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專題11閱讀七選五議論文
目錄
題型綜述.............................................................................................................................................2
解題攻略.............................................................................................................................................3
題型01論點句題..............................................................................................................................3
題型02論據(jù)支撐句題.......................................................................................................................4
題型03過渡銜接句題
題型04總結(jié)句題...............................................................................................................................7
高考練場.............................................................................................................................................8
題型簡介
高考英語閱讀中的七選五議論文,旨在考查學生對議論性文本的語篇連貫性與邏輯性的把握。此類文章圍
繞特定觀點展開論述,作者運用論據(jù)、推理來支持或反駁論點,話題涉獵教育改革、社會現(xiàn)象剖析、道德
倫理探討等領(lǐng)域,行文依靠論點、論據(jù)與論證的緊密配合,語言富有邏輯性,結(jié)構(gòu)層次分明,而七選五題
型要求學生從七個備選句子里挑出五個恰當?shù)?,嵌入文中空缺處,使文章語義通順、論證連貫。
命題類型
論點句:常處于段落開頭,用來明確提出該段落的核心主張,引領(lǐng)后續(xù)的論證闡述,為全段定下論述
基調(diào),例如“Inadditiontoeconomicbenefits,thereisanothercrucialaspecttoconsider.”,旗幟鮮明開啟
新論述方向。
論據(jù)支撐句:為已提出的論點補充事實依據(jù)、具體案例、統(tǒng)計數(shù)據(jù)、名人名言等內(nèi)容,讓抽象論點變
得鮮活可感,增強說服力。比如論點是“運動有益身心”,論據(jù)句可能列舉長期運動人群的健康數(shù)
據(jù)。
過渡銜接句:位于段落之間或段落內(nèi)部,起到承上啟下的關(guān)鍵作用,既總結(jié)上文關(guān)鍵要點,又自然流
暢地開啟下文新話題,確保論證層層遞進、環(huán)環(huán)相扣,就像“However,thesituationisfarfromperfect,
andnewproblemshaveemerged.”,在轉(zhuǎn)折間推進論述。
總結(jié)句:常出現(xiàn)在段末,對全段論述內(nèi)容進行扼要概括,再次強調(diào)論點,加深讀者印象,或者對后續(xù)
論證走向做含蓄鋪墊,如“Inshort,weneedtotakeimmediateactiontoaddressthisissue.”。
解題思路
速覽全文抓主旨:快速通讀文章,尤其留意文章標題、首段以及每段首尾句,迅速提煉核心論點,明
確文章圍繞什么主題、秉持什么立場在展開議論,為后續(xù)解題錨定大方向。
分析空處位置定功能:若空缺處在段首,優(yōu)先考慮論點句,要能提綱挈領(lǐng);位于段中,大概率是銜
接過渡或補充論據(jù);要是在段尾,多為總結(jié)收尾,或是拋出引出下段的懸念話題。
找關(guān)鍵詞匹配:仔細研讀空缺處上下文,圈出關(guān)鍵實詞,比對選項,找出與之匹配的詞匯,像同義
詞、反義詞、同類詞,借助語義關(guān)聯(lián)鎖定潛在答案,例如上文提及“environmentalprotection”,選項
含“greeninitiatives”就值得關(guān)注。
依循邏輯關(guān)系選:關(guān)注文中邏輯連接詞,如表示并列的“and”“also”,轉(zhuǎn)折的“but”“however”,因果
的“so”“therefore”等,據(jù)此判斷選項與上下文邏輯是否契合,使文章論證行云流水。
代入通讀核查:把選好的句子依次填入文中,完整通讀一遍,檢查文章整體語義連貫、邏輯通順與
否,如有語義跳躍、銜接生硬的地方,需重新審視選項。
題型01論點句題
(24-25高三上·重慶·階段練習)Worryingisjustafamiliaremotionthatapersongetswhenhestartsto
getconcernedabouttheoutcomeofsomethingthathecaresabout.1It’sallaboutthetriggers(誘因).
............
4Asyoumighthavealreadyguessed,notgivingintothefirstnegativethoughtisoneofthebest
strategiestodealwithworrying.Bypushingthatnegativethoughtawayassoonasitappearsyoucangive
yourselfthechancenottofallintothisworryingtrap.
