全英文劇本 X檔案第二季全

1、X檔案第二季全英文劇本第一集 綠色小矮人 LITTLE GREEN MENSCENE 1 (The vast emptiness of space. Mulder speaks over the scenes.) MULDER: We wanted. to believe. We wanted to call out. (Two satellites fly by.) On August 20th and September 5th, 1977, two spacecraft were launched from the Kennedy Space Flight Center, Florida

2、. They were called Voyager. (The shot flies back at incredible speeds past planets, moons and stars, until we are outside the Milky Way. The image moves down to the lower-right side of the screen. Bach抯 Brandenburg Concerto Number Two starts playing.) Each one carries a message. KURT WALDHEIM ON MES

3、SAGE: I send greetings on behalf of the people of our planet. We step out of our solar system into the universe, seeking only peace. (Waldheim continues talking. A diagram of an amino acid group, followed by a diagram of the human muscular system, a map of the world, a math chart and many charts of

4、unborn babies.) MULDER: A gold-plated record depicting images, music and sounds of our planet, arranged so that it may be understood if ever intercepted by a technologically mature extraterrestrial civilization. (A woman starts talking in another language, possible Japanese, in the background and a

5、picture of the earth comes up, stating the measurement of 12,756 kilometers.) BOY ON MESSAGE: Hello from the children of planet Earth. (The picture turns into the real Earth, then zooms back from it.) MULDER: Thirteen years after its launch, Voyager One passed the orbital plane of Neptune and essent

6、ially leaving our solar system. Within that time, there were no further messages sent. Nor are any planned. (The shot moves down to a row of satellite dishes.) We wanted to listen. On October 12th, 1992, NASA initiated the high-resolution microwave survey. SCENE 2 ARECIBO IONOSPHERIC OBSERVATORY; AR

7、ECIBO, PUERTO RICO (An aerial shot of the extraordinary telescope. Mulder continues talking.) MULDER: A decade long-search by radio telescope, scanning ten million frequencies for any transmission by extraterrestrial intelligence. (The birds chirp and the monkeys howl outside of the observatory.) Le

8、ss than one year later, first-term Nevada Senator Richard Bryan successfully championed an amendment which terminated the project. (The letters on the outside of the building read: Arecibo Ionospheric Observatory; Arecibo, Puerto Rico; Control Room.) I wanted to believe but the tools have been taken

9、 away. (Inside, the machines are covered and off.) The X-Files have been shut down. They closed our eyes. Our voices have been silenced. our ears now deaf to the realms of extreme possibilities. (A machine turns on and starts beeping. Slowly, all the machines turn on. One indicates that it is receiv

10、ing information. The printers begin pumping out papers. The reel player starts. Bach抯 Brandenburg Concerto Number Two starts playing. The voice is scratchy and rough.) KURT WALDHEIM ON MESSAGE: I send greetings on behalf of the people of our planet. We step out of our solar system into the universe,

11、 seeking only peace and friendship. to teach. SCENE 3 LONGSTREET MOTEL; WASHINGTON, D.C.; WIRETAP #5A21147 (Mulder sits at a desk with a tape recorder that is on. He is transcribing a conversation between two men. Mulder has poured out a bag of sunflower seeds on his desk and is eating them. The she

12、lls surround his chair on the floor.) MAN #1: Do you remember that one strip joint? MAN #2: Yeah. You treat yourself? MAN #1: Oh, man, let me tell you. You know that one, Tuesday? MAN #2: Wait, wait, you went on Tuesday? MAN #1: No, no. That抯 the stripper抯 name, Tuesday. MAN #2: Yeah, yeah, I know h

13、er. MAN #1: Well, anyway, she抯 onstage dancing to that Offspring song, Come Out and Play. MAN #2: Nice touch. MAN #1: Very hot. MAN #2: So keep going. MAN #1: So I抦 tipping her big. No ones, five spots. I抦 laying them down on the rail, boom boom boom. MAN #2: Yeah, right. MAN #1: By the end of the s

14、ong, I had like forty dollars laid out on the rail. MAN #2: It抯 not a long song, is it? SCENE 4 F.B.I. ACADEMY; QUANTICO, VIRGINIA (A dead man is laid out on a table under a sheet with only the top of the head exposed. A dotted line is across it. Scully stands over him, dressed in her doctor抯 garb.

15、A class of students is off to the side taking notes.) SCULLY: It is advantageous to begin an autopsy with removal of the cranium. The cranium is opened with a horizontal division an inch above the eyebrow ridges. (She looks at the body. The students murmur a little.) FEMALE STUDENT: Something wrong?

