Chapter Four_第1頁(yè)
Chapter Four_第2頁(yè)
Chapter Four_第3頁(yè)
Chapter Four_第4頁(yè)
Chapter Four_第5頁(yè)
已閱讀5頁(yè),還剩130頁(yè)未讀, 繼續(xù)免費(fèi)閱讀

下載本文檔

版權(quán)說(shuō)明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)

文檔簡(jiǎn)介

1、邢唷? ?欹? 鳵?BbjbjLULU7N.?.?4444444H & & & &DT&4H?b?$?hR4R?4?44?B0?4?4?-?44/?繥涼撍 &=+ k/?X00?s/?S.?/?4/?o.?HHH?,?HHH,HHH444444Chapter FourTheFifteenth Century(1400-1550)Outline1. Historical background2. Popular ballads3. Sir Thomas Malory4. Early English playsHistorical Background1. The Hundred Year 抯 W

2、ar2. The War of the Roses(1455-1485)3. The Discovery of America and the New Sea Routes4. Reformation of the ChurchJoan of ArcThe War of the RosesThe discovery of new America and the new sea routesColumbusReformation of the ChurchFOLK LITERATURE HYPERLINKhttp:/ l#?N 蛻 1UP e t e r ,P a u l&M a r y E a

3、 r l yo n em o r n i n o n em o r n i n i ns p r i n gT oh e a rt h eb i r d sw h i s t l et h en ig h t i n g a l e ss i n gIm e taf a i rm a i d e nw h os w e e t l yd i ds i n gI mg o i n gt ob em a r r i e dn e x tM o nd a ym o r n i n g .H o wo l da r ey o um yf a i ry o u n gm ai d ,H e r ei n

4、t h i s valley this valley so greenHow old are you my fair young maid,Im goin to be sixteen next Monday mornin.Well sixteen years old, thats too young for to marrySo take my advice, five years longer to tarryFor marriage brings troubles and sorrows beginSo put off your wedding for Monday mornin.You

5、talk like a mad man, a man with no skillTwo years Ive been waiting against my own willNow Im determined to have my own wayAnd Im going to be married next Monday morninAnd next Monday mornin the bells they will ringAnd my true love will buy me a gay gold ringAlso hell buy me a new pretty gownTo wear

6、at my wedding next Monday morninNext Monday night when I go to my bedAnd I turn round to the man that Ive wedAround his middle my two arms I will fling,And I wish to my soul it was Monday mornin.Popular BalladsThe Origin of BalladsDefinition:A ballad is a folk song or orally transmitted poem telling

7、 in a direct and dramaticmanner.Somepopularstoriesinballadsusuallyderivefromt r a g i ci n c i d e n t si nl o c a lh i s t o ryo rl e g e n d .T h es t o r i e sa r et o lds i m p l y ,i m p e r s o n a l l y (聣剉) ,a n do f t e nw i t hv i v i dd i a l o g ue .T h ed e v e l o p m e n to fb a l l a

8、 d sT h ee a r l i e s to ft h ee x i s t e n tE n gl i s ha n dS c o t t i s hp o p u l a rb a l l a dsd a t e db a c kt ot h e1 3 t hc e n t u r y;t h e yflourished particularly in the 15th century; the later onesbelonged to the 16th and even the 17th centuries; most of them were sung and circulat

9、edand then written down in the 15th century, but they were not collected nor publishedtill much later.The publications of the balladsThe English and Scottish ballads preserved today belong mo poisoned, Lord Randal, myson,O I fear you are poisoned, my bonny young man.O yes, I am poisoned, mother make

10、 my bed soonFor Im sick to the heart and I fain would lie down.What will you leave your brother, Lord Randal, my son ?What will you leave your brother, my bonny young man ?My horse and the saddle, mother make my bed soonFor Im sick to the heart and I fain would lie down.What will you leave your sist