............
A.Moreworryingmeansmoretimewasted.
B.Thisiswherethedownwardcycleoftenbegins.
C.Butwhatwemaynotknowisitsnegativeeffects.
D.Butdoyouknowhowtheworryingprocessstarts?
E.However,therearestillwaystobreakfreefromthiscycle.
F.Youmaystudyharderifworriedabout,forexample,anupcomingexam.
G.Thebiggestproblemhereisthatthingspeopleworryaboutareusuallyuncertain.
題型02論據(jù)支撐句題
(2024·廣東廣州·一模)Asababy,Jack’sremarkableswimmingjourneybegan.Attenmonths,he
alreadypractisedwithswimaids.Atsix,hewonhisfirstswimmingcompetitioninagroupforkidsten-and-under.
Atseven,hestayedatthepoolfromnineinthemorningtilleighthourslater.Hismother,recognizinghisgift,
tookitasherdutytoguidehim.11Byayoungage,Jackhadbeenrankedthenumberoneswimmerofthe
country,atitleheheldforarecord-breakingduration.
............
Inaworldthatdemandspeopletospecializeearly,wefaceachallengetokeepthebenefitsofdiverse
experiencesanddelayedconcentration.There’saneedforthosewithJack’searlyfocus.15—Peoplewho
startwithmanydifferentthingsandacceptvariousexperiences.Peoplewithrange.
A.Therewasnotimetowaste.
B.Anditwasallgoingaccordingtoplan.
C.ThegrowingcomplexityoftheworldalsocallsformoreSams.
D.Butitdidn’tseemtoholdbackhisdevelopmentinthelongrun.
E.Inreality,theSam’spathtosuccessisfarmorecommon,yetlesstold.
F.IncontrasttoJack,Samdidn’tshowsignificantsportingtalentuntillater.
G.Unliketheswimmingtalent,Sam’searlyyearswerefilledwithavarietyofsports.
題型03過渡銜接句題
(24-25高三上·四川瀘州·階段練習)Happinessisaparadoxical(自相矛盾)goal.Weallwanttobe
happy,yetweoftenfailatpredictingwhatwillmakeushappy.Wepursuegoalslikewealth,fitness,statusand
masteryonlytofindthatachievingthemdoesn’treallychangeourlive.16.Weworryaboutthingswecannot
control,holdgrudges(仇恨)againstpeoplewecannotinfluence.andspendtimeonactivitieswedon’ttrulyvalue.
17Butfrommyperspective,Ihavefoundafewmaximsthathavemademylifebetter.
............
Meetotherpeoplemorethanhalfway.
Weareanarcissisticspecies.20Evenouroutwardlydirectedthoughtsareoftenself-centered:Wecare
aboutourrelationshipwithotherpeople.Absentourinterestinthem,wedirectlittlementalcapacitytowards
others’viewpoints.
Thosearemyrulesforhappiness,whatareyours?Whatthingsdoyoutrytolivebythatmakeyouhappier?
Shareyourthoughtsinthecomments.
A.Remembereverythingisachoice.
B.Strivingisgood,butachievingisoverrated(高估).
C.Nearlyallofourthoughtsaredirectedtowardsourselves
D.Idon’tclaimtohavediscoveredtherecipeforhappiness
E.Incontrast,weoftendeliberatelymakeourselvesmiserable
F.Muchofhappinessliesinlittlejoysandmomentsthatwecaneasilyoverlook.
G.Daydreamingaboutapossibilitythatisn’tpracticaldoesn’tmakeyoubetteroff.
題型04總結(jié)句題
(2024·廣東湛江·一模)Manysignificantinternationalprojectshaveconsideredhowschoolingmight
changetobettermatchthechangesthathavetakenplaceinthe21stcentury.26Oneisashiftinthemeaning
ofknowledge,andtheotheristheneedtobuildeducationsystemsbasedaroundwhatwenowknowabout
learning.
............