16、 SCULLY: What this man imagined. his dreams, who he loved, saw, heard, remembered. what he feared. somehow it抯. all locked inside this small mass of tissue and fluid. FEMALE STUDENT: Are you okay, Agent Scully? You kind of sounded a. little spooky. (Scully looks at her when she hears Mulder抯 nicknam

17、e.) SCENE 5 F.B.I. HEADQUARTERS; WASHINGTON, D.C. (Mulder turns a corner and walks down a hallway filled with people talking. Scully turns another corner and sees him coming towards her. She smiles slightly and walks up to him.) SCULLY: Good afternoon, Agent Mulder. (Mulder keeps walking, turning th

18、e corner she came out of. She watches him walk away in dismay. Mulder walks to his desk and sees the picture of Samantha face down. He stands it up and takes of a note attached to it that covers her face. He stares at the picture.) SCENE 6 WATERGATE HOTEL & OFFICE COMPLEX (Scully paces back and fort

19、h in the parking lot. She hears a door opening and turns to see a man walking towards her. She starts towards him and sees that it is Mulder.) MULDER: Four dollars for the first hour of parking is criminal. What you got better be worth at least forty-five minutes. (She sighs in a little relief and s

20、miles at him.) SCULLY: You know, Mulder, from. from back there, you look like him. MULDER: Him? SCULLY: Deep Throat. MULDER: He抯 dead, Scully. I attended his funeral at Arlington through eight-power binoculars from a thousand yards away. Now, the picture frame was turned down, you wanted to talk. Wh

21、at have you found? SCULLY: I wanted to talk but I haven抰 found anything. (A car starts and the headlights cast upon the duo. He moves closer to her.) MULDER: It抯 dangerous for us just to have a little chat, Scully. We must assume we抮e being watched. SCULLY: Mulder, I haven抰 seen any indication. MULD

22、ER: No, no, of course not. These people are the best. SCULLY: I抳e taken all of the necessary precautions. I have doubled back over my tracks to make sure that I haven抰 been followed and no one has ever followed me. The X-Files have been terminated, Mulder. We have been reassigned. I mean, what makes

23、 you think they care about us anymore anyway? MULDER: So why have you bothered to come here covertly? SCULLY: Because I realized that it was the only way that you would see me. MULDER: So what do you want? SCULLY: To know that you抮e all right. Mulder, you passed me today within a foot, but you were

24、miles away. MULDER: They抳e got me on electronic surveillance. White-bread cases, bank fraud, insurance fraud, health care swindles. SCULLY: Mulder, I know that you feel. frustrated that without the bureau抯 resources, it抯 impossible for you to continue. MULDER: No, it. SCULLY: Well, what then? When t

25、he bureau first shut us down, you said that you would go on for as long as the truth was out there. But I no longer feel that from you. (She stares at him, waiting for a response.) MULDER: Have you ever been to San Diego? SCULLY: Yeah. MULDER: Did you check out the Palomar observatory? SCULLY: No. M

26、ULDER: From 1948 until recently, it was the largest telescope in the world. The idea and design came from a brilliant and wealthy astronomer named George Ellery Hale. Actually, the idea was presented to Hale one night. While he was playing billiards, an elf climbed in his window and told him to get

27、money from the Rockefeller Foundation for a telescope. SCULLY: And you抮e worried that all your life, you抳e been seeing elves? (He slumps down against the wall, kneeling.) MULDER: In my case. little green men. (She kneels down next to him.) SCULLY: But, Mulder. during your time with the X-Files, you抳

28、e seen so much. MULDER: That抯 just the point. Seeing is not enough, I should have something to hold onto. Some solid evidence. I learned that from you. (They look at each other in silence for a second.) SCULLY: Your sister抯 abduction, you抳e held onto that. (Mulder looks away.) MULDER: I抦 beginning t

29、o wonder if. if that ever even happened. SCULLY: Mulder, even if George Hale only saw elves in his mind, the telescope still got built. Don抰 give up. And next time. (She sighs and stands up.) We meet out in the open. (She walks away. He stays there, his eyes closed. He opens them slowly and sighs, t

30、hen looks at a sign that says This parking reserved for the staff of the Watergate Hotel.) SCENE 7 NOVEMBER 27, 1973; CHILMARK, MASS.; 8:53 P.M. (The TV is on and a tape recorder is playing on it, with a picture of Nixon in the corner. A young Fox lays down across a Stratego board from Samantha, who

31、 is sitting. He moves a piece.) MAN: .she had erased a conversation between President Nixon and H.R. Haldeman while transcribing the subpoenaed tape. Woods testified that she had erased only about five minutes of the conversation but the tape contained an eighteen-minute gap. Under investigation. SA

32、MANTHA MULDER: Scout. MAN: .from Senator Howard Baker, H.R. Haldeman reiterated the White House explanation that Rosemary Woods. (Fox takes a piece and smiles.) SAMANTHA MULDER: Do we have to watch this, Fox? MULDER: Leave it, I抦 watching The Magician at nine. SAMANTHA MULDER: Mom and Dad said I cou

33、ld watch the movie, buttmunch. MULDER: They抮e next door at the Galbrands and they said I抦 in charge. (Samantha gets up and changes the channel to a western. Mulder sits up.) Hey! Get out of my life! (He changes it to a channel with static. She screams in his ear. He changes it back to the news and s

34、tands, towering over her.) I抦 watching The Magician. (He starts to walk when the power goes out.) Now, look. The fuse is blown. (A painting of Mulder and his dog starts moving against the wall.) SAMANTHA MULDER: Fox! (They look around as the Stratego pieces shake along the board. On the fireplace ma

35、ntel, pictures fall and knickknacks topple over. The plug in the wall socket explodes in sparks. They look towards the window, where weird red and blue lights flash through. Fox moves up to the window and looks through. The chandelier is shaking, and Fox looks at that. A weird glow starts emanating

36、through the door. The doorknob slowly turns. The door opens and a bright light shines through. Fox抯 eyes open widely as he makes out a strange-looking silhouette that doesn抰 quite look human. Samantha screams and he turns. Samantha is suspended in the air.) MULDER: Samantha! Samantha! (She floats to

37、wards the window. He climbs on a chair and throws down a case, which breaks, exposing a gun. He looks at the figure in the door, who raises a hand up invitingly. The white glow fills the room as Samantha moves out the window.) Samantha. Samantha! No! (Mulder is left kneeling on the floor, alone, the

38、 white glow all around him.) SCENE 8 MULDER扴 APARTMENT (Mulder wakes with a start. He gets up and closes the blinds on his window. A man opens his door.) MAN: We抮e going to the hill. SCENE 9 OFFICE OF SENATOR RICHARD MATHESON (Brandenburg Concerto Number Two plays as the man opens the door and walks

39、 in, followed by Mulder. Senator Matheson is by his stereo, facing the wall.) MAN: Senator Matheson! (Matheson points to a chair. Mulder walks over to it and sits down as the man leaves.) RICHARD MATHESON: Do you know this, Fox? MULDER: It抯 Bach. Brandenburg Concerto Number Three. (Matheson holds up

40、 two fingers like a peace sign.) RICHARD MATHESON: Two. MULDER: Good thing it wasn抰 a Double Jeopardy question. (Matheson turns around and looks at him.) RICHARD MATHESON: Do you know the significance of this piece? MULDER: Well, uh. recalling music appreciation with Professor Ganz, Bach had a geniu

41、s for polyphonic. RICHARD MATHESON: This is the first selection of music on the Voyager spacecraft. The first. (Mulder nods.) Four and a half billion years from now, when the sun exhausts its fuel and swells to engulf the earth, this expression will still be out there, traveling four and a half bill

42、ion years. That is, if it抯 not intercepted first. Imagine, Fox. If another civilization out there were to hear this, they would think what a wonderful place the earth must be. (He walks over to his small bar.) I would want this to be the first contact with another lifeform. (He pours a drink.) MULDE

43、R: I know I抳e let you down. You抳e supported me at great risk to your reputation. I realized when they shut us down, there was nothing you could do. (Matheson sits at his desk across from Mulder.) All I can say is, I think we were close. To what, I don抰 know. (Matheson takes a sip and smiles. The son

44、g slowly ends.) What? (Matheson makes a halting motion. He takes a pen and paper and starts writing.) RICHARD MATHESON: Do you like Bach, Mulder? MULDER: I live for Bach. RICHARD MATHESON: Then let抯 hear it again. (He hands Mulder the paper which reads They may be listening. He then walks over to th

45、e stereo and plays it very loudly. They walk away from the desk and talk quieter.) I take it you抮e familiar with the high-resolution microwave survey? MULDER: The search for extraterrestrial radio signals. They shut it down. RICHARD MATHESON: You have to get to the radio telescope at Arecibo, Puerto

