2024-2025學(xué)年下學(xué)期高三英語人教版同步經(jīng)典題精練之閱讀理解_第1頁(yè)
2024-2025學(xué)年下學(xué)期高三英語人教版同步經(jīng)典題精練之閱讀理解_第2頁(yè)
2024-2025學(xué)年下學(xué)期高三英語人教版同步經(jīng)典題精練之閱讀理解_第3頁(yè)
2024-2025學(xué)年下學(xué)期高三英語人教版同步經(jīng)典題精練之閱讀理解_第4頁(yè)
2024-2025學(xué)年下學(xué)期高三英語人教版同步經(jīng)典題精練之閱讀理解_第5頁(yè)
已閱讀5頁(yè),還剩52頁(yè)未讀, 繼續(xù)免費(fèi)閱讀

下載本文檔

版權(quán)說明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)

文檔簡(jiǎn)介

第56頁(yè)(共56頁(yè))2024-2025學(xué)年下學(xué)期高中英語人教版(2019)高三同步經(jīng)典題精練之閱讀理解一.閱讀理解(共15小題)1.(2022?杭州模擬)TheofficialoperationofUniversalBeijingResort(UBR)madeBeijingthehottesttouristdestinationrecently.Afterabout20years'preparation,China'sfirstUniversalStudiosthemepark,andalsothebiggestUniversalStudiosthemeparkintheworld,hasattractedgreatattention.ItmarkstheentryofanotherinternationalchainintoChina'sthrivingthemeparkindustry.Chinahasbecomethelargestmarketforthemeparksacrosstheworld.Todaytherearenearly3,000themeparksinChinaandover400amongthemarelarge﹣scale.Thepopularityofthemeparkspartlycomesfromtheintellectualpropertytheyhaveacquiredovertheyears,whichcanincludecharactersandstories.TaketheShanghaiDisneyResortasanexample.FromMickeyMousetoSnowWhite,Disneyhadalotofelementstodrawfromindesigningthethemepark.AfanofDisney'sanimationsMr.Wusaidthathehadvisitedtheresortsomanytimesbecauseofhisloveofthecharactersandthemesthroughoutthepark.Themeparkshaveplayedaleadingroleinpromotingtourismandotherrelativekindsofconsumption(消費(fèi)).Forthepastfiveyears,theShanghaiDisneyResorthaswelcomed83millionvisitors,earningover40billionyuanintotal.Disney'simpressiveperformancewascarefullyviewedbyotherinternationalfirmseagertotakepartinChina'sthemeparkeconomy,Steinbockpointedout.AccordingtoSteinbock,capitalinvestmentinChina'sthemeparkprojectsinthefirsthalfofthe2020scouldreach﹩20billion."Thesehugeinvestmentsshowforeigninvestors'risingconfidenceinChina'sbusinessenvironment.""AlthoughtheCOVID﹣19pandemichascreatedahugeimpactontheglobaltourismmarket,wearestillverypositiveonthebusinessenvironmentoftheChinesemarket,"saidTomMehrmann,presidentandgeneralmanagerofUBR.(adaptedfromTEENSIssue4,315words)(1)WhatcanwelearnabouttheUBRaccordingtothepassage?A.Ithasbeenpreparedforadecade.B.ItisthebiggestthemparkinChina.C.ItcontributestothepopularityofBeijing.D.ItmarksthethemeparkindustryenteredChina.(2)Whatdoestheunderlinedword"thriving"inParagraph1probablymean?A.Increasing.B.Rewarding.C.Entertaining.D.Decreasing.(3)WhatcanweinferfromParagraph4and5?A.ThepandemichasnoimpactonChinesetourismmarket.B.MoreinternationalinvestmentwillenterChinesethemeparkindustry.C.ThemeparkistheoneandonlywaytopromoteChineseconsumption.D.ShanghaiDisneyResorthasreceivedmorethan﹩20billioninvestmentsofar.(4)What'sthepurposeofthetext?A.ToadvertisetheUBRtoattractmoretourists.B.TopraiseChina'sabilitytocontrolthepandemic.C.ToexplainwhythemeparkissopopularinChina.D.TointroducethedevelopmentofChina'sthemeparkindustry.2.(2023春?