28Nordoesitdenytheneedforobviousgoalsforstudents’knowledgedevelopment.Rather,the
future-focusededucationliteraturesuggestsweneedtoadoptamuchmorecomplexviewofknowledge,onethat
incorporatesknowing,doingandbeing.Alongsidethisweneedtorethinkourideasabouthowourlearning
systemsareorganized,resourcedandsupported.Researchclearlyshowsthatpeopledonotlearnwellaspassive
recipients(接受者)ofpre-packaged,bite-sizedpiecesofknowledge.29
Althoughsomeoftheseprinciplesareunderstoodbymanyteachers,oureducationsystemsandpractices
areoftensetupinwaysthatdonotsupporttheseprinciplestooperateinpractice.Teachersandschoolleadersare
attemptingparadigm(范式)shifts.30
A.Thereneedstobewiderpublicsupportforthem.
B.Therearetwoimportantideasthatsupportthiswork.
C.Thisdoesnotmeanthatknowledgenolongermatters.
D.Goodlearningrequiresactiveengagementinthe“wholegame”.
E.Wearerequiredtoprepareyoungpeoplefortheknowledgeage.
F.Thisispossibleonlywhenactivelearningapproachesareapplied.
G.Intheknowledgeage,theabilitytogeneratevalueisputinthefirstplace.
(2024年新課標高考英語甲卷)
Whatismoderation(適度)?Basically,itmeanseatingonlyasmuchfoodasyourbodyneeds.Youshould
feelsatisfiedattheendofameal,butnottoofull.____16____Butitdoesn'tmeansayinggoodbyetothefoods
youlove.
Takeyourtime.It'simportanttoslowdownandthinkaboutfoodassomethingnutritiousratherthanjust
somethingtoeatinbetweenmeetings.____17____Itactuallytakesafewminutesforyourbraintotellyourbody
thatithashadenoughfood,soeatslowlyandstopeatingbeforeyoufeelfull.
Eatwithotherswheneverpossible.Eatingalone,“speciallyinfrontoftheTVorcomputer,oftenleadsto
mindlessovereating.Andbecarefulaboutthefoodsyoukeepathand.It'smorechallengingtoeatinmoderationif
youhaveunhealthysnacksattheready,likecookies.____18____
Controlemotional(情緒的)eating.____19____Manyofusalsoturntofoodtodealwithunpleasant
emotionssuchassadness,loneliness,orboredom.Butbylearninghealthierwaystomanageemotions,youcan
regaincontroloverthefoodyoueatandyourfeelings.
____20____Ahealthybreakfastcanstartyourmetabolism(新陳代謝),whileeatingsmall,healthymeals
keepsyourenergyupallday.Avoideatinglateatnight.Trytoeatdinnerearlierandfastfor14—16hoursuntil
breakfastthenextmorning.Studiessuggestthateatingonlywhenyou'remostactiveandgivingyourdigestive
systemalongbreakeachdaymayhelptoregulateweight.
A.Eatproperlythroughouttheday.
B.Wedon'talwayseatjusttosatisfyhunger.
C.Don'tswallowamealonthewaytowork.
D.Mostofusneedtodoubletheamountweeat.
E.Instead,surroundyourselfwithhealthychoices.
F.Formanyofus,moderationmeanseatinglessthanwedonow.
G.Thatwon'tleadtocheatingorgivinguponyourneweatingplan.
(2022年6月普通高等學校招生全國統(tǒng)一考試(浙江卷)英語試題)
IhaveadrawerfullofletterstoSanta.EachyearmychildrenwouldwriteuptheirChristmaswishlists.
Theywerepoliterequestsforthelatestgameortoy.Asthechildrengotolder,theywouldgiveSantasome
hints(提示)onwheretobuytheirpresents.1
Thoseletterstaughtmychildrenavaluablelessonaboutwriting:Ithasapurpose.Sometimesourpurposeis
toachievesomething;othertimesitmaybetoentertain,inform,orpersuade.2Andwhenwritingdoesn’t
seemtohaveanypurposeorgetanykindofmeaningfulresponse,thenitcanbehardtogetexcitedaboutdoingit.
Christmasisagreattimeofyearforchildrentocommunicatewithothersthroughwriting.Whenchildren
writeforrealaudiencesandrealpurposes,theycanlearntochoosetheirwordsaccordingly.3Youwrite
“DearSanta”becauseyoudon’tknowhimpersonallyandyouwanttoshowhimrespect.
