講稿影視文學

FinalProjectof TheShawshankThisPPTBackground MusicRelatedSimilarClassicalwordsand MyBackgroundTheShawshankRedemptionisa1994AmericandramafilmwrittenanddirectedbyFrankDarabont,andstarringTimRobbinsandMorganFreeman.AdaptedfromtheStephenKingnovellaRitaHayworthandShawshankRedemption,。thesameyear,TheShawshankRedemptionwasawardedAcademy,andhasbeenwellreceived.InthemovieTheShawshankRedemption,therearetheactors-TimRobbinsandMorganFreeman,thosewhoallwereawardedAcademy.Theperformanceofthemcanbepresentedwellinthismovie. yndromeorcapture-bonding（ yndromeisapsychologicalphenomenoninwhichhostagesexpressempathyandsympathyandhavepositivefeelingstowardtheircaptors,sometimestothepointofdefendingandidentifyingwiththecaptors.Thesefeelingsaregenerallyconsideredirrationalinlightofthedangerorriskenduredbythevictims,whoessentiallymistakealackofabusefromtheircaptorsforanactofInasense,theformofStockho alsorunsthroughthe"institutionalized"."Institutionalized"isthefamousmovietheShawshankRedemptioninterpretationofkeyconcepts.Prisonerlaoruide(MorganFreeman)talkingabout"institutionalizing":"inthebeginningyouhatedprison,thenyougetusedtoit,afterenoughtimeyoustartrelyingonit,thisisthesystem."Inthismovie,therepresentativeofStockholmsyndromeisBrooks,whostayedattheprisonforfifityyearsuntillhewasapprovedtoleavetheprison,buthedid'nwanttoleaveashewasunclearaboutwhathecould fhelefttheprison.Sohewantedtokillthebuddytobeputintotheprisonagain.Finally,theBrookscould'nthelifeoutofprison,hechosetosuicide.Brookwasinstitutionalizedintheprison.Duetostayatprisonforyears,hecannotadapttothenewlifeoutside.Nowadays,moreandmorepeoplebecameinstitutionalizedunderthisThesametoRed,hewouldasktheshopperbeforehewenttothetoiler.However,heneedn'ttot,hewasfree.Accordingly,Redwasalsoavictimof Briefandkilhiswifeandherloverwhiledrunk.Hedid'tstarttodoinskilexamination.WhenthenewcomerstoldAndythetruththathedid'taCharacterThisisapartwhichIwouldliketo ysethecharacterandquailityofthefigure,ImainlytallkThefunctionofcharacter ysisistoknowmoreabouttheactorsandeventhepsychology.Tosomeextent,itisagoodwayforustorevealthelyingtruthofthemovie.Asthemaincharacter,Andy,abankerofficer,whoalsoisamurdererofkillinghiswifeandhiswife'lover.However,itishewhohavetwodifferentroleinthemovie,sothattheplotcanbemoreextraordinary.Ontheonehand,abankerofficeofriskandinvestmentawarenesspresentwellinAndy.Hecaughtthechancetowinmostofpeople'trustsuchasAllthetime,Hefacedpositivelywithlife.Evenifhewassentencedtolifeinprisonment.Hepursuedfreedomandnevergaveupsuchasdigacannelwhichspenthim19years.Wecanfigureoutheishopeful.Meanwhile,hemadeadeeprelationshipwithRed.Allinall,thesettingofAndypresentacourage,positive,hopeful,freeandpersist.Red,asthesecondarycharactermoreclearlyisthemirrorcharacter,wastheonewhofirstlytalkedwithAndy,andafterwardstheybecamegoodfriends.andRedgaveAndyassisstantandcaredabouthimandhelpedhimtoformulatehisgoals.Meanwhile,wecanunderstandAndybytheRed'sIntermsofRedhimself,wecanknowthathewastheonlyonewhohadguiltandstayedatShawshankprisonfor40years.Hehadappliedforparoleseveraltimes,butwasrejected.Finally,hegotapprovalinthelasttimeandmetwithRed.InShawshankprison,Redhadaaccesstogetanywhathewanted.Forthis,wecanunderstandRed'sresource.Allthetime,hegaveAndymoresupportand