衡陽期中)Duringaninterviewforoneofmybooks,myinterviewersaidsomethingIstillthinkaboutoften.Annoyedbythelevelofdistraction(干擾)inhisopenoffice,hesaid,"That'swhyIhaveamembershipatthecoworkingspaceacrossthestreet﹣soIcanfocus."Hiscommentstruckmeasstrange.Afterall,coworkingspacesalsotypicallyuseanopenofficelayout(布局).ButIrecentlycameacrossastudythatshowswhyhisapproachworks.Theresearchersexaminedvariouslevelsofnoiseonparticipantsastheycompletedtestsofcreativethinking.Theywererandomlydividedintofourgroupsandexposedtovariousnoiselevelsinthebackground,fromtotalsilenceto50decibels(分貝),70decibels,and85decibels.Thedifferencesbetweenmostofthegroupswerestatisticallyinsignificant;however,theparticipantsinthe70decibelsgroup﹣thoseexposedtoalevelofnoisesimilartobackgroundchatterinacoffeeshop﹣significantlyoutperformedtheothergroups.Sincetheeffectsweresmall,thismaysuggestthatourcreativethinkingdoesnotdifferthatmuchinresponsetototalsilenceand85decibelsofbackgroundnoise.Butsincetheresultsat70decibelsweresignificant,thestudyalsosuggeststhattherightlevelofbackgroundnoise﹣nottooloudandnottotalsilence﹣mayactuallyimproveone'screativethinkingability.Therightlevelofbackgroundnoisemayinterruptournormalpatternsofthinkingjustenoughtoallowourimaginationstowander,withoutmakingitimpossibletofocus.Thiskindof"distractedfocus"appearstobethebeststateforworkingoncreativetasks.Sowhydosomanyofushateouropenoffices?Theproblemmaybethat,inouroffices,wecan'tstopourselvesfromgettingdrawnintoothers'conversationswhilewe'retryingtofocus.Indeed,theresearchersfoundthatface﹣to﹣faceinteractionsandconversationsaffectthecreativeprocess,andyetacoworkingspaceoracoffeeshopprovidesacertainlevelofnoisewhilealsoprovidingfreedomfrominterruptions.(1)Whydoestheinterviewerpreferacoworkingspace?A.Ithelpshimconcentrate.B.Itblocksoutbackgroundnoise.C.Ithasapleasantatmosphere.D.Itencouragesface﹣to﹣faceinteractions.(2)Whichlevelofbackgroundnoisemaypromotecreativethinkingability?A.Totalsilence.B.50decibels.C.70decibels.D.85decibels.(3)Whatmakesanopenofficeunwelcometomanypeople?A.Personalprivacyunprotected.B.Limitedworkingspace.C.Restrictionsongroupdiscussion.D.Constantinterruptions.(4)Whatcanweinferabouttheauthorfromthetext?A.He'sanewsreporter.B.He'sanofficemanager.C.He'saprofessionaldesigner.D.He'sapublishedwriter.3.(2024?天津一模)Ithasbecomeacceptableforpeopletosaythatwomenworklessthanmenandthereforedeserveless!Itmayhavebeentrueinthepastwhenwomenwereexpectedtostayathomeandlookafterchildren,butwomenhavechangedovertheyears.Theyhave"comeout"!Gonearethedayswhentheytoiled(辛苦)thekitchenstovealldaylong;theyarenowawareoftheirneedsandarewillingtofightforthem.Theyexpecttobegiventherespecttheydeserve,bothathomeandatwork.Theyhaverealizedtheirintellectualpotentialandhavedeterminedtodosomethingaboutit!WomenontwowheelshavebecomeafamiliarsightontheroadsofmostAsiancountriesduringthepastfewyears.Itiscommontofindawomantakingherchildrenonherbicycletoschoolandthenreachherofficeintime.Shehasbecomeamajorpartinfamilydecisionsineveryaspectandhowthosedecisionsarecarriedout.Itwouldhavebeenunimaginableafewyearsago!Itisratherdifficulttocombineacareerandadecenthomelife,"superwoman"thoughsheis.Sheneedstofeelsupportedandfulfilled.Shemayarriveatworkfeelingasifshehasalreadydoneafullday'swork.Ifcolleaguesdoubthercommitmenttoherjob,shewillfeelsad.Atthesametime,womenoftodayexpecttheirpartnerstocontributetowardschildcareandhouseholdchores.Today'swomenarelearningtoavoidsituationsthatmakethemfeelmorestressedanditisahardstruggle.Despiteallthis,thenewwoman,"thesuperpower"hasarrived.Shestillbelievesinthepowerandvalueofafamilyunitandsheholdsitinhighesteem(尊重).(1)Whatisthepassagemainlyabout?A.Awoman'sopiniononherjobandfamily.B.Theburdenwomeninsocietyhavetobear.C.Thechangeofwomen'sstatusinandoutofthefamily.D.Theresponsibilityofacoupleinafamily.(2)WhichofthefollowingdevicesisusedinParagraphI?A.Comparison.B.Example.C.List.D.Definition.(3)UsingtheexampleinParagraph2,theauthorwantstoshowthat.A.womenwerenotseenonstreetsinthepastB.women'sjobshavechangedC.today'swomendon'tneedtotoilinthekitchenD.womentakemoreresponsibilitiesforthefamily(4)Accordingtothepassage,asa"superwoman",she.A.candothehouseworkallbyherselfB.candealwithherworkeasilyeverydayC.isindependentineveryaspectofherlifeD.stillfindsitdifficulttobalancehercareerandfamily(5)Whyisthephrase"comeout"usedinquotationmarksinParagraph1?A.Womenarestillcontrolledbytheirhusbands.B.Itmeansmorethanthatshecomesoutofthehouse.C.Womenarenotactuallycomingout.D.Womenhavebrokenupwiththeirfamilies.4.SheltonMurrayhasbeenplayingthedidgeridoo(迪吉里杜管樂器)sincehewasfiveyearsold.Now22,themusicianwillbetravellingtotheUnitedStateswiththeAustralianChamberOrchestraforthefirsttime.Mr.MurraycomesfromanAboriginal(土著的)communityandsaidhisloveofthedidgeridoohadgrownoutofhisculture.HewastaughtbyhisfatherLazarusMurrayfromayoungage,butsaidhewasalsoinspiredbyhisgrandfatherPeterApaakJupurrulaMiller."MyfatherlearntfromDavidBlanasi.ThenhetaughtmewhathelearntfromDavid,"hesaid.AstheyoungestmemberofaTiwiIslanderbandcalledB2M(BathursttoMelville)intheNorthernTerritory,Mr.MurrayplayedthedidgeridoofortheopeningactoftheTinaArenaDarwinconcertin2014.NowhisdidgeridooskillshavecaughttheattentionoftheAustralianChamberOrchestra,wherehewasinvitedtoperformintheshowTheReefRevisited,whichwillbetouringtheUSnextweek."It'sexcitingformetobetravellingovertoAmerica,"hesaid.Mr.MurraysaidtherewerechallengesforyoungAboriginalartiststobreakintotheindustrybutsaiditisallabouthavingtherightattitude.RichardTognetti,artisticdirectoroftheAustralianChamberOrchestra,saidtheteamwasexcitedtohaveMr.Murrayjointhe25﹣personorchestra."He'sbringingareallytraditionalapproach.Werespectthesoundthathebringsintotheorchestra.We'reusedtothesoundofadidgeridoobutplayingitinLA,NewYorkandRichmondVirginiawillbeinterestingfortheaudience,"hesaid.Anothermemberoftheorchestra,AboriginalmusicianStevePigram,saidhewasproudofMr.Murray'sachievementatsuchayoungage."He'scomingthroughthatthingofperforminginareggae(popularmusicintheWestIndies)rockband,sameaswhatIdid.Buthe'sgottothiskindoflevelalittlequicker.Wellit'stakenme40years,"hesaid.