4Texting,onlinemessaging,livechatswhileplayingvideogamesallmeanthattheyareconstantly
producingwrittenmessages.However,becausetheyareusuallywritingtofamilyandfriends,theyuseinformal
languagemostofthetime.
Thereisnothingwrongwiththiskindofwriting.Itsuitstheaudienceandthepurposeandgetsthejobdone.
5Thistypeofwritingwon’tberewardedbytheschoolexaminer,norbyafutureemployerorapotentialclient.
Theverybestcommunicatorsarethosewhoknowhowtoadjusttheirlanguagetomatchtheiraudience.
A.Itisn’tthattheseyoungpeoplecan’twrite.
B.Butitisalwayspurposeful-oratleastitshouldbe.
C.Theageofpen-and-paperletterwritingmayhavepassed.
D.Asaresult,eachyeartheyreceivedsomethingtheywanted.
E.Youwrite“HiNannaandPop”becauseyouareclosetothem.
F.Astechnologydevelops,youngpeoplearewritingmorethantheyeverhave.
G.Butifthisistheonlykindofwritingyoungpeopledo,itwillcauseproblems.
(江蘇省南京市第十三中學2023-2024學年高考模擬英語試卷)
Artisallaroundus.Itcanbefoundeverywhere,includingfancygalleries,people’slivingrooms,andon
thesidesofbuildings.So,whyisartimportant?
Itpromotesexpressionandcreativity.Ashumans,we’renaturallydrawntoartasaformofexpressionand
communication.6It’sawayforthemtoexpressthemselvesbeforethey’reabletospeak.Infact,
participationintheartsmayevenassistkidswithlanguage,motorskills,andvisuallearningdevelopment.
7.Whensomeoneappliesforajob,therearecertainskillstheyneedtohavelikedataanalysisor
bookkeeping.However,manyemployersalsounderstandtheveryimportantneedfortheskillswhicharehardto
measureandoftendifficulttodefine.Someexamplesincludeaperson’sabilitytoadapttochange,thinkcreatively,
orcollaboratewithteammembers.
Itprovideshistoricalcontext.8.Thisiswhypeoplededicatetheirlivestostudyingcaveart,
Shakespeareanplays,andsomuchmore.Whenwetakethetimetodiveintoartcreatedinthepast,wecanlearn
aboutothergenerationsanderas.Wecanstudyarttofindoutwhatthosebeforeuswerefacingandhowthey
overcameit.9.
Intherapy(療法)settings,artalsoprovidesanopportunityfordiggingdeeperandexpressingemotionsthat
aredifficulttodiscuss.10.Inoneimportantstudy,childrenbetween6and12wereaskedtodrawahouseas
adistractionafterthinkingaboutsomethingupsetting.Thisgroupwasabletoimprovetheirmoodwhencompared
withchildrenwhowereinstructedtodrawthenegativeeventorsimplycopyanotherdrawing.
A.Ithelpsallofusdevelopnecessarysoftskills.
B.Theseareitsmajorbenefits.
C.Itcanhelppeoplehandlementalproblems.
D.Artandhumanhistorygohand-in-hand.
E.Similarly,futuregenerationswilllearnaboutcurrenteventsbytheartweleavebehind.
F.Howdoesithaveanimpactonourlife?
G.Childrenlovetodraw,singanddance.
A
(24-25高三上·山西·階段練習)Itisnotgenerallyrealized,forexample,thatatalewritteninChinain
theninthcenturyistheworld’soldestknownversionofthestoryofCinderella.Thenextearliestwasnot
publisheduntilsevenhundredyearslater—inLyons,France,in1544.Inaddition,350otherstoriesthatare
relatedinsomewaytoCinderellahavebeencollectedfromeverycontinent.
ThoseCinderellastoriesfallintotwomaingroups.Inone,thefocusisontheball,whilecomparatively
littleattentionispaidtothesupernaturalforcethathelpsher.Thisisthetypemostfamiliartousandmost
commonlyfoundinwesternEurope.InthosefoundineasternEurope,muchattentionispaidtothehelpful
animals.ButtheChineseversioncontainsboth.