11、er, Lord Randal, my son ?What will you leave your sister, my bonny young man ?My gold box and rings, mother make my bed soonFor Im sick to the heart and I fain would lie down.What will you leave your true love, Lord Randal, my son ?What will you leave your true love, my bonny young man ?The tow and

12、the halter to hang on yon tree,And let her hang there for the poisoning of me.3. The story is often told through action and dialogue;4. The theme is often tragic;5.Aballadhasitsownmetricalstructure,calledballadmeter;/68?23?ST?逖酣槄榰榙榙榙ddddOdO h?h h? JmH o(sH h? h?! h?h h? 5乗乛 JmH o(sH - h? h? 5乗乛 JmH

13、sH $ h? h? 5?乗乚乛 JmH sH - h? h? 5乗乛 JmH sH h? h? 6丆 J( 乤 J( mH sH , h? h? 5?丆 J( 乚乛 JaJ( mH sH & h? h? 5丆 J$ 乛 JaJ$ mH sH4 h? h? 5?丆 J6 PJQJ乚乛 JaJ6 mH sH /8Qdy?3?T?BD0;?&Fgd?h&Fgd?gd? $? ?a$gd? $a$gd?B?B/0?;*JmH sH h? h? *o( ?j h? h? U h? h? j h? h? U ;Lbco?2? ?t?VX? J?gd?h gd?h&Fgd?hgd?&Fgd? $a$gd?

14、 gd? L?$&? 磉 硌 砝 循 潊o_M_M_M_M_M_# h?h h?h CJOJPJJaJo( h?h h?h CJOJPJaJo(+ h?h h? CJOJPJJaJmH o(sH . h?h h? 9丆JOJPJJaJmH o(sH h?h h? CJOJPJaJo($ h? h? 5?乗乚乛 JmH sH! h? h? 6?乚乛 JmH sH h? h? 9乛 JmH sH h? h? 6?*乷($ h? h? 6?*乛 JmH sH HVXbdf? - $&(BDRdfhnpz|?L橘榕儷儷儷佟佟遲壻遲遲遲遲遲橘橘s 佟橘 s匍砰+ h?h h?h CJOJPJJaJmH

15、o(sH . h?h h?h 9丆 JOJPJJaJmH o(sH# h?h h?h CJOJPJJaJo(# h?h h?h CJOJPJJaJo( h?h h?h CJOJPJaJmH o(sH h?h h?h CJOJPJaJo(+ h?h h?h CJOJPJJaJmH o(sH,J?0N?d? LM? O?gd?&Fgd?&Fgd?h L?LM ?fg:!s!t!?6 6 6橘琴琴琴琴橘琴臘暲厀 ukc h? h? 9? h? h? 9乷( U h? h? 9乛 JmH sH - h?h h? 9乛 JmH o(sH h?h h? JmH o(sH h? h? mo e rt h e

16、s e a .o0o0o0- - T h eW i f eo ft h eU s h e r sW e l lC l a s s i f i c a t i o no fP o p u l a rB a l l a dsa .t h eb a l l a d so fR o b i nH o o db .b o r d e rb a l l a d s :a g e - l o n gs t r ug g l eb e t w e e nS c o t sa n dE n g l i s hc . ?t h eh u m o r o u sb a l l a d sS i rT h o m a

17、 sM a l o r yS i rT h o m a sM a l o r yt h ea u t h o ro fT h eD e a t ho fA r t h urI ti sh i mw h of i n a l l yc o m p i l e dto g e t h e rt h es t o r i e so fK i n gA r t hu ra n dt h eK n i g h t so ft h eR o u n dT a b l e .H em a d eg r e a tc o n t r i b u t i o nt oE ng l i s hP r o s e

18、.E a r l yE n g l i s hP l a y sT h el i t u r g y ( 9 - 1 0 t h )M y s t e r yp l a y sM i r a c l ep l a y s ( 1 4 t h) 66|8?9? ; ;$;:;b;|;? x麝岳園椩皡霸霸霸霸霸霸霸霸霸霸臘 wiwiw h? h? 9乛JmH sH h? h? 9乛 JmH sH # h?h h? CJOJPJJaJo(1 h?h h? 5丆JOJPJ乛 JaJmH o(sH h?h h? CJOJPJaJo( h?h h? CJOJPJaJmH o(sH + h?h h? CJO