(1)HowdidMurraylearntoplaythedidgeridoo?A.Hetaughthimself.B.Helearnedfromhisgrandfather.C.HedrewinspirationfromDavid.D.Hefollowedhisfather'sinstructions.(2)WhatdoweknowaboutB2M?A.It'sapopularlocalband.B.Itsmembersareallveryyoung.C.ItstouraroundtheUSwillcomesoon.D.It'sabandintheAustralianChamberOrchestra.(3)WhatdidRichardTognettithinkofMurray?A.Heneededtogetalongwiththeorchestramembers.B.Hewouldplayavaluablepartintheorchestra.C.HewouldfacelotsofchallengesintheUS.D.Heneededtolearntraditionalapproaches.(4)WhatdoStevePigramandMurrayhaveincommon?A.Theybecamefamousatayoungage.B.Theyhaveplayedinarockband.C.Theycamefromthesamecity.D.Theyareofthesameage.5.Insummer2007,IjoinedtheBritishRedCrossat15.Afterseveraldaysoftraining,IwasattendingmyfirsteventasafullyqualifiedRedCrossvolunteer.Ourteamwasprovidingmedicalcoverforalargemartialartsgradingevent.AlthoughI'dpassedmyfirstaidcoursewithflyingcolours,Iwasnervousbeforetheeventbegan.There'squiteadifferencebetweentheclassroomandtherealthing!Twoexperiencedadultvolunteerswouldbeworkingwithmefortheday.Rosiewastakingpartintheunder﹣16sevent.Thiswassupposedtobenon﹣contact,andshewaswearingfullprotectiveclothingjustincase.Alltheseprecautions(預(yù)防措施)didn'thelphowever,whenhercompetitormisjudgedamoveanddeliveredaviolentblowtoherhead."Guys,weneedsomehelpoverhere!"Overwewent,allthreeofuscarryingvariousbitsofkit(工具箱).Rosiewaslyingontheground.Asweapproachedwecouldseeshewasconscious.Brian,mycolleaguetookthelead."Heythere,stayniceandstillforme.Chrishereisjustgoingtoholdyourhead.Don'tworry;it'sjustaprecaution."Ihelped,painfullyawarethathundredsofsetsofeyeswerefollowingoureverymove.HoweverIsoonforgotallaboutthisasIfocusedonthetaskathand.Rosiewascomplainingofthepaininherneck.Theseareallclassicsignsofapossiblespinalinjury.Quickly,Brianfoundtherewerenootherinjuriesandanambulancewascalled.Iwasstillholdingherheadanddoingmybesttocomforther.ThedoctorsarrivedandweputRosiecarefullyintotheambulanceforatriptohospital.Thenwewentbacktothefirstaidpostquickly.Tenyearsonwhenacallcomesin,thatslightfeelingofnervousnessisstillthere.However,soisthefeelingofmakingadifference,beingthereduringapainfulmomentinsomeone'slife.(1)Whatdoestheunderlinedpart"withflyingcolours"probablymean?A.Slowly.B.Carefully.C.Poorly.D.Successfully.(2)HowwasRosieinjured?A.Shewashitbymistake.B.Shemadeawrongmove.C.Shedidn'ttakeprecautions.D.Shewasnotherselfandfell.(3)HowdidtheauthorhelpRosie?A.Shetookhertohospital.B.Shecheckedherinjuries.C.Shedidsomethingforherpain.D.Sheheldherheadandcalmedher.