Oldthoughitis,theChineseversionshowsdefinitesignsofhavingbeenbasedonstillearlier—andnow
lost—versions.Theincidentoftheball,forexample,islinkedwiththerestofthestorysounnaturallythatit
seemsthattheauthorhasborrowedthisincidentfromsomestillearlierversion,butwithoutclearlyunderstanding
itssignificance.ItwillalsoberememberedthatthekingwhomarriedthegirlcamefromacountrycalledT’o-
huan.Thoughthiscountryisnotidentifiedinthestory,weknowfromChinesehistoricalwritingsofthattimethat
therewasasmallcountrybythatnamelocatedneararegioncalledT’o-ho-lo.AndT’o-ho-locanbeidentified
withcertaintyasclosetothemoderncityofBangkokinThailand.ThismakesitprobablethattheChinesestoryof
CinderelladidnotoriginateinChina,butwastakentherefromSoutheastAsia,perhapsbytheArabswhowentas
traderstoCantoninlargenumbers.
ThisstoryshowsthatthesamesimplevirtueswhichareregardedasbasicintheWesthavebeen
emphasized
forcenturiesinChinaandotherpartsofAsia.Itisbutoneexampleofthewayastoryoranideacantravelallover
theworld.
1.Whatphenomenonisdescribedinthefirstparagraph?
A.Astoryusuallyhasdifferentorigins.
B.Chineseliteraturehasaverylonghistory.
C.Differentcountriesmayhavesimilarstories.
D.FrenchliteraturewasinfluencedbytheChinese.
2.WhatisuniqueabouttheChineseversionofCinderella?
A.Theplotdevelopsmorenaturally.
B.Itiscenteredonthosehelpfulanimals.
C.Relativelylittleattentionispaidtotheball.
D.Itstressesboththeballandthesupernaturalforce.
3.WhichevidenceshowsthattheChineseversionoriginatesinSoutheastAsia?
A.Theoriginalwriter’sidentity.B.Somerelatedhistoricalrecords.
C.Anewlyfoundversionofthestory.D.Awell-knownkingdominthestory.
4.Howisthetextmainlydeveloped?
A.Byanalyzinganexample.B.Byreviewingstudies.
C.Bytellingaveryoldstory.D.Byconductingsurveys.
B
(24-25高三上·浙江·階段練習)IoftenremindmyselfthatInsideOutisamoviemadeforkids.Maybe
becauseIwas9yearsoldwhenIfirstwatchedit.Backthen,itwasjustafunmovieaboutcolorfulcharacters
insideagirl’shead:Joy,Sadness,Fear,Anger,andDisgust.Andguesswhat?myfavoriteisJoy!Iadmiredher
sparkleandthewayshemadeeverythingfeelbrighter.Ifeellikeshewastheonlyimportantemotionbecauseshe
madeRileyhappy.
Now,Iaman18-year-oldgrown-up.IwasexcitedwhenIheardInsideOut2iscomingoutin2024.Who
saidthisisjustforkids?Myyoungerselfbackin2015woulddefinitelyteasemeforwatching“child’sstuff.”But
thisnewpartisaddingevenmoredepth,introducingnewemotionslikeEmbarrassment,Ennui(無聊),Envy,and
Anxiety.
Itfeelslikethemoviewaitedforustogrowuptolaunchpart2.TheywantustofeelwhatRiley’sfeeling.
It’sliketheyknewweneededtimetounderstandthefirstmoviefully,andnowthey’rereadytotakeusdeeper.
Andyes,itdidgodeeper.Ineverexpectedthatthismoviewouldmakemeshedtears.“Idon’tknowhowto
stopanxiety.Maybeit’struethatwhenyougrowold,you’llfeellesshappy.”Andyouknowwhat?That’s
perfectlyfine.It’sokaytofeelanxious,it’sokaytobescared,andit’sokaytorealizethatthisworldisnotonly
abouthappiness.
Growingup,youwillrealizethatJoyisn’ttheonlyimportantemotion.Allofouremotionsaremeanttobe
felt,eventhehardones.Theyshapehowweseetheworldandhowweconnectwitheachother.Thisshowedus
thatourfeelingsarepartofwhatmakesuswhoweare.They’renotsomethingtohideorignore—they’rethe
heartbeatsofourexperiences,guidingusthroughlife’supsanddowns.So,let’sembracethem,cherishthem,and
rememberthatfeelingallouremotionsdeeplyisabeautifulpartofbeingalive.