Inaword,Redwasabelieveableand .TheSevenCharacterArchetypesTheShawshankFunctionTheShawshankTheprotagonistwhoembarksonthequest(topursuehisexperiencedfigurewhogivehelpandmotivateAndygayswhoalwaysbeatupAndyfortwoyearslong.FunctioninTheLionthefigurewhofinallymadeAndychosetoescapefromprison.figurewhoisreallytheantagonistandAndy’s“darkside”.MusicFilmmusic,actually,inthemovieistheroleplayedbydeepeningthetheme,deepeningemotion,deepenthecontents,renderingthebackgroundatmosphere,toexpresstheemotionsofthecharacters.Thepart musicsofTheShawshankTheInkNewTheInkRockTheInkInchofHisTheInkIfIDidn’tTheInkBrooksWasHisJudgementHankSudsontheHankHankThisparthadabackfroundmusicoffamoussoftJazzband-theInkSpotofasongsoftsoundso gsIfIDidn'TCare,thepicturereferedtotheheroAndyistoguninloadedbullet,andhehesitatedwhethertokilloffhiswifeandwife'lover,thisfirstsongwithinhere,isnotissimpleofaccounteventoccurredtimeofenvironmentmusic,butfoilAndyatofmood:angerandguiltyofInthispart,followedbyappearingmorethanonceinthefi title:ShawshankRedemption.ThisisthesceneofAndytostandtrialforthefirsttime,t reseemnervousanddepressed,synthesizerandstringtocreateadisturbingatmosphere,cruisingrepeatedstringsinthebass,andbassUnitedKingdomtubejoining,reinforcethisfeelingofgloom,frustratedandThispartisthemusicShawshankPrison.Andywasgoingtothere.Firstthecameraoverlookedthewholeprison,thenlowered,thispartusedwithsubjectivecameratolookup,highlightthehorrofeelingofprison.whilethebassgroupinstrumentsandorchestralalternatingfitsoftheatmosphere.Thenthereisthefirstthrillingscenesinthefilm:RedwatchedAndywentintotheprisonn.MusicisofcoursetheNewFish,fatmencan'tstanditandhewasbeatentodeathinthefirstnight.AndAndywasnotfearaboutthat.Sowecanknowtahtonlyonehasironnervescangetthroughthishardship.Soundinasoftpianomusicrepeatedlystatingaphrase,renderingthisdarkatmosphereofterror.Heavydramaendedsoonafter,andthengivepeoplehope,Andyshowinmatesillegalrecording,playingmusicisMozart'sOperathemarriageofFigarointhesectionof"Duetto-Sul'Aria",theviewwasexpressedthatthisfalse:prisonersareinthePrisonAffairs,howwilllovethiselegantmusic.ThewayIseeit:therearesomeelementsofexaggeration,someidealized.MayinnormalsituationXia,"trigger"areonMozartmaynottoointerestedin,onlisteningtolisteningto"mostdazzlenationalwind"Godhorsedrops,buttonotetabletsinthethatspecialofenvironment:crueldarkofprisoninthe,everydayusedtobroadcastGodloveworldofGospelorsimilarwashbrainnewslikestuffofloudspeakers,suddenlyreleasedhasamusic,thatishowawasexcitedandnoveltyoffeel!Willaddtothenumbingmonotonyofprisonlifethatakindoffun!Thatsaid:thearmyforthreeyears,seeingoldsowsaidiaochan,letalonehearMozartinprison!NomatterifyoulikeOpera,orevenlikestolistentomusic,seethissectionyou'llbetouched–aslikethoseofprisonersinthefilm.ThisOperarepresentsAndyandallthepursuitoffreedomandgoodthings,"therewasabirdiscaged,becauseitsfeathersaresogorgeous",whichnotonlyreferstothemaincharacterAndy,alsoreferstothepeople'shopesforagreatThismaybethemostexcitingscenesinthefilm,underthelong-termdepression,AndyfinallyreleasedhisallthefortandEvilwardenHailiandprisonguardcaptainNortonwerereportedbyAndy.Facingtrial,thesetwopeoplefelthorro.SothebackgroundmusicisHisJudgementCometh,anditistobethewordsfromtheBible:Christ'sjudgmentcomesquickly.Themusictotherhythmofdrumandbassbeatoutdaunting,thenitplayedtrumpetandFrenchHornMelodywithsomeexoticcolor,andfoilwardenNortonmoodofdespairandregret.CompassAndGunsappearedinthesenceofRedtofindtheleftpresentsaccordingtoAndy'tips.ThissongisfirstandonlytimesthatappearedbywhatRedlikedtheBluesharmonica,itdeepenedcleartonewhi adepeoplefeelandexperiencethewarmthoffreedomandfriendship.EndTiltleappearedinthesenceofRedandAndymetwitheachotherinZihuatanejo.thispartbroughtmerryandbrighttous,andit tawaytheshadowsofthepast.Inthisfilm,therearesomanymusic,however,Icannotpresentthemallhere.Accordingtotheabove,itisobviousthatthefunctionofmusicispowerful.RelatedBookandSimilarTheShawshankRedemptionisanoutstandingwork,whichwrotebythefamouswriterStephenKing,anditwassubtitled"springofhope".Thisisastylecomple ydifferentfromtheauthor'sotherworks,andbelongstothethemeof"alternative".whySayit'salternative,becauseitisnotconqueredbythrillingreaders,butbydeepeninghumannatureinterpretationandseriousthoughttodrawthereaderoutcry.Thefilmwasbasedonthenovel,anddidn'tchangetoomuch.TheCountofMonteThisfilmwasbasedonthenovelofTheCountofMonteCristowrotebytheFrancefamousAlexandreDumas.ItisarevengestoryaboutFranceoccurredduringtheBourbonperiod.PharaonentrustedyoungfirstmateoftheshipcaptainTangTaiSIlastNapoleonsentalettertotheparty,werebothvileandinsidiousProsecutorVillefortframed,wassenttodeathrow.Shouldhavedeprivedhisbeautifulsunshine,loveandthefuture.18yearslater,hetookthesecretswhichhisinmateFariapriestevertoldhimbeforeshedied,escapedfromtheprison.Thefilmthrougehtheprisonthatforceddeprivationoflibertyandhighlystresseddisciplinespecialbackgroundtoshowpeopleasindividuals,"time,environmentalrenovation"offear.ThefiendinghasacatharsisofrevengeandthecountofMonteCristo.Style,inthispart,ismainlyaboutthelightingandAtthebeginnigofthefilm,Andysatinhiscarwithaguninhishand,whilehiswifeandwife'loverwerestayingatthehouse.Thelightandcoloremployeddarkness,whichpresentaharshappearance.Whenhefacedwithtrial,andhewassenttoprison,thesurroundinggaveusasenseofsuppresssion.Andthissensecanbefoundineverywhereofprison.UtillAndybegantorecognizethetruththatheneededtopursuefreedomandtoresempteothers,thelightandcolorbecamesoft.Finally,AndygainedfreedomandRedwasapproved,andthesky ebright.WecanevenfindgreengrassandtreefollowedthepaceofRed.Whentheymetagaininaisland,thesurroundings