(4)Whatdoweknowabouttheauthornow?A.Sheoftenreceivesfirstaidtraining.B.She'sworkingasaprofessionaldoctor.C.Shefeelsasenseofachievementaboutherwork.D.She'snolongernervouswhenperformingfirstaid.6.Likecolourfulcorals,theyrockedgentlyintheoceancurrent.Onlythesewerenotbeautifulnaturalreefsgrownovercenturies.Theywereplasticbags,stucktotheAegeanSeafloorsinceawastesiteslidintothewatereightyearsago.AteamofdiversandenvironmentalistspulledthousandsofplasticbagsfromthewaternearGreece'sAndrosIslandthismonth.Theworkersdescribedwhattheyfoundasa"gulffullofplasticcorals".Seaspollutedwithplastichavebecomeoneofthemostshockingsignsofhumandamagetotheplanet."Itwasaveryscarythingtosee,"saidArabellaRoss,avolunteerdiverwithAegeanRebreath.Thegroupcarriesoutunderwaterandcoastalclean﹣ups."ItreallyshookmeandIthinkitreallyshookeveryonewhosawit,"sheadded.TheMediterraneanisamongtheseaswiththehighestlevelsofplasticpollutionintheworld,theWorldWildlifeFund(WWF)saidinareportinJune.Greeceproducesabout700,000tonsofplasticwasteayear,orabout68kilosperperson.About11,500tonsenteritsseaseveryyear.Almost70%ofthatreturnstotheGreekcoast,oneofthelongestintheworld.TheseapollutionoffAndrosisthoughttodatebackto2011,whenheavyraincausedawastesitetocollapse.Mostofthewastefellintothesea.AegeanRebreathdiversremovedblue,blackandyellowplasticbagscaughtbetweenreefsandamongfish.Itwas"liketheparadiseoftheCaribbeanSea,whereyoufindcoralreefseverywhereofeverycolour.Itwastheexactsamething,butinsteadofcoralsitwasbags,"diverArabellaRosssaid.Theteammanagedtoremoveonlyasmallpartoftheplasticwastetheyfound.Theyalsopulledup300kilogramsofoldfishingtraps﹣knownas"ghostnets"﹣fromAndros.InaseparateoperationinJuneoffSalamina,asmallislandnearAthens,theyremovedtwotons."Ifpeoplearewonderingwheretheirrubbishendsup,weseeiteachtimewegointothewater,"Rosssaid.(1)Whatdoestheunderlinedword"it"(Para.3)mostprobablyreferto?A.TheAegeanSea.B.Plasticpollution.C.Thevolunteergroup.D.Thewastesite.(2)WhatisbelievedtobethestartofthepollutionoffAndros?A.Collapseofawastesite.B.Extremelybadweather.C.Wastethrownawaybytourists.D.PlasticwasteproducedbytheGreeks.(3)WheredoestherubbishfinallyendupaccordingtoRoss?A.Theoceans.B.Inthefields.C.Intherubbishsites.D.Thewastetreatmentfactories.(4)Whatcouldbethebesttitleforthepassage?A.GulfofPlasticCorals'FoundinAegeanSeaB.TheParadiseLiesintheCaribbeanSeaC.CoralReefsAreFullofEveryColourD.WaterPollutionIsVerySerious7.(2024?臺(tái)州模擬)Scientistsarepoorforecastersofthefuture.Buttwotrendscanbeconfidentlypredicted.First,theworldwillgetmorecrowded.Therewillbemorethan9billionpeopleby2050.Second,theworldwillgetwarmerandsomegovernmentswon'tprioritizethelong﹣termmeasuresneededtodealwithclimatechange,eventhoughscienceoffersusaroad﹣maptoalow﹣carbonfuture.That'swhyweshouldbepromotersofnewtechnology﹣withoutittheworldcan'tprovidethefoodandsustainableenergyneededforanexpandingpopulation.Butweshouldalsobecautious,asnewtechnologies,suchasAI,maybehardtocontrol.AIwillundoubtedlybecomemoreaggressiveinthefuture.Recordsofourmovements,healthandfinancialtransactionswillbestoredinthecloud.Thedatamaybeusedforjustifiablereasons,suchasproteinfoldinganddrugdevelopment,ortowarnusofinitialhealthrisks,butitsavailabilitytoInternetcompaniesisalreadyshiftingthebalanceofpowerfromgovernmentstoglobal﹣scalecorporations.Actually,it'