5.WhatdidtheauthorthinkofInsideOutwhenfirstwatchingit?
A.Itwasintendedforchildren.B.Itwasdifficultforkidstounderstand.
C.Ittaughtimportantlessonsaboutemotions.D.Itofferedusefuladviceonhowtobehappy.
6.WhydidInsideOut2comeoutsomanyyearslateraccordingtotheauthor?
A.TowaitforRileytogrowup.
B.Tocreatemorecolorfulcharacters.
C.Totargetawiderrangeofaudienceagegroups.
D.Toguaranteeabetterunderstandingofthemovie.
7.WhydidtheauthorcrywhenwatchingInsideOut2?
A.Theauthorlearnedabittertruth.
B.Theauthorrelateddeeplytothemovie.
C.Themoviemadetheauthoranxiousandscared.
D.Themoviefellshortoftheauthor’sexpectations.
8.Whatisthemessagetheauthorhopestoconvey?
A.Growingupisapainfulprocess.
B.Joyisunnecessarytoabeautifullife.
C.It’simpossibletohideorignoreouremotions.
D.Amixofemotionsmakesusuniqueandbeautiful.
C
(24-25高三上·浙江·階段練習)Alwaysbusy“doing”things?Ifso,youmaybesufferingfrom“toxic
productivity,”adestructiveratherthanproductivebehavior.
Iimagineyou’rethinking,“Productivitymustbegood,right?”Buttoxicproductivity,incontrastwith
regularproductivity,isanexcessiveneedtoalwaysbeproductive,regardlessofthecosttoyourhealth,
relationships,andlife.
Ifyou’redriventocontinuously“produce”or“do”things,whetheratworkorathome,theresultsare
frequentlynotyourbest—they’reusuallydeliveredwithoutanydelayandwithoutsufficientforethought,
analysis,planningorreflection.Andif,inthedoing,you’realsoexhaustedandburnedout—orfeelingguiltyfor
notdoing
moreorbetter—youareverylikelysufferingfromtoxicproductivity.
Often,Iseecoachingclientswhohaveachallengeinfrontofthem,andtheirfirstresponseistodo
something,atonce.Anything.Theydon’twanttositwiththeproblem,theydon’twanttothinkaboutit,nordo
theywanttotaketimetoreflectonanyoptionsforaction.Alltheywanttodoishearwhattheissueis—
sometimeswithoutevenfullyunderstandingit—andthenquicklygetstraightonwiththe“doing.”Whatever
theirreason,theseclients,likemanypeople,justwanttogetonand“do”—evenifthismeansgettingpoorer
results.
Thereareallsortsofreasonsforthistoxicproductivity.Numberoneisthat“doing”oftenfeelsmore
comfortablethan“notdoing.”There’softenafirmbeliefthatactionspeakslouderthanwordsandthatit’savirtue
toactfast.Intheworkplace,forexample,leaderswanttodemonstratethattheyaresuccessful,whichtheyusually
associatewithbeingproductive.Thereisalsoacompetitivecultureamongjuniorstaffwantingtostandoutas
keen,hardworkersinordertoprogressintheircareers.Andthus,acultureoftoxicproductivitycandevelop
throughoutanorganisation.
9.Howistoxicproductivitydifferentfromregularproductivity?
A.Itisharmful.B.Itisflexible.
C.Itismoreefficient.D.Itismoretime-consuming.
10.Whoaremostlikelytosufferfromtoxicproductivity?
A.Clientsavoidingchallenges.B.Juniorstaffeagertostandout.
C.Leaderssatisfiedwiththeirsuccess.D.Workersreflectingonoptionsbeforeacting.
11.Whatisthemainreasonfortoxicproductivity?
A.Astrongdesireforsuccess.B.Toomuchemphasisonvirtues.
C.Aculturalpreferenceforaction.D.Toomuchpressurefromothers.
12.Whichoffollowingbestdescribestoxicproductivity?
A.Doingisundoing.B.Thesoonerthebetter.
