中國古典小說與西方傳統(tǒng)小說地比較

AComparisonofChineseClassicalNovelsbetweenWesternTraditionalNovels一、Definitionofnovels二、TheClassificationofChineseandWesternNovels三、DifferencesofChineseandWesternnovels四、ChinesenovelandwesternnovelincommonNovel一、DefinitionThenovelisakindofliterarygenre,whichdescribescharactersasthecenter,alsoreflectsthesociallifethroughacompletestoryandsomespecificenvironmentaldescription.二、TheclassificationofChineseandWesternnovels

1、ChineseclassicalnovelshistoricalnovelsNovelsabouthumanrelationshipNovelsofgodsandspiritsLovenovels《WaterMargin》《RomanceoftheThreeKingdoms》《WaterMargin》《RomanceoftheThreeKingdoms》《WaterMargin》《RomanceoftheThreeKingdoms》《WaterMargin》《RomanceoftheThreeKingdoms》《WaterMargin》《RomanceoftheThreeKingdoms》《ADreamofRedMansions》《JinPingMel》《InSearchofGod》《JourneytotheWest》《TheRomanceofWesternChamber》《PeonyPavilion》《TheRedLine》2、Westernfamousnovelsstoriesofwar《GonewiththeWind》familyeducation《QuoVedas》love《TheLadyoftheCamellias》adventure《RobinsonCrusoe》againstoppression《UncleTom’sCabin》三、DifferencesofChineseandWesternnovelsthedifferencesoffigure’sdescriptionthedifferencesinplotthedifferencesinthecharacteristicoflanguageChinesetraditionalnovelspayattentiontothedepictioninaction,wordsanddetailsofcharacters.Alsotheypresentimagesthroughacontradiction,whichlacksthemefeelingowingtosinglepersonalityandfewchanges.例：在《林教頭風(fēng)雪山神廟》中只有通過人物的對(duì)話及動(dòng)作引出矛盾沖突;張飛只具有忠勇這一性格特點(diǎn)。Westernnovelsplacemorestressontheinnerdescriptionofcharacters,emphasizingdiggingwithintheirsubconsciousmind.Andtheyaregoodatdescribingapersonalityofmorefullnessandstrongerthemefeeling.例：安娜·卡列尼娜臥軌前的一系列矛盾卻只用他的心理描寫就能夠表達(dá)清楚；簡·愛的性格卻是由勇敢、堅(jiān)強(qiáng)、熱情、善良等許多性格揉和而成的。TheplotsofChinesenovelaremoreintricate,andthestoriesaremorecomplete,becausethecomplicatedplotsandcompletestoriesareuniqueartistictraditionofChinesenovel.例：魏晉南北朝的志人志怪小說就具有曲折生動(dòng)的特點(diǎn)；《紅樓夢(mèng)》，處處設(shè)伏，回回轉(zhuǎn)折，寫盡賈府故事。中國小說情節(jié)多按時(shí)間順序,偏重?cái)⑹?一般為起-中-結(jié)的結(jié)構(gòu).

例：如《呼嘯山莊》中故事是從31年中間對(duì)呼嘯山莊和畫眉山莊兩戶人家的家史開始敘述,情節(jié)同時(shí)向兩個(gè)方向推進(jìn),在推進(jìn)順敘的過程中,同時(shí)又展現(xiàn)了對(duì)過去的倒敘。三十一章以前是倒敘,到最后四章是順敘,全書的故事情節(jié)劃分作者選擇了“陌生人來訪”把兩戶人家的恩怨、糾葛、人事滄桑,一分為二來完成的。

。thewesternnovelsareseldomintimessequence,moreflashbacksandslenderpart,etcThelanguageisaccurateandconcise,vividandfluentandfullofpersonalizedinChinesenovels.oftenafewwordswilldrawtheoutlineofeventsandpeople.例：如《聊齋志異》嬰寧一章中寫道“王子服，莒之羅店人，早孤，絕慧，十四入泮。母最愛之，尋常不令游郊野。聘蕭氏，未嫁而夭，故求凰未就也”，寥寥數(shù)語便交代了王子服的之前經(jīng)歷和現(xiàn)狀，語言簡潔明了。ThecontentofwesternfictionismoredetailedandaccurateItincludestheextensiveknowledgeoftheauthor,involvingallaspectsofsociety如《Gonewiththewind》就是以真實(shí)的美國南北戰(zhàn)爭(zhēng)為背景，女主人公就是虛構(gòu)出來的一個(gè)莊園的千金小姐，小說中虛構(gòu)的人物隨著真實(shí)戰(zhàn)爭(zhēng)的不斷發(fā)展，際遇也不斷變化。讀小說的同時(shí)，充分了解了南北戰(zhàn)爭(zhēng)。四、Chinesenovelandwesternnovelincommon

Chineseandwesternnovelshavetherulesoffeudalismcultureofoppressionbynature.

Like《watermargin》and《Uncl