sbeyondEarththatAIhasthemostenormouspotential.HumansmayhaveestablishedbasesbeyondEarthbytheyear2100.Butdon'teverexpectmassemigration(移民)fromEarth.It'safalsebeliefthatspaceoffersanescapefromourproblems.DealingwithclimatechangeonEarthisapieceofcakecomparedtoterraforming(地球化)Mars.Nevertheless,weshouldcheeronthesebravehumanspaceadventurers.They'llbeill﹣adaptedtoaMartianhabitat,sothey'llhaveasupermotivetoredesignthemselves.It'sthey,notthoseofusadaptedtolifeonEarth,whowillpioneerthepost﹣humanera(時(shí)代).Ifpost﹣humansmaketheshiftfromfleshandbloodtofullyartificialintelligence,theywon'tneedanatmosphereofevengravity,soit'sindeepspace﹣notevenonMarsthatnonbiological"brains"maydeveloppowersthatwecan'timagine.Theymayendupbeingmentallydifferentfromus.AIcouldjump﹣startahugeemigrationandthusevenmorecomplexintelligencespreadsthroughtheuniverse.Butlet'srefocusfromthesciencefictionofthefarfuture.closertothehereandnow.Thiscenturyisspecial.It'sthefirst,inEarth's4.5﹣billion﹣yearhistorywhereonespecies﹣ours﹣holdstheplanet'sfutureinitshands.Ourintelligencecouldinitiatebillionsofyearsofpost﹣humanevolution(演化),evenmoreamazingthanthatwhichledtous.Ontheotherhand,humanscouldcausebiological,environmentalorcvbercatastrophesthatforecloseallthispotential.Ifscienceistosaveus,weneedtothinkglobally,sensiblyandlong﹣term﹣empoweredbyscience,butguidedbyvaluesthatsciencealonecan'tprovide.(1)Whydoestheauthormentionthetwotrendsinthefirstparagraph?A.Tojustifythegovernments'policies.B.Tocriticizescientists'poorpredictionability.C.Toadvocateforadvancementsintech.D.Tohighlightthechallengesfacedbyscientists.(2)Accordingtothispassage,AIcan.A.putanendtoclimatechangeB.facilitatemasshumanmigrationC.speedupthecompetitioninmedicalfieldsD.bringaboutpotentialthreatsfrombigcompanies(3)Asforthefuture,whichofthefollowingwilltheauthoragreewith?A.Post﹣humanswillechothehistoryofhumans.B.Complexintelligencewilldominatetheuniverse.C.Non﹣biologicalbrainsmayinviteunknowndisasters.D.Fullyartificialintelligencemayinhabitouterspace.(4)Whichwouldbethebesttitleforthepassage?A.FutureofHumanity:CouldAISaveUs?B.ChangeorDie:WillScienceLeadFurtherEvolution?C.TowardsaSustainableFuture:WhatCanWeDo?D.UnstoppableTrend:IsComplexIntelligenceComing?8.Whenshewastenyearsold,IsadoraDuncandroppedoutofschooltoteachpeopledance.Ifthatjobwaslefttoanyotherten﹣year﹣old,itwouldhaveturnedoutfrustrating,difficult,andalittlediscouraging.ButDuncanwasdifferent.Notonlywasshealreadytalentedenoughtoearnmoneyevenatthatage,butshealsohadararekindofconfidencethathelpedhertreattroublesasfuel﹣﹣somethingtoelevatethefirethatisalreadyburninginsideofher.It'snosurprise,then,thatwhenshemovedtoNewYorktojoinatheatrecompany,shefoundherselfrestricted.Theexistingdancingstyle,theirwayofoperating﹣﹣allofthisseemedtohertheworkofamisguidedpast.Duncanwasverydirectaboutwhatshewanted,confidentlytellingpeopleshehadadifferentvisionofdancethatshewasgoingtospreadintheworld.This,naturally,ledtoridiculeandlaughsearlyon,butasshebuiltupherwork,theseinstancesbecamelessfrequent.Today,sheisrememberedas"TheMotherofDance,"withmuchofthemodernartowingitsexpressivestyletoherinfluence.InspiredbytheancientGreeks,shebroughtthestyletolife.Inherautobiography(自傳),oneofthethingsDuncanfrequentlyreferstoasthebasisofherexpressivespiritisthefactthatshehadachildhoodwhereshewasn'tconstantlywatched.Theexpectationsofhermother(whoraisedher)wereopen﹣ended.Itwasthefreedomofthislifestylethatdrovehertoseewhatshecoulddo.Growingup,beforesheleftschool,shewastoldoneoftwothings:thatwaseithercompletelyuselessorthatshewasagenius.Therewasnothinginbetween.Evenwhenshestartedworking,peopleeitherbowedtoherortheybasicallyignoredher.Buttherewasn'tonemomentDuncandoubtedherowngenius.Thereisanoldquotation"ifyoujudgeafishbyitsabilitytoclimbatree,itwillliveitswholelifebelievingthatitisstupid."Anditcapturesanimportanttruth.Atschool,IsadoraDuncanwasafailure.Inthedancehall,shegaveformtobrilliance.(1)Whatdoestheunderlinedphrase"treattroublesasfuel"mean?A.Duncanusedtroublestopushherforwardtowardsherdream.B.Duncanwasgoodatburningawayeverydaytroubles.C.TroublesturnedDuncanintoaconfidentgirl.D.TroublesitthefireofdancinginDuncan.(2)WhichofthefollowingisTRUEaboutDuncan?A.HerexperienceinNewYorkwasthefoundationofhercareer.B.Herteachingjobwhenshewaslittledestroyedherconfidence.C.Herdancingstylewasnotverywellreceivedatthebeginning.D.Hermothersethigherexpectationonherthanshecouldbear.(3)Whatdoestheauthortrytotellthereadersinthelastparagraph?A.Itisuselessclimbingatreetocatchfish.B.Everybodyisageniusinhisownway.C.Miseriescomefromhumanstupidity.D.Teacherscanimpactstudentsgreatly.(4)Whatisthispassagemainlyabout?A.IsadoraDuncan'schildhoodandherachievementstoday.B.Duncan'scareerdevelopmentandotherdancers'opinionsofher.C.IsadoraDuncan'searlyexperiencesandthereasonsforhersuccess.D.Duncan'shighstatusinthedancingworldandheruniqueexpressivestyle.9.(2023春?河北區(qū)校級(jí)月考)EversinceIstartedmycalligraphybusinesstwoyearsago,I'vebeenonsocialmediaeverysingledaywithoutanybreak.Socialmedia,andespeciallyInstagram,hasbeenessentialforrunningmybusinessbecauseIuseittopromotemyproductsandservices,stayincontactwithpossiblecustomers,andcreatecontenthelpingcalligraphersgrowtheirbusinesses.Ihadbeenignoringotherpartsofmylife,likemyfamily,friends,andmymentalwell﹣being,soabreakwaslongoverdue.Mymomhadn'tbeendoingsowellintermsofhermentalhealth,soIwantedtotakesometimetosupporthermore.IwantedtotakesometimeoffInstagramtoreflectandplanforthefuture.Iwaschattingwithstrangersandpossiblecustomersonsocialmediawaymorethanwithactualfriends.Thatmademesadanddefeated.So,whatcouldbedone?Idecidedtodelete(卸載)InstagramfrommyphoneandonlyusedthePCversiontocheckuponwhatmycustomersweredoingforamonth.Nowthatit'sbeenamonth,IwanttosharesomethingsthatI'velearned.DuringthismonthoffInstagram,Irealizedthattherewassomuchmoreinlifethanfollowingpeopleandsharingthingsonsocialmedia.Don'tgetmewrong—Ilovelearningaboutwhatothersaredoingthroughtheirstoriesandposts,andIknowthatcreatingcontentisapartofhowIcangrowmybusiness—butIhadtotallyforgottenthatIhadactualhobbiesofmyown.I'mahugefanofsocialmediaformanyreasons,butIjustdon'tthinkthewayIwasusingitwashealthy.It'sdifficulttofindabalance,butI'mgoingtotryanyway.IknowthatthisonemonthoffInstagramwashealthyforme.I'mgoingback,butit'sgoingtobedifferent.AndIfeelgoodaboutgoingback!