unit1art閱讀市公開課一等獎(jiǎng)省賽課微課金獎(jiǎng)?wù)n件

Unit1Art1/41dancemusicmoviesculpture2/41paintingarchitectureliteratureopera3/41artpainting

sculpturearchitecturephotography……musicdanceliteratureoperacalligraphypainting

movie4/41Chinesepaintingisoftenaboutnature5/41XuBeihong6/41QiBaishi7/41ZhangDaqian8/41oilpaintingwatercolorlandscapecartoonfiguredrawingsketch油畫水彩畫風(fēng)景畫卡通人物畫素描kindsofpainting9/41a.realisticb.abstractc.existenced.detailede.religiousf.traditional1.accurate,minute2.stateorfactofexisting3.beinginthoughtbutnothavingaphysicalorpracticalexistence4.lifelike,truetolife5.classical,ofoldbeliefs6.sinceretobelieveinagodorgods10/41Itisoftenaboutnature,suchasmountain,water,bird-and-flower,etc.Ithasthesymbolofharmony(友好）andpeace.ChinesepaintingsWesternpaintingsdetailed,richin

color,lineandshapeAboutreligion,humanrealistic11/41SunflowersSeatedwomenMonaLisaThekissof

Jovah12/41ArtAshorthistoryofwesternpainting13/41Q:Howmanyperiodsofthepaintingsarementionedinthistext?Whatarethey?(20thcenturytotoday)Fastreading:TheMiddleAgesTheRenaissanceImpressionismModernart(15thto16thcentury)(5thto15thcenturyAD)(late19thtoearly20thcentury)Timeorder14/41paragraph1Q:WhyWesternarthasmorechangethantheChineseone?Artisinfluencedbythewayoflifeandthebeliefsofthepeople,andChinaunlikeEurope,hasfollowedasimilarwayoflifeforalongtimeThistextwilldescribeonlyafewofthemainstyles,startingfromthe5thcenturyAD15/41Religionn.16/41Q:Whatarethepaintingsofthisperiodfullof?Trueorfalse1.Artistsofthisperiodwereinterestedinshowingnatureandpeopleastheyreallywere.2.PaintingsintheMiddleAgeswereveryrealistic.Theyarefullofreligioussymbols.TheMiddleAgesFFnotTheywereinterestedincreatingrespectandloveforgodUntilthe13thcentury

paintersstartedtopaintinamorerealisticway.17/411.PaintersinRenaissancebegantofocuson

A.religionB.humansC.natureD.science2.InRenaissance,paintersreturnedtoclassicalandideasaboutart.A.Roman,ParisB.Greek,LondonC.Roman,GreekRenaissance3.Whichofthefollowingisnotthethingstherichpeoplepaidfamousartiststopaint?TherichpeoplethemselvesB.housesandpossessionsC.thegodD.activitiesandachievementsfocusonhumans18/41Q:WhatarethetwoimportantdiscoveriesintheRenaissanceperiod?Therearedrawinginperspectivemorerealisticmakecolorslookricheranddeeperinperspectiveandoilpaints19/41ⅡTheRenaissance(15thto16thcentury)Characteristics:humans;perspectiveThreefamouspaintersatthistime文藝復(fù)興三杰列奧納多·達(dá)·芬奇（1452～1519）米開朗基羅（1475～1564）拉斐爾（1483～1520）

20/41blankfillingImpressionismChangesinpaintingstylesInthelate19thcentury,Europeagreatdeal,romamostlysocietytoamostlyone.Peoplemovedfromtothe.Therearemanyandchangedagricultural

industrialcountrycitynewinventionssocialchangesTheimpressioniststriedtobreakawayfromthetraditionalstyleofthepainting.Ledto

changes21/41Q:Whydidtheimpressionistshavetopaintquickly?Becausenaturallightchangessoquickly.Atdifferent

timeofthedaylightshadowpaintingswerenotsodetailedindoorsoutdoors22/41Worksoftheimpressionism23/41ⅢImpressionism(late19thtoearly20thcentury)莫奈Monet(1840～1926)，法國畫家。印象畫派創(chuàng)始人之一。印象派名稱即由他《日出印象》一畫而來。此畫也成了印象派經(jīng)典代表作品。Characteristics:outdoorscenes24/41VincentVanGoghSunflowers25/41Nowadays,therearesortsofmodernartstyles,suchasCubism(立體派)，Surrealism(超現(xiàn)實(shí)主義）Expressionism（表現(xiàn)主義）…Modernart(20thcenturytotoday)ImpressionismisthestartofModernArt26/41AbstracthardtounderstandlikeaphotographRealisticTwoextremes27/41becausethepainterdoesnotpaintobjectsrealistic,instead,theyconcentratesoncertainoftheobject,usingtorepresentthemattemptto

qualitiescolor,line,shapeSomemodernartisabstract,28/41TheMiddleAgesModernartImpressionismTheRenaissanceLet’stelltherightstyleofthepaintings29/41VincentVanGoghPicassoLeonardodaVinciGiottodiBondoneTheMiddleAgesTheRenaissanceImpressionismModernart30/41Homework1.Findouttheimportantwordsandphrasesinthispassage2.DotheexerciseonPage4,exercise431/41Thankyou32/41達(dá)·芬奇：《蒙娜·麗莎》被譽(yù)為世界美術(shù)杰作之冠，表現(xiàn)了藝術(shù)家對女性美和人豐富精神生活贊賞；壁畫《最終晚餐》則反應(yīng)了藝術(shù)家創(chuàng)造經(jīng)典人物和戲劇性場面能力，為后人學(xué)習(xí)典范。

33/41米開朗基羅：他創(chuàng)作巨幅屋頂壁畫，充滿力量無窮英雄形象，被稱為世界上最宏偉藝術(shù)作品。他許多雕塑，比如《大衛(wèi)像》、《摩西像》和《垂死奴隸》等，在技藝上較希臘古典名作有過之無不及。34/41拉斐爾：是卓越畫家，被后世尊為“畫圣”。他善于吸收各家之長，加以自己創(chuàng)造，在藝術(shù)秀美、典雅方面大放異彩，留下了許多第一流杰作如《花園中圣母》、《西斯廷圣母》，以及梵蒂岡教皇宮中許多壁畫，尤其是《雅典學(xué)派》35/41Westernarthasmorechange36/41Masaccio(1401-1427),37/41GiottodiBondone喬托·迪·邦多納

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