eextremelybright,itmeansallhardshiphasgoneandfreedomandhappinessarrive.TheShawshankRedemption,agoodstory,isunifiedinplotandbelievable.First,intermsoftheexternallyobservabletruths,thefilmtoldusastoryaboutAndyhowtoadjustthehardsituationandsaveothersandhimself.Second,intermsoftheinternaltruthsofhumannature,Andygainedthetruthandescapeedfromprison,andRedwasapprovedtoleavetheprison.Thereisahappily-ever-afterending.evilwardenryandothersjailerswerepunished.Atleast,intermsoftheartisticsemblanceoftruth,manshouldhaveasenseofhopeandfreedom,andhe(she)couldnotgiveuplife.Allinall,TheShawshankRedemptionisbothsimpleandcomplex.Thestory’sactionorthemearecompressedintoaunifieddramaticstructureandprovidesomesurprises,oratleastsubtleenoughtopreventtheviewerfrompredictingthe emidwaythroughtheThefilmisaplot,anditmianlyconcernsthenatureofhumanity,anditbringtousalifephilosophyofpursuingfreesom.Atthebeginningofthefilm,thereiswords-"FaithtoGod,tomybody".itmeansthatpeoplearenotfreeandtheymustanythingthatcamefromjailersinprison.AndtheydonotwanttoimagesonethingasitbelongstoGod.Therefore,afightaboutthedignityandhumanitybegan,butinthisfight,RedeemerisnotGod.Redeemerishope.Redeemedisfreedom.Andhopethatisthesubjectofthefilm.BeforetheAndy'coming,thelifeofprisonisextremelyhard.Theevilwardenryconstantlyforcedeveryonninprison.After Andy'coming,althoughthesituationoftheprisonwasnotchange,Andybroughtafeelingofhope.foryears,theinstitutionspreadedeverywhere,itmadeeveryone eresiged.Andy,forhimsake,wasnotfaerthediafficultsituationandgraduallyadjusttheButhedidnotgiveuphope.Sincehehelpthejailertoevadetax,hebroughtasenseofhopetohimselfandevenothers.hebegantodomorethingswithhope.suchasrebuiltlibrary,taughtothers,andevensavehimself.ThethemeofhopeandfreedomthroughoutthewholeSoocialSincethe20thcentury,withthelackoffaithinWesternsocieties,humanismreplacesthedoctrineofGod.Inthefilm,wecanknowClassicalIguessitcomesdowntoasimplechoice:getbusylivingorgetbusy生命可以歸結(jié)為一種簡單的選擇：要么忙于生存，要么趕著去死Thesewallsarekindoffunnylikethat.Firstyouhatethem,thenyougettothem.Enoughtimepassed,getsoyoudependonthem.That`sinstitution 其中；最終你會發(fā)現(xiàn)自己不得不依靠它而生存。這就是體Fearcanholdyouprisoner.Hopecansetyoufree.Astrongmancansavehimself.Agreatmancansaveanother.懦 人 ，希望可以感受自由。強者自救，圣者渡人Ittakesastrongmantosavehimself,andagreatmantosave堅強的人只能救贖自己，偉大的人才能拯救他人Somebirdsaren'tmeanttobecaged,that'sall.Theirfeathersarejusttoo ysisofClassicPaymoreattentiontotheboldfaceletter,thethemeofthesewordsishow tosaveothers.However,thesocalledsaveisnotequaltotheactivityof preventingothersfromdamage.Itistobringothersawayfromtheinnershackles,tomakethemadjusttothedifficultsituation,andtoleadthemtohaveapositiveattitudetowardslife.Inthefilm,Andyisthemanwho'sgood isduetohistalentthathewasfoundbyothers,trustedbytotallyconfiemedthewords"Fearcanholdyouprisoner.Hopecansetyoufree.Astrongmancansavehimself.Agreatmancansaveanother."In20years,Andymadehimstrongenoughtofacelife,,tochangethesituationofprion,tosaveother s,andtosavehimself.MyInthelastpartofmyppt,,altoughtIhavemadeabreif ysisofAndybefore,IwouldliketotalkaboutAndyagain.Nowadays,moreandmore enagetivetowardstheirlifeeveniftheyonlyfacedasmall paredwithAndy,thosewhocannotconfrontwithlifepositivelyshouldlearnthespecialcharacterofTobeginwith,weshouldlearnhowtoadjustanewsituationlikeAndy.Inseptember,wen