中國書法英文介紹

創(chuàng)作時間：二零二一年六月三十天Goodafternooneveryone,之答祿夫天創(chuàng)作創(chuàng)作時間：二零二一年六月三十天Today,ourteam’stopicisChinesecalligraphyandpainting.Firstofall,letmeintroducethefirsthalfoftheChinesecalligraphy.開篇視頻翻譯：CalligraphyistraditionallybeenregardedinChinaasthehighestformofvisualart.書法,傳統(tǒng)上被視為視覺藝術(shù)的最高形式.Thefourtreasures紙墨筆硯,翰墨紙硯pinesoot（松煙）Calligraphyinsocialdimensionself-cultivationemulationofmoralexemplars書法在社會層面上,孔子：自我涵養(yǎng),效仿道德典范老子：心里自我認識的表達直到今日,中國書法依舊在中國人生活中堅持著強大年夜力量.Chinesecalligraphy,thefourancientChineseartisticformsarecalledqin,chess,penmanship,andpainting;andpenmanshipparticularlyreferstoChinesecalligraphy.(中國古代四大年夜藝術(shù)“琴棋書畫”的“書”特指書法)Chinesecalligraphyisakindofartusingabrushto創(chuàng)作時間：二零二一年六月三十天創(chuàng)作時間：二零二一年六月三十天writesealscript,officialscript,regularscript,runningscript,andcursivescript,andothervariouswritingstylesofChinesecharacters.（它是用毛筆書寫篆、隸、楷、行、草等各體漢字的藝術(shù)）ThewritingtechniquesofChinesecalligraphyarehighlightedbythemannerofusingabrush,thewayinkisused,theartofcomposition,andsoon.（中國書法在技法上講究筆法、墨法、章法等）Itsharmoniousbeautyofartisreflectedinbetweenthelines.（它藝術(shù)的和睦之美表此刻字里行間）Chinesecalligraphyexhibits（iɡ?zibits）itsbeautyindifferentposes,suchastheuniqueness（j?'nikn?s）oftheofficialscript―silkwormheadandswallowtail(隸書的蠶頭燕尾),theregularscriptrequirementto―sticktothenormandrules(楷書的中規(guī)中矩),thecharacteristicofcursivescript―flyingdragonanddancingphoenixes(草書的龍飛鳳舞),andthedistinctive―naturalgraceoftherunningscript(行書的瀟灑俊逸).堪稱奇光異彩,千姿百態(tài)Indeed,ChinesecalligraphyreflectsthepersonalityofChinesepeople’sstraightforwardness,dignity,and創(chuàng)作時間：二零二一年六月三十天創(chuàng)作時間：二零二一年六月三十天reticence('ret?sns).(中國書法表現(xiàn)了中華民族的豪邁大年夜氣、矜重委婉的特點)Chinesecharacterswereinitiallymeanttobesimplepicturesusetohelppeoplerememberthings.Afteralongperiodofdevelopment,itfinallybecameauniquecharactersystemthatembodiesphoneticsound,image,idea,andrhyme(ra?m)atthesametime.(漢字是從原始人用以記事的簡單圖畫,經(jīng)過不斷演變發(fā)展最后成為一種兼具音、形、意、韻的共同文字)Thewritingsystem,whichwasextremelyadvancedinancienttimes,beganwithinscriptionsonbonesandtortoiseshells,andtheseareregardedastheoriginalformsofChinesecharacters.(現(xiàn)存中國古代最早成熟的文字是甲骨文,被以為是現(xiàn)代漢字的初形)Afterwards,Chinesecharacterswentthroughnumerouscalligraphicstyles:bronzeinscriptions,officialscript,regularscript,cursivescript,runningscript,etc.(爾后,漢字又經(jīng)歷了金文、隸書、楷書、草書、行書平分歧的階段)Chinesecharactersareusuallyroundoutsideandsquareinside,whichisrootedinancientChinesebeliefsofanorbicularskyandarectangularEarth.(漢字構(gòu)造“內(nèi)圓外方”,源于先人“天圓地方”的觀點)創(chuàng)作時間：二零二一年六月三十天創(chuàng)作時間：二零二一年六月三十天ThefivebasicstrokesofChinesecharactersare一(thehorizontalstroke),丨(theverticalstroke),丿(theleft-fallingstroke),捺(theright-fallingstroke),and乙(theturningstroke).(漢字有五種基本筆劃,即：橫、豎、撇、捺、折)Thefourtreasuresofthestudy.