19、JPJJaJmH o(sH h? h? JmH sH h? h? o(%|8?9? ; ;?,xz?8? $&Fa$ gd? $&Fa$ gd?h gd?gd?&Fgd? $a$gd? xz?6?8? P簀悅袁棅|妡妎奷UB?$ h? h? 5?乗乚乛JmH sH h? h? o( h? h? h? h? mH sH h? h? JmH sH h?h h? JmH o(sH h? h? JmH sH( h? h? 5?丆 J( 乚乤 J( mH sH , h? h? 5?丆 J( 乚乛JaJ( mH sH ! h? h? 6?乚乛 JmH sH ! h? h? 6?乚乛JmH sH h? h?

20、 9乛 JmH sH h? h? 9乵 H sH ? 4xFA蔄駻鬉8B:BB?gd? gd?&Fgd?&Fgd? $a$gd? gd?hPx蔄駻鬉8B:BB疸屑湐? h? h? h? h? o( h? h? 5丆 J乤 J h? h? 5丆 J乤 JmH sH & h? h? 5丆 J乛 JaJmH sH $ h? h? 5?乗乚乛 JmH sH h? h? JmH sH - h? h? 6乚乛 JmH sH 5 0 P:p? 靶/ 班=!?#悹$悹%? 靶 靶愋?D猩陏?寕? K?嗌陏?寕? K?th t t p : / / b l o g . h j e n g l i s h . c

21、o m / t im e _ d r e a m / a r t i c l e s / 2 2 2 0 4 2 . h t m l?N?Nck 噀 $ 1$ a$ CJKHPJ _H aJmH nHsH tHXX?h槝1 $7$ 8$ & H$ a$ 6丆J, KHQJ乛J aJ, mHsHb b?h 槝2$ $?勻?$ 8$ &H$ ?勻$ CJKHQJJ aJmHsH$ A? $貫祂=刉SOB i? Bnf 恏?h ?4? l 4?a?k?鄀 Rh?N/8Qdy?3?T?!0;Lbco|?.Y?+,?X_wx?LM?O?!Q?(Z?0fg?:;t? ?%UV? 9f? /Ro?v?0 0

22、0 0/ 0/ 0/ 0/0 0? 0? 0? 0? 0? 0? 0? 0?0 0? 0? 0?0 0! 0! 0!0 00 0b 0b 0b0 00 0?0 0. 0. 0. 0. 0. 0. 0.0 00 0? 0-? 0? 0? 0!? 0? 0#? 0$? 0%? 0&?0 00 0(w 0)w 0*w 0+w 0,w0 0-L 0.L 0/L 00L0 01 02 03 040 0 0 0 00 0 0 0 00 0 0 0 00 0 0 0 00 0 0 0 0 00 0 00 0 00 00 0 0 0 0 0 0 0 0 0 0 ? 0,?0 0- 0. 0/ 000 01# 02# 03# 04#0 05? 06? 07? 08?0 09? 0:? 0;? 0? 0? 0?0 0Au 0B u 0C u 0Du000 0G? 0? 0H?0 0I 0J0 0K? 0L?0 0M k 0 0N ? 0O? 0P? 0Q? 0R? 0S? 0T? 0U? 0? 0V?0 0E 0E 0YE00 0Z? 0? 0? 0?0 0? 0? 0_? 0?0?0? L 6xPB$&

溫馨提示

  • 1. 本站所有資源如無(wú)特殊說(shuō)明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽,若沒(méi)有圖紙預(yù)覽就沒(méi)有圖紙。
  • 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
  • 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
  • 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請(qǐng)與我們聯(lián)系,我們立即糾正。
  • 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。

評(píng)論

0/150

提交評(píng)論