46、 Rico. I抣l try to delay them as long as I can but my guess is you抣l have at least twenty-four hours. After that, I can no longer hold off the Blue Beret U.F.O. Retrieval Team. And they have been authorized to display terminal force. MULDER: What am I looking for? (Matheson hands him a computer print

47、-out of something. He then walks around Mulder as he reads the paper and leans over to his ear.) RICHARD MATHESON: Contact. SCENE 10 FBI HEADQUARTERS; WASHINGTON, D.C. (Skinner sits at his desk. A tape recorder is playing.) SKINNER ON TAPE: When did you last see Agent Mulder? SCULLY ON TAPE: Yesterd

48、ay. SKINNER ON TAPE: Where? SCULLY ON TAPE: In the bullpen hallway. SKINNER ON TAPE: Did you speak with him? SCULLY ON TAPE: No. Is he in some kind of trouble? SKINNER ON TAPE: Agent Mulder failed to appear at his assignment this morning. His, uh. his whereabouts are unknown. (The Cigarette-Smoking

49、Man picks up his pack of cigarettes off the table.) SCULLY ON TAPE: Sir, I抣l volunteer my time to assist in any search. SKINNER ON TAPE: No, Agent Scully, the bureau can handle. (The Cigarette-Smoking Man stops the tape.) SKINNER: She doesn抰 know where he is. CIGARETTE-SMOKING MAN: How can you be so

50、 sure? SKINNER: Because if she knew, she wouldn抰 be so worried about him. (The Cigarette-Smoking Man opens up the pack and sees that it抯 empty. He looks at Skinner.) I don抰 smoke. (The pack is crushed in the Cigarette-Smoking Man抯 hand.) CIGARETTE-SMOKING MAN: She抣l find him. SCENE 11 ARECIBO, PUERT

51、O RICO (Mulder is riding in the back of a truck, sunglasses on, shirt drenched with sweat. The truck stops. He walks over to the driver, carrying his bag.) MULDER: Gracias. MAN: De nada. (He drives off. Mulder hikes up to a gate that says National Astronomy & Ionosphere Center; Arecibo, Puerto Rico;

52、 No trespassing. He takes off his sunglasses and looks around. After trying the lock, he decides to hike around the gate. Later, Mulder makes his way through the jungle, climbing up hills until he sees the satellite sticking out over the canopy of the trees. He arrives at the control room and puts h

53、is bag down on a barrel. He takes out his tape recorder.) MULDER: No trace evidence immediately apparent around the exterior of the control room which is locked with chains. (He puts the tape recorder away and cuts the chains with a clipper he takes out of his backpack. He walks into the dark room,

54、carrying a flashlight. Everything is still draped over with sheets. He flicks the light switch on and off, then talks into the recorder.) The power has been turned off. Although, the control panel lights are still on. The room is about thirty by fifteen. I see no signs of any recent occupation. Ther

55、e抯 quite an odor of mildew in the air. the air is stale. If anyone抯 been here recently. I see no indications. (He hears a machine whirring and turns around to see the tape recorder running.) SCENE 12 MULDER扴 APARTMENT (Scully presses a button on Mulder抯 answering machine. It rewinds then plays.) WOM

56、AN: Mulder. you hounded me to have lunch with you today and then you don抰 show. You抮e a pig. (There is a click and three beeps. She sits down and opens the drawer, rifling through the papers. Turning on the computer, a DOS directory screen comes up. Putting on her glasses, she clicks on the director

57、y marked files. A prompt comes up that reads Volume Protected; Enter Password. There is a text box underneath. She looks at it, thinks, and types in spooky. The screen blinks Access denied three times over the words Volume Protected and it beeps three times. Thinking more, she types in Samantha. Acc

58、ess denied. She stares at the screen and types another word. Trustno1. The ok box turns black and the file that Senator Matheson gave Mulder comes up on screen. She reads some of it.) SCULLY: Galactic latitude? (She hears footsteps approaching and clicks on print. The printer starts up. She turns of

59、f the computer and stands. The paper drops out of the printer in time to avoid the two men walking in to see it.) MORRIS: May I ask what you抮e doing here, Agent Scully? SCULLY: Are you following me? MORRIS: Agent Mulder抯 residence is under surveillance. Please explain why you抮e here. SCULLY: I was t

60、old by the Assistant Director that Mulder was gone. MORRIS: So? SCULLY: So, whenever he抯 away, I feed his fish. (They look at the fish tank. Scully smiles and walks to it as another man picks up the paper.) MAN: What the hell is this? (He gives it to Morris.) MORRIS: Looks like a self-test the compu