(1)WhatdidtheauthormostlydowithsocialmediabeforedeletingInstagram?A.Hesharedhistipsforhealthyliving.B.Helearnedcalligraphybyhimself.C.Heconductedbusinessactivities.D.Hechattedwithhisfriends.(2)Whatdotheunderlinedwords"waslongoverdue"inparagraph2probablymean?A.Wasoutofthequestioninthelongterm.B.Shouldhavehappenedlongbefore.C.Neededtobeaslongaspossible.D.Wasplannedalongtimeago.(3)Whatwastheauthor'slifelikebeforedeletingInstagramfromhisphone?A.Unhappyanddepressing.B.Busybutmeaningful.C.Wealthybutfrustrating.D.Fullofanxiety.(4)WhatdidtheauthorlearninthemonthoffInstagram?A.Sharingthingsonsocialmediaismeaningless.B.ThePCversionofInstagramismoreadvanced.C.There'smuchfuntoenjoyawayfromsocialmedia.D.CreatingcontentonInstagramcontributeslittletohisbusiness.(5)Whyhastheauthordecidedtogobacktosocialmedia?A.Hissocialmediadetox(戒掉)hasendedinfailure.B.Hehasconfidenceinusingsocialmediahealthily.C.OnemonthoflifewithoutInstagramisenoughforhim.D.Hisfriendsrequireinstantcommunicationonsocialmedia.10.ThefreezingNortheasthasn'tbeenaterriblyfunplacetospendtimethiswinter,sowhenthechancecameforaweekendtoSarasota,F(xiàn)lorida,mybagswerepackedbeforeyoucouldsay"sunshine".IleftforthelandofwarmthandvitaminC(維生素C),thinkingofbeachesandorangetrees.Whenwetoucheddowntoblueskiesandwarmair,Isentupasmallprayerofgratefulness.Swimmingpools,winetasting,andpinksunsets(atnormaleveninghours,not4intheafternoon)filledtheweekend,butthebestpart﹣particularlytomytaste,dulledbymonthsofcold﹣weatherrootvegetables﹣wasa7a.m.adventuretotheSarasotafarmers'marketthatprovedtobemorethanworththeearlywake﹣upcall.Themarket,whichwasfoundedin1979,setsupitstentseverySaturdayfrom7a.m.to1p.m.,rainorshine,alongNorthLemonandStatestreets.Basketsofperfectredstrawberries;thered﹣paintedsidesoftheJavaDawgcoffeetruck;andmostofall,thetomatoes:amazing,large,softandroundredtomatoes.Disappointedbymanyabroken,vine﹣ripened(蔓上成熟的)promise,I'verefusedtobuywintertomatoesforyears.Nomatterhowattractivetheylookinthestore,onceIgetthemhomethey'reunfailinglydry,hard,andtasteless.ButIhomedin,withuncertainty,ononeparticulartableattheBrown'sGroveFarm'sstand,fulloffreshandsofttomatoesthesizeofmyfist.Theseweretherealdeal﹣andatthatmoment,Irealizedt

溫馨提示

  • 1. 本站所有資源如無特殊說明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽,若沒有圖紙預(yù)覽就沒有圖紙。
  • 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
  • 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
  • 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請(qǐng)與我們聯(lián)系,我們立即糾正。
  • 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。

最新文檔

評(píng)論

0/150

提交評(píng)論