. She was always yearning for clothes and Jewelry, so when she went to the department store to look for a

47、 job, Carrie was attracted by each item, whether it is cheap trinkets, or expensive jewelry, each piece is attracted to her. She wanted to wear all the jewelry on her body and desire to have them all. That delicate slippers and stockings, trimmed with beautiful trim skirts and petticoats, all every

48、color of the lace, ribbons, combs, and flower package, what a wonderful thing if she can have them all. Her heart is filled with the desire of wear and beauty. Later she lived in New York with Hurst wood in some time and once the next door neighbor, Mrs. Vance invited her to the theater, her vanity

49、reveal fully by the comparisons with Mrs. Vance. Carrie thought himself was pretty enough, but when compared to Mrs. Vance, it is not pretty at all. How could Mrs. Vance have so many cute little things? Carrie felt more uncomfortable when went on the street with Mrs. Vance, because it is filled with

50、 strong rich and flaunted in the street, she though herself couldnt in this atmosphere. The fact that she never could have the bright appearance and deportment of Mrs. Vance made her felt very pain. .Later she vowed that if she cant dress more gorgeous, she would never come here again. At the same t

51、ime, she was eager to dress gorgeously to show off her in here. Carries vanity manifested in her desire for goods and the comparisons with others, and display in her pursuit of fame and fortune, too, but also because of this vanity makes her not satisfied with the status quo, so that she went out of

52、 the circle of her own lives and, ultimately, she met with success and got the fame and gain which she wish for.Up and go in the flow, Carrie is more uncomfortable, filled with floodedAn affluent and show off the air, but Carrie felt with gridThe grid Nothing. In any case there will not be the depor

53、tment of Mrs. Vances andDemeanor, the fact that make it difficult to accept, to make her great pain. MostAfter she vowed not to dress up a little and would never come here again.The same time, she was eager and looking like someone else gorgeous here outLimelight. It would be so happy! CarrieVanity

54、so manifested in her desire for goods and othersComparisons in performance in her pursuit of fame and fortune, but alsoThis vanity makes her not satisfied with the status quo, so that sheOut of the circle of their own lives and, ultimately, success, and got herDream of fame and fortune.Fifth, her in

55、dependence. Carries independence is not spontaneous第五, 她的獨立性。嘉莉的獨立性不是自發(fā)的,而是被逼出來的。她來到芝加哥后住在姐姐姐夫家,一個人到處求職,找到工作之后她必須付伙食費,失業(yè)之后她便不受他們歡迎了,他們“建議”她回鄉(xiāng)下去,這時碰到德魯埃無疑是她在危難之時遇到了救命稻草,這就使她離開了親人獨自去沉浮。和德魯埃分手后,她不得不再次找工作。被赫斯特伍德騙到紐約后,嘉莉受不了貧困的生活,赫斯特伍德找不到工作,生活成問題,這時她又一次出去找工作了,試了好幾家,終于從合唱團起步成了百老匯的主打明星。Fifth: her independen

56、ce. Carries independence is not spontaneous，but is forced out. She came to Chicago to stay with her sister and brother-in-laws home and had to look for a job by herself, and then when she got a job, she must pay for the fees of meals to her sister. After she was unemployment, she was not welcomed, t

57、hey proposed her to return home, at that Carrie encountered Drouet when she was in distress, and she took him as the last straw, which makes her to leave their loved ones alone go to ups and downs. And after breaking up with Drouet, she had to find a job again. Later she was lured to New York by Hur

58、stwood, Carrie can not stand poor live, and Hurstwood can not find jobs, their life had a problem, so she went out again to looking for work, and tried several, and finally from the start to the main star of the Broadway.五，對作者寫作意圖的分析從以上分析中我們知道了嘉莉是一個天真單純、勤奮、浪漫而現(xiàn)實、心地比較善良但虛榮心較強的獨立女性。那么作者塑造這樣一個人物的意圖是什么呢

59、? 筆者認(rèn)為主要有兩點。第一,是為了突出自然主義的特點。作為使自然主義文學(xué)成熟起來的嘉莉妹妹,作者在這部作品中塑造這個人物的一個目的就是體現(xiàn)自然主義的特點。從嘉莉身上體現(xiàn)出來的自然主義特點就是和赫斯特伍德形成鮮明對照,一個是憑著自己的幾分天資在競爭激烈的社會中取得了成功,而另一個則因為自己不再年輕能干而被社會淘汰最終走上自殺的末路。這就是自然主義的寫照。第二,是為了反映社會現(xiàn)實。“德萊塞在創(chuàng)作嘉莉妹妹時正值達爾文進化論和適者生存理論盛行,以生產(chǎn)為主的意識形態(tài)正逐漸被消費意識形態(tài)代替的時代。消費意識形態(tài)強調(diào)花費和物質(zhì)占有,它削弱了勤儉、節(jié)約、自控等傳統(tǒng)道德標(biāo)準(zhǔn)”?！暗氯R塞寫嘉莉妹妹時,美國婦女已

60、開始受到消費主義影響。她們已開始向傳統(tǒng)道德標(biāo)準(zhǔn)挑戰(zhàn):她們不再相信婦女的責(zé)任是生養(yǎng)孩子,婦女生來就是做母親的好料子等信條。相反,她們認(rèn)為應(yīng)該把自己打扮得漂漂亮亮、富有性感,痛痛快快地享受性生活。Analysis, of the intention of writing From the above analysis, we know that Carrie is an innocent single Pure, hard-working, romantic and realistic, carefully compare good but vanity compared with The str