C.Enoughisenough.D.Bettersafethansorry.
D
(23-24高三上·江蘇南京·階段練習)Artisallaroundus.Itcanbefoundeverywhere,includingfancy
galleries,people’slivingrooms,andonthesidesofbuildings.So,whyisartimportant?
Itpromotesexpressionandcreativity.Ashumans,we’renaturallydrawntoartasaformofexpressionand
communication.13It’sawayforthemtoexpressthemselvesbeforethey’reabletospeak.Infact,
participationintheartsmayevenassistkidswithlanguage,motorskills,andvisuallearningdevelopment.
14.Whensomeoneappliesforajob,therearecertainskillstheyneedtohavelikedataanalysisor
bookkeeping.However,manyemployersalsounderstandtheveryimportantneedfortheskillswhicharehardto
measureandoftendifficulttodefine.Someexamplesincludeaperson’sabilitytoadapttochange,thinkcreatively,
orcollaboratewithteammembers.
Itprovideshistoricalcontext.15.Thisiswhypeoplededicatetheirlivestostudyingcaveart,
Shakespeareanplays,andsomuchmore.Whenwetakethetimetodiveintoartcreatedinthepast,wecanlearn
aboutothergenerationsanderas.Wecanstudyarttofindoutwhatthosebeforeuswerefacingandhowthey
overcameit.16.
Intherapy(療法)settings,artalsoprovidesanopportunityfordiggingdeeperandexpressingemotionsthat
aredifficulttodiscuss.17.Inoneimportantstudy,childrenbetween6and12wereaskedtodrawahouseas
adistractionafterthinkingaboutsomethingupsetting.Thisgroupwasabletoimprovetheirmoodwhencompared
withchildrenwhowereinstructedtodrawthenegativeeventorsimplycopyanotherdrawing.
A.Ithelpsallofusdevelopnecessarysoftskills.
B.Theseareitsmajorbenefits.
C.Itcanhelppeoplehandlementalproblems.
D.Artandhumanhistorygohand-in-hand.
E.Similarly,futuregenerationswilllearnaboutcurrenteventsbytheartweleavebehind.
F.Howdoesithaveanimpactonourlife?
G.Childrenlovetodraw,singanddance.
E
(23-24高三·湖北·階段練習)Whatacomediancanteachyouaboutmanagingstress
Weoftenacceptstressaspartofthecostofmodernlife,butitreallydoesn’thavetobe.Weallknowthat
laughteristhebestmedicine.18Peoplewhocanlaughattheirownmisfortunesbouncebackfasterand
stronger.Hereiswhatacomediansaysaboutcopingwithstress.
Youcantrytofindadifferentperspective.19Onceafriendofminefellasleepinthemiddleofaclass.
Histeacherdecidedtomakefunofhimbyinvitingstudentstoapplaud,wonderingwhethermyfriendwould
applaudalongwhenhewokeup.Hedidandthewholeclassburstoutlaughing.Afterlearningeverything,hewas
bothembarrassedandashamedofcoursebutafterawhile,myfriendlaughed.“Ifthishadhappenedtosomeone
else,itwouldhavebeenamusing.Soit’snolessfunny,justbecauseithappenedtome.“
20There’snodoubtthatweallexperiencegreatstressnowandthen.We’veallbeenpersonally
affected,insomeway.YoumightnothavefeltlikelaughingatthetimeButnow,lookingback,youcould
considerallofthestrangeaspectsoftheexperienceandallofthethingsyoudidtokeepactiveorsimplystaysane
(神志正常的).
Whenyousharestorieswithyourfriends,youcanchoosetosharestoriesoftrauma(創(chuàng)傷)andpain,oryou
canchoosetolifttheirspiritswithstoriesofhopeandgrowth.21Taketheexactsamestoryandchangethe
focusfrom“feelsorryforme”to“l(fā)aughwithme”.Keepinmindthatwe’reallinthistogether,thatweallshare
thesameridiculousexperiences,andthatwecanlaughtogetheratwhateverlifethrowsatus.22
A.Alwaysshareagoodstory.
B.Whynotdowhatcomediansdo?
C.Youcanalsolookagainandlaugh.
D.Butlaughter
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