紙墨筆硯Thewritingbrush,inkstick,inkstone,andpaperwererequisite（'rekw?z?t）treasuresinthestudyofthescholarsofancientChina,andtheyareoftenreferredtoasthe―FourTreasuresoftheStudy.（翰墨紙硯是中國古代文人書齋傍邊必備的寶物,被稱為“紙墨筆硯”）ThewritingbrushandinkstickhavebeenusedbytheChinesetowriteandpaintsince5,000yearsago.（用翰墨書寫繪畫在中國可追憶到五千年前）IntheQinDynasty(221BC-206BC),peoplealreadyusedfeathers（'f?e?）ofdifferenthardnessandbambootrunkstomakebrushes.（秦代時已用分歧硬度的毛和竹管束筆）DuringtheHanDynasty(206BC-220AD),man-madeinkwasusedinsteadofnaturalink.（漢代以人工制墨代替了天然墨）AfterpaperwasinventedbytheChinese,bambooslips,woodentablets,brocadeandsilk,whichoriginally創(chuàng)作時間：二零二一年六月三十天創(chuàng)作時間：二零二一年六月三十天functionedaswritingsurfaces,graduallyfadedout.（有了紙張此后,簡牘錦帛逐失其用）Theinkstonewasfirstdevelopedwiththeuseofwritingbrushesandink.（硯臺則隨翰墨的使用而發(fā)展）AftertheSongDynasty(960AD-1279AD),the―FourTreasuresoftheStudy,particularlyreferredtohubi,thewritingbrushproducedinHuzhou,Zhejiangprovince;huimo,theinstickproducedinHuizhou,Anhuiprovince;xuanpaper,akindofpaperproducedinXuanzhou,Anhuiprovince;andduanyan,theinkstonemadeinZhaoqing,Guangdongprovince(ZhaoqingwasearliercalledDuanzhou).Indeed,the―FourTreasuresoftheStudyhavewrittenthewholeChinesecivilization,asitis.“紙墨筆硯”到宋代（960-1279）此后特指湖筆（浙江湖州）、徽墨（安徽徽州）、宣紙（安徽宣州）、端硯（廣東肇慶,古稱端州）.能夠說紙墨筆硯書寫了整其中華文明.WangXizhi(303-361)wasaChinesecalligrapher.Heisconsideredbysomeasthefirst"artist"intheWesternsense,insofarasithasmovedawayfromtheofficialcanon['k?n?n]inforce,thecursivehandwriting,practicingaformoffreepersonalandpictorialpractice.王羲之是中國的書法家,他在西方被以為是第一位藝術(shù)家,他解創(chuàng)作時間：二零二一年六月三十天創(chuàng)作時間：二零二一年六月三十天脫官方的標準,創(chuàng)造了獨具自己自由特點的形象化的草書.YanZhenqingisamasterofcalligraphyinTangDynasty.（顏真卿是唐朝書法大年夜師）HisinnovationincalligraphicexpressionisinfluencedbyhisengagementwiththenortherntraditionofmonumentalstandardscriptstylesrepresentingabalancebetweenproprietyandZhangXu'swildness.（他的書法立異表達是鑒于他北部傳統(tǒng)風格和張旭的野性適合均衡中和示意的）Thesheerweightandlackofhesitationinhisbrushstrokeshaslongbeenassociatedwithhisphysicalandmoralcourage.（俊秀絕不躊躇的筆鋒向來和人的身體和思想聯(lián)系在一同）Amasterthough,hewasnotaprofessionalhimself.Instead,hewasalsowell-knownforbeingastraight-forwardofficialforthegovernmentinhistime.（只管是一位大年夜師,但是他的主業(yè)不但限于書法.相反,他也是直言進諫的官員而有名于他的那個年月.）柳公權(quán)(778－865)—Tangdynasty?LiuGongquan,amasterofkaishuandcursive(行草)whoisoftenedmentionedwithYanZhenqing.（柳公權(quán),楷書和行草大年夜師,和顏真卿并稱為“顏筋柳骨”）創(chuàng)作時間：二零二一年六月三十天創(chuàng)作時間：二零二一年六月三十天Kaishu:vigorousandrigorous楷書骨力遒健Running-cursive:fluentandflowing行草行云流水黃庭堅(1045-1105)HuangTingjian?AcalligrapherandpoetinSongdynasty.?Hisworksarefancyandfirm,leadingchangeofthetrend.Popularstyles黃庭堅是北宋的書法家和詩人.他的作品奇絕堅固.是那時流行的形式.CalligraphyisconsideredthemostimportantartinEastAsia,andalsothemostelegantformofwriting.書法被以為是東亞的重要藝術(shù)和最優(yōu)雅的寫字形式